Symbolic Revenge in Holocaust Child Survivors Nancy Isserman
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Bad Girls: Agency, Revenge, and Redemption in Contemporary Drama
e Interdisciplinary Journal of Popular Culture and Pedagogy Bad Girls: Agency, Revenge, and Redemption in Contemporary Drama Courtney Watson, Ph.D. Radford University Roanoke, Virginia, United States [email protected] ABSTRACT Cultural movements including #TimesUp and #MeToo have contributed momentum to the demand for and development of smart, justified female criminal characters in contemporary television drama. These women are representations of shifting power dynamics, and they possess agency as they channel their desires and fury into success, redemption, and revenge. Building on works including Gillian Flynn’s Gone Girl and Netflix’s Orange is the New Black, dramas produced since 2016—including The Handmaid’s Tale, Ozark, and Killing Eve—have featured the rise of women who use rule-breaking, rebellion, and crime to enact positive change. Keywords: #TimesUp, #MeToo, crime, television, drama, power, Margaret Atwood, revenge, Gone Girl, Orange is the New Black, The Handmaid’s Tale, Ozark, Killing Eve Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy 37 Watson From the recent popularity of the anti-heroine in novels and films like Gone Girl to the treatment of complicit women and crime-as-rebellion in Hulu’s adaptation of The Handmaid’s Tale to the cultural watershed moments of the #TimesUp and #MeToo movements, there has been a groundswell of support for women seeking justice both within and outside the law. Behavior that once may have been dismissed as madness or instability—Beyoncé laughing wildly while swinging a baseball bat in her revenge-fantasy music video “Hold Up” in the wake of Jay-Z’s indiscretions comes to mind—can be examined with new understanding. -
Paul Touvier and the Crime Against Humanity'
Paul Touvier and the Crime Against Humanity' MICHAEL E. TIGARt SUSAN C. CASEYtt ISABELLE GIORDANItM SIVAKUMAREN MARDEMOOTOOt Hi SUMMARY I. INTRODUCTION ............................................... 286 II. VICHY FRANCE: THE BACKGROUND ................................ 286 III. TOUVIER'S ROLE IN VICHY FRANCE ................................ 288 IV. THE CRIME AGAINST HUMANITY ................................. 291 A The August 1945 Charter ................................... 291 B. The French Penal Code .................................... 293 C. The Barbie Case: Too Clever by Half ........................... 294 V. THE TouviER LITIGATION ....................................... 296 A The Events SurroundingTouvier's Captureand the PretrialLegal Battle ... 296 B. Touvier's Day in Court ..................................... 299 VI. LEGAL ANALYSIS: THE STATE AGENCY DILEMMA.. ...................... 304 VII. CONCLUSION ............................................... 309 " The idea for this essay began at a discussion of the Touvier trial with Professor Tigar's students at the Facut de Droit at Aix-en-Provence, with the assistance of Professor Andr6 Baldous. Ms. Casey provided further impetus for it by her research assistance on international human rights issues, and continued with research and editorial work as the essay developed. Ms. Giordani researched French law and procedure and obtained original sources. Mr. Mardemootoo worked on further research and assisted in formulating the issues. The translations of most French materials were initially done by Professor Tigar and reviewed by Ms. Giordani and Mr. Mardemootoo. As we were working on the project, the Texas InternationalLaw Journaleditors told us of Ms. Finkelstein's article, and we decided to turn our effort into a complementary piece that drew some slightly different conclusions. if Professor of Law and holder of the Joseph D. Jamail Centennial Chair in Law, The University of Texas School of Law. J# J.D. -
The Pathologising Effect of TV Revengendas
University of Wollongong Research Online Faculty of Law, Humanities and the Arts - Papers Faculty of Arts, Social Sciences & Humanities 1-1-2015 The bitter taste of payback: the pathologising effect of TV revengendas Cassandra E. Sharp University of Wollongong, [email protected] Follow this and additional works at: https://ro.uow.edu.au/lhapapers Part of the Arts and Humanities Commons, and the Law Commons Recommended Citation Sharp, Cassandra E., "The bitter taste of payback: the pathologising effect of TV revengendas" (2015). Faculty of Law, Humanities and the Arts - Papers. 2422. https://ro.uow.edu.au/lhapapers/2422 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] The bitter taste of payback: the pathologising effect of TV revengendas Abstract The thirst for vengeance is a timeless subject in popular entertainment. One need only think of Old Testament scripture; Shakespeare's Hamlet; Quentin Tarantino's Kill Bill or the TV series Revenge, and we immediately conjure up images of a protagonist striving to seek justice to avenge a heinous wrong committed against them. These texts, and others like it, speak to that which is ingrained in our human spirit about not only holding others responsible for their actions, but also about retaliation as payback. This article seeks to problematise the way the popular revenge narrative effectively constructs the vendetta as a guilty pleasure through which the audience can vicariously gain satisfaction, while at the same time perpetuates law's rhetoric that personal desires for vengeance are to be repressed and denied. -
The Rise of Controversial Content in Film
The Climb of Controversial Film Content by Ashley Haygood Submitted to the Department of Communication Studies in partial fulfillment of the requirements for the degree of Masters of Arts in Communication at Liberty University May 2007 Film Content ii Abstract This study looks at the change in controversial content in films during the 20th century. Original films made prior to 1968 and their remakes produced after were compared in the content areas of profanity, nudity, sexual content, alcohol and drug use, and violence. The advent of television, post-war effects and a proposed “Hollywood elite” are discussed as possible causes for the increase in controversial content. Commentary from industry professionals on the change in content is presented, along with an overview of American culture and the history of the film industry. Key words: film content, controversial content, film history, Hollywood, film industry, film remakes i. Film Content iii Acknowledgements I would like to thank my family for their unwavering support during the last three years. Without their help and encouragement, I would not have made it through this program. I would also like to thank the professors of the Communications Department from whom I have learned skills and information that I will take with me into a life-long career in communications. Lastly, I would like to thank my wonderful Thesis committee, especially Dr. Kelly who has shown me great patience during this process. I have only grown as a scholar from this experience. ii. Film Content iv Table of Contents ii. Abstract iii. Acknowledgements I. Introduction ……………………………………………………………………1 II. Review of the Literature……………………………………………………….8 a. -
2021 International Day of Commemoration in Memory of the Victims of the Holocaust
Glasses of those murdered at Auschwitz Birkenau Nazi German concentration and death camp (1941-1945). © Paweł Sawicki, Auschwitz Memorial 2021 INTERNATIONAL DAY OF COMMEMORATION IN MEMORY OF THE VICTIMS OF THE HOLOCAUST Programme WEDNESDAY, 27 JANUARY 2021 11:00 A.M.–1:00 P.M. EST 17:00–19:00 CET COMMEMORATION CEREMONY Ms. Melissa FLEMING Under-Secretary-General for Global Communications MASTER OF CEREMONIES Mr. António GUTERRES United Nations Secretary-General H.E. Mr. Volkan BOZKIR President of the 75th session of the United Nations General Assembly Ms. Audrey AZOULAY Director-General of UNESCO Ms. Sarah NEMTANU and Ms. Deborah NEMTANU Violinists | “Sorrow” by Béla Bartók (1945-1981), performed from the crypt of the Mémorial de la Shoah, Paris. H.E. Ms. Angela MERKEL Chancellor of the Federal Republic of Germany KEYNOTE SPEAKER Hon. Irwin COTLER Special Envoy on Preserving Holocaust Remembrance and Combatting Antisemitism, Canada H.E. Mr. Gilad MENASHE ERDAN Permanent Representative of Israel to the United Nations H.E. Mr. Richard M. MILLS, Jr. Acting Representative of the United States to the United Nations Recitation of Memorial Prayers Cantor JULIA CADRAIN, Central Synagogue in New York El Male Rachamim and Kaddish Dr. Irene BUTTER and Ms. Shireen NASSAR Holocaust Survivor and Granddaughter in conversation with Ms. Clarissa WARD CNN’s Chief International Correspondent 2 Respondents to the question, “Why do you feel that learning about the Holocaust is important, and why should future generations know about it?” Mr. Piotr CYWINSKI, Poland Mr. Mark MASEKO, Zambia Professor Debórah DWORK, United States Professor Salah AL JABERY, Iraq Professor Yehuda BAUER, Israel Ms. -
Understanding Revenge Pornography: Public Perceptions of Revenge Pornography And
1 Understanding Revenge Pornography: Public Perceptions of Revenge Pornography and Victim Blaming Bothamley, S. Tully, R.J. (2017) Journal of Aggression, Conflict and Peace Research Abstract Purpose: The disclosure of private images with the intent of causing distress is often described as ‘revenge pornography’. In the UK, this newly legislated crime has received a high level of media attention following several high profile cases, however there is a paucity of research in this area. Methods: 168 adults (UK general public) completed an online survey using a vignette approach. Views of the influence of perpetrator-victim relationship length and reason for termination were considered alongside perception of an offence, the necessity of police intervention, what extent revenge pornography creates psychological harm in victims, and victim blaming. Findings: Perpetrator-victim relationship length and reason for relationship breakdown did not influence perceptions of victim blame. Participants believed that the situation described in the vignettes was likely to be an offence, and that police intervention is somewhat necessary. Participants believed that the scenario was ‘very likely’ to create fear, and ‘moderately likely’ to create psychological/mental harm in victims. In line with the literature relating to stalking and sexual assault, men blamed the victim significantly more than women. Furthermore, women rated police intervention significantly more necessary than men. Implications: The public are recognising that revenge pornography is an offence, with consequences being fear and psychological harm, showing an awareness of the impact on victims. However, there are sex differences in the perceptions of revenge pornography and victim blame and this could be addressed by raising awareness of this crime. -
Serge Klarsfeld
Grand Oral Serge 1984 - 2014 1984 KLARSFELD • Écrivain, historien et avocat, président de l’Association des Fils et Filles des Déportés Juifs de France, vice- président de la Fondation pour la Mémoire de la Shoah 30 ANS DE RENCONTRES 30 DE RENCONTRES ANS en partenariat avec le Mémorial de la Shoah et la librairie Mollat « Jury » présidé par Bernadette DUBOURG, Journaliste à Sud Ouest Jeudi 4 décembre 2014 1984 - 2014 17h00 – 19h00 • Amphi Montesquieu • Sciences Po Bordeaux 330 ANS0 INTRODUCTION Les Rencontres Sciences Po/Sud Ouest ont pour vocation de faire découvrir, à l’occasion de leurs Grands Oraux, des personnalités dont le parcours et l’œuvre sont dignes d’intérêt et parfois même tout à fait exceptionnels. Avec Serge Klarsfeld nous sommes face à un engagement exceptionnel qui constitue l’œuvre d’une vie : la poursuite des criminels nazis et de leurs complices et un travail patient, fastidieux de mémoire pour reconstituer l’identité et l’itinéraire des 76 000 déportés Juifs de France. Telle est l’œuvre de cet avocat, historien qui préside l’association des Fils et Filles des Déportés Juifs de France. Cette quête de vérité l’a poussé avec sa femme, Beate, à traquer par tous les moyens d’anciens nazis comme Klaus Barbie et à dépouiller inlassablement les archives. Une vie de combat obstiné pour que soient jugés à Cologne en 1979, Kurt Lischka, Herbert Hagen , Ernst Heinrichsohn, trois des principaux responsables de la Solution finale en France, que soient inculpés les Français René Bousquet ou Jean Leguay et jugé et condamné Maurice Papon en avril 1998 pour complicité de crime contre l’humanité. -
Klaus Barbie Pre-Trial Records
http://oac.cdlib.org/findaid/ark:/13030/kt509nf111 No online items Inventory of the Klaus Barbie pre-trial records Finding aid prepared by Josh Giglio. Hoover Institution Archives 434 Galvez Mall Stanford University Stanford, CA, 94305-6010 (650) 723-3563 [email protected] © 2008, 2014 Inventory of the Klaus Barbie 95008 1 pre-trial records Title: Klaus Barbie pre-trial records Date (inclusive): 1943-1985 Collection Number: 95008 Contributing Institution: Hoover Institution Archives Language of the Materials : In French and German. Physical Description: 8 manuscript boxes(3.2 linear feet) Abstract: Trial instruction, including depositions and exhibits, in the case of Klaus Barbie before the Tribunal de grande instance de Lyon, relating to German war crimes in France during World War II. Photocopy. Physical Location: Hoover Institution Archives Creator: Barbie, Klaus, 1913- , defendant. Access Collection is open for research. The Hoover Institution Archives only allows access to copies of audiovisual items. To listen to sound recordings or to view videos or films during your visit, please contact the Archives at least two working days before your arrival. We will then advise you of the accessibility of the material you wish to see or hear. Please note that not all audiovisual material is immediately accessible. Publication Rights For copyright status, please contact the Hoover Institution Archives. Acquisition Information Acquired by the Hoover Institution Archives in 1995. Accruals Materials may have been added to the collection since this finding aid was prepared. To determine if this has occurred, find the collection in Stanford University's online catalog at http://searchworks.stanford.edu/ . -
Dossier Néo-Nazisme Du Même Auteur
DOSSIER NÉO-NAZISME DU MÊME AUTEUR Aux Éditions Alain Moreau, Paris: Dossier B... comme Barbouzes (traduction grecque: Didimi, Athènes). En préparation: Les Dossiers secrets du Narcotic Bureau. Rawa-Ruska, camp de représailles. Patrice Chairoff DOSSIER NÉO-NAZISME Préface de Beate Klarsfeld Éditions Ramsay 27, Rue de Fleurus 75006 Paris La loi du 11 mars 1957 n'autorisant, aux termes des alinéas 2 et 3 de l'article 41, d une part, que les « copies ou reproductions strictement réservées à l'usage privé du copiste et d'exemple à une d'illustration, collective » et, d'autre part, que les analyses et les courtes citations dans un but d exemple et d illustration, « toute représentation ou reproduction intégrale, ou partielle, faite sans le consentement de 1 auteur et de ses cause ou sanctionnée par les articles 425 et suivants du Code Pénal. Éditions Ramsay, 1977 ISBN 2-85956-030-0 A Minerve et Moussia et à tous leurs camarades du réseau Phratrie, s/r Brick. P.C. PRÉFACE Dès sa parution, cet ouvrage sera certainement pillé. Il le sera par de soi-disant experts du nazisme qui trouveront commode de s'en inspirer plus ou moins discrètement pour leurs rapports de synthèse. Il le sera par les spécialistes à la chaîne du roman policier ou d'es- pionnage qui en retireront mille fils pour leurs intrigues en y ajoutant la couleur locale des dépliants touristiques et l'érotisme de com- mande. Ajoutons qu'il sera plagié en de nombreuses langues étrangères, le destin des criminels nazis et la menace néo-nazie constituant tou- jours un bon sujet international d'actualité. -
Great Game to 9/11
Air Force Engaging the World Great Game to 9/11 A Concise History of Afghanistan’s International Relations Michael R. Rouland COVER Aerial view of a village in Farah Province, Afghanistan. Photo (2009) by MSst. Tracy L. DeMarco, USAF. Department of Defense. Great Game to 9/11 A Concise History of Afghanistan’s International Relations Michael R. Rouland Washington, D.C. 2014 ENGAGING THE WORLD The ENGAGING THE WORLD series focuses on U.S. involvement around the globe, primarily in the post-Cold War period. It includes peacekeeping and humanitarian missions as well as Operation Enduring Freedom and Operation Iraqi Freedom—all missions in which the U.S. Air Force has been integrally involved. It will also document developments within the Air Force and the Department of Defense. GREAT GAME TO 9/11 GREAT GAME TO 9/11 was initially begun as an introduction for a larger work on U.S./coalition involvement in Afghanistan. It provides essential information for an understanding of how this isolated country has, over centuries, become a battleground for world powers. Although an overview, this study draws on primary- source material to present a detailed examination of U.S.-Afghan relations prior to Operation Enduring Freedom. Opinions, conclusions, and recommendations expressed or implied within are solely those of the author and do not necessarily represent the views of the U.S. Air Force, the Department of Defense, or the U.S. government. Cleared for public release. Contents INTRODUCTION The Razor’s Edge 1 ONE Origins of the Afghan State, the Great Game, and Afghan Nationalism 5 TWO Stasis and Modernization 15 THREE Early Relations with the United States 27 FOUR Afghanistan’s Soviet Shift and the U.S. -
2021 International Day of Commemoration in Memory of the Victims of the Holocaust
Glasses of those murdered at Auschwitz Birkenau Nazi German concentration and death camp (1941-1945). © Paweł Sawicki, Auschwitz Memorial 2021 INTERNATIONAL DAY OF COMMEMORATION IN MEMORY OF THE VICTIMS OF THE HOLOCAUST Programme WEDNESDAY, 27 JANUARY 2021 11:00 A.M.–1:00 P.M. EST 17:00–19:00 CET COMMEMORATION CEREMONY Ms. Melissa FLEMING Under-Secretary-General for Global Communications MASTER OF CEREMONIES Mr. António GUTERRES United Nations Secretary-General H.E. Mr. Volkan BOZKIR President of the 75th session of the United Nations General Assembly Ms. Audrey AZOULAY Director-General of UNESCO Ms. Sarah NEMTANU and Ms. Deborah NEMTANU Violinists | “Sorrow” by Béla Bartók (1945-1981), performed from the crypt of the Mémorial de la Shoah, Paris. H.E. Ms. Angela MERKEL Chancellor of the Federal Republic of Germany KEYNOTE SPEAKER Hon. Irwin COTLER Special Envoy on Preserving Holocaust Remembrance and Combatting Antisemitism, Canada H.E. Mr. Gilad MENASHE ERDAN Permanent Representative of Israel to the United Nations H.E. Mr. Richard M. MILLS, Jr. Acting Representative of the United States to the United Nations Recitation of Memorial Prayers Cantor JULIA CADRAIN, Central Synagogue in New York El Male Rachamim and Kaddish Dr. Irene BUTTER and Ms. Shireen NASSAR Holocaust Survivor and Granddaughter in conversation with Ms. Clarissa WARD CNN’s Chief International Correspondent 2 Respondents to the question, “Why do you feel that learning about the Holocaust is important, and why should future generations know about it?” Mr. Piotr CYWINSKI, Poland Mr. Mark MASEKO, Zambia Professor Debórah DWORK, United States Professor Salah AL JABERY, Iraq Professor Yehuda BAUER, Israel Ms. -
HERZLIYA CONFERENCE SPEAKERS and MEMBERS of the BOARD Michal Abadi-Boiangiu Executive Vice President, Comptroller Division, First International Bank of Israel
HERZLIYA CONFERENCE SPEAKERS AND MEMBERS OF THE BOARD Michal Abadi-Boiangiu Executive Vice President, Comptroller Division, First International Bank of Israel. Served as Deputy Director General of the Ministry of Health while also serving as Chairperson of MI Holdings, a position in which she led the privatization of Israel Discount Bank. Holds a B.A. in Economics and Accounting. Leah Achdut Deputy Director General for Research & Planning of the National Insurance Institute of Israel. Served as Director of the Institute for Economic and Social Research, and as Economic Advisor to the Trade Union Federations. Received an M.A. in Economics from the HebrewUniversity of Jerusalem. Aharon Abramovitch Director-General of the Israeli Ministry of Foreign Affairs. Served as Director- General of the Ministry of Justice, and as a legal advisor for the Jewish Agency, the World Zionist Organization, the World Jewish Restitution Organization and Keren Hayesod. Served as a member of the board of directors of the Israel Museum, the Israel Lands Administration and El Al. Earned a degree in law from the Hebrew University of Jerusalem. Prof. Oz Almog Professor of Land of Israel Studies at Haifa University. Author of Sabra: The Creation of the New Jew and Farewell to Srulik - Changing Values Among the Israeli Elite. His research areas focus on semiotics, the sociological history of Israeli society, and Israeli popular culture. Holds a Ph.D. in Sociology from Haifa University. Chen Altshuler Founder of the Green Fund and Director of Research at Altshuler Shaham. Previously, Chief Analyst at Altshuler Shaham and director of various public companies. Earned a B.A.