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The Roots Music Magazine Including Rock'n'roll, R&B, Soul, Jazz, Folk
www.tftw.org.uk £1/19/11d - £2.00 - €3.00 - $3.75 The Roots Music Magazine including Rock'n'Roll, R&B, soul, jazz, folk, The Roots Music Networking Group country and 58 much more ALL ARTICLES/IMAGES ARE COPYRIGHT OF THEIR RESPECTIVE AUTHORS FOR REPRODUCTION, PLEASE CONTACT ALAN LLOYD VIA TFTW.ORG.UK The sound of Robb Davis’s double bass being slapped as Brian ‘Bunter’ Clark’s drums whacked the offbeat, Claire Hamlin from the Alabama Slammers, her fingers pounding the keyboards, and John Spencely’s guitar starting to riff as the House Band kicked off ‘Tales From The Woods’ rock party at the ‘Inn On The Green’ in Portobello, W11. The beginning of a real night of fifties Rock’n'Roll with many singers sitting in throughout the evening including Cliff Edmunds (the Avengers), a perfect rendering of ‘Move It’ and ‘Brand New Cadillac’; Pete Stockton ‘Girl Of My Best Friend’; Dave Sampson (the Hunters) sang ‘Love Me’; Danny Rivers, ‘Can’t You Hear My Heart’ plus Ray Lee (Dream Lover) and of course Rockin' Gerry Champion of the 2i’s coffee bar, rocked ‘I Go Ape’. Everybody was here not only to celebrate Keith’s birthday but also to thank him for all his great efforts in keeping the faith and attracting musicians from that magic time, way back when I was really young and played or jived the night away in Soho town. We even had a Skiffle group and Allan Bailey, (Soho Leg-ends) sang ‘Rock Island Line’. A friend shouted in my ear that “No tea chest bass sounded as good as the ones made for PG Tips!” In fact Ken Major had brought his original one from back in 1956. -
Municipal Monthly February 1, 2020 Acton, Ma
TOWN OF ACTON MUNICIPAL MONTHLY FEBRUARY 1, 2020 ACTON, MA TOWN MANAGER’S UPDATE Last month, United States Senator Ed Markey addressed more than 900 attendees at a Town Hall event in the RJ Grey Junior High School Auditorium alongside Congresswoman Lori Trahan, State Senator Jamie Eldridge, and State Representative Tami Gouveia. The delegation engaged the audience on Markey’s Green New Deal legislation and other environmental issues. Environmental sustainability and green energy efforts are values held Senator Ed Markey answering questions from the closely by the Town of Acton. To that extent, the Board of Selectman public at his Green New Deal event in Acton. recently approved the Town Manager’s Revised Budget, which among Source: twitter.com/SenMarkey other important priorities, invests more than $200,000 in sustainability efforts, including acquiring additional hybrid police cruisers, installing more EV charging stations in priority community locations, a contractor to serve as Sustainability Coordinator, and additional street tree planting. The Board of Selectmen also recently established an Agricultural Commission. Consisting of five members within the community with a passion for farming or agricultural-related activities, this commission will promote and develop resources within the community, and provide education on agricultural issues, among many other exciting responsibilities. If you are interested in serving on this commission or would like more information, please contact the Town Manager’s office at (978) 929-6611 or email [email protected] In other good news, the Town recently received a $150,000 grant from the Community Compact IT Grant Program to upgrade the aging dispatch software within our dispatch center and police cruisers. -
TEXAS MUSIC SUPERSTORE Buy 5 Cds for $10 Each!
THOMAS FRASER I #79/168 AUGUST 2003 REVIEWS rQr> rÿ p rQ n œ œ œ œ (or not) Nancy Apple Big AI Downing Wayne Hancock Howard Kalish The 100 Greatest Songs Of REAL Country Music JOHN THE REVEALATOR FREEFORM AMERICAN ROOTS #48 ROOTS BIRTHS & DEATHS s_________________________________________________________ / TMRU BESTSELLER!!! SCRAPPY JUD NEWCOMB'S "TURBINADO ri TEXAS ROUND-UP YOUR INDEPENDENT TEXAS MUSIC SUPERSTORE Buy 5 CDs for $10 each! #1 TMRU BESTSELLERS!!! ■ 1 hr F .ilia C s TUP81NA0Q First solo release by the acclaimed Austin guitarist and member of ’90s. roots favorites Loose Diamonds. Scrappy Jud has performed and/or recorded with artists like the ' Resentments [w/Stephen Bruton and Jon Dee Graham), Ian McLagah, Dan Stuart, Toni Price, Bob • Schneider and Beaver Nelson. • "Wall delivers one of the best start-to-finish collections of outlaw country since Wayton Jennings' H o n k y T o n k H e r o e s " -Texas Music Magazine ■‘Super Heroes m akes Nelson's" d e b u t, T h e Last Hurrah’àhd .foltowr-up, üflfe'8ra!ftèr>'critieat "Chris Wall is Dyian in a cowboy hat and muddy successes both - tookjike.^ O boots, except that he sings better." -Twangzirtc ;w o tk s o f a m e re m o rta l.’ ^ - -Austin Chronlch : LEGENDS o»tw SUPER HEROES wvyw.chriswatlmusic.com THE NEW ALBUM FROM AUSTIN'S PREMIER COUNTRY BAND an neu mu - w™.mm GARY CLAXTON • acoustic fhytftm , »orals KEVIN SMITH - acoustic bass, vocals TON LEWIS - drums and cymbals sud Spedai td truth of Oerrifi Stout s debut CD is ContinentaUVE i! so much. -
SLS 19RS-33 ORIGINAL 2019 Regular Session SENATE
SLS 19RS-33 ORIGINAL 2019 Regular Session SENATE CONCURRENT RESOLUTION NO. 132 BY SENATOR PEACOCK COMMENDATIONS. Commends music legend James Burton of Shreveport, on the occasion of his eightieth birthday. 1 A CONCURRENT RESOLUTION 2 To commend James Burton for an outstanding career of over sixty years as a performer, 3 musician, and a Louisiana music legend and to congratulate him on the occasion of 4 his eightieth birthday. 5 WHEREAS, born in Dubberly, Louisiana, on August 21, 1939, James Edward Burton 6 grew up in Shreveport; he received his first guitar as a youngster and was playing 7 professionally by the age of fourteen; he was a self-taught musical phenomenon; and 8 WHEREAS, as he listened to KWKH radio, he was influenced by popular guitarists 9 of the day, such as Chet Atkins, Chuck Berry, Bo Diddley, Elmore James, Lightnin' Hopkins 10 and many others whose genres covered Rock and Roll, Delta Blues, and Country music; and 11 WHEREAS, James was required to obtain a special permit to play in nightclubs due 12 to his age, however, his guitar playing showed such promise that he was asked to join the 13 "staff band" of the legendary radio show, the Louisiana Hayride, and he played backup for 14 the likes of George Jones, Billy Walker, and Johnny Horton and within a few years, James 15 would be a headliner at the show; and 16 WHEREAS, he honed his craft on a variety of guitar types that included acoustic, 17 steel guitar, slide dobro, and electric styles like Fender Telecasters; no matter who played 18 lead guitar, James Burton had the guitar "licks" to complement the lead note for note; and Page 1 of 3 SLS 19RS-33 ORIGINAL SCR NO. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
The Rolling Stones and Performance of Authenticity
University of Kentucky UKnowledge Theses and Dissertations--Art & Visual Studies Art & Visual Studies 2017 FROM BLUES TO THE NY DOLLS: THE ROLLING STONES AND PERFORMANCE OF AUTHENTICITY Mariia Spirina University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/ETD.2017.135 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Spirina, Mariia, "FROM BLUES TO THE NY DOLLS: THE ROLLING STONES AND PERFORMANCE OF AUTHENTICITY" (2017). Theses and Dissertations--Art & Visual Studies. 13. https://uknowledge.uky.edu/art_etds/13 This Master's Thesis is brought to you for free and open access by the Art & Visual Studies at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Art & Visual Studies by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Registered Hostas Last Updated 12-24-2008
Registered Hostas Last updated 12-24-2008 A 1-A-Day Delight 2003 Academy Blushing Recluse 1999 A B-1 Bomber 2002 Academy Bonfire Glade 2003 A Big Splash 2004 Academy Brobdingnagian Viridity 2006 A Blue Streak 2001 Academy Celeborn 2000 A Lady in Blue 2004 Academy Chetwood 2005 A Many-splendored Thing 1999 Academy Cratered Blue 2008 A Very Good Boy 2005 Academy Devon Moor 2001 Aachen 2005 Academy Dimholt 2005 Aardvark 1991 Academy Fangorn Forest 2003 Abba Alive 1990 Academy Faux Sedge 2008 Abba Aloft 1990 Academy Fire 1997 Abba at Large 1990 Academy Flaxen Spades 2002 Abba Blue Plus 1990 Academy Flora 1999 Abba Dabba Do 1998 Academy Galadriel 2000 Abba Dew 1999 Academy Gilded Dawn 2008 Abba Fit 1990 Academy Glowing Embers 2008 Abba Fragrant Cloud 1990 Academy Gold Codswallop 2006 Abba Little Showoff 1990 Academy Golden Papoose 2004 Abba Nova 1990 Academy Grass Clippings 2005 Abba Spellbinder 1990 Academy Grins 2008 Abba Tops 1990 Academy Isengard 2003 Abbey Pond Cascades 2004 Academy Kakistocracy 2005 Abby 1990 Academy Lemon Knoll 2006 Abiqua Ambrosia 1987 Academy Lothlórien 2004 Abiqua Ariel 1999 Academy Mallorn 2003 Abiqua Aries 1999 Academy Mavrodaphne 2000 Abiqua Big Sky 2008 Academy Mirkwood 2003 Abiqua Blue Crinkles 1999 Academy Muse 1997 Abiqua Blue Edger 1987 Academy Nazgul 2003 Abiqua Blue Jay 1987 Academy Palantir 2003 Abiqua Blue Madonna 1988 Academy Redundant 1998 Abiqua Blue Shield 1988 Academy Rivendell 2005 Abiqua Delight 1999 Academy Shiny Vase 2001 Abiqua Drinking Gourd 1989 Academy Smiles 2008 Abiqua Elephant Ears 1999 -
Charles Diamond Pennywell & the Fairlanes / Sunlovers's
Reprinted with permission from Echoes of the Past magazine, Issue #116 (Summer, 2016), pp. 13 - 19. Charles Diamond Pennywell & the Fairlanes / Sunlover's Shreveport Doo Wop to West Coast Soul By Charlie Horner With Contributions from Pamela Horner city, next to New Orleans and Baton Rouge. It's always been an important music city, though it of- ten doesn't get the recognition it deserves. At one time or another, the Shreveport area was the home to important singers and musicians of all genres, including blues (Lead Belly), gospel (Ever Ready Gospel Singers), country & western (Hank Wil- liams, Johnny Horton, Jim Reeves) and rock-a-billy (Dale Hawkins), along with rhythm & blues, rock & roll and of course Cajun music. Shreveport's "Louisiana Hayride” broadcasts played a pivotal role in the music careers of both Hank Williams and Elvis Presley. Shreveport was the home of Stan Lewis's Paula, Jewel and Ronn record labels and the birthplace of Nashville music mogul Shelby Sin- gleton. Shreveport was a major hub in black mu- sic's “Chitlin’ Circuit”. Still, precious little research has been done on Shreveport's 1950’s African American music scene. Charles Pennywell began singing at the age of ten but really began to take it seriously when he got to high school. Influenced by r&b vocal groups like the Spaniels, Dells, Five Royales and Five Sat- ins, Charles and some friends formed a singing group of their own. "We were in high school Transitioning between 1950's doo wop, six- ties soul and seventies funk music is not easy. -
Karaoke Mietsystem Songlist
Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind. -
12-17-20 Rockabilly Auction Ad
John Tefteller’s World’s Rarest Records Address: P. O. Box 1727, Grants Pass, OR 97528-0200 USA Phone: (541) 476–1326 or (800) 955–1326 • FAX: (541) 476–3523 E-mail: [email protected] • Website: www.tefteller.com Auction closes Thursday, December 17, 2020 at 7:00 p.m. PT See #33 See #44 Original 1950’s Rockabilly / Country Boppers / Teen Rockers 45’s Auction 1. The Anderson Sisters — “The Wolf 17. Boyd Bennett — “The Brain/Coffee 31. Gene Brown — “Big Door/Playing 43. Johnny Burnette — “Me And The Hop/Empty Arms And A Broken Break” MERCURY 71813 M- WHITE With My Heart” 4 STAR 1717 MINT Bear/Gumbo” FREEDOM 44011 M- Heart” FORTUNE 202 (SEE INSERT LABEL PROMO MB $20 FIrst label, true first pressing before it WHITE LABEL PROMO with date of 4/2/59 BELOW) 18. Rod Bernard — “Pardon, Mr. Gordon/ went nationwide on Dot MB $30 written neatly on the label MB $20 2. Angie & The Citations — “I Wanna This Should Go On Forever” ARGO 32. Gene Brown — “Big Door/Playing 44. Mel Calvin And The Kokonuts — Dance/Salt & Pepper” ANGELA NO # 5327 M- MB $20 With My Heart Again” DOT 15709 “My Mummy/I Love You” BERTRAM VG Wol and slight storage warp with NO 19. Bob And The Rockbillies — “Your M- MB $20 INTERNATIONAL 215 M- MB $50 effect on play. Super obscure one from Kind Of Love/Baby Why Did You Have 33. Tom Brown And The Tom Toms — (See picture at top of page) Tamaqua, Pennsylvania MB $20 To Go” BLUE-CHIP 011 M- TWO- “Kentucky Waltz/Tomahawk” JARO 45. -
Bill Harry. "The Paul Mccartney Encyclopedia"The Beatles 1963-1970
Bill Harry. "The Paul McCartney Encyclopedia"The Beatles 1963-1970 BILL HARRY. THE PAUL MCCARTNEY ENCYCLOPEDIA Tadpoles A single by the Bonzo Dog Doo-Dah Band, produced by Paul and issued in Britain on Friday 1 August 1969 on Liberty LBS 83257, with 'I'm The Urban Spaceman' on the flip. Take It Away (promotional film) The filming of the promotional video for 'Take It Away' took place at EMI's Elstree Studios in Boreham Wood and was directed by John MacKenzie. Six hundred members of the Wings Fun Club were invited along as a live audience to the filming, which took place on Wednesday 23 June 1982. The band comprised Paul on bass, Eric Stewart on lead, George Martin on electric piano, Ringo and Steve Gadd on drums, Linda on tambourine and the horn section from the Q Tips. In between the various takes of 'Take It Away' Paul and his band played several numbers to entertain the audience, including 'Lucille', 'Bo Diddley', 'Peggy Sue', 'Send Me Some Lovin", 'Twenty Flight Rock', 'Cut Across Shorty', 'Reeling And Rocking', 'Searching' and 'Hallelujah I Love Her So'. The promotional film made its debut on Top Of The Pops on Thursday 15 July 1982. Take It Away (single) A single by Paul which was issued in Britain on Parlophone 6056 on Monday 21 June 1982 where it reached No. 14 in the charts and in America on Columbia 18-02018 on Saturday 3 July 1982 where it reached No. 10 in the charts. 'I'll Give You A Ring' was on the flip. -
A Legacy of Hope in the Concert Spirituals Of
A LEGACY OF HOPE IN THE CONCERT SPIRITUALS OF ROBERT NATHANIEL DETT (1882-1943) AND WILLIAM LEVI DAWSON (1899-1990) A Dissertation Submitted to the Graduate Faculty of the North Dakota State University of Agriculture and Applied Science By Jeffrey Carroll Stone, II In Partial Fulfillment of the Requirements for the Degree of DOCTOR OF MUSICAL ARTS Major Department Music April 2017 Fargo, North Dakota North Dakota State University Graduate School Title A LEGACY OF HOPE IN THE CONCERT SPIRITUALS OF ROBERT NATHANIEL DETT (1882-1943) AND WILLIAM LEVI DAWSON (1899-1990) By Jeffrey Carroll Stone, II The Supervisory Committee certifies that this disquisition complies with North Dakota State University’s regulations and meets the accepted standards for the degree of DOCTOR OF MUSICAL ARTS SUPERVISORY COMMITTEE: Dr. Michael Weber Chair Dr. JoAnn Miller Dr. Cassie Keogh Dr. Ashley Baggett Approved: April 12, 2017 Dr. JoAnn Miller Date Department Chair ABSTRACT When the careers of the composers Robert Nathaniel Dett (1882-1943) and William Levi Dawson (1899-1990) began, the United States was a racially-divided society. Despite this division, both composers held a firm belief in the potential of spirituals to bring people together. Racial segregation severely limited the civil rights of people of color; however, Dett and Dawson were fueled by the hope for spirituals to bridge the racial divide in America. Both composers desired to achieve racial equality through their music. I argue that these aspirations are embodied within their concert spirituals. This disquisition examines the legacies of Dett and Dawson for the role of “hope” in their concert spirituals.