Universidade Federal Da Bahia

Total Page:16

File Type:pdf, Size:1020Kb

Universidade Federal Da Bahia UNIVERSIDADE FEDERAL DA BAHIA INSTITUTO DE LETRAS PÓS-GRADUAÇÃO EM LITERATURA E CULTURA CRISTÓVÃO JOSÉ DOS SANTOS JÚNIOR TRADUZINDO O LIPOGRAMA FULGENCIANO DE AETATIBVS MVNDI ET HOMINIS Dissertação apresentada ao programa de Pós- Graduação em Literatura e Cultura do Instituto de Letras da Universidade Federal da Bahia, como requisito para a obtenção do título de Mestre. Orientador: Prof. Dr. José Amarante Santos Sobrinho. Salvador 2019 UNIVERSIDADE FEDERAL DA BAHIA INSTITUTO DE LETRAS PÓS-GRADUAÇÃO EM LITERATURA E CULTURA FOLHA DE APROVAÇÃO Em sessão pública realizada em 09 de setembro de 2019, às 9h, na sala de defesas do Programa de Pós-Graduação em Literatura e Cultura do Instituto de Letras da Universidade Federal da Bahia, a presente dissertação, de autoria de CRISTÓVÃO JOSÉ DOS SANTOS JÚNIOR, foi examinada pela seguinte banca examinadora: 1. Prof. Dr. Renato Ambrósio (UFBA) Examinador externo ao Programa 2. Prof. Dr. Hernán Yerro (UFBA) Examinador interno ao Programa 3. Prof. Dr. José Amarante Santos Sobrinho (UFBA) Orientador E obteve o seguinte parecer final: A banca considera que o trabalho apresentado encontra-se bem estruturado e é fruto de uma pesquisa aprofundada; o mestrando demonstra um conhecimento particular do referencial teórico, o que resulta numa tradução inédita e que dá conta das dificuldades do texto lipogramático em português. Ressalte-se a defesa cuidadosa dos elementos apresentados pela banca. A Aureci e Cristóvão AGRADECIMENTOS Agradeço profundamente a meu berço familiar, âmago de minhas diretrizes intelectivas, e, especialmente, a meus genitores, maiores pedagogos de meu itinerário existencial. Agradeço a Ivan do Valle, a Gustavo de Pádua, a Silvio Bernal e a Jozianne Andrade, por terem me incentivado a permanecer no percurso nem sempre amistoso da pesquisa stricto sensu. Agradeço inenarravelmente a meu orientador, José Amarante, por suas inestimáveis contribuições, auxiliando-me continuamente em minha empreitada perquisitiva. Foram incontáveis leituras, correções, análises, questionamentos, exames e sugestões. Desse modo, tenho certeza que a qualidade de minha produção científica decorre diretamente de seu olhar sempre atento e preciso, além de sua indelével generosidade intelectual. Agradeço aos professores Jorge Hernán e Renato Ambrósio, que aceitaram prontamente o convite para participar de minha banca, mesmo sem trabalhar diretamente com Fulgêncio, cooperando veementemente com o aperfeiçoamento de meu trabalho. Essa proatividade é sinédoque do magistral perfil docente encarnado pelo Instituto de Letras da UFBA, em que educadores, amplamente comprometidos com a democratização do conhecimento, acolhem, com grande dadivosidade, as mais diversas propostas de estudo. Agradeço, por fim, a todos aqueles que de algum modo colaboraram com minha pesquisa. “Que poeta equilibra a esperança, Balanceada em pequenos bocados?” (José Amarante, Baile a fantasia, 2017). RESUMO Resumo: A presente pesquisa aborda o processo tradutório do prólogo e dos quatro primeiros livros da obra De aetatibus mundi et hominis, creditada ao autor norte-africano e tardo-antigo Fábio Plancíades Fulgêncio (o Mitógrafo), a partir da edição fixada por Helm (1898). Tal produção está dividida em 14 livros, em uma estrutura lipogramática de caráter consecutivo, e possui como fulcro diegético a Bíblia Sagrada Cristã. Na descrição de suas narrativas de cunho religioso, o Mitógrafo adota o mecanismo esteticamente inusitado de supressão de letras (lipograma), evitando palavras que apresentem registro nos 14 elementos iniciais do alfabeto latino, o que está sendo mantido na proposta de tradução. Nesse procedimento, em termos teóricos, estabelecem-se práticas dialógicas com variados autores, a exemplo de Jacques Derrida, Giorgio Agamben, Haroldo de Campos Michel Foucault, Antonhy Pym, Lawrence Venuti, Rosemary Arrojo, Lauro Amorim, Alice Ferreira e Michaela Wolf, no processo de discussão de epistemes atreladas ao campo tradutório. No que concerne ao âmbito prático, a seu giro, almeja-se uma atividade tradutória orientada por uma gama de critérios, tanto de ordem geral como direcionados a dar vida à constrição lipogramática, também se evitando, no português, o uso sequenciado das letras que vão de ‘A’ a ‘D’, por livro. Palavras-chave: Fulgêncio, Antiguidade Tardia, Tradução Lipogramática, Escrita Constrangida. ABSTRACT Abstract: This research deals with the translation process of the prologue and the first four books of the work De aetatibus mundi et hominis, credited to the North African and late-old author Fabius Planciades Fulgentius (the Mythographer), from the edition fixed by Helm (1898). This literary work is divided into 14 books, in a lipogrammatic structure of a consecutive character, and has as its diegetic support the Christian Holy Bible. In the description of his religious narratives, the Mythographer adopts the aesthetically unusual mechanism of letter suppression (lipogram), avoiding words that present a record in the 14 initial elements of the Latin alphabet, which is being maintained in the translation proposal. In this procedure, in theoretical terms, dialogical practices are established with a variety of authors, such as Jacques Derrida, Giorgio Agamben, Haroldo de Campos, Michel Foucault, Antonhy Pym, Lawrence Venuti, Rosemary Arrojo, Lauro Amorim, Alice Ferreira and Michaela Wolf, in the process of discussion of epistemes linked to the field of translation. With regard to the practical scope, its aim is to translate the lipogram, guided by a series of criteria, directed to give life to the lipogrammatic constriction, also avoiding, in Portuguese, the sequential use of letters that go from 'A' to 'D'. Keywords: Fulgentius, Late Antiquity, Lipogrammatic Translation, Constrained Writing. 7 SUMÁRIO INTRODUÇÃO ...................................................................................................................... 10 2 A PROBLEMÁTICA DOS DOIS FULGÊNCIOS ...................................................... 13 2.1 ALGUNS ELEMENTOS DA FORTUNA FULGENCIANA ..................................... 13 2.2 FULGÊNCIO RUSPENSE ........................................................................................... 19 2.3 FULGÊNCIO MITÓGRAFO ....................................................................................... 22 2.3.1 Mythologiae .......................................................................................................................... 26 2.3.2 Expositio Virgilianae continentiae ...................................................................................... 29 2.3.3 Expositio sermonum antiquorum ........................................................................................ 30 2.3.4 De aetatibus mundi et hominis ............................................................................................ 31 3 CONHECENDO O LIPOGRAMA ............................................................................... 34 3.1 CARACTERÍSTICAS NOTÁVEIS ............................................................................. 34 3.2 FULGÊNCIO NA TRADIÇÃO LIPOGRAMÁTICA ................................................. 36 4 TRADUZINDO SEM AS LETRAS ............................................................................... 42 4.1 ESTRATÉGIAS FULGENCIANAS ............................................................................ 58 4.2 ESTRATÉGIAS DO TRADUTOR .............................................................................. 64 4.3 TRADUÇÃO ANOTADA ........................................................................................... 69 5 EDIÇÃO BILÍNGUE ................................................................................................. 73 DE AETATIBVS MVNDI ET HOMINIS ....................................................................... 74 PROLOGVS ................................................................................................................. 75 ABEST A ...................................................................................................................... 77 ABEST B ...................................................................................................................... 77 ABEST C ...................................................................................................................... 79 ABEST D ...................................................................................................................... 81 DAS IDADES DO MUNDO E DO HOMEM................................................................ 83 PRÓLOGO.................................................................................................................... 84 AUSENTE A ................................................................................................................ 88 AUSENTE B................................................................................................................. 90 AUSENTE C................................................................................................................. 94 AUSENTE D ................................................................................................................ 97 CONSIDERAÇÕES FINAIS ............................................................................................... 100 REFERÊNCIAS.................................................................................................................... 102 ANEXO 1 ..............................................................................................................................
Recommended publications
  • Heads Or Tails
    Heads or Tails Representation and Acceptance in Hadrian’s Imperial Coinage Name: Thomas van Erp Student number: S4501268 Course: Master’s Thesis Course code: (LET-GESM4300-2018-SCRSEM2-V) Supervisor: Mw. dr. E.E.J. Manders (Erika) 2 Table of Contents List of Figures ............................................................................................................................ 5 Figure 1: Proportions of Coin Types Hadrian ........................................................................ 5 Figure 2: Dynastic Representation in Comparison ................................................................ 5 Figure 3: Euergesia in Comparison ....................................................................................... 5 Figure 4: Virtues ..................................................................................................................... 5 Figure 5: Liberalitas in Comparison ...................................................................................... 5 Figure 6: Iustitias in Comparison ........................................................................................... 5 Figure 7: Military Representation in Comparison .................................................................. 5 Figure 8: Divine Association in Comparison ......................................................................... 5 Figure 9: Proportions of Coin Types Domitian ...................................................................... 5 Figure 10: Proportions of Coin Types Trajan .......................................................................
    [Show full text]
  • Antholoaia LATINA
    ANTHOLOaiA LATINA SIVE POESIS LATINAE SVPPLEMENTVM PARS PRIOE: CARMINA m CODICIBVS SCRIPTA RECENSVIT ALEXANDER RIESE FASCICVLVS II: EELIQVOEVM LIBEOEVM CAEMINA LIPSIAE IN AEDIBVS B. G. TEVBNERI MDCCCLXX I IiTP61A.E : TTPIS B. O. TEVBNEBI PRAErATIO Ex ingenti librorum manu scriptorum numero hic fasciculus consarcinatus est. Quorum multos ipse con- tuli, Parisinos dico plerosque et Valentianos et Bam- bergensem 787 et Turicensem 78 et, quos eximia biblio- thecae praefectorum comitas Francofurtum transmittendos curauit, Leidenses Vossianos q. 33 et q. 69. Reliquos uirorum doctorum beneuolentiae et humanitati debeo, qui auxilium suum large mihi praestiterunt. Hoiderus enim nunc quoque suam mihi operam non deesse voluit misitque et ex Leidensibus quaedam et Valentianos 396 et 389 et multa Caroliruhae nunc seruata a Scotis mo- naciiis scripta. Idem quae Noltius ex codicibus Bruxel- iensibus 1828 — 1830 et 5657 enotauerat meo usui con- cessit. Hagenus quoque ex codicibus Bernensibus multa mihi contulit, cf. c. 483, 672, al. Porro Martinus Hertz codicem Rehdigeranum S. L 6. 17 et Guilelmus Hartel Vindobonensem 2521 a me rogati inspexere Conradusque Bursian quae ex Parisinis 7533 et 8093 enotauerat mecum communicauit. J. Adert Geneuensis quas Duebneri amici collationes possidet perhumaniter ultro mihi obtulit e uti ; quibus paucis quibusdam potui, quae suis locis inuenies. Gasto Boissier denique c. 718 cum codice Parisino 13026 contulit et paucula quaedam praecipue ad c. 393 spectantia Lucianus Mueller misit. Quibus uiris omnibus gratias maximas laetissime testatas es§e uolo. IV PRAEFATIO Sed et codicem Isidori Beilouacensem statim hic memorandum puto, qui est fons carminum 690—715 hodie deperdilus. cf. praef. fasc. I. p. XXXIII sq. Ex sacerdotis cuiusdam Bellouacensis codici epistola , quae Parisino 11677 saeculi XVIII initio scripto, uarias Isi- dori codicum et quidem fol.
    [Show full text]
  • The Developmentof Early Imperial Dress from the Tetrachs to The
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Birmingham Research Archive, E-theses Repository University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. The Development of Early Imperial Dress from the Tetrarchs to the Herakleian Dynasty General Introduction The emperor, as head of state, was the most important and powerful individual in the land; his official portraits and to a lesser extent those of the empress were depicted throughout the realm. His image occurred most frequently on small items issued by government officials such as coins, market weights, seals, imperial standards, medallions displayed beside new consuls, and even on the inkwells of public officials. As a sign of their loyalty, his portrait sometimes appeared on the patches sown on his supporters’ garments, embossed on their shields and armour or even embellishing their jewelry. Among more expensive forms of art, the emperor’s portrait appeared in illuminated manuscripts, mosaics, and wall paintings such as murals and donor portraits. Several types of statues bore his likeness, including those worshiped as part of the imperial cult, examples erected by public 1 officials, and individual or family groupings placed in buildings, gardens and even harbours at the emperor’s personal expense.
    [Show full text]
  • La Clementia Y La Libertad En La Obra De Séneca
    LA CLEMENTIA Y LA LIBERTAD EN LA OBRA DE SÉNECA Liborio Hernández Guerra DpTo. de HisToria AnTigua y Medieval - FaculTad de Filosofía y LeTras - Universidad de Valladolid [email protected] RESUMEN La obra De Clementia de Séneca implica una defensa del emperador Nerón con la finalidad de ofrecer una imagen del prínceps en la Roma del alTo Imperio. Es un TraTado políTico, que debe enTenderse como un dualismo enTre el prínceps y el Senado. PALABRAS CLAVE : Clemencia, liberTad, adopción. CLEMENCY AND FREEDOM IN THE WORK OF SENECA ABSTRACT The work De Clementia de Seneca involves a defense of Emperor Nero in order To offer an image of The prince in The Rome of The High Empire. IT is a poliTical TreaTy, which should be undersTood as a dualism beTween The princes and The SenaTe . KEYWORDS : Clemency, freedom, adopTion. 9 3 1. INTRODUCCIÓN 2 0 5 2 - 9 Séneca vive en una circunsTancia críTica de la hisToria de Roma, momenTo 3 2 . en que el régimen imperial se consolida, las liberTades republicanas esTán mermadas P P 1 , y el emperador acTuaba como un déspoTa . Los inTelecTuales romanos, en general, ) 2 ( Transigieron, a pesar del grupo que se opuso al régimen, enTre ellos el padre del 0 2 2 0 propio Séneca , considerado como una de las figuras significaTivas de la filosofía esToi - 2 ; 2 ca, basada en el principio de que los seres humanos debían ser úTiles a los demás. Fue 3 º N uno de los símbolos brillanTes en la Roma de los emperadores, nacido en Corduba , E enTre el 4 a.
    [Show full text]
  • Neh100b2326548.Pdf
    e^ FABII PLANCIADIS FULGENTII V. C. OPERA ACGEDUNT FABII CLAUDII GORDIANI FULGENTII V. C. DE AETATIBUS MUNDI ET HOMINIS ET S. FULGENTII EPISCOPI SUPER THEBAIDEN RECENSUIT RUDOLFUS HELM LIPSIAE IN AEDIBUS B. G. TEUBNERI MDCCCXCVIII **fi?7 IilPSlAE: TTPIS B. G. TETTBNERI OTTONI PLASBERG S. Quoniam iniucundum quod dixit Reifferscheidius Ful- gentii edendi opus perfecimus et in lucem iam proditurus est auctor cui per tot menses uel annos summam naua- uimus operam, nescio cui potius horum studiorum fructum donem quam tibi, amice carissime. Nam quamquam non desunt quibus etiam atque etiam gratum animum prae- stare uelim, tamen uiris illis doctrina pariter atque aucto- ritate praestantibus hoc tenue munusculum offerre non audeo. At te, qui mihi omnibus in causis siue ad com- mune litterarum studium siue ad alias res pertinent amicitia sincera et singulari praesto esse soles, hoc donum quantulumcumque est aspernaturum non esse spero, prae- sertim cum omnibus in quaestionibus et grammaticis et historicis, quibus hic auctor iucundissimus mihi ex in- iucundo factus est, ipse studiose comitatus me coercendo incitando, laudando refutando adiuueris, ut nulla fere pagina tuo subsidio caruerit. Uale. Fabium Planciadem Fulgentium hominem Afrum fuissc nobili loco ortum iam pro certo habere licet, cum et ipse se Romanum esse neget (p. 86, 11) et libromm de aetatibus 1 dubitari uix mundi et hominis, quos quin idem scripserit ) potest, auctor linguam Libycam suam esse dicat (p. 191, 7). Neque magis haeremus inquirentes, quanam aetate floruerit, quoniam omnia argumenta eum saeculo V exeunte, ineunte sexto uixisse euincunt. Nomina autem Claudii Gordiani, quae auctori libri de aet. m. qui inscribitur attribuuntur, cum iam Planciadi recte adscribi uideantur, quaestio ex- oritur, quod inter eum et episcopum Ruspensem intercedat 1) cf.
    [Show full text]
  • University of Florida Thesis Or Dissertation Formatting
    THE MAN AND THE MYTH: HERACLIUS AND THE LEGEND OF THE LAST ROMAN EMPEROR By CHRISTOPHER BONURA A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS UNIVERSITY OF FLORIDA 2011 1 © 2011 Christopher Bonura 2 ACKNOWLEDGMENTS I thank my adviser, Dr. Andrea Sterk, for all the help and support she has given me, not just for this thesis, but for her patience and guidance throughout my time as her student. I would never have made it to this point without her help. I would like to thank Dr. Florin Curta for introducing me to the study of medieval history, for being there for me with advice and encouragement. I would like to thank Dr. Bonnie Effros for all her help and support, and for letting me clutter the Center for the Humanities office with all my books. And I would like to thank Dr. Nina Caputo, who has always been generous with suggestions and useful input, and who has helped guide my research. My parents and brother also deserve thanks. In addition, I feel it is necessary to thank the Interlibrary loan office, for all I put them through in getting books for me. Finally, I would like to thank all my friends and colleagues in the history department, whose support and friendship made my time studying at the University of Florida bearable, and often even fun, especially Anna Lankina-Webb, Rebecca Devlin, Ralph Patrello, Alana Lord, Eleanor Deumens, Robert McEachnie, Sean Hill, Sean Platzer, Bryan Behl, Andrew Welton, and Miller Krause.
    [Show full text]
  • IMPERIAL VIRTUES in SUETONIUS' CAESARES the Johns Hopkins University (Annona, Felicitas, Liberalitas, Providentia, Clementia, Co
    r ( - ( r ~s IMPERIAL VIRTUES IN SUETONIUS' CAESARES ,. K. R. BRADLEY ~··. The Johns Hopkins University An argument has been made that Suetonius' use of virtue-terms reflects criticism of the emperor Hadrian; this article argues the reverse; it suggests instead that the use of virtue-terms should be attributed to the development in the ideology of the principate of imperial virtues, on which Sue toni us could draw as one means of assessing his biographi­ cal subjects. A noticeable feature of Suetonius' Caesares is the frequent use and mustration of virtue-terms to demonstrate aspects of ( character. This is not altogether surprising given that virtue­ } terms were deeply connected with the traditionally moralistic nature of Roman historiography and that, in an increasingly ( political sense, even under the Republic associations had begun to develop between powerful individuals and certain isolated virtues: Sulla and felicitas, Caesar and clementia provide two I well known instances of this. It is worthwhile, however, to ( examine some of these usages in Suetoniu-s, not least because ) the possibility of con temporary allusiveness is thereby intra­ duced; any historical work is naturally subject to the influence of developments or tastes prevalent at the time of writing, and when Hadrianic allusions have been detected in Tacitus' Annales m (1) the same might be anticipated for the Caesares. An ap­ ·.; proach of this kind must of necessity be subjective especially ,j. since the literary tradition for Hadrian is not above reproach. (2) Nonetheless, the minimal appearance in the Caesares of words which served as predominant Hadrianic coin legends (annona, felicitas, liberalitas, providentia, clementia, concordia, iustitia, pietas, sal us A ugusti, securitas,) and their association in the main with malipn·ncipes has formed part of an argument that Suetonius and Hadrian felt a mutual, deep antipathy; (1) R.
    [Show full text]
  • Lactantius Notes
    1 Tiberius Caesar: emperor AD 14-37. 2 crucio (1) to torture; eccl crucify. post diem decimum Kalendas Apriles: March 23. 3 duobus Geminis consulibus: L. Rubellius Geminus ad C. Fufius Geminus were consuls in AD 29. Lactantius is following the Latin tradition; the Greek tradition preferred AD 33. 4 congrego (1) to gather together, collect. metus, -us m fear. comprehensio f arrest, aprehension; perception, comprehension. 5 deibus XL: ablative of duration of time. commoror (1) to tarry, linger, abide. cor, cordis n heart. 6 interpretor (1) to explain, expound. 7 involutus, -a, -um, intricate, obscure. ordino (1) to set in order, arrange, adjust. praedicatio f proclamation; eccl preaching. 8 dogama, -atis n doctrine, dogma. dispono, -ere, -posui, -positum, to set in order, arrange; settle, determine. sollemnis, -e, yearly, annual; established, appointed, customary; solemn. 9 officium n duty, task. repleo, -ere, -evi, -etum, to fill up; complete. circumvolo, -ere, -volvi, -volutum, to roll around, intwine. procella f violent wind, storm. 10 subtraho, -ere, -traxi, -tractum, to carry off, withdraw. oculis: ablative of separation. 11 assumo, -ere, -sumpsi, -sumptum, to take up, receive, accept. Ablative absolute with Mathia et Paulo. Iudas, -ae m Judas Iscariot. proditor m betrayer, traitor. Paulo: only Matthias was added to the number of disciples to replace Judas. Some editors emend the text to remove this odd reference to Paul. 12 dispergo, -ere, -spersi, -spersum, to scatter (on all sides), disperse. sicut adv just as. 13 illis: dative with imperaverat. 14 principium n beginning, origin; post-class mastery, dominion, principate. Neroiniani: note the adjective form with imperii.
    [Show full text]
  • Athenian Agora ® Athens at Studies CC-BY-NC-ND
    THE ATHENIANAGORA RESULTS OF EXCAVATIONS CONDUCTED BY THE AMERICAN SCHOOL OF CLASSICAL STUDIES AT ATHENS VOLUME II Athens COINS at FROM THE ROMAN THROUGH THE VENETIAN PERIOD BY Studies CC-BY-NC-ND. MARGARET THOMPSON License: Classical of fbj AP A J only. Ak~ use School personal American © For THE AMERICAN SCHOOL OF CLASSICAL STUDIES AT ATHENS PRINCETON, NEW JERSEY I954 American School of Classical Studies at Athens is collaborating with JSTOR to digitize, preserve, and extend access to The Athenian Agora ® www.jstor.org Athens at Studies CC-BY-NC-ND. License: Classical PRINTED of only. use IN School GERMANY ALL RIGHTS personal at American J.J.AUGUSTIN RESERVED © For GLOCKSTADT PREFACE Between the years 1931 and 1949 the American excavations in the Athenian Agora produced 55,492 coins of Roman and later periods. The catalogued entries in this publication, ranging in date from the last century of the Roman Republic to the declining years of the Republic of Venice, total 37,090 specimens; the remaining Islamic and Modern Greek pieces have been Athens listed summarily in order that the tally may be complete. This is an overwhelming amount of at coinage, which in sheer quantity represents a collection comparableto many in the numismatic museums of the world. Unfortunately very few of the Agora coins are museum pieces, but lamentable as is their general condition to the eye of the coin collector or the cataloguer, they do provide for the historian an invaluable record of the money circulating in one of the chief cities of from the time of Sulla to our own Studies antiquity present.
    [Show full text]
  • PDF Hosted at the Radboud Repository of the Radboud University Nijmegen
    PDF hosted at the Radboud Repository of the Radboud University Nijmegen The following full text is a publisher's version. For additional information about this publication click this link. http://hdl.handle.net/2066/104469 Please be advised that this information was generated on 2017-12-06 and may be subject to change. COINS AND MESSAGES: AUDIENCE TARGETING ON COINS OF DIFFERENT DENOMINATIONS?* By OLIVIER HEKSTER Some Romans were aware of the images and legends on their coins. Passages from various literary texts make this clear. The examples are well known. The Gospel of Matthew, for instance, tells us how: “They brought him a denarius, and he said to them, ‘whose portrait is this? and whose inscription?’ and they said to him: ‘Caesar’s’. Then he said to them, ‘Give to Caesar what is Caesar’s’.”1 Sceptics could still argue that this passage actually shows a lack of awareness of images on coins from the part of the public, as the emperor’s portrait and inscription needed pointing out. Arrian, however, in a famous passage, goes further and explicitly connects value judgements on individual emperors with their particular coins. He takes it entirely for granted that people were aware of which emperor was depicted on which coin: “The stamps with which a man comes imprinted on his disposition [are] like the stamps we look for on coins too: if we find them we accept their value, if we don’t, we chuck them out. ‘Whose stamp does this serterce bear? Trajan’s? Take it. Nero’s? Chuck it out, it will not pass, it is rotten.’” (Arrian, Discourses of Epictetus 4.5.15-17) Even if people did not ‘chuck out’ the coins of ‘evil emperors’ (and they probably did not), the emphasis on awareness of the individuals depicted on coins is striking.
    [Show full text]
  • Election Report for Cases Closed
    Case Type (All Column Values) Election Held Date Between None - None Case Number None Dispute Unit State (All Column Values) Case Closed Date Between 10/01/2019 - 09/30/2020 Case Name None Dispute Unit City (All Column Values) Labor Org 1 Name None Action Type 10E, 10e, 10j, 10j - 10l, 10j - 10l Contempt, 10k, AC, ALJ, ALJ EAJA, Adversary, Appellate, Appellate Mediation, Bankruptcy, Title of the Report Election Report for Cases Closed Bankruptcy Guidance, Before ALJ, Before ALJ - Compliance, Before Board, Before Board - Compliance, Board Notice, Board Order, Board Order Enforcement, C-Case Decision, CA, CB, CC, CCSLB Compliance Investigation, CCSLB Contempt, CD, CE, CG, CP, Cert Recommendation, Certiorari, Closed w/out Full Compliance, Collection Enforcement, Collection Post-Judgment, Collection Pre-Judgment, Collyer, Complaint, Compliance, Compliance - ALJ, Compliance Agreement, Compliance Determination, Compliance Hrg, Compliance Investigation, Compliance Specification, Compliance ULP Hrg, Conditional, Conditional/Merit, Consent, Contempt, Court Judgment, Court Remand, Court of Appeals Bankruptcy, Court of Appeals Contempt, Decision on Hearing, Decision on Remand, Decision on Review - C Case, Decision on Review - R Case, Decision on Stipulated Facts, Decision on Stipulated Record, Deferral, Discriminatee, Dismissal, District Court, District Crt 10j, District Crt 10l, District Crt Bankruptcy, Dubo, EAJA, EAJA - ALJ, Election Agreement, Enforcement, Enforcement/Review, Ethics, Exceptions or Auto Adopt - C, Exceptions or Auto Adopt - R, Finance, Formal, Formal Bilateral, Formal Settlement, Guideline, Hearing, ILB, ILB - 10j, ILB - Appeal Consideration, ILB - Contempt, ILB - Ct Doc Rev, ILB - Litigation Advice, Informal, Informal Settlement, Initial C, Initial R, Intervention, Interview, Investigative, Litigation Matters - Other, MSJ ? Board Notice, Manual, Merit Dismissal, Mot. to Transfer on StipFacts, Motion ? Other, Motion - Other, Motion for Clarification, Motion for Default Judgment, Motion for Default Judgmnt ALJ, Motion for Reconsid.
    [Show full text]
  • Coversheet for Thesis in Sussex Research Online
    A University of Sussex DPhil thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details University of Sussex Wendy Watson: Candidate for Doctor of Philosophy (DPhil) The Art of Personification in Late Antique Silver: Third to Sixth Century AD Submitted for the degree of Doctor of Philosophy, University of Sussex August 2012 VOLUME ONE Statement I hereby declare that this thesis has not been, and will not be, submitted in whole or in part to another university for the award of any other degree: Signature: ………………………………………….. University of Sussex Wendy Watson: Candidate for Doctor of Philosophy (DPhil) The Art of Personification in Late Antique Silver: Third to Sixth Century AD Summary This thesis examines the extent to which, in an artistic context, personifications, and allegorical figures and scenes, were embedded in the culture of Late Antiquity from AD 300 to 600. ‘Personification’ can be read both as a noun and a verb, and I explore it in both senses. My examination is carried out through a series of case studies of figurative imagery on contemporary silver plate.
    [Show full text]