Ofcom Annual Report on Community Radio Fund 2019-20 (PDF, 240.5
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Redefining Radio Art in the Light of New Media Technology Through
Title Radio After Radio: Redefining radio art in the light of new media technology through expanded practice Type Thesis URL http://ualresearchonline.arts.ac.uk/8748/ Date 2015 Citation Hall, Margaret A. (2015) Radio After Radio: Redefining radio art in the light of new media technology through expanded practice. PhD thesis, University of the Arts London. Creators Hall, Margaret A. Usage Guidelines Please refer to usage guidelines at http://ualresearchonline.arts.ac.uk/policies.html or alternatively contact [email protected]. License: Creative Commons Attribution Non-commercial No Derivatives Unless otherwise stated, copyright owned by the author 1 Margaret Ann Hall Radio After Radio: Redefining radio art in the light of new media technology through expanded practice Thesis for PhD degree awarded by the University of the Arts London June 2015 2 Abstract I have been working in the field of radio art, and through creative practice have been considering how the convergence of new media technologies has redefined radio art, addressing the ways in which this has extended the boundaries of the art form. This practice- based research explores the rich history of radio as an artistic medium and the relationship between the artist and technology, emphasising the role of the artist as a mediator between broadcast institutions and a listening public. It considers how radio art might be defined in relation to sound art, music and media art, mapping its shifting parameters in the digital era and prompting a consideration of how radio appears to be moving from a dispersed „live‟ event to one consumed „on demand‟ by a segmented audience across multiple platforms. -
Diverse on Screen Talent Directory
BBC Diverse Presenters The BBC is committed to finding and growing diverse onscreen talent across all channels and platforms. We realise that in order to continue making the BBC feel truly diverse, and improve on where we are at the moment, we need to let you know who’s out there. In this document you will find biographies for just some of the hugely talented people the BBC has already been working with and others who have made their mark elsewhere. It’s the responsibility of every person involved in BBC programme making to ask themselves whether what, and who, they are putting on screen reflects the world around them or just one section of society. If you are in production or development and would like other ideas for diverse presenters across all genres please feel free to get in touch with Mary Fitzpatrick Editorial Executive, Diversity via email: [email protected] Diverse On Screen Talent Directory Presenter Biographies Biographies Ace and Invisible Presenters, 1Xtra Category: 1Xtra Agent: Insanity Artists Agency Limited T: 020 7927 6222 W: www.insanityartists.co.uk 1Xtra's lunchtime DJs Ace and Invisible are on a high - the two 22-year-olds scooped the gold award for Daily Music Show of the Year at the 2004 Sony Radio Academy Awards. It's a just reward for Ace and Invisible, two young south Londoners with high hopes who met whilst studying media at the Brits Performing Arts School in 1996. The 'Lunchtime Trouble Makers' is what they are commonly known as, but for Ace and Invisible it's a story of friendship and determination. -
Transnationalizing Radio Research
Golo Föllmer, Alexander Badenoch (eds.) Transnationalizing Radio Research Media Studies | Volume 42 Golo Föllmer, Alexander Badenoch (eds.) Transnationalizing Radio Research New Approaches to an Old Medium . Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Na- tionalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.d-nb.de This work is licensed under the Creative Commons Attribution-NonCommercial-No- Derivatives 4.0 (BY-NC-ND) which means that the text may be used for non-commer- cial purposes, provided credit is given to the author. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/ To create an adaptation, translation, or derivative of the original work and for commer- cial use, further permission is required and can be obtained by contacting rights@ transcript-verlag.de Creative Commons license terms for re-use do not apply to any content (such as graphs, figures, photos, excerpts, etc.) not original to the Open Access publication and further permission may be required from the rights holder. The obligation to research and clear permission lies solely with the party re-using the material. © 2018 transcript Verlag, Bielefeld Cover layout: Maria Arndt, Bielefeld Typeset: Anja Richter Printed by Majuskel Medienproduktion GmbH, Wetzlar Print-ISBN 978-3-8376-3913-1 PDF-ISBN 978-3-8394-3913-5 Contents INTRODUCTION Transnationalizing Radio Research: New Encounters with an Old Medium Alexander Badenoch -
Music Finland UK
Music Finland UK 2012–2013 / REPORT “It seems to me that at the moment “It takes a lot to get noticed in a place “Through The Line of Best Fit’s continued like London where there is so much going on all obsession with Nordic music and our historical Finland has an awful lot to offer in music. the time. But I think with the LIFEM – The Finnish links with the likes of the Ja Ja Ja club night in Line concerts at Kings Place, the Ja Ja Ja London, we’ve always kept a very close eye on And it’s about time we need to go and find it, Festival at the Roundhouse and the Songlines the sounds coming out of Finland. In the last CD, Finnish music really did make an impact. It’s three years, the quality of emerging talent has explore it, share it with people – because it’s the quirky, surprising and adventurous quality been just incredible and we’re seeing some real- of Finnish music that stands out – alongside ly unique invention and envelope–pushing from just too good to hide!” the musical virtuosity.“ all of the bands on this special release.” SIMON BROUGHTON / SONGLINES PAUL BRIDGEWATER / THE LINE OF BEST FIT, JOHN KENNEDY / XFM COMMENTING ON THE LINE–UP FOR MUSIC FINLAND’S OFFICIAL RECORD STORE DAY RELEASE 2013 “While Finland in the past might have “One of the best musical experiences held back a little from taking its scene to the of 2013 for me was going to Helsinki’s Kuudes world, their current united front means this is Aisti festival – an amazing site and brilliant “Having recently attended festivals in “Finland’s musical life is still a shining example changing. -
The Communications Market 2008
The Communications Market 2008 4 4 Radio 233 Contents 4.1 Key market developments in radio 235 4.1.1 UK radio industry key metrics 235 4.1.2 Introduction 235 4.1.3 Commercial radio revenue grows despite audience decline… 235 4.1.4 …although listening to national commercial stations rises 3.2% 236 4.1.5 Younger listeners lead a fall in listening hours 236 4.1.6 The Hits becomes the first digital station to enter the top ten by reach... 237 4.1.7 …helped by a rise in digital listening to 18% of the total 238 4.1.8 Digital Radio Working Group publishes interim report on digital plan 241 4.1.9 RAJAR to review listening survey methodology 242 4.2 The radio industry 243 4.2.1 Radio licences 243 4.2.2 Industry revenues and expenditure 248 4.2.3 Commercial groups’ performance 251 4.2.4 Overview of the major radio operators in 2008 254 4.2.5 DAB availability and station choice 270 4.2.6 Restricted service licences 274 4.3 The radio listener 277 4.3.1 Radio reach 277 4.3.2 Listening hours 278 4.3.3 Radio ownership and listening trends 282 4.3.4 Digital listening 285 4.3.5 Listening patterns and satisfaction with radio 288 234 4.1 Key market developments in radio 4.1.1 UK radio industry key metrics UK radio industry 2002 2003 2004 2005 2006 2007 Weekly reach of radio (% of population) 90.5% 90.5% 90.3% 90.0% 89.8% 89.8% Average weekly hours per head 21.8 22.1 21.9 21.6 21.2 20.6 BBC share of listening 52.6% 52.8% 55.5% 54.5% 54.7% 55.0% Total industry revenue (£m) 1,083 1,128 1,158 1,156 1,149 1,179 Commercial revenue (£m) 509 543 551 530 512 522 BBC expenditure (£m) 574 585 607 626 637 657 Radio share of advertising spend 3.4% 3.6% 3.5% 3.3% 3.0% 2.9% Number of stations (analogue and DAB) 345 357 364 372 389 397 DAB digital radio take-up (households) 1% 2% 5% 10% 16% 22% Source: Ofcom, RAJAR (all individuals age 15+), BBC, WARC, radio operators 2007 4.1.2 Introduction Radio has maintained its audience reach in 2007 but average hours of listening have fallen. -
Annual Report 2020-2021 About This Document
Annual Report 2020-2021 About this document This report summarises the activities of the Audio Content Fund from April 2020 – March 2021. It breaks down the bids received, and details the successful projects and their intended outcomes. This edition is labelled an Interim Report since, at the time of writing, several of the later projects have not yet entered production or been broadcast. It will be superseded by a Final Report once the final project has been broadcast. Author: Sam Bailey, Managing Director, Audio Content Fund Date: 15 June 2021 Contents 4 Executive Summary 5 Sam Bailey, Managing Director of the ACF 5 Helen Boaden, Chair of the Independent Funding Panel 6 Background to the Audio Content Fund 6 Summary of Payments 7 Summary of Successful Bids 8 Companies with Successful Bids 11 Bidding Guidelines 11 Independent Funding Panel 12 Assessment Process 12 Evaluation Criteria 14 Details of Funded Projects 16 Funded Projects 76 Projects still to be completed 88 References 89 Closing Statement Executive Summary 1. The Audio Content Fund (ACF) exists 8. 74% of the funded projects were from to finance the creation of original, high suppliers based outside of London. quality, crafted, public-service material for Projects were funded for broadcast on broadcast on commercial and community local stations in all four nations of the UK, radio. It is part of a pilot Contestable Fund, with content produced in English, Gaelic, funded by the UK Government. Irish and Ulster Scots. 2. The industry trade bodies AudioUK and 9. All bids are assessed for the diversity of Radiocentre set up the ACF in 2018, and their representation, and 1 in 5 of the it distributed grant funding totalling funded projects were primarily focused £655,898 in financial year 2019-2020. -
Small Scale DAB Licensing Consultation: Responses Received
Small Scale DAB Licensing consultation: Responses received October 2018 1 List of respondents A total of 87 responses were received from members of the public, and individuals and organisations working within a variety of sectors. Of the respondents, one has requested anonymity and therefore has not been listed. 1. Neil Kipling 46. Muxco 2. Iain Gowers 47. Tone FM 3. Rodney Maxwell 48. John Goodman 4. Paul Holmes 49. Celador 5. Peter Allridge 50. Global 6. Colin Marks 51. Mark O’Reilly 7. David Dbs 52. Niocast Digital 8. Steve Fox 53. Services Sound and Vision (SSVC) 9. Alec Thomas 54. Colonel J G Robinson Brigade of 10. Martin James Gurkhas 11. Penistone Community Radio 55. Buchan Radio 12. Graham Phillips 56. Resonance FM 13. Takeover Radio 57. Quidem Radio Group 14. Dave Hurford 58. The Flash 15. Radio Verulam 59. Bauer Media Group 16. Phonic FM 60. Alternative Broadcast Company 17. Chris Dawson 61. KMFM 18. Biggles FM 62. Nation Broadcasting 19. Maxxwave 63. DigiLink Connect 20. Moss Media 64. Wireless Group 21. Coast Digital Radio 65. DC Thomson Media 22. UKRD 66. 100% Media Group 23. BBC 67. Brighton and Hove Radio Ltd 24. Heart of Nation Broadcasting 68. Radiate ideas 25. 6 Towns Radio 69. Radiocentral24 26. The Source FM 70. Daniel Rose 27. Martin Steers 71. UDAB 28. Uckfield FM 72. Future Digital Norfolk 29. Seahaven FM 73. Radio Reverb 30. Marc Webber 74. Radiocentre 31. Kingdom FM 75. Arqiva 32. Digital Radio Mondiale Consortium 76. Community Media Association 33. Lincs FM Group 77. MKFM 34. -
London Community Response Fund Grants Awarded Wave 1 & 2 CBT
London Community Response Fund Grants awarded Wave 1 & 2 CBT ref Organisation Grant Amount Wave 16937 Consortium LGBT £15,000.00 Strategic Grant 16938 Inclusion London £15,000.00 Strategic Grant 16939 The Ubele Initiative £30,000.00 Strategic Grant 16940 Women's Resource Centre £15,000.00 Strategic Grant 16308 13 Rivers Trust £5,000.00 Wave 1 16448 ACE £5,000.00 Wave 1 16307 Acheinu Cancer Support £4,500.00 Wave 1 16659 Acheinu Limited T/A The Boys Clubhouse £1,500.00 Wave 1 16396 ACT Training Services £5,000.00 Wave 1 16580 Active Within CIC £4,500.00 Wave 1 16394 Advice Support Knowledge Information £2,563.00 Wave 1 16300 Afghanistan and Central Asian Association £4,940.00 Wave 1 16929 Africa Smile £4,980.00 Wave 1 African Women Empowerment And Information 16662 Centre £4,848.00 Wave 1 16303 Age UK Croydon £5,000.00 Wave 1 16668 Age UK East London £5,000.00 Wave 1 16321 Age UK Hillingdon, Harrow and Brent £5,000.00 Wave 1 16407 Age UK Sutton £5,000.00 Wave 1 16344 Age UK Westminster £5,000.00 Wave 1 16310 Alridha Foundation £4,989.00 Wave 1 16333 Alternatives Trust East London £5,000.00 Wave 1 16675 Amity Educational Foundation £4,400.00 Wave 1 Ananda Marga Universal Relief Team (AMURT) 16403 UK £4,982.00 Wave 1 16304 Ardleigh House Community Association £3,550.00 Wave 1 16680 Balance (Support) CIC £2,400.00 Wave 1 16449 Barking Churches Unite £4,000.00 Wave 1 16339 Barnet Carers Centre £5,000.00 Wave 1 16681 Barnet Environment Support Team CIC £5,000.00 Wave 1 16430 Barnfield Education Project (BEP Education) £4,694.00 Wave 1 16450 -
Athena Andreadis
Athena Andreadis Described by the British press as “A rare diamond”, “A voice blessed”, “A singer destined for great things” “A voice of great emotional resonance” ”Brave and original.” - The Guardian “A talented rising star” - Billboard Magazine Athena keeps touching peoples’ hearts with her powerfully emotive voice. Athena Andreadis is one of those people who live and breathe and think and talk about music and she writes Chris Difford (Squeeze) with the same sort of direct focus. During a one hour Channel 5 / Sky Arts documentary made about her in the UK, legendary songwriter described Athena as someone who, “writes and sings from the heart. She doesn't need to be packaged by anyone – she is simply and beautifully her." She has the same sort of clear artistic vision that marks out Ed Sheeran or Adele or John Legend and it’s matched with a fresh, limitless ambition. Born in London to Greek parents, Athena’s mother would sing her to sleep. Despite all the music around the house, the young Athena was encouraged to study business, so she headed to Bath University but continued performing. After securing a First Class Degree in Business, Athena enrolled at Trinity College, London, where she graduated from with two post-graduate degrees in Classical and Jazz Voice. Her consistent performing throughout her school years inevitably lead to Athena recording her debut album, Breathe With Me, which drew many excellent reviews, indeed The Guardian commenting that she was “Brave and original. A remarkably fine singer songwriter.” Since then she has headlined and sold out numerous UK tours, played at Glastonbury, had songs covered by other artists and seen her own music synced with TV, commercials and movies. -
Defining the Place for Community Radio Hallett, L
WestminsterResearch http://www.westminster.ac.uk/westminsterresearch The space between: Defining the place for community radio Hallett, L. This is an electronic version of a PhD thesis awarded by the University of Westminster. © Mr Lawrie Hallett, 2015. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] THE SPACE BETWEEN DEFINING THE PLACE FOR COMMUNITY RADIO LAWRIE HALLETT A thesis submitted in partial fulfilment of the requirements of the University of Westminster for the degree of Doctor of Philosophy October 2015 ABSTRACT This thesis examines the emergence of Community Radio in the United Kingdom. It places the sector within an historical context dominated by the BBC and strongly influenced by the subsequent arrival of commercial radio broadcasting. Understanding this historical context, which includes consideration of the role played by unlicensed 'pirate' radio operators, is, in the opinion of the author, a critical prerequisite necessary for assessing how and why current Community Radio practice has developed in the way it has. Primary research for this thesis includes a variety of semi-structured interviews with campaigners, practitioners and regulators and, whilst primarily focused on the emergence of the Community Radio sector within the British context, it does not ignore wider international perspectives. -
THIS IS the TRANSMISSION. ARE YOU RECEIVING? How to Use This Guide VENUE INFORMATION Welcome
International festival of 28 February – 8 March 2008 www.avfestival.co.uk electronic arts, music and NewcastleGateshead Box office 0191 232 8289 moving image Middlesbrough Sunderland [email protected] THIS IS THE TRANSMISSION. ARE YOU RECEIVING? HOW TO USE This GUIDE VENUE INFORMATION WELCOME This is the AV Festival 08 Guide. It lists the many public We have listed maps, contact details and opening The theme of the AV Festival 2008 is Broadcast and it events, exhibitions, performances, talks, concerts and hours for public venues at the back of this guide, please is impossible to imagine anything more appropriate. workshops that form AV Festival 08. contact the venue directly about any specific access or venue information. We have entered a momentous year. Television is Much like a TV Guide, AV Festival events are listed day a medium that never stands still but the switch from by day and in chronological order in columns for each the analogue to digital broadcasting marks a fundamental three urban areas or ‘channels’: NewcastleGateshead, AV FESTIVAL BOX OffiCE change. Opportunities will surely arise but do unseen Middlesbrough and Sunderland. dangers lurk? Each event has a brief listing on every day to give you Tel: 0191 232 8289 Digital transmission, as we know, opens up the an overview of everything happening each day to help you Email: [email protected] possibility of an enormous number of broadcasting plan your Festival experience. We have also picked out In person: Tyneside Cinema, Old Town Hall, Gateshead choices. Increasingly, the act of passive viewing is Festival Highlights, which have more in depth information. -
Issues Related to Prescribing Minimum Channel Spacing, Within a License Service Area, in FM Radio Sector in India”
Consultation Paper No. 7/2011 Telecom Regulatory Authority of India Consultation Paper on “Issues related to prescribing Minimum Channel Spacing, within a License Service Area, in FM Radio Sector in India” New Delhi: 8th December, 2011 Mahanagar Doorsanchar Bhawan Jawahar Lal Nehru Marg New Delhi- 110 002 Preface Government has issued consolidated policy guidelines on the expansion of FM radio broadcasting through private agencies for phase III on 25th July 2011, which provides for 839 new private FM stations in 294 cities across the country. In the meanwhile, the industry has been demanding that more number of channels be put up for bidding, especially in A+ and A category cities, in order to provide better choice to the consumers, realistic bidding process, better business opportunities for the operators of the private FM channels and higher revenue to the Government through efficient use of the FM radio spectrum by reducing the minimum channel spacing. Keeping in view the demand of the FM radio operators, the technological developments and viability of the FM operations in a city category, Ministry of Information and Broadcasting (MIB) has requested TRAI to reconsider the issue of reduction in minimum channel spacing and release of additional frequencies in A+ & A category cities. In line with established practice, this consultation paper has attempted to bring out various issues and its implications to various stakeholders associated with reduction of minimum channel spacing within a license service area of FM radio broadcasting in India. All stakeholders are requested to benefit the Authority with their valuable comments by 26th December, 2011.