DOCSLIB.ORG

The BG News May 15, 1970

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 5-15-1970 The BG News May 15, 1970 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News May 15, 1970" (1970). BG News (Student Newspaper). 2463. https://scholarworks.bgsu.edu/bg-news/2463 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. An Bowling Green, Ohio Independent Student May 15. 1970 Voice ■me BG news Volume 54'riumber 104 Syrians take up posts in Lebanon BEIRUT. Lebanon (AP)--A well- U.S. reacts at United Nations troops were "agreed with" the Egyptian armed force estimated at 1,000 strong government. crossed the frontier into Lebanon from The United States said yesterday that "You're helping the aggressor-we're Syria yesterday and took up positions in introduction of Soviet military personnel helping the victims." he told Yost. the area from which an Israeli raiding into the Middle East involved "very Malik added that the United States force withdrew Wednesday, border of- great risks and dangers." It urged the had given Israel a f 100 million economic ficials reported. reversal of such policies. aid loan, supplied the Israelis with arms The troops, riding in 70 Syrian army U.S. Ambassador Charles W. Yost and planes and promised more. trucks, wore badges of the Syrian-backed raised the subject in Security Council Yost was not specific about the Soviet Saiqa guerrillas. Local villagers said the debate on Israel's sweep Tuesday into military personnel and advanced men were Syrians and not Palestinian I<ebanon and prior guerrilla attacks weapons in the area. commandos, the report added. against Israel from I,ebanon. He also Israel has charged that Soviet pilots Along the Suez Canal front, two said the Russians had moved "more fly missions from Egyptian bases to Egyptian MIG21s were shot down in advanced weapons" into the Middle intercept Israeli planes over Egypt, and dogfights with Israeli Jets attacking East. there have been reports that the Soviet targets in the central sector, the Israeli Soviet Ambassador Jacob A. Malik Union has installed sophisticated SA3 military command in Tel Aviv said. replied that his country was assisting missiles in Egypt. An Egyptian spokesman in Cairo "the victims of aggression" with arms Indications were that it might be reported the lir clash but claimed there and military advisers and that the func- introduced at the council's next meeting were no loss* i on either side. tions of such advisers among Egyptian Friday. The Israeli command said it had no Information about the reported Syrian troop move but added, "We are checking." Lebanese border officials said the force from Syria was armed with mor- New grading system tars, antiaircraft guns and other equipment. After crossing the border through the winding valleys of the Deir el Achair gains more support area, the troops were reported to have pushed on to the Arkoub area on the western slopes of Mt. Hermon. More than 500 students visited the counts of their classes. graduate center yesterday to take ad- Until then, there will be no way of Syrians give no warning vantage of the satisfactory- knowing Just how wide-spread the in- unsatisfactory grade option, bringing the terest actually is. The Syrians gave Lebanese four-day total of students taking courses The 125 New University courses, some authorities no advance notification of the on an S-U basis to more than 1,000. of which met today, range from Poetry, move, highly places sources said. Robert McGeein, assistant registrar, Politics and the DMZ, to Contemporary Lebanon's Parliament has to give said the number of students dropping Bullshit 101 and Why People Vote for prior approval for entry of foreign Arab their regular courses and then adding Delbert Ijitta (Latta is the congressman troops. Palestinian guerrillas, however, them on an S-U grading system doubled for this district.) have been moving freely across the during Thursday's activity. University President William T. border between Lebanon and Syria. "I'm convinced the rush was because Jerome III baa also volunteered to lead a Guerrillas dislodged by the 32-hour of the publication of the New University course in the interrelationships of state Israeli raid into southern Lebanon, which curriculum," said Robert Berner, an and federal governments and the ended when the invading force withdrew English graduate student and New university. across the frontier Wednesday, were University committee member. The six colleges into which the N.w.pKo.o by Mlk. ArUskl reported already back in their caves and "It would seem suggestive of a rather courses are divided are simply other hideouts in the Arkoub area. high level of interest among the student categories, and lack any bureaucracy REACHING FOR friibee In ■ game of catch near of the warm weather. Though the fun was not too body," he remarked. similar to the traditional college. cooperative, It didn't dampen the spirits. The entire Arkoub area apparently Graduate Center, Joan Slkela (Jr., Ed.) takes advantage has been given over to the guerrillas and Faculty Senate's decision last Sunday The colleges are those of peace, no I ibanese troops are to be seen east of to offer the option was designed, in part, ecology, culture, minority group studies, the Hasbani river. to relieve some of the pressures of the community relations and university students' regular classes so they would curriculum and governance. have more time to spend in the New The New University Executive University. committee, composed of five graduate Berner said both this and the large students, has been working since Sunday number of students noting the New evening taking course submissions, Ohio State to reopen Tuesday University course lists throughout the combining courses, dividing them into week, which were hung in Hanna Hall as the six colleges and setting up time and COLUMBUS, Ohio (API-Ohio State a.m. curfew on the campus. student school. weekend. The decision was made they were being formed, indicate that space assignments. University, closed May 6 after six days of Fawcett said only persons with proper He said the administration will try to following an order by university students are interested in the program. student rioting, will be fully reopened identification would be allowed on select a student advisory group for every President Novice G. Fawcett to reopen Those lists, he added, were torn down "We on the committee intend to work Tuesday under tight security. campus and that demonstrations would cabinet officer. the school to its students next Tuesday. last night by vandals, and have been with the New University after it's un- The university board of trustees probably be confined to the oval. In addition, Fawcett said he per- The Buckeye baseball team, leading replaced by the full curriculum published derway as an alternative to the course of yesterday approved reopening plan He said no more than 10 persons would sonally would examine the feasibility of the league with an 8-0 record, also will in the BG News. education presently offered by the submitted by Novice G. Fawcett, the be allowed to demonstrate at any having some type of student advisory return to action after Fawcett left the Berner said the committee feels the traditional University structure," school's president. building elsewhere on the campus. committee meet with him on a regular decision to play up to Athletic Director New University will work because it Berner said. The reopening process begins today Although the state has promised to basis, "Just as the faculty advisory Dick Larkins. offers a "really living alternative to the He added that he and his fellow for academic programs in medicine, have law enforcement agencies available committee does at the present time." LarUns, after polling the Athletic traditional university." committee members feel the program is dentistry and veterinary medicine. in case they are needed, he said that he At a news conference following the Council, ruled Ohio State teams could Actual student participation in the an answer to the need for continued at- Dormitories will be opened over the doesn't want to use outside security session, Fawcett said 90 per cent of the compete only in out-of-town activity this courses will not be determined until next tention to the various problems and weekend and the full campus will be forces. students and others in contact with him weekend. week, however, he added, when the issues which arose during last week's operating for Tuesday classes. "It is our earnest hope," he said, wanted the school reopened. course leaders begin turning in head- demonstrations. The trustees approved security "that we can regulate the operation of Many of his own recommendations, he ground rules suggested by Fawcett. He the university without resorting to the said earlier, he would consider "un- was given authority to put a midnight to 6 use of large security forces in the dersireable and extraordinary in an ideal future." educational environment." Fawcett said faculty research work "Regretfully," he added, "without will be sharply curtailed to free such measures the university would be in 6,000 sign professors to assist students in com- an untenable position to deal with a hard pletion of their academic work. core of people who appear to be deter- The commencement exercises, he mined to destroy this and other petition seeking said, are still scheduled for June 12 and universities." hopefully will be held.
Recommended publications
  • My Generation

    My Generation

    im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 01805 - 060347 90476 [email protected] “Hope I die before I get old…” The Who – My Generation Das Frontcover von My Generation, dem Debütalbum von The Who, steht für eine ganz Ära, genauso wie die Musik darauf. Auf dem Foto trägt John Entwistle lässig eine Jacke über der Schulter, die aus einem Union Jack gefertigt wurde. Heutzutage findet man dieses Symbol auf Kaffeetassen, Kissenbezügen, T-Shirts und diversen anderen Kleidungsstücken. Aber im Dezember 1965, als My Generation herauskam, weigerten sich die meisten Schneider auf der Savile Row, den Union Jack in eine Jacke umzunähen. “Sie dachten, sie kämen dafür ins Gefängnis”, erzählte Roger Daltrey. Die abweisende Attitüde von The Who und die dreiste Verwendung der Nationalflagge waren die beste Werbung für My Generation, die man sich vorstellen konnte. Das Album klingt, wie es aussieht: kurz angebunden, auf Konfrontation aus und voller jungendlichem Zorn und Energie. Da überrascht es kaum, dass der Entstehungsprozess von Konflikten durchzogen war. My Generation war das Ergebnis eines mentalen Armdrückens – zwischen mutigen, neuen Ideen und Popmusiktradition. Als die Platte endlich in die Läden kam, war der Union Jack der Band zerrissen und blutverschmiert – als hätte er zwei Weltkriege mitgemacht. Das Album wurde von Shel Talmy produziert und die Erstveröffentlichung in Großbritannien im Dezember 1965 lief über Brunswick Records. In den USA kam es im April 1966 mit dem Titel ‘The Who Sings My Generation’ heraus. Auf der britischen Version findet sich das legendäre, von Decca Records Fotograf David Wedgbury in den Surrey Docks im Südosten London gemachte Foto, auf dem die vier Musiker alle in die über ihnen befindliche Linse schauen – eine Pose, die auch Jahre später noch von vielen Bands kopiert wurde.
  • SLS 19RS-33 ORIGINAL 2019 Regular Session SENATE

    SLS 19RS-33 ORIGINAL 2019 Regular Session SENATE

    SLS 19RS-33 ORIGINAL 2019 Regular Session SENATE CONCURRENT RESOLUTION NO. 132 BY SENATOR PEACOCK COMMENDATIONS. Commends music legend James Burton of Shreveport, on the occasion of his eightieth birthday. 1 A CONCURRENT RESOLUTION 2 To commend James Burton for an outstanding career of over sixty years as a performer, 3 musician, and a Louisiana music legend and to congratulate him on the occasion of 4 his eightieth birthday. 5 WHEREAS, born in Dubberly, Louisiana, on August 21, 1939, James Edward Burton 6 grew up in Shreveport; he received his first guitar as a youngster and was playing 7 professionally by the age of fourteen; he was a self-taught musical phenomenon; and 8 WHEREAS, as he listened to KWKH radio, he was influenced by popular guitarists 9 of the day, such as Chet Atkins, Chuck Berry, Bo Diddley, Elmore James, Lightnin' Hopkins 10 and many others whose genres covered Rock and Roll, Delta Blues, and Country music; and 11 WHEREAS, James was required to obtain a special permit to play in nightclubs due 12 to his age, however, his guitar playing showed such promise that he was asked to join the 13 "staff band" of the legendary radio show, the Louisiana Hayride, and he played backup for 14 the likes of George Jones, Billy Walker, and Johnny Horton and within a few years, James 15 would be a headliner at the show; and 16 WHEREAS, he honed his craft on a variety of guitar types that included acoustic, 17 steel guitar, slide dobro, and electric styles like Fender Telecasters; no matter who played 18 lead guitar, James Burton had the guitar "licks" to complement the lead note for note; and Page 1 of 3 SLS 19RS-33 ORIGINAL SCR NO.
  • Dec. 22, 2015 Snd. Tech. Album Arch

    Dec. 22, 2015 Snd. Tech. Album Arch

    SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London.
  • The Guardian, October 7, 1974

    The Guardian, October 7, 1974

    Wright State University CORE Scholar The Guardian Student Newspaper Student Activities 10-7-1974 The Guardian, October 7, 1974 Wright State University Student Body Follow this and additional works at: https://corescholar.libraries.wright.edu/guardian Part of the Mass Communication Commons Repository Citation Wright State University Student Body (1974). The Guardian, October 7, 1974. : Wright State University. This Newspaper is brought to you for free and open access by the Student Activities at CORE Scholar. It has been accepted for inclusion in The Guardian Student Newspaper by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. ·octobe r 7, 1974 Vol 11, Issue 9 Wrig ht State llniversitg Gilligan admits to reservations on drug bill by MT Willis the legislative mills of both e xpanded Ohio I nstr uctional houses. Governor John J Gilligan Grant pr ogram if r eturned t o Among other provisions, HB admitted last Thursday that he office in the November election. 1090 would make drug abuse Gilligan also promised--again, if has reservations about House bill felonies subject to conspiracy 1090, which would have dras­ re-elected--to support full fund­ law; would require maximum tically revised Ohio's drug abuse ing for t he Wright State Medical prison sentences without the School. In addition to t he $6 laws, but he wouldn't say he possibility of probation, parole, · million already allocated for would veto the bill if it reached or shock therapy for convicted construction, this would involve ,his desk next year. drug pushers; and would label as an additional $2 million for pusher any person arrested with construction and $1.8 million for fixed quantities of various drugs, operating expenses during th_e whether or not an overt act of next biennium.
  • Vinyl Theory

    Vinyl Theory

    Vinyl Theory Jeffrey R. Di Leo Copyright © 2020 by Jefrey R. Di Leo Lever Press (leverpress.org) is a publisher of pathbreaking scholarship. Supported by a consortium of liberal arts institutions focused on, and renowned for, excellence in both research and teaching, our press is grounded on three essential commitments: to publish rich media digital books simultaneously available in print, to be a peer-reviewed, open access press that charges no fees to either authors or their institutions, and to be a press aligned with the ethos and mission of liberal arts colleges. This work is licensed under the Creative Commons Attribution- NonCommercial 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA. The complete manuscript of this work was subjected to a partly closed (“single blind”) review process. For more information, please see our Peer Review Commitments and Guidelines at https://www.leverpress.org/peerreview DOI: https://doi.org/10.3998/mpub.11676127 Print ISBN: 978-1-64315-015-4 Open access ISBN: 978-1-64315-016-1 Library of Congress Control Number: 2019954611 Published in the United States of America by Lever Press, in partnership with Amherst College Press and Michigan Publishing Without music, life would be an error. —Friedrich Nietzsche The preservation of music in records reminds one of canned food. —Theodor W. Adorno Contents Member Institution Acknowledgments vii Preface 1 1. Late Capitalism on Vinyl 11 2. The Curve of the Needle 37 3.
  • Charles Diamond Pennywell & the Fairlanes / Sunlovers's

    Charles Diamond Pennywell & the Fairlanes / Sunlovers's

    Reprinted with permission from Echoes of the Past magazine, Issue #116 (Summer, 2016), pp. 13 - 19. Charles Diamond Pennywell & the Fairlanes / Sunlover's Shreveport Doo Wop to West Coast Soul By Charlie Horner With Contributions from Pamela Horner city, next to New Orleans and Baton Rouge. It's always been an important music city, though it of- ten doesn't get the recognition it deserves. At one time or another, the Shreveport area was the home to important singers and musicians of all genres, including blues (Lead Belly), gospel (Ever Ready Gospel Singers), country & western (Hank Wil- liams, Johnny Horton, Jim Reeves) and rock-a-billy (Dale Hawkins), along with rhythm & blues, rock & roll and of course Cajun music. Shreveport's "Louisiana Hayride” broadcasts played a pivotal role in the music careers of both Hank Williams and Elvis Presley. Shreveport was the home of Stan Lewis's Paula, Jewel and Ronn record labels and the birthplace of Nashville music mogul Shelby Sin- gleton. Shreveport was a major hub in black mu- sic's “Chitlin’ Circuit”. Still, precious little research has been done on Shreveport's 1950’s African American music scene. Charles Pennywell began singing at the age of ten but really began to take it seriously when he got to high school. Influenced by r&b vocal groups like the Spaniels, Dells, Five Royales and Five Sat- ins, Charles and some friends formed a singing group of their own. "We were in high school Transitioning between 1950's doo wop, six- ties soul and seventies funk music is not easy.
  • DRUTHER May 2021 Layout.Indd

    DRUTHER May 2021 Layout.Indd

    Important information. Please read, then stuff this in a neighbours FREE Volume 1 Number 6 | May 2021 mailbox when finished. Find /n. …Informal… more to explore one’s own way, choice, or preference: on our website: eg. ‘If I had my druthers, we all would know the truth.’ www.druthers.net DEATH BY LOCKDOWN By Anas Attia & Dale Hawkins propaganda, kids are being convinced that they will kill Constitution and Police Code of Conduct , among many their own grandparents, if they don’t comply. Children of other regulatory bodies in Canada, are what contribute es, lockdowns kill! They are killing people, indus- all ages are being robbed of their needed social develop- to making this country amongst the freest of countries in tries and livelihoods alike. They kill in many ways ment and in many ways, irrevocably so. the world. Yand with great force too. And no, we have never The Canadian Bill of Rights, as an example, pro- been locked-down like this vides an individual’s right to before and there is no solid life, liberty and security, whilst science to backup the claims enabling freedom of religion, of their effectiveness. The lon- speech, assembly and associ- ger lockdowns continue, the ation and press. worse things are going to get. For the first time in They need to end now! Canada’s short history, these Almost everyone, includ- rights and freedoms are under ing the World Health attack. The government, Organization, is in agreement working with big corpora- that lockdowns are destroy- tions, have ramped up censor- ing society while offering lit- ship online, where most of our tle, if any, real-world effective- social communication hap- ness.
  • Downbeat.Com September 2010 U.K. £3.50

    Downbeat.Com September 2010 U.K. £3.50

    downbeat.com downbeat.com september 2010 2010 september £3.50 U.K. DownBeat esperanza spalDing // Danilo pérez // al Di Meola // Billy ChilDs // artie shaw septeMBer 2010 SEPTEMBER 2010 � Volume 77 – Number 9 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser AdVertisiNg sAles Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] offices 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] customer serVice 877-904-5299 [email protected] coNtributors Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Atlanta: Jon Ross; Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, How- ard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Jennifer
  • John Fogerty Is Rehearsing for His first Extended Live Shows in More Than a Decade

    John Fogerty Is Rehearsing for His first Extended Live Shows in More Than a Decade

    May 21, 1997--- LOS ANGELES---The clouds of mystery are lifting over the mountainside studio where John Fogerty is rehearsing for his first extended live shows in more than a decade. Wearing a green plaid workshirt and pressed blue jeans, the creative force behind Creedence Clearwater Revival is preparing to hit the road to promote his new "Blue Moon Swamp" record, released Tuesday on Warner Bros. But the majority of the dates in New York, Los Angeles and Chicago will consist of Creedence hits. Fronting a quartet, Fogerty will even play some of the classics through vintage '60s gear. Fogerty has never leaned on Creedence songs as a solo act. Coming to terms with the past may account for the clarity of "Blue Moon Swamp." Full of dobros, guitars and passionate vocals, it is Fogerty's most rootsy album since his self-titled 1975 solo debut. Then again, maybe the clarity was already in place. "It came first," Fogerty says before rehearsal. "I get a lot of the clarity from my wife, Julie (Kramer, who hails from Elkhart, Ind.). Her positiveness helps me every day. That spilled over into my directness with the music, and I became very clear with who I should be. And that's a good thing to know, because there's been times in my life where I wasn't that sure. "(The dark, high-tech 1986 release) `Eye of the Zombie' is certainly a great example. So are some of the lost soul meanderings of the '70s, when I made an ill- fated record called `Whodo' that shows up in bootlegs at flea markets.
  • THE BIRTH of HARD ROCK 1964-9 Charles Shaar Murray Hard Rock

    THE BIRTH of HARD ROCK 1964-9 Charles Shaar Murray Hard Rock

    THE BIRTH OF HARD ROCK 1964-9 Charles Shaar Murray Hard rock was born in spaces too small to contain it, birthed and midwifed by youths simultaneously exhilarated by the prospect of emergent new freedoms and frustrated by the slow pace of their development, and delivered with equipment which had never been designed for the tasks to which it was now applied. Hard rock was the sound of systems under stress, of energies raging against confnement and constriction, of forces which could not be contained, merely harnessed. It was defned only in retrospect, because at the time of its inception it did not even recognise itself. The musicians who played the frst ‘hard rock’ and the audiences who crowded into the small clubs and ballrooms of early 1960s Britain to hear them, thought they were playing something else entirely. In other words, hard rock was – like rock and roll itself – a historical accident. It began as an earnest attempt by British kids in the 1960s, most of whom were born in the 1940s and raised and acculturated in the 1950s, to play American music, drawing on blues, soul, R&B, jazz and frst-generation rock, but forced to reinvent both the music, and its world, in their own image, resulting in something entirely new. However, hard rock was neither an only child, nor born fully formed. It shared its playpen, and many of its toys, with siblings (some named at the time and others only in retrospect) like R&B, psychedelia, progressive rock, art-rock and folk-rock, and it emerged only gradually from the intoxicating stew of myriad infuences that formed the musical equivalent of primordial soup in the uniquely turbulent years of the second (technicolour!) half of the 1960s.
  • TRANS-HAWKINS-Dale-Memories

    TRANS-HAWKINS-Dale-Memories

    Pryor Center for Arkansas Oral and Visual History Special Collections Department University of Arkansas Libraries 365 N. McIlroy Ave. Fayetteville, AR 72701 (479) 575-5330 This oral history interview is based on the memories and opinions of the subject being interviewed. As such, it is subject to the innate fallibility of memory and is susceptible to inaccuracy. All researchers using this interview should be aware of this reality and are encouraged to seek corroborating documentation when using any oral history interview. Arkansas Memories Project Interview with Dale Hawkins North Little Rock, Arkansas 16 January 2008 Interviewer: Bob Cochran Dale Hawkins: Okay. Then I dump—I take it right out of—out of it and shoot it right into the Alesis or either to Nuendo which I used to mix with. It’s a—to me, it’s as good as Pro Tools. Pro Tools is for somebody that’s, you know, is really into high tech [gack?], to me, is gonna do a good job. I know a lot of guys—but I can do anything with Nuendo. I mean—well, I—yeah, because software costs me $5,000, and the cards that I got to use here—I’ve got three different sound cards—I’ve got—that I use when I start to mixing. Because that’s the key to it. The key to it is the sound. Bob Cochran: Yeah. DH: Yeah. You want me another way? Just tell me. Kris Katrosh: We just want to put you back in the spot. DH: Sure. Sure. KK: Slide your chair up.
  • Name Artist Album Track Number Track Count Year Wasted Words

    Name Artist Album Track Number Track Count Year Wasted Words

    Name Artist Album Track Number Track Count Year Wasted Words Allman Brothers Band Brothers and Sisters 1 7 1973 Ramblin' Man Allman Brothers Band Brothers and Sisters 2 7 1973 Come and Go Blues Allman Brothers Band Brothers and Sisters 3 7 1973 Jelly Jelly Allman Brothers Band Brothers and Sisters 4 7 1973 Southbound Allman Brothers Band Brothers and Sisters 5 7 1973 Jessica Allman Brothers Band Brothers and Sisters 6 7 1973 Pony Boy Allman Brothers Band Brothers and Sisters 7 7 1973 Trouble No More Allman Brothers Band Eat A Peach 1 6 1972 Stand Back Allman Brothers Band Eat A Peach 2 6 1972 One Way Out Allman Brothers Band Eat A Peach 3 6 1972 Melissa Allman Brothers Band Eat A Peach 4 6 1972 Blue Sky Allman Brothers Band Eat A Peach 5 6 1972 Blue Sky Allman Brothers Band Eat A Peach 5 6 1972 Ain't Wastin' Time No More Allman Brothers Band Eat A Peach 6 6 1972 Oklahoma Hills Arlo Guthrie Running Down the Road 1 6 1969 Every Hand in the Land Arlo Guthrie Running Down the Road 2 6 1969 Coming in to Los Angeles Arlo Guthrie Running Down the Road 3 6 1969 Stealin' Arlo Guthrie Running Down the Road 4 6 1969 My Front Pages Arlo Guthrie Running Down the Road 5 6 1969 Running Down the Road Arlo Guthrie Running Down the Road 6 6 1969 I Believe When I Fall in Love Art Garfunkel Breakaway 1 8 1975 My Little Town Art Garfunkel Breakaway 1 8 1975 Ragdoll Art Garfunkel Breakaway 2 8 1975 Breakaway Art Garfunkel Breakaway 3 8 1975 Disney Girls Art Garfunkel Breakaway 4 8 1975 Waters of March Art Garfunkel Breakaway 5 8 1975 I Only Have Eyes for You Art Garfunkel Breakaway 7 8 1975 Lookin' for the Right One Art Garfunkel Breakaway 8 8 1975 My Maria B.