DRUTHER May 2021 Layout.Indd

Total Page:16

File Type:pdf, Size:1020Kb

DRUTHER May 2021 Layout.Indd Important information. Please read, then stuff this in a neighbours FREE Volume 1 Number 6 | May 2021 mailbox when finished. Find /n. …Informal… more to explore one’s own way, choice, or preference: on our website: eg. ‘If I had my druthers, we all would know the truth.’ www.druthers.net DEATH BY LOCKDOWN By Anas Attia & Dale Hawkins propaganda, kids are being convinced that they will kill Constitution and Police Code of Conduct , among many their own grandparents, if they don’t comply. Children of other regulatory bodies in Canada, are what contribute es, lockdowns kill! They are killing people, indus- all ages are being robbed of their needed social develop- to making this country amongst the freest of countries in tries and livelihoods alike. They kill in many ways ment and in many ways, irrevocably so. the world. Yand with great force too. And no, we have never The Canadian Bill of Rights, as an example, pro- been locked-down like this vides an individual’s right to before and there is no solid life, liberty and security, whilst science to backup the claims enabling freedom of religion, of their effectiveness. The lon- speech, assembly and associ- ger lockdowns continue, the ation and press. worse things are going to get. For the first time in They need to end now! Canada’s short history, these Almost everyone, includ- rights and freedoms are under ing the World Health attack. The government, Organization, is in agreement working with big corpora- that lockdowns are destroy- tions, have ramped up censor- ing society while offering lit- ship online, where most of our tle, if any, real-world effective- social communication hap- ness. A year later, the evidence pens. It is becoming exceed- for this is mounting, including ingly difficult to find infor- real-world examples of lock- mation that goes against the downs being lifted, resulting in mainstream narrative. lower Covid-19 cases. Death of Protest Lockdowns are simply not For the first time in proportionate reactions! They Canadian history, protest- harm more than they help ing was “deemed” illegal. On (and so), at what cost are we January 16th, 2021, two weeks going to continue going down after Ontario initiated a stay- this path? at-home order, Toronto Police Death of Hope took an aggressive stance on Emotional and psychologi- protesting. That day, hun- cal effects of the lockdowns dreds of police officers lined and fear-based news media Dundas Square and arrested contribute to the development and exacerbation of men- and ticketed dozens of pro- tal illness. They also directly contribute to deaths of Death of Small Business testers seemingly at random, setting a trend for the next despair. Costco and Walmart can let dozens of people in their few weeks. Even people who stayed “socially distant” People experience despair due to a bleak sense of stores at once (with massive lines of people crowding were ticketed and/or arrested if they appeared to not be their long-term social and economic outlook. Drug over- outside) yet other small businesses need to stay closed there for “essential exercise.” doses, suicides, weight gain and conditions like alcoholic because they are deemed as “non-essential”? Numerous Governments throughout that world have ushered in liver disease are directly attributed to despair and are all industries have been decimated from the restrictions anti-protest laws. Last month in the U.K., “The Police, on a sharp rise. It is also known that there is at least an including the events, entertainment, hospitality, and Crime, Sentencing and Courts Bill” was passed, and additional 1% increase in suicides for every 1% increase tourism industries to name a few. In reality, all forms of it limits the right to protest in many ways, including: in unemployment. It is not hard to imagine why people in-person work by small businesses have been impact- allowing police to impose start and finish times, arrest will seek destructive behaviour patterns, like drug abuse, ed for more than a year, since the start of the lockdowns. “annoying”protesters and outright ban protests in front in these trying times. This certainly includes children and Much of the middle-class income and future oppor- of the U.K. Parliament. Similarly, multiple U.S. states the elderly alike. Despair can be a real killer. tunity is vanishing. Wealth disparity between the middle- passed anti-protest laws, including Oklahoma and Iowa Calls made to suicide help lines including Kids class and the elites continues to increase, with big glob- where granted immunity to drivers whose vehicles strike Helpline have more than doubled year-over-year in 2020 al corporations like Amazon, breaking sales records and and injure protesters in public streets, and anyone con- and are on trend to continue rising sharply in 2021. At further dominating the market, contrasted by a sharp victed of unlawful assembly is barred from holding state this rate lockdowns are initiating what may soon be increase in homeless population numbers and bank- employment in Indiana and barred from receiving stu- known as The Great Depression of our time... ruptcies. dent loans, unemployment insurance, or housing assis- tance in Minnesota. Death of Childhood Death of Healthcare No more hugging friends or talking to them during In a world obsessed with Covid-19, all other health Death of Informed Consent lunch break in school. No more smiling, singing or danc- care considerations took a back seat. From the disastrous Individuals receiving COVID-19 vaccines are typi- ing and certainly no more sports either. No more field canceling of elective surgeries to, slowly but surely, los- cally not informed that the vaccines have not been FDA trips or family vacations. No school at all, even for weeks ing most forms of private health care. We are destroying approved (they are being distributed via “Emergency on end and when you are in school, you must stay inside healthcare as we know it. And as much as they try to sell Use Authorization” in the US and “Interim Order your specific, drawn-out circle. Kids are slowly being us on it, telephone meetings (that are now the norm for Authorization” in Canada, which is technically allowed forced to not socialize and they are being programmed doctor visits) are not, in any way adequate for performing because we are in a “state of emergency”). Clinical trials with fear. Also, if you test “positive” for Covid-19, you a role of a simple, in-person, appointment. will not be concluded until 2023, and by consenting to have to be quarantined away for weeks. Even guilted into There is also a new instilled reluctance from the pub- take the vaccine now, you are consenting to participate in thinking you may kill someone if you break the rules! lic to interact with health care workers, like intention- phase 3 and 4 of these clinical trials. Vaccine manufactur- The lockdowns are harming children. We are scaring ally avoiding going to the E.R. for what may truly be ers are not liable for any injuries you may sustain, includ- them into extreme territories of dehumanization, forcing life threatening issues. Ailments are going undiagnosed ing death. Neither are insurance companies. them to wear masks and robbing them of needed human through telephone appointments, and to top it off, men- Death of Scientific Inquiry closeness; for a virus that is less harmful than any past flu tal disorders are developing or exacerbating without the The pandemic response has had a haunting effect season. They have to wear masks with their friends and usual social support systems in place. on the pursuit of truth. For science to thrive, oppos- family. For everything. Many kids now do not feel com- Death of Rights and Freedoms ing ideas must be openly and vigorously discussed and fortable bearing their face, even to their own parents! What makes Canada one of the greatest countries in either supported or countered based on facts and data. How important is facial expression and other social con- the world? The simple answer is, freedom. Where that Instead, politicians, journalists, doctors and scientists tact in early development and socialization? Gaslighted freedom stems from is a bit more controversial, but,The by government ad campaigns and mainstream media Charter of Rights and Freedoms, The Bill of Rights, The See, ‘Lockdowns’ p. 11 DRUTHERS is written, funded, promoted & distributed freely by concerned Canadians like you. Donate: druthers.net/donate | Subscribe: druthers.net/subscribe | Volunteer: druthers.net/volunteer DRUTHERS / May 2021 P. 2 WWW.DRUTHERS.NET Why We Cannot Trust the Vaccine Data By Ava Pritchard • 2004: reached a $60 million settlement of a class unregistered drug” after Nigerian families accused action lawsuit over it’s Rezulin diabetes drug that the company of testing 2 dangerous new antibiotics or over 30 years, Johnson & Johnson knew that the resulted in liver failure and death. (Trovan & Ceftriaxone) without parents’ consent and company’s raw talc and finished powders some- • 2016: fined £85 million by the UK government for using their children as human guineapigs. 11 chil- Ftimes tested positive for asbestos, and the com- overcharging the NHS 2600% dren died, and other suffered brain damage, paraly- pany executives, mine managers, scientists, doctors and • 2004: paid more than $430 to resolve criminal charges sis, and hearing loss. lawyers fretted over the problem and how to address and civil liabilities for manipulating the publication Pfizer also pledged to donate and distribute $50 it while failing to disclose it to regulators or the public. of scientific studies to bolster the use of its epilepsy million worth of AIDS drugs, but never did.
Recommended publications
  • SLS 19RS-33 ORIGINAL 2019 Regular Session SENATE
    SLS 19RS-33 ORIGINAL 2019 Regular Session SENATE CONCURRENT RESOLUTION NO. 132 BY SENATOR PEACOCK COMMENDATIONS. Commends music legend James Burton of Shreveport, on the occasion of his eightieth birthday. 1 A CONCURRENT RESOLUTION 2 To commend James Burton for an outstanding career of over sixty years as a performer, 3 musician, and a Louisiana music legend and to congratulate him on the occasion of 4 his eightieth birthday. 5 WHEREAS, born in Dubberly, Louisiana, on August 21, 1939, James Edward Burton 6 grew up in Shreveport; he received his first guitar as a youngster and was playing 7 professionally by the age of fourteen; he was a self-taught musical phenomenon; and 8 WHEREAS, as he listened to KWKH radio, he was influenced by popular guitarists 9 of the day, such as Chet Atkins, Chuck Berry, Bo Diddley, Elmore James, Lightnin' Hopkins 10 and many others whose genres covered Rock and Roll, Delta Blues, and Country music; and 11 WHEREAS, James was required to obtain a special permit to play in nightclubs due 12 to his age, however, his guitar playing showed such promise that he was asked to join the 13 "staff band" of the legendary radio show, the Louisiana Hayride, and he played backup for 14 the likes of George Jones, Billy Walker, and Johnny Horton and within a few years, James 15 would be a headliner at the show; and 16 WHEREAS, he honed his craft on a variety of guitar types that included acoustic, 17 steel guitar, slide dobro, and electric styles like Fender Telecasters; no matter who played 18 lead guitar, James Burton had the guitar "licks" to complement the lead note for note; and Page 1 of 3 SLS 19RS-33 ORIGINAL SCR NO.
    [Show full text]
  • Charles Diamond Pennywell & the Fairlanes / Sunlovers's
    Reprinted with permission from Echoes of the Past magazine, Issue #116 (Summer, 2016), pp. 13 - 19. Charles Diamond Pennywell & the Fairlanes / Sunlover's Shreveport Doo Wop to West Coast Soul By Charlie Horner With Contributions from Pamela Horner city, next to New Orleans and Baton Rouge. It's always been an important music city, though it of- ten doesn't get the recognition it deserves. At one time or another, the Shreveport area was the home to important singers and musicians of all genres, including blues (Lead Belly), gospel (Ever Ready Gospel Singers), country & western (Hank Wil- liams, Johnny Horton, Jim Reeves) and rock-a-billy (Dale Hawkins), along with rhythm & blues, rock & roll and of course Cajun music. Shreveport's "Louisiana Hayride” broadcasts played a pivotal role in the music careers of both Hank Williams and Elvis Presley. Shreveport was the home of Stan Lewis's Paula, Jewel and Ronn record labels and the birthplace of Nashville music mogul Shelby Sin- gleton. Shreveport was a major hub in black mu- sic's “Chitlin’ Circuit”. Still, precious little research has been done on Shreveport's 1950’s African American music scene. Charles Pennywell began singing at the age of ten but really began to take it seriously when he got to high school. Influenced by r&b vocal groups like the Spaniels, Dells, Five Royales and Five Sat- ins, Charles and some friends formed a singing group of their own. "We were in high school Transitioning between 1950's doo wop, six- ties soul and seventies funk music is not easy.
    [Show full text]
  • John Fogerty Is Rehearsing for His first Extended Live Shows in More Than a Decade
    May 21, 1997--- LOS ANGELES---The clouds of mystery are lifting over the mountainside studio where John Fogerty is rehearsing for his first extended live shows in more than a decade. Wearing a green plaid workshirt and pressed blue jeans, the creative force behind Creedence Clearwater Revival is preparing to hit the road to promote his new "Blue Moon Swamp" record, released Tuesday on Warner Bros. But the majority of the dates in New York, Los Angeles and Chicago will consist of Creedence hits. Fronting a quartet, Fogerty will even play some of the classics through vintage '60s gear. Fogerty has never leaned on Creedence songs as a solo act. Coming to terms with the past may account for the clarity of "Blue Moon Swamp." Full of dobros, guitars and passionate vocals, it is Fogerty's most rootsy album since his self-titled 1975 solo debut. Then again, maybe the clarity was already in place. "It came first," Fogerty says before rehearsal. "I get a lot of the clarity from my wife, Julie (Kramer, who hails from Elkhart, Ind.). Her positiveness helps me every day. That spilled over into my directness with the music, and I became very clear with who I should be. And that's a good thing to know, because there's been times in my life where I wasn't that sure. "(The dark, high-tech 1986 release) `Eye of the Zombie' is certainly a great example. So are some of the lost soul meanderings of the '70s, when I made an ill- fated record called `Whodo' that shows up in bootlegs at flea markets.
    [Show full text]
  • TRANS-HAWKINS-Dale-Memories
    Pryor Center for Arkansas Oral and Visual History Special Collections Department University of Arkansas Libraries 365 N. McIlroy Ave. Fayetteville, AR 72701 (479) 575-5330 This oral history interview is based on the memories and opinions of the subject being interviewed. As such, it is subject to the innate fallibility of memory and is susceptible to inaccuracy. All researchers using this interview should be aware of this reality and are encouraged to seek corroborating documentation when using any oral history interview. Arkansas Memories Project Interview with Dale Hawkins North Little Rock, Arkansas 16 January 2008 Interviewer: Bob Cochran Dale Hawkins: Okay. Then I dump—I take it right out of—out of it and shoot it right into the Alesis or either to Nuendo which I used to mix with. It’s a—to me, it’s as good as Pro Tools. Pro Tools is for somebody that’s, you know, is really into high tech [gack?], to me, is gonna do a good job. I know a lot of guys—but I can do anything with Nuendo. I mean—well, I—yeah, because software costs me $5,000, and the cards that I got to use here—I’ve got three different sound cards—I’ve got—that I use when I start to mixing. Because that’s the key to it. The key to it is the sound. Bob Cochran: Yeah. DH: Yeah. You want me another way? Just tell me. Kris Katrosh: We just want to put you back in the spot. DH: Sure. Sure. KK: Slide your chair up.
    [Show full text]
  • Aramble Throu€H Louisiana's
    @,bc.1{ptuflork@m cg NBW YORI<,FRIDAY, FEBRUARY 16,2OO1 FILMREVIEW In his new film; "Rhythm 'n' Bay- ous," Mr. Muggereturns to the South ARamble (thii time to Louisiana) to compile a singing dictionary of the state's roots-music styles and assorted hy- Throu€h brids, from the blues to "swamp pop" to the fusion of Cajun, Creole and rock'n' roll knownas zydeco. Louisiana's Part musical travelogue,part an- "Rhythm 'n' thology, part archival document, Bayous," which "Rhythm 'n' openstoday at the ScreeningRoom, Bayous" is a rambling 'n' Roofs Mustc journey looselydivided into four sec- won't endear itself to rock ro11 tions. Begun as the official chronicle fans who like their music slick and of a Rock and Roll Hall of Fame bus star-driven. A number of the per- By STEPHENHOLDEN tour through New Orleansand south- formances are as rough-hewnas the western Louisiana, it turns into a tiny clubs in which they are filmed. 'Il And while you can appreciate the To describethe recent films of the more informal, out-of-the-wayjour- ney to blues and zydecoclubs, gospel gumption of aging one-hit wonders documentarian Robert Mugge as performing signature songs re- cultural reference books doesn't churchesand radio stalions,and mu- sical family gatheringsin backwater corded four decades ago, time has mean to impl/ that these explora- obviously taken its toll on their tions of the musical byways of South- trayous. From Shreveport, Monroe (in "An- voices. ern rural America are lacking in and Winnsboro the section "Rhythm 'n' .other But Bayous," is fi- pungentmusical sap.
    [Show full text]
  • Vinyl) April 20, 2018
    PRODUCT INFO (Vinyl) April 20, 2018 Artist Dale Hawkins Title L.A., Memphis And Tyler, Texas Label Bear Family Productions Catalog no. BAF18041 Price code: BAF EAN 5397102180415 Format 12" Vinyl LP 180gram Genre Roots, Rock, Soul No. of tracks 10 31:46 mns Release dae April 20, 2018 INFO: In 1956, Dale Hawkins (1936 - 2010) wrote Suzie Q - a giant song and a classic of garage rock of the 1960s. After his years as a musician at Chess Records (1956 - 1961), he recorded for various US labels and worked as a producer. In 1969 he made his comeback with this album - a shock for many of his Rockabilly fans! A crazy mixture of roots rock, blues, country and soul. Various sessions with Texas legends Bugs Henderson and Ronnie Weiss (Mouse & The Traps), Taj Mahal, Ry Cooder, James Burton, Joe Osborne and the Memphis Horns, a.o. Newly mastered for this exquisite 180-gram pressing with the original cover artwork. Sure. When the name Dale Hawkins is mentioned, it is mostly associated with Suzie-Q, one of the great classics of rockabilly and garage rock of the sixties. Originally influenced by Elvis Presley and especially Scotty Moore, Hawkins later used all kinds of musical sources, from country music and blues to rock and soul. After his big success, Suzie-Q it became quieter around Dale Hawkins. He left Chess Records in 1961, but he continued to record regularly for a variety of larger and smaller labels, but appeared less in public. In the background he worked on a new career as a record producer.
    [Show full text]
  • BOBBY CHARLES LYRICS Compiled by Robin Dunn & Chrissie Van Varik
    BOBBY CHARLES LYRICS Compiled by Robin Dunn & Chrissie van Varik. Bobby Charles was born Robert Charles Guidry on 21st February 1938 in Abbeville, Louisiana. A native Cajun himself, he recalled that his life “changed for ever” when he re-tuned his parents’ radio set from a local Cajun station to one playing records by Fats Domino. Most successful as a songwriter, he is regarded as one of the founding fathers of swamp pop. His own vocal style was laidback and drawling. His biggest successes were songs other artists covered, such as ‘See You Later Alligator’ by Bill Haley & His Comets; ‘Walking To New Orleans’ by Fats Domino – with whom he recorded a duet of the same song in the 1990s – and ‘(I Don’t Know Why) But I Do’ by Clarence “Frogman” Henry. It allowed him to live off the songwriting royalties for the rest of his life! Two other well-known compositions are ‘The Jealous Kind’, recorded by Joe Cocker, and ‘Tennessee Blues’ which Kris Kristofferson committed to record. Disenchanted with the music business, Bobby disappeared from the music scene in the mid-1960s but returned in 1972 with a self-titled album on the Bearsville label on which he was accompanied by Rick Danko and several other members of the Band and Dr John. Bobby later made a rare live appearance as a guest singer on stage at The Last Waltz, the 1976 farewell concert of the Band, although his contribution was cut from Martin Scorsese’s film of the event. Bobby Charles returned to the studio in later years, recording a European-only album called Clean Water in 1987.
    [Show full text]
  • SEPTEMBER 03, 2007 ARTIST DALE HAWKINS TITLE Rocks KEY
    SHIPPING DATE: AUGUST 13, 2007 (estimated) STREET DATE: SEPTEMBER 03, 2007 ARTIST DALE HAWKINS TITLE Rocks LABEL Bear Family Records CATALOG # BCD 16826 PRICE-CODE AR EAN-CODE 4000127 168269 ISBN-CODE 978-3-89916-331-5 FORMAT CD digipac with 64-page booklet GENRE Rock 'n' Roll TRACKS 35 PLAYING TIME 79:00 KEY SELLING POINTS • Bear Family is the rockabilly fan's true home! • Dale Hawkins originated Susie Q... the original garage, punk, rockabilly classic! • A new search through the Chess vaults reveals FIVE unreleased songs and very different alternate takes! • Incredible audio engineering brings these classics to life as never before. • A bonanza of great guitarists including James Burton and Roy Buchanan! • Dale is still out there... still performing, and still rocking. SALES NOTES He will be forever identified with just one hit... but what a hit! Susie Q. Creedence Clearwater Revival recorded it, Elvis recorded it, the Everly Brothers recorded it, and so did many others. But Dale Hawkins originated it and James Burton played the guitar lick that is forever etched in a rock 'n' roll fan's subconscious mind. But there was much more to Dale Hawkins on Chess Records than Susie Q, and fifty years later the full story is revealed on Bear Family. Dale came from the thriving Shreveport scene, alongside Elvis, Johnny Horton, Tommy Sands, and many others. Win, lose, or draw, he was always able to find the all-time greatest guitarists. After James Burton quit to join Ricky Nelson, Dale recruited Roy Buchanan, who is heard on several tracks here.
    [Show full text]
  • Louisiana MUSIC: Then & Now
    SPECIAL ADVERTISING SECTION LOUISIANA MUSIC: THEN & NOW If a rich history and world-acclaimed cuisine are the head and heart of Louisiana, music is its collective soul. The music of Louisiana meanders through generations of history carrying melodies of dreams, hope, lament and the boundless spirit of one of the most diverse populations in America. Signature Louisiana sounds can be found throughout the state, in both urban centers and rural countrysides. From grand concert halls to obscure roadside honky-tonks, travelers find a rich, abundant musical legacy that is distinctly and unmistakably Louisiana. The offerings are varied, from the state’s indigenous jazz, Cajun and zydeco music to its musicians’ notable contributions to the history and evolution of American blues, country and rock n’ roll. All carry a common denominator that could be summed up by what Louisiana residents call joie de vivre, or the joy of life. The coming year marks a statewide celebration of Louisiana music. Throughout 2013, notable artists, state tourism industry officials, national music industry stakeholders and Louisiana residents will join hands to acknowledge the state’s contributions to the soul of America. Read on to feel the rhythm of Louisiana. SPECIAL ADVERTISING SECTION SPECIAL ADVERTISING SECTION SMOOTH JAZZ Jazz was born in New Orleans, specifically in the city’s Congo Square and the Tremé, one of the oldest neighborhoods, and first flourished in the Storyville district north of the French Quarter. It is a percussive and often improvisational fusion of European, African and Caribbean music using wind and rhythm instruments that came to prominence in the early 20th century.
    [Show full text]
  • I in All Those Scenes in Adventures Ofozzieand Harrietin the Late Fifties
    sidemen i h e’s there in all those scenes in Adventures ofOzzieand Harriet in the late Fifties, when the Nelsons’ younger son, budding teen idol Ricky Nelson, would sing and the girls would swoon: James Burton was the lanky guitarist behind Ricky, an easy smile on his face as he accompanied the kid’s rockabilly and pop tunes. With Burton as his musical anchor and his dad, Ozzie, putting the power of prime-time tele­ vision behind him, Ricky offered up a tamer-looking version of Elvis Presley. But with Ricky’s straightforward read­ ings and his band’s solid backup, the music was authentic. John Fogerty heard it. “ ‘Stood Up,’ ” he says, “is such a great lesson in rockabilly. I still get excited just thinking about how good that song is. James starts out with his funky rhythm deal...” Another fan was Elvis himself, and in 1969, when he needed to put together a tour­ ing band, he called on Burton. In the years before and since, many others have called on this native of Shreveport, Louisiana. The list includes such diverse artists as Jerry Lee Lewis, Johnny Cash, Carl Perkins, Merle Haggard, Rosanne Cash, Carlene Carter, Hoyt Axton, Roy Orbison, the Byrds, Buffalo Springfield, Gram Parsons, Emmylou Harris, Nat King Cole, Frank Sinatra, Travis Tritt and another Elvis - Costello. And it all began with “Suzie Q,” the 1957 Dale Hawkins hit. Although credited to Hawkins, the song began, says Burton, as “a little instrumental I wrote when I was four­ teen or fifteen.” Burton at fifteen was already playing guitar on the Louisiana Hayride, a weekly country radio show.
    [Show full text]
  • Various the Chess Rockabilly Story Mp3, Flac, Wma
    Various The Chess Rockabilly Story mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: The Chess Rockabilly Story Country: UK Released: 2014 Style: Rock & Roll, Rockabilly MP3 version RAR size: 1667 mb FLAC version RAR size: 1920 mb WMA version RAR size: 1999 mb Rating: 4.4 Votes: 850 Other Formats: AHX ADX MMF VOC MP4 TTA APE Tracklist 1-1 –Dale Hawkins My Babe 1-2 –Eddie Fontaine Nothin' Shakin' 1-3 –Billy Barrix Cool Off Baby 1-4 –Jackie Cannon Proof Of Your Love 1-5 –Bobby Sisco Go, Go, Go 1-6 –Lou Josie Breezin Out 1-7 –Bobby Dean Just Go Wild Over Rock And Roll 1-8 –Larry Diamond True Love Come My Way 1-9 –Dale Hawkins Little Pig 1-10 –Dick Glasser Crazy Love 1-11 –Mel Robbins Save It 1-12 –Ray Stanley I Can't Wait 1-13 –Rusty York Sugaree 1-14 –Johnny Fuller All Night Long 1-15 –Dale Hawkins Take My Heart 1-16 –Baker Knight Hungry For Love 2-1 –Billy Barrix Almost 2-2 –Bobby Sisco Tall Dark And Handsome Man 2-3 –Dale Hawkins Dale Hawkins 2-4 –Billy Miranda Run Rose 2-5 –Jimmy Lee* & Wayne Walker Love Me 2-6 –Eddie Fontaine Don't Ya Know 2-7 –Jackie Cannon Chill Bumps 2-8 –The Brothers* Lazy Susan 2-9 –Dale Hawkins Baby Baby 2-10 –The Silva-Tones Roses Are Blooming 2-11 –Del Saint & The Devils Rock Yea 2-12 –Gene Simmons Bad Boy Willie 2-13 –Lou Josie Why Did You Leave Me 2-14 –Dale Hawkins Hot Dog 2-15 –Rod Bernard Pardon, Mr.
    [Show full text]
  • The BG News May 15, 1970
    Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 5-15-1970 The BG News May 15, 1970 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News May 15, 1970" (1970). BG News (Student Newspaper). 2463. https://scholarworks.bgsu.edu/bg-news/2463 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. An Bowling Green, Ohio Independent Student May 15. 1970 Voice ■me BG news Volume 54'riumber 104 Syrians take up posts in Lebanon BEIRUT. Lebanon (AP)--A well- U.S. reacts at United Nations troops were "agreed with" the Egyptian armed force estimated at 1,000 strong government. crossed the frontier into Lebanon from The United States said yesterday that "You're helping the aggressor-we're Syria yesterday and took up positions in introduction of Soviet military personnel helping the victims." he told Yost. the area from which an Israeli raiding into the Middle East involved "very Malik added that the United States force withdrew Wednesday, border of- great risks and dangers." It urged the had given Israel a f 100 million economic ficials reported. reversal of such policies. aid loan, supplied the Israelis with arms The troops, riding in 70 Syrian army U.S.
    [Show full text]