Louisiana Hayride Collection [Finding Aid]. Library of Congress
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Still on the Road Session Pages: 1978 World Tour US November
STILL ON THE ROAD 1978 WORLD TOUR – US: NOVEMBER 1 Madison, Wisconsin Dane County Memorial Coliseum 3 Kansas City, Missouri Kemper Arena 4 Omaha, Nebraska Civic Auditorium 6 Denver, Colorado McNicholls Arena 9 Portland, Oregon Memorial Coliseum 10 Seattle, Washington Hec Edmondson Pavilion, University Of Washington 11 Vancouver, British Columbia, Canada Pacific National Exhibition Hall 13 Oakland, California Alameda County Coliseum 14 Oakland, California Alameda County Coliseum 15 Los Angeles, California The Forum, Inglewood 17 San Diego, California Sports Arena 18 Tempe, Arizona A.S.U. Activities Center 19 Tucson, Arizona McKale Memorial Center, University Of Arizona 21 El Paso, Texas Special Events Arena 23 Norman, Oklahoma LLoyd Noble Center 24 Fort Worth, Texas Tarrant County Convention Center Arena 25 Austin, Texas Special Events Center, University Of Texas At Austin 26 Houston, Texas The Summit 28 Jackson, Mississippi The Coliseum 29 Baton Rouge, Louisiana L.S.U. Assembly Center Still On The Road: 1978 World Tour: US November 4670 Dane County Memorial Coliseum Madison, Wisconsin 1 November 1978 1. My Back Pages 2. She’s Love Crazy (Tampa Red) 3. Mr. Tambourine Man 4. Shelter From The Storm 5. It's All Over Now, Baby Blue 6. Tangled Up In Blue 7. Ballad Of A Thin Man 8. Maggie's Farm 9. I Don’t Believe You (She Acts Like We Never Have Met) 10. Like A Rolling Stone 11. I Shall Be Released 12. Señor (Tales Of Yankee Power) 13. The Times They Are A-Changin' 14. It Ain't Me, Babe 15. Am I Your Stepchild? 16. One More Cup Of Coffee (Valley Below) 17. -
15 of the Most Iconic Fads from the Fifties
15 of the most iconic fads from the fifties: Car hops were THE way to get your hamburger and milkshake Hula hoops DA haircuts—yup, it stands for duck’s ass—the hair was slicked back along the sides of the head Poodle skirts are one of the most iconic fashion fads of the fifties. Invented by fashion designer Juli Lynne Charlot. Sock hops were informal dances usually held in high school gymnasiums, featuring the new Devil’s music—rock ‘n roll Saddle shoes, These casual Oxford shoes have a saddle-shaped decorative panel in the middle. Coonskin caps a major craze among young boys - a tribute to boyhood heroes of the era like Davy Crockett and Daniel Boone. Telephone booth stuffing ; college students crammed themselves into a phone booth. Drive-in movies capitalized on a fortuitous merging of the booming car culture Letterman jackets and letter sweaters: high school/college girls wanted to show off they were dating a jock. Conical bras Marilyn Monroe, Jayne Mansfield, and Jane Russell were largely responsible for igniting the fad. Cateye glasses:the accessory of choice for many young women. Jell-O molds people took a serious interest in encapsulating various foods in gelatin. Fuzzy dice During WWII, fighter pilots hung them in their cockpits for good luck. Sideburns: a classic element of the greaser look, along with DA haircuts, bomber jackets, and fitted T-shirts with sleeves rolled up, Weeks Reached #1 Artist Single @ #1 7-Jan-50 Gene Autry "Rudolph, The Red-nosed Reindeer" 1 14-Jan-50 The Andrews Sisters "I Can Dream, Can't I" 4 11-Feb-50 -
The Baptist Missionary Association of Arkansas 2014 Annual Session
2014 Minutes The Baptist Missionary Association Of Arkansas 2014 Annual Session BMA Of Arkansas “For we are laborers together with God.” I Corinthians 3:9 BMA Headquarters Global Ministry Center Conway, Arkansas Held At Conway Central Baptist College Conway, Arkansas Trumpet Printing, Inc. Little Rock, Arkansas SIXTY FIFTH ANNUAL SESSION Baptist Missionary Association of Arkansas Held At Central Baptist College Conway, Arkansas November 6-7, 2014 The Next Annual Session Will Be At Central Baptist College Conway, Arkansas November 5-6, 2015 2015 Annual Message Dustin Wisely Alternate Speaker Gary O’Neal 1 Table of Contents Brotherhood Report 43 Christian Education Committee Report 89 Churches Represented by Messenger and/or Letter 132 Clerks’ Report 131 Committees 4 Doctrinal Statement 21 Masters Builders 43 Meeting Places and Officers of Each Session 5 Missionary Committee Report 60 Officers and Departments 3 Proceedings of 2014 Session 11 Publications Committee Report 26 Resolution Report 131 Revolving Loan Fund Report 83 Salary Schedule 10 Statement of Principles of Cooperation 13 Women’s Missionary Auxiliary Report 44 Youth Department Report 58 2 Officers and Departments —2015— Associational Officers Mike McEuen President Ron Fields First Vice-President Wade Allen Second Vice-President Wes Hulvey Clerk Michael Battenfield Clerk State Missions Paul White, Executive Director P.O. Box 195514 • Little Rock, Arkansas 72219 • (501) 565-4601 Missionaries Jim Tollison Michael Hight Alma Little Rock Hershel Conley Chad White Mountain Home Brookland Associate Missionary: Jorge Vasquez, Little Rock Associate Missionary: Carlos Lozano Christian Education Central Baptist College 1501 College Ave. • Conway, Arkansas 72034 • (501) 329-6872 President: Terry Kimbrow Publications Baptist Trumpet Mrs. -
TEXAS MUSIC SUPERSTORE Buy 5 Cds for $10 Each!
THOMAS FRASER I #79/168 AUGUST 2003 REVIEWS rQr> rÿ p rQ n œ œ œ œ (or not) Nancy Apple Big AI Downing Wayne Hancock Howard Kalish The 100 Greatest Songs Of REAL Country Music JOHN THE REVEALATOR FREEFORM AMERICAN ROOTS #48 ROOTS BIRTHS & DEATHS s_________________________________________________________ / TMRU BESTSELLER!!! SCRAPPY JUD NEWCOMB'S "TURBINADO ri TEXAS ROUND-UP YOUR INDEPENDENT TEXAS MUSIC SUPERSTORE Buy 5 CDs for $10 each! #1 TMRU BESTSELLERS!!! ■ 1 hr F .ilia C s TUP81NA0Q First solo release by the acclaimed Austin guitarist and member of ’90s. roots favorites Loose Diamonds. Scrappy Jud has performed and/or recorded with artists like the ' Resentments [w/Stephen Bruton and Jon Dee Graham), Ian McLagah, Dan Stuart, Toni Price, Bob • Schneider and Beaver Nelson. • "Wall delivers one of the best start-to-finish collections of outlaw country since Wayton Jennings' H o n k y T o n k H e r o e s " -Texas Music Magazine ■‘Super Heroes m akes Nelson's" d e b u t, T h e Last Hurrah’àhd .foltowr-up, üflfe'8ra!ftèr>'critieat "Chris Wall is Dyian in a cowboy hat and muddy successes both - tookjike.^ O boots, except that he sings better." -Twangzirtc ;w o tk s o f a m e re m o rta l.’ ^ - -Austin Chronlch : LEGENDS o»tw SUPER HEROES wvyw.chriswatlmusic.com THE NEW ALBUM FROM AUSTIN'S PREMIER COUNTRY BAND an neu mu - w™.mm GARY CLAXTON • acoustic fhytftm , »orals KEVIN SMITH - acoustic bass, vocals TON LEWIS - drums and cymbals sud Spedai td truth of Oerrifi Stout s debut CD is ContinentaUVE i! so much. -
SLS 19RS-33 ORIGINAL 2019 Regular Session SENATE
SLS 19RS-33 ORIGINAL 2019 Regular Session SENATE CONCURRENT RESOLUTION NO. 132 BY SENATOR PEACOCK COMMENDATIONS. Commends music legend James Burton of Shreveport, on the occasion of his eightieth birthday. 1 A CONCURRENT RESOLUTION 2 To commend James Burton for an outstanding career of over sixty years as a performer, 3 musician, and a Louisiana music legend and to congratulate him on the occasion of 4 his eightieth birthday. 5 WHEREAS, born in Dubberly, Louisiana, on August 21, 1939, James Edward Burton 6 grew up in Shreveport; he received his first guitar as a youngster and was playing 7 professionally by the age of fourteen; he was a self-taught musical phenomenon; and 8 WHEREAS, as he listened to KWKH radio, he was influenced by popular guitarists 9 of the day, such as Chet Atkins, Chuck Berry, Bo Diddley, Elmore James, Lightnin' Hopkins 10 and many others whose genres covered Rock and Roll, Delta Blues, and Country music; and 11 WHEREAS, James was required to obtain a special permit to play in nightclubs due 12 to his age, however, his guitar playing showed such promise that he was asked to join the 13 "staff band" of the legendary radio show, the Louisiana Hayride, and he played backup for 14 the likes of George Jones, Billy Walker, and Johnny Horton and within a few years, James 15 would be a headliner at the show; and 16 WHEREAS, he honed his craft on a variety of guitar types that included acoustic, 17 steel guitar, slide dobro, and electric styles like Fender Telecasters; no matter who played 18 lead guitar, James Burton had the guitar "licks" to complement the lead note for note; and Page 1 of 3 SLS 19RS-33 ORIGINAL SCR NO. -
The History of the Louisiana State University School of Music
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1968 The iH story of the Louisiana State University School of Music. Charlie Walton Roberts Jr Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Roberts, Charlie Walton Jr, "The iH story of the Louisiana State University School of Music." (1968). LSU Historical Dissertations and Theses. 1458. https://digitalcommons.lsu.edu/gradschool_disstheses/1458 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. This dissertation has been microfilmed exactly as received 68-16,326 ROBERTS, Jr., Charlie Walton, 1935- THE HISTORY OF THE LOUISIANA STATE UNIVER SITY SCHOOL OF MUSIC. Louisiana State University and Agricultural and Mechanical College, Ed.D., 1968 Music University Microfilms, Inc., Ann Arbor, Michigan THE HISTORY OF THE LOUISIANA STATE UNIVERSITY SCHOOL OF MUSIC A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Education i n The Department of Education by Charlie Walton Roberts, Jr. B.Mu.Ed., Louisiana State University, 1957 M.A., Louisiana Polytechnic Institute, 1964 May, 1968 ACKNOWLEDGMENT The author acknowledges with gratitude the assistance of Dr. William M. Smith, his major professor, for his guidance throughout this study and his graduate program at Louisiana State University. -
Bob Dylan Performs “It's Alright, Ma (I'm Only Bleeding),” 1964–2009
Volume 19, Number 4, December 2013 Copyright © 2013 Society for Music Theory A Foreign Sound to Your Ear: Bob Dylan Performs “It’s Alright, Ma (I’m Only Bleeding),” 1964–2009 * Steven Rings NOTE: The examples for the (text-only) PDF version of this item are available online at: http://www.mtosmt.org/issues/mto.13.19.4/mto.13.19.4.rings.php KEYWORDS: Bob Dylan, performance, analysis, genre, improvisation, voice, schema, code ABSTRACT: This article presents a “longitudinal” study of Bob Dylan’s performances of the song “It’s Alright, Ma (I’m Only Bleeding)” over a 45-year period, from 1964 until 2009. The song makes for a vivid case study in Dylanesque reinvention: over nearly 800 performances, Dylan has played it solo and with a band (acoustic and electric); in five different keys; in diverse meters and tempos; and in arrangements that index a dizzying array of genres (folk, blues, country, rockabilly, soul, arena rock, etc.). This is to say nothing of the countless performative inflections in each evening’s rendering, especially in Dylan’s singing, which varies widely as regards phrasing, rhythm, pitch, articulation, and timbre. How can music theorists engage analytically with such a moving target, and what insights into Dylan’s music and its meanings might such a study reveal? The present article proposes one set of answers to these questions. First, by deploying a range of analytical techniques—from spectrographic analysis to schema theory—it demonstrates that the analytical challenges raised by Dylan’s performances are not as insurmountable as they might at first appear, especially when approached with a strategic and flexible methodological pluralism. -
1950S Playlist
1/10/2005 MONTH YEAR TITLE ARTIST Jan 1950 RAG MOP AMES BROTHERS Jan 1950 WITH MY EYES WIDE OPEN I'M DREAMING PATTI PAGE Jan 1950 ENJOY YOURSELF (IT'S LATER THAN YOU THINK) GUY LOMBARDO Jan 1950 I ALMOST LOST MY MIND IVORY JOE HUNTER Jan 1950 THE WEDDING SAMBA EDMUNDO ROS Jan 1950 I SAID MY PAJAMAS (AND PUT ON MY PRAY'RS) TONY MARTIN/FRAN WARREN Jan 1950 SENTIMENTAL ME AMES BROTHERS Jan 1950 QUICKSILVER BING CROSBY/ANDREWS SISTERS Jan 1950 CHATTANOOGIE SHOE SHINE BOY RED FOLEY Jan 1950 BIBBIDI-BOBBIDI-BOO PERRY COMO Feb 1950 IT ISN'T FAIR SAMMY KAYE/DON CORNELL Feb 1950 RAG MOP LIONEL HAMPTON Feb 1950 THE THIRD MAN THEME ANTON KARAS Feb 1950 MY FOOLISH HEART GORDON JENKINS Feb 1950 THE CRY OF THE WILD GOOSE FRANKIE LAINE Feb 1950 THE FAT MAN FATS DOMINO Feb 1950 DADDY'S LITTLE GIRL MILLS BROTHERS Feb 1950 MUSIC MUSIC MUSIC TERESA BREWER Mar 1950 THE THIRD MAN THEME GUY LOMBARDO Mar 1950 CANDY AND CAKE MINDY CARSON Mar 1950 MY FOOLISH HEART BILLY ECKSTINE Mar 1950 IF I KNEW YOU WERE COMIN' I'D'VE BAKED A CAKE EILEEN BARTON Mar 1950 WANDERIN' SAMMY KAYE Mar 1950 DEARIE GUY LOMBARDO Apr 1950 COUNT EVERY STAR HUGO WINTERHALTER Apr 1950 HOOP-DEE-DOO PERRY COMO Apr 1950 BEWITCHED BILL SNYDER Apr 1950 PETER COTTONTAIL GENE AUTRY Apr 1950 ARE YOU LONESOME TONIGHT BLUE BARRON May 1950 THE OLD PIANO ROLL BLUES HOAGY CARMICHAEL/CASS DALEY May 1950 BEWITCHED DORIS DAY May 1950 VALENCIA TONY MARTIN May 1950 I DON'T CARE IF THE SUN DON'T SHINE PATTI PAGE May 1950 I WANNA BE LOVED ANDREWS SISTERS May 1950 BONAPARTE'S RETREAT KAY STARR Jun 1950 MONA -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
14Th Annual ACM Honors Celebrates Industry & Studio Recording Winners from 55Th & 56Th ACM Awards
August 27, 2021 The MusicRow Weekly Friday, August 27, 2021 14th Annual ACM Honors Celebrates SIGN UP HERE (FREE!) Industry & Studio Recording Winners From 55th & 56th ACM Awards If you were forwarded this newsletter and would like to receive it, sign up here. THIS WEEK’S HEADLINES 14th Annual ACM Honors Beloved TV Journalist And Producer Lisa Lee Dies At 52 “The Storyteller“ Tom T. Hall Passes Luke Combs accepts the Gene Weed Milestone Award while Ashley McBryde Rock And Country Titan Don looks on. Photo: Getty Images / Courtesy of the Academy of Country Music Everly Passes Kelly Rich To Exit Amazon The Academy of Country Music presented the 14th Annual ACM Honors, Music recognizing the special award honorees, and Industry and Studio Recording Award winners from the 55th and 56th Academy of Country SMACKSongs Promotes Music Awards. Four The event featured a star-studded lineup of live performances and award presentations celebrating Special Awards recipients Joe Galante and Kacey Musgraves Announces Rascal Flatts (ACM Cliffie Stone Icon Award), Lady A and Ross Fourth Studio Album Copperman (ACM Gary Haber Lifting Lives Award), Luke Combs and Michael Strickland (ACM Gene Weed Milestone Award), Dan + Shay Reservoir Inks Deal With (ACM Jim Reeves International Award), RAC Clark (ACM Mae Boren Alabama Axton Service Award), Toby Keith (ACM Merle Haggard Spirit Award), Loretta Lynn, Gretchen Peters and Curly Putman (ACM Poet’s Award) Old Dominion, Lady A and Ken Burns’ Country Music (ACM Tex Ritter Film Award). Announce New Albums Also honored were winners of the 55th ACM Industry Awards, 55th & 56th Alex Kline Signs With Dann ACM Studio Recording Awards, along with 55th and 56th ACM Songwriter Huff, Sheltered Music of the Year winner, Hillary Lindsey. -
Whiskey River (Take My Mind) I
whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams. -
Charles Diamond Pennywell & the Fairlanes / Sunlovers's
Reprinted with permission from Echoes of the Past magazine, Issue #116 (Summer, 2016), pp. 13 - 19. Charles Diamond Pennywell & the Fairlanes / Sunlover's Shreveport Doo Wop to West Coast Soul By Charlie Horner With Contributions from Pamela Horner city, next to New Orleans and Baton Rouge. It's always been an important music city, though it of- ten doesn't get the recognition it deserves. At one time or another, the Shreveport area was the home to important singers and musicians of all genres, including blues (Lead Belly), gospel (Ever Ready Gospel Singers), country & western (Hank Wil- liams, Johnny Horton, Jim Reeves) and rock-a-billy (Dale Hawkins), along with rhythm & blues, rock & roll and of course Cajun music. Shreveport's "Louisiana Hayride” broadcasts played a pivotal role in the music careers of both Hank Williams and Elvis Presley. Shreveport was the home of Stan Lewis's Paula, Jewel and Ronn record labels and the birthplace of Nashville music mogul Shelby Sin- gleton. Shreveport was a major hub in black mu- sic's “Chitlin’ Circuit”. Still, precious little research has been done on Shreveport's 1950’s African American music scene. Charles Pennywell began singing at the age of ten but really began to take it seriously when he got to high school. Influenced by r&b vocal groups like the Spaniels, Dells, Five Royales and Five Sat- ins, Charles and some friends formed a singing group of their own. "We were in high school Transitioning between 1950's doo wop, six- ties soul and seventies funk music is not easy.