… Isn't Such a New Thing. Fever Started Long Ago!
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
RHYTHM & BLUES...63 Order Terms
5 COUNTRY .......................6 BEAT, 60s/70s ..................71 AMERICANA/ROOTS/ALT. .............22 SURF .............................83 OUTLAWS/SINGER-SONGWRITER .......23 REVIVAL/NEO ROCKABILLY ............85 WESTERN..........................27 PSYCHOBILLY ......................89 WESTERN SWING....................30 BRITISH R&R ........................90 TRUCKS & TRAINS ...................30 SKIFFLE ...........................94 C&W SOUNDTRACKS.................31 AUSTRALIAN R&R ....................95 C&W SPECIAL COLLECTIONS...........31 INSTRUMENTAL R&R/BEAT .............96 COUNTRY AUSTRALIA/NEW ZEALAND....31 COUNTRY DEUTSCHLAND/EUROPE......32 POP.............................103 COUNTRY CHRISTMAS................33 POP INSTRUMENTAL .................136 BLUEGRASS ........................33 LATIN ............................148 NEWGRASS ........................35 JAZZ .............................150 INSTRUMENTAL .....................36 SOUNDTRACKS .....................157 OLDTIME ..........................37 EISENBAHNROMANTIK ...............161 HAWAII ...........................38 CAJUN/ZYDECO ....................39 DEUTSCHE OLDIES ..............162 TEX-MEX ..........................39 KLEINKUNST / KABARETT ..............167 FOLK .............................39 Deutschland - Special Interest ..........167 WORLD ...........................41 BOOKS .........................168 ROCK & ROLL ...................43 BOOKS ...........................168 REGIONAL R&R .....................56 DISCOGRAPHIES ....................174 LABEL R&R -
SLS 19RS-33 ORIGINAL 2019 Regular Session SENATE
SLS 19RS-33 ORIGINAL 2019 Regular Session SENATE CONCURRENT RESOLUTION NO. 132 BY SENATOR PEACOCK COMMENDATIONS. Commends music legend James Burton of Shreveport, on the occasion of his eightieth birthday. 1 A CONCURRENT RESOLUTION 2 To commend James Burton for an outstanding career of over sixty years as a performer, 3 musician, and a Louisiana music legend and to congratulate him on the occasion of 4 his eightieth birthday. 5 WHEREAS, born in Dubberly, Louisiana, on August 21, 1939, James Edward Burton 6 grew up in Shreveport; he received his first guitar as a youngster and was playing 7 professionally by the age of fourteen; he was a self-taught musical phenomenon; and 8 WHEREAS, as he listened to KWKH radio, he was influenced by popular guitarists 9 of the day, such as Chet Atkins, Chuck Berry, Bo Diddley, Elmore James, Lightnin' Hopkins 10 and many others whose genres covered Rock and Roll, Delta Blues, and Country music; and 11 WHEREAS, James was required to obtain a special permit to play in nightclubs due 12 to his age, however, his guitar playing showed such promise that he was asked to join the 13 "staff band" of the legendary radio show, the Louisiana Hayride, and he played backup for 14 the likes of George Jones, Billy Walker, and Johnny Horton and within a few years, James 15 would be a headliner at the show; and 16 WHEREAS, he honed his craft on a variety of guitar types that included acoustic, 17 steel guitar, slide dobro, and electric styles like Fender Telecasters; no matter who played 18 lead guitar, James Burton had the guitar "licks" to complement the lead note for note; and Page 1 of 3 SLS 19RS-33 ORIGINAL SCR NO. -
TVLC Is Approached to Start Charter School in Elk Grove
VOLUME LII, NUMBER 41 Your Local News Source Since 1963 SERVING DUBLIN • LIVERMORE • PLEASANTON • SUNOL THURSDAY, OCTOBER 8, 2015 TVLC Is Approached to Start Charter School in Elk Grove Parents in the Elk Grove the Elk Grove talks go any Zukoski told The Inde- CCSA, a non-profit group, charter school is the offer School District are asking further. TVLC includes an pendent that, if approved by helps people form charter of $1000 per student for the Tri-Valley Learning Cor- elementary school and a the board, Elk Grove could schools. the first year of a start-up, poration (TVLC) in Liver- middle school in Stockton, open in 2016-17. The other Elk Grove is 70 miles said Zukoski. Source of the Find Out What's more to start a new charter and a K-8 school in San three opportunities, if ap- from Livermore. Parents money is a grant put up by school in their community, Diego. proved, could open in 2017- there are interested in hav- Netflix founder Reed Hast- Happening which is between Stockton Further, it came out in 18. Zukoski emphasized that ing the school. An attempt in ings, who is a supporter of Check Out Section A and Sacramento. board discussion that there they are only possibilities 2012 to start a school fizzled, charter schools. Section A includes The TVLC board, which may be opportunities for now. but since then Gary Davis, Hastings' interest is in school news, information met Sept. 24 in Livermore, TVLC to embrace up to For the Elk Grove school, a charter school supporter, locating high-performing about programs at the Bank- told acting CEO John Zu- three more schools, and have TVLC staff has been talking has been elected mayor, said charter schools in the sub- head Theater and Firehouse koski that they want to know them open by 2018. -
1950S Playlist
1/10/2005 MONTH YEAR TITLE ARTIST Jan 1950 RAG MOP AMES BROTHERS Jan 1950 WITH MY EYES WIDE OPEN I'M DREAMING PATTI PAGE Jan 1950 ENJOY YOURSELF (IT'S LATER THAN YOU THINK) GUY LOMBARDO Jan 1950 I ALMOST LOST MY MIND IVORY JOE HUNTER Jan 1950 THE WEDDING SAMBA EDMUNDO ROS Jan 1950 I SAID MY PAJAMAS (AND PUT ON MY PRAY'RS) TONY MARTIN/FRAN WARREN Jan 1950 SENTIMENTAL ME AMES BROTHERS Jan 1950 QUICKSILVER BING CROSBY/ANDREWS SISTERS Jan 1950 CHATTANOOGIE SHOE SHINE BOY RED FOLEY Jan 1950 BIBBIDI-BOBBIDI-BOO PERRY COMO Feb 1950 IT ISN'T FAIR SAMMY KAYE/DON CORNELL Feb 1950 RAG MOP LIONEL HAMPTON Feb 1950 THE THIRD MAN THEME ANTON KARAS Feb 1950 MY FOOLISH HEART GORDON JENKINS Feb 1950 THE CRY OF THE WILD GOOSE FRANKIE LAINE Feb 1950 THE FAT MAN FATS DOMINO Feb 1950 DADDY'S LITTLE GIRL MILLS BROTHERS Feb 1950 MUSIC MUSIC MUSIC TERESA BREWER Mar 1950 THE THIRD MAN THEME GUY LOMBARDO Mar 1950 CANDY AND CAKE MINDY CARSON Mar 1950 MY FOOLISH HEART BILLY ECKSTINE Mar 1950 IF I KNEW YOU WERE COMIN' I'D'VE BAKED A CAKE EILEEN BARTON Mar 1950 WANDERIN' SAMMY KAYE Mar 1950 DEARIE GUY LOMBARDO Apr 1950 COUNT EVERY STAR HUGO WINTERHALTER Apr 1950 HOOP-DEE-DOO PERRY COMO Apr 1950 BEWITCHED BILL SNYDER Apr 1950 PETER COTTONTAIL GENE AUTRY Apr 1950 ARE YOU LONESOME TONIGHT BLUE BARRON May 1950 THE OLD PIANO ROLL BLUES HOAGY CARMICHAEL/CASS DALEY May 1950 BEWITCHED DORIS DAY May 1950 VALENCIA TONY MARTIN May 1950 I DON'T CARE IF THE SUN DON'T SHINE PATTI PAGE May 1950 I WANNA BE LOVED ANDREWS SISTERS May 1950 BONAPARTE'S RETREAT KAY STARR Jun 1950 MONA -
Pynchon's Sound of Music
Pynchon’s Sound of Music Christian Hänggi Pynchon’s Sound of Music DIAPHANES PUBLISHED WITH SUPPORT BY THE SWISS NATIONAL SCIENCE FOUNDATION 1ST EDITION ISBN 978-3-0358-0233-7 10.4472/9783035802337 DIESES WERK IST LIZENZIERT UNTER EINER CREATIVE COMMONS NAMENSNENNUNG 3.0 SCHWEIZ LIZENZ. LAYOUT AND PREPRESS: 2EDIT, ZURICH WWW.DIAPHANES.NET Contents Preface 7 Introduction 9 1 The Job of Sorting It All Out 17 A Brief Biography in Music 17 An Inventory of Pynchon’s Musical Techniques and Strategies 26 Pynchon on Record, Vol. 4 51 2 Lessons in Organology 53 The Harmonica 56 The Kazoo 79 The Saxophone 93 3 The Sounds of Societies to Come 121 The Age of Representation 127 The Age of Repetition 149 The Age of Composition 165 4 Analyzing the Pynchon Playlist 183 Conclusion 227 Appendix 231 Index of Musical Instruments 233 The Pynchon Playlist 239 Bibliography 289 Index of Musicians 309 Acknowledgments 315 Preface When I first read Gravity’s Rainbow, back in the days before I started to study literature more systematically, I noticed the nov- el’s many references to saxophones. Having played the instru- ment for, then, almost two decades, I thought that a novelist would not, could not, feature specialty instruments such as the C-melody sax if he did not play the horn himself. Once the saxophone had caught my attention, I noticed all sorts of uncommon references that seemed to confirm my hunch that Thomas Pynchon himself played the instrument: McClintic Sphere’s 4½ reed, the contra- bass sax of Against the Day, Gravity’s Rainbow’s Charlie Parker passage. -
Charles Diamond Pennywell & the Fairlanes / Sunlovers's
Reprinted with permission from Echoes of the Past magazine, Issue #116 (Summer, 2016), pp. 13 - 19. Charles Diamond Pennywell & the Fairlanes / Sunlover's Shreveport Doo Wop to West Coast Soul By Charlie Horner With Contributions from Pamela Horner city, next to New Orleans and Baton Rouge. It's always been an important music city, though it of- ten doesn't get the recognition it deserves. At one time or another, the Shreveport area was the home to important singers and musicians of all genres, including blues (Lead Belly), gospel (Ever Ready Gospel Singers), country & western (Hank Wil- liams, Johnny Horton, Jim Reeves) and rock-a-billy (Dale Hawkins), along with rhythm & blues, rock & roll and of course Cajun music. Shreveport's "Louisiana Hayride” broadcasts played a pivotal role in the music careers of both Hank Williams and Elvis Presley. Shreveport was the home of Stan Lewis's Paula, Jewel and Ronn record labels and the birthplace of Nashville music mogul Shelby Sin- gleton. Shreveport was a major hub in black mu- sic's “Chitlin’ Circuit”. Still, precious little research has been done on Shreveport's 1950’s African American music scene. Charles Pennywell began singing at the age of ten but really began to take it seriously when he got to high school. Influenced by r&b vocal groups like the Spaniels, Dells, Five Royales and Five Sat- ins, Charles and some friends formed a singing group of their own. "We were in high school Transitioning between 1950's doo wop, six- ties soul and seventies funk music is not easy. -
DRUTHER May 2021 Layout.Indd
Important information. Please read, then stuff this in a neighbours FREE Volume 1 Number 6 | May 2021 mailbox when finished. Find /n. …Informal… more to explore one’s own way, choice, or preference: on our website: eg. ‘If I had my druthers, we all would know the truth.’ www.druthers.net DEATH BY LOCKDOWN By Anas Attia & Dale Hawkins propaganda, kids are being convinced that they will kill Constitution and Police Code of Conduct , among many their own grandparents, if they don’t comply. Children of other regulatory bodies in Canada, are what contribute es, lockdowns kill! They are killing people, indus- all ages are being robbed of their needed social develop- to making this country amongst the freest of countries in tries and livelihoods alike. They kill in many ways ment and in many ways, irrevocably so. the world. Yand with great force too. And no, we have never The Canadian Bill of Rights, as an example, pro- been locked-down like this vides an individual’s right to before and there is no solid life, liberty and security, whilst science to backup the claims enabling freedom of religion, of their effectiveness. The lon- speech, assembly and associ- ger lockdowns continue, the ation and press. worse things are going to get. For the first time in They need to end now! Canada’s short history, these Almost everyone, includ- rights and freedoms are under ing the World Health attack. The government, Organization, is in agreement working with big corpora- that lockdowns are destroy- tions, have ramped up censor- ing society while offering lit- ship online, where most of our tle, if any, real-world effective- social communication hap- ness. -
Elvis Quarterly 90 Ned
RELIVE THE MAGIC OF THE KING! The ORIGINAL ELVIS Tribute 2009U.S.A. EAEN MAGNIFICENT SPETTEREND ELSTAGEVIS TRIBUUT SHOW UIT AUSTINFEATURING: / TEXAS TED RODDY U c e O E S Vo i f E P l v h e i T s QUARTERLY “ ” 90 DUKE BARDWELL ’ b a s s p i s l a y l v e E r Driemaandelijks / Trimestriel april-mei-juni 2009 / Afgiftekantoor Antwerpen X - erk. nr.: 708328 april-mei-juni 2009 / Afgiftekantoor Antwerpen X - erk. nr.: Driemaandelijks / Trimestriel MICHAEL JARRETT i t - s o n g h w r i s i t l v e LENTESHOW IN HET E r CULTUREEL CENTRUM TE HASSELT ZATERDAG 23 MEI 2009 - 20U. POSTER.indd 1 01/02/2009 8:14:20 The United Elvis Presley Society is officieel erkend door Elvis en Elvis Presley Enterprises (EPE) sedert 1961 The United Elvis Presley Society Elvis Quarterly Franstalige afdeling: Driemaandelijks tijdschrift Jean-Claude Piret - Colette Deboodt april-mei-juni 2009 Rue Lumsonry 2ème Avenue 218 Afgiftekantoor: Antwerpen X - 8/1143 5651 Tarcienne Verantwoordelijk uitgever: tel/fax 071 214983 Hubert Vindevogel e.mail: [email protected] Pijlstraat 15 2070 Zwijndrecht Rekeningnummers: tel/fax: 03 2529222 UEPS (lidgelden, concerten) e-mail: [email protected] 068-2040050-70 www.ueps.be TCB (boetiek): Voorzitter: 220-0981888-90 Hubert Vindevogel Secretariaat: Nederland: Martha Dubois Giro 2730496 (op naam van Hubert Vindevogel) IBAN: BE34 220098188890 – BIC GEBABEBB (boetiek) Medewerkers: IBAN: BE60 068204005070 – BIC GCCCBEBB (lidgelden – concerten) Tina Argyl Cecile Bauwens Showroom: Daniel Berthet American Dream Leo Bruynseels Dorp West 13 Colette -
Bob Harbicht the Next Meet Ing News Bits Costa Mesa Couple Has
May 2019 the next meet ing President’s message - Bob Harbicht General Meeting - 7:00 PM, Friday May 31 Do you have a Model A Ford? Live Oak Community Center, 10144 Bogue St. Temple City Does it run? Would you like it to? Does it have some nagging little problem that Program - Our Guest Speaker will be Mr. Ron Mosher, a you haven’t gotten around to fixing member of the the San Fernando A’s. He is a well know in because you’re not sure how to do it? Model A circles and will speak to us about “Model A Stuff!”. Help is available! One of the Sit back and enjoy. benefits of being a member of the Santa Anita A’s is that there are people ready, News Bits willing, and able to help you. The Low End Boys is a group within our club that will Costa Mesa Couple Has Winning Raffle Ticket work with you to get your car running and out on the road. Mickey Fructer (626-797-2048) or [email protected]) heads Hayley and Steven Timmins, a young family residing in up this group. Contact him to discuss your problem. If it’s Costa Mesa California held the winning raffle ticket for the something they can help you with Mickey will set up a time 1929 Model A Ford Roadster restored by the Pasadena High to come to your home and help you fix it. School Model A Ford Club. Drawing of the winning ticket took I spent the morning with the Low End Boys today at place at the Pasadena High School Benefit Concert on April 20��. -
Interview with Bob Moore 3/16/06 by David Dunaway
Interview with Bob Moore 3/16/06 by David Dunaway Least-known sections: California (original alignments), Oklahoma (early alignments, Sapulpa and Bristow), northern Arizona (Pinta Road and Corino Canyon, Williams to Flagstaff and over Branigan’s Meadow) – not fully explored (Santa Fe loop and La Bajada) – Leupp (Arizona) and the Grand Falls (“Chocolate Niagara”) – the “daughters” of Route 66 series Illinois – Jim Meyer (postcard collection), John Weiss, Tom Teague, the Joliet Museum, Terry Ryburn-Lamont (Normal), Pontiac’s new museum, the Waldmeiers Missouri – Jim Powell, museum in Lebanon, Shellee Graham (Coral Court), Route 66 themed library in Joplin, lawsuits filed against the Feds to keep Route 66 open, Carthage Route 66 drive-in Kansas – Scott Nelson Oklahoma – Coleman Theater restoration in Miami, Ron Warnock (Emily Priddy’s husband), Laurel Kane (Afton), Lucille Hammond’s collection is with Lucille’s daughter, Cheryl Nowva (Las Vegas, NV), Roger Miller museum, Harley and Annabel (Erick) Texas – Delbert Trew’s Old West town, Stanley Marsh III (Amarillo), Dot Levitt (Vega), Fran Houser (Adrian), photo ops in Glenrio and San Jon, Jim Ross (in Oklahoma) New Mexico – Mike Callins, Lillian (passed away), Ron Chavez, the Jack Rittenhouse collection (may be in Albuquerque), Laguna Pueblo church, the mining museum in Grants, Route 66 Interpretive Center (closed), Richardson’s (Gallup) Arizona – Two-Gun Miller’s daughter (Sanders, runs a converted Valentine diner), Ted Julien (Julien’s Roadrunner, Holbrook), Joy Nevins (Painted Desert Trading -
The Rita Williams Popular Song Collection a Handlist
The Rita Williams Popular Song Collection A Handlist A wide-ranging collection of c. 4000 individual popular songs, dating from the 1920s to the 1970s and including songs from films and musicals. Originally the personal collection of the singer Rita Williams, with later additions, it includes songs in various European languages and some in Afrikaans. Rita Williams sang with the Billy Cotton Club, among other groups, and made numerous recordings in the 1940s and 1950s. The songs are arranged alphabetically by title. The Rita Williams Popular Song Collection is a closed access collection. Please ask at the enquiry desk if you would like to use it. Please note that all items are reference only and in most cases it is necessary to obtain permission from the relevant copyright holder before they can be photocopied. Box Title Artist/ Singer/ Popularized by... Lyricist Composer/ Artist Language Publisher Date No. of copies Afrikaans, Czech, French, Italian, Swedish Songs Dans met my Various Afrikaans Carstens- De Waal 1954-57 1 Afrikaans, Czech, French, Italian, Swedish Songs Careless Love Hart Van Steen Afrikaans Dee Jay 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Ruiter In Die Nag Anton De Waal Afrikaans Impala 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Van Geluk Tot Verdriet Gideon Alberts/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs Wye, Wye Vlaktes Martin Vorster/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs My Skemer Rapsodie Duffy -
“The Stories Behind the Songs”
“The Stories Behind The Songs” John Henderson The Stories Behind The Songs A compilation of “inside stories” behind classic country hits and the artists associated with them John Debbie & John By John Henderson (Arrangement by Debbie Henderson) A fascinating and entertaining look at the life and recording efforts of some of country music’s most talented singers and songwriters 1 Author’s Note My background in country music started before I even reached grade school. I was four years old when my uncle, Jack Henderson, the program director of 50,000 watt KCUL-AM in Fort Worth/Dallas, came to visit my family in 1959. He brought me around one hundred and fifty 45 RPM records from his station (duplicate copies that they no longer needed) and a small record player that played only 45s (not albums). I played those records day and night, completely wore them out. From that point, I wanted to be a disc jockey. But instead of going for the usual “comedic” approach most DJs took, I tried to be more informative by dropping in tidbits of a song’s background, something that always fascinated me. Originally with my “Classic Country Music Stories” site on Facebook (which is still going strong), and now with this book, I can tell the whole story, something that time restraints on radio wouldn’t allow. I began deejaying as a career at the age of sixteen in 1971, most notably at Nashville’s WENO-AM and WKDA- AM, Lakeland, Florida’s WPCV-FM (past winner of the “Radio Station of the Year” award from the Country Music Association), and Springfield, Missouri’s KTTS AM & FM and KWTO-AM, but with syndication and automation which overwhelmed radio some twenty-five years ago, my final DJ position ended in 1992.