Postmodern Architecture and the “Culture of Flimsiness” in Queensland
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Endless House: Intersections of Art and Architecture June 27, 2015–March 6, 2016 the Robert Menschel Architecture and Design Gallery, Third Floor
Endless House: Intersections of Art and Architecture June 27, 2015–March 6, 2016 The Robert Menschel Architecture and Design Gallery, third floor Endless House considers the single-family home and archetypes of dwelling as a theme for the creative endeavors of architects and artists. Through drawings, photographs, video, installations, and architectural models drawn from MoMA’s collection, the exhibition highlights how artists have used the house as a means to explore universal topics, and how architects have tackled the design of residences to expand their discipline in new ways. The exhibition also marks the 50th anniversary of the death of Viennese-born artist and architect Frederick Kiesler (1890–1965). Taking its name from an unrealized project by Kiesler, Endless House celebrates his legacy and the cross-pollination of art and architecture that made Kiesler’s 15-year project a reference point for generations to come. Work by architects and artists spanning more than seven decades are exhibited alongside materials from Kiesler’s Endless House design and images of its presentation in MoMA’s 1960 Visionary Architecture exhibition. Intriguing house designs—ranging from historical projects by Mies van der Rohe, Frank Gehry, Peter Eisenman, and Rem Koolhaas, to new acquisitions from Smiljan Radic and Asymptote Architecture—are juxtaposed with visions from artists such as Louise Bourgeois, Bruce Nauman, Mario Merz, and Rachel Whiteread. Together these works demonstrate how the dwelling occupies a central place in a cultural exchange across generations and disciplines. Organized by Pedro Gadanho, Curator, Department of Architecture and Design, The Museum of Modern Art Architecture and Design Collection Exhibitions are made possible by Hyundai Card and Hyundai Capital America. -
National Architecture Award Winners 1981 – 2019
NATIONAL ARCHITECTURE AWARDS WINNERS 1981 - 2019 AUSTRALIAN INSTITUTE OF ARCHITECTS NATIONAL ARCHITECTURE AWARD WINNERS 1 of 81 2019 NATIONAL ARCHITECTURE AWARDS COLORBOND® Award for Steel Architecture Yagan Square (WA) The COLORBOND® Award for Steel Architecture Lyons in collaboration with Iredale Pedersen Hook and landscape architects ASPECT Studios COMMERCIAL ARCHITECTURE Dangrove (NSW) The Harry Seidler Award for Commercial Architecture Tzannes Paramount House Hotel (NSW) National Award for Commercial Architecture Breathe Architecture Private Women’s Club (VIC) National Award for Commercial Architecture Kerstin Thompson Architects EDUCATIONAL ARCHITECTURE Our Lady of the Assumption Catholic Primary School (NSW) The Daryl Jackson Award for Educational Architecture BVN Braemar College Stage 1, Middle School National Award for Educational Architecture Hayball Adelaide Botanic High School (SA) National Commendation for Educational Architecture Cox Architecture and DesignInc QUT Creative Industries Precinct 2 (QLD) National Commendation for Educational Architecture KIRK and HASSELL (Architects in Association) ENDURING ARCHITECTURE Sails in the Desert (NT) National Award for Enduring Architecture Cox Architecture HERITAGE Premier Mill Hotel (WA) The Lachlan Macquarie Award for Heritage Spaceagency architects Paramount House Hotel (NSW) National Award for Heritage Breathe Architecture Flinders Street Station Façade Strengthening & Conservation National Commendation for Heritage (VIC) Lovell Chen Sacred Heart Building Abbotsford Convent Foundation -
Company Profile Education
COMPANY PROFILE EDUCATION Marshall Day Acoustics - Education 1 WHO IS MARSHALL DAY ACOUSTICS? Marshall Day Acoustics is one of the world’s leading firms of acoustic consultants, providing the highest standard of architectural and environmental acoustic consulting to our clients. For over 30 years, we have been providing innovative acoustic designs on major projects in over 15 countries and employ over 85 professional staff in offices in Australia, New Zealand, China, Hong Kong, and France. As one of the largest acoustic engineering firms worldwide, we are able to provide our clients with the greatest range and depth of experience and expertise available. Our strength in acoustic design comes from the diversity of our team members who have been drawn from engineering, architectural, musical and academic backgrounds, with one common focus; to provide innovative acoustic designs of the highest standard. From concert halls to wind farms and everything in between, we have experts in every field of acoustics who have the specialist knowledge required to deliver quality project outcomes. “I regard the acoustic designs of Marshall Day Acoustics to be amongst the finest and probably the most innovative in the world” Dr Anders Gade, Associate Professor Technical University of Denmark Marshall Day Acoustics - Education 3 A COLLABORATIVE APPROACH We have a collaborative approach to design and work as part of an integrated team with the client, architect and other consultants. We do not specify acoustic performance that “must” be achieved but instead we work with the project team to develop acoustic criteria and treatment that meets the desired project outcomes, whatever they may be. -
Nowe Miasto Pod Ziemią New Underground City
EWA WĘCŁAWOWICZ-GYURKOVICH∗ NOWE MIASTO POD ZIEMIĄ NEW UNDERGROUND CITY Streszczenie Obserwowana na przełomie wieków fascynacja formami organicznymi, zakrzywionymi bądź pofałdowanymi zmusza do sięgania do świata przyrody, by odkrywać ją niejako na nowo. Szeroki kontekst środowiska, pejzaż, większe fragmenty natury nie zaskakują w analizie projektowej. Nie przypadkiem znowu powracamy do obecnej w awangardzie od lat 70. Sztuki Ziemi. Różnorodność bazująca na topografii terenu staje się podstawową wytyczną wszelkich działań. Słowa kluczowe: miasto, architektura współczesna Abstract Fascination with organic, bent, or undulating forms, observable at the turn of centuries, calls for reference to the world of nature to discover it once again. Broad context of the environment, landscape, bigger fragments of nature do not surprise in design analysis. It is not accidental that we return to the Art of Earth, present in avant-garde since the 70s. Variety basing on topography of the site becomes the guideline of all activity. Keywords: city, contemporary architecture ∗ Dr inż. arch. Ewa Węcławowicz-Gyurkovich, Instytut Historii Architektury i Konserwacji Zabytków, Wydział Architektury, Politechnika Krakowska. 196 (...) z miastami jest jak ze snami: wszystko co wyobrażalne może się przyśnić, ale nawet najbardziej zaskakujący sen jest rebusem, który kryje w sobie pragnienie lub jego odwrotną stronę – lęk. Miasta jak sny są zbudowane z pragnień i lęków, nawet jeśli wątek ich mowy jest utajony, zasady – absurdalne, perspektywy – złudne, a każda rzecz kryje w sobie inną (...) Italo Calvino, Niewidzialne miasta1 Nowe Centrum Kulturalne prowincji Galicja w zachodnio-północnej Hiszpanii zajmuje całe wzgó- rze na zachodnim pogórzu Gór Kantabryjskich, na przedmieściach miasta Santiago de Compostela. Region Galicji od X w. p.n.e. -
“Shall We Compete?”
5th International Conference on Competitions 2014 Delft “Shall We Compete?” Pedro Guilherme 35 5th International Conference on Competitions 2014 Delft “Shall we compete?” Author Pedro Miguel Hernandez Salvador Guilherme1 CHAIA (Centre for Art History and Artistic Research), Universidade de Évora, Portugal http://uevora.academia.edu/PedroGuilherme (+351) 962556435 [email protected] Abstract Following previous research on competitions from Portuguese architects abroad we propose to show a risomatic string of politic, economic and sociologic events that show why competitions are so much appealing. We will follow Álvaro Siza Vieira and Eduardo Souto de Moura as the former opens the first doors to competitions and the latter follows the master with renewed strength and research vigour. The European convergence provides the opportunity to develop and confirm other architects whose competences and aesthetics are internationally known and recognized. Competitions become an opportunity to other work, different scales and strategies. By 2000, the downfall of the golden initial European years makes competitions not only an opportunity but the only opportunity for young architects. From the early tentative, explorative years of Siza’s firs competitions to the current massive participation of Portuguese architects in foreign competitions there is a long, cumulative effort of competence and visibility that gives international competitions a symbolic, unquestioned value. Keywords International Architectural Competitions, Portugal, Souto de Moura, Siza Vieira, research, decision making Introduction Architects have for long been competing among themselves in competitions. They have done so because they believed competitions are worth it, despite all its negative aspects. There are immense resources allocated in competitions: human labour, time, competences, stamina, expertizes, costs, energy and materials. -
An Antipodean Imaginary for Architecture+Philosophy
69 An Antipodean Imaginary for Architecture+Philosophy: Fictocritical Approaches to Design Practice Research Hélène Frichot, Julieanna Preston, Michael Spooner, Sean Pickersgill, Zuzana Kovar, Ceri Hann, Megg Evans As a collective of PhD researchers (past and fictocriticism will be ventured and reframed for archi- present) provisionally gathered within the tecture. This approach will be elaborated by Hélène Architecture+Philosophy Research Group, RMIT Frichot who has had the opportunity to offer super- University, we will present a series of design visorial guidance to researchers presenting their explorations that are representative of our design design research below. Fictocriticism for architec- practice research.1 With the conjunctive capacity ture assumes the constructive, creative and critical of architecture and philosophy we emphasize the situatedness of the thinking-designer in the midst ongoing importance of the relay between these of their problematic field.2 We place an emphasis disciplines, also activated in our work through the on critical and creative invention and the structured productive relations between critical theory and indeterminacy that manifests in the wild association practice. We assume an expanded definition of of images and ideas that procure innovative as well architectural design practice, which includes digital as politically engaged minoritarian architectures. immersive environments, unbuilt (even unbuildable) There endures an engagement with minorities, and architectures, installation and participatory perform- minor literatures (including sub-canonical architec- ance-based works, and also, importantly, includes tures), feminist approaches, queer intertextualities, the critical and creative practice of writing-architec- as well as teratological mixtures of the natural and ture, often through the deployment of fiction. These the cultural. -
Building 8, RMIT University
Nationally Significant 20th-Century Architecture Revised 9/01/2012 Building 8, RMIT University Address 368 Swanston Street, Melbourne 3000 Practice Edmond and Corrigan in assoc. with Demaine Designed 1990 Completed 1993 Address History & Sitting on top of John Andrew’s incomplete four storeyed Union Description building, Edmond & Corrigan’s additions to Building 8 make a 368 riotously colourful signpost for RMIT along Swanston Street. ‘Built on a tight budget and with the constraints of the the existing buildings beside and below, Building 8 is like a magic castle. A new Swanston Street lift and service core were built and account for the medieval passage accessing the upper floors. The deep floor plate was Melbourne maximised, resulting in a rabbit warren of rooms to the upper floors. Balustrade details, handrails and dadoes are built to last and the 3000 entire interior has the chaotic vibrancy of a pre-Renaisance city. From various points along Swanston Street , the expressionistic roofscape reveals more and more formal fantasy from the crystalline cornice and Darth Vader exhaust hoods over the fire escape stairs, to the corrugated Matterhorn of the lift overrun. The coloured stone facade and its knitting needle, steel pipe strut supports continue the bastion theme, whilst on the back elevation, a polychrome and polygonal brick fire stair turret acknowledges Percy Everett’s 1930s workshops and provides the visual focus for one of RMIT’s few outdoor spaces.’ (extracts from Philip Goad, Melbourne Architecture, p223) RAIA Nº Corrigan’s aim was to delight and break down the dominant and The medieval access corridor seamless city-wall 'mood' RMIT presented on Swanston Street. -
Alastair Hall Swayn 1944–2016 Alastair Swayn, Who Died on 4
Alastair Hall Swayn 1944–2016 Alastair Swayn, who died on 4 August 2016 of brain cancer, left his distinctive mark on Australia’s national capital, Canberra, through his many striking and innovative public and private buildings designed in his role as director of Daryl Jackson Alastair Swayn Architects. As the inaugural Australian Capital Territory Government Architect, Alastair ensured that design and contemporary thinking was at the fore of decision-making in creating Canberra as a small ‘new world city’. As Professorial fellow in Architecture of the University of Canberra he was widely recognised as a distinguished teacher and mentor. The boldness and imaginativeness of his vision are reflected in some of the city’s most distinctive buildings such as the Brindabella Business Park, the Centre for Arab and Islamic Studies at the Australian National University, the Singapore High Commission, and many others. Alastair Hall Swayn was born on 8 December 1944 in the small Scottish coal mining port of Methil in Fife. With its industrial maritime feel, the town marked the start of Alastair’s lifelong love of ships and industrial architecture. In 1948 Alastair and his parents moved to Liverpool, where his father, Frank, managed the British Cunard Line’s laundry service. As a young boy, Alastair would accompany him aboard some of the line’s famous ships such as the Mauretania and Caroni. The Art Deco interiors of these and other luxury liners inspired an abiding interest in the form. At Merchant Taylors, Alastair showed a flair for architectural drawing, and he went on to study architecture at Liverpool Polytech. -
Break out Your Black Turtle Neck Jumper: It’S Time to Talk About Design
Break out your black turtle neck jumper: it’s time to talk about design ADAM DAVIES, PRINCIPAL 19 September 2017 Some people think design means how it looks. But of course, if you dig “deeper, it’s really how it works. - Steve Jobs, former CEO, Apple For places to be well-used and well-loved, they must be safe, comfortable, varied and attractive. They also need to be distinctive and offer variety, choice and fun - Urban “Design Compendium Randwick Health and Education Super Precinct Positioning Strategy, HASSELL, 2016, Sydney UK Design Renaissance 1999 The majority of new developments remain poorly designed, with public realm and buildings of low“ quality… too many housing projects… lack the core social and commercial institutions that sustain urban life and a sense of place and beauty… The Urban Renaissance Task Force, 1999. CABE COMMISSION FOR ARCHITECTURE AND THE BUILT ENVIRONMENT CABE DESIGN VALUE EXCHANGE VALUE IMAGE VALUE > Book value > Brand awareness > Return on capital > Prestige > Rental Yield > Identity > Design excellence > Public relations SOCIAL VALUE ENVIRONMENTAL > Place making > Sense of community TYPES OF > Environmental impact > Civic pride VALUE > Whole-life-value > Neighbourly behaviour > Ecological footprint > Safety and security > Inclusiveness USER VALUE CULTURAL VALUE > User satisfaction > Contribution the city and society > Teamwork > Relationship to location and context > Productivity > Symbolism > Profitability > Inspiration > Retail footfall > Aesthetics > Educational attainment Design value RETURN ON INVESTMENT -
Arc De La Villette Competition Entry, 1982, Original Image Cropped
OMA, Parc de la Villette competition entry, 1982, original image cropped, http://oma.eu/projects/parcdelavillette ARC 201: Design Studio 3: Process, Process, Process SYLLABUS FALL 2018 CREDITS 6 CLASS HOURS MWF 1:00 pm – 4:20 pm 1 2018 ARC201 Syllabus INSTRUCTORS Mustafa Faruki mustafa@thelablab.com Crosby 120 Julia Jamrozik (coordinator) [email protected] Crosby 101 Virginia Melnyk [email protected] Crosby 110 Nellie Niespodzinski [email protected] Crosby 160 Sasson Rafailov [email protected] Crosby 130 Jon Spielman [email protected] Crosby 150 ELIGIBILITY ARC102: Architectural Design Studio. Architecture majors only. PREREQUISITES/COREQUISITES ARC311: Architectural Media 3 required. ARC 241: Environmental Systems – recommended. These courses will be linked in content and schedule. COURSE DESCRIPTION How do we design? What drives ideas and what generates concepts? How do we productively and critically engage with the vast history and contemporary practice of architecture in the process? How do we design places that are rooted in their location but reflective of the past and aspiring to a better future? How do we meld idealism with practicality? This studio will not offer answers to all of these questions but it will introduce one methodology and prompt a selfconscious and introspective approach to the design process. The studio is guided by ideas of morphology and context. Morphology is understood as formfinding or the deliberate, logical and wellargumented development of a formal strategy. Context is understood as the relation to site at different scales and through different lenses (physical, social, cultural) and includes the history of the discipline of architecture. -
Jeffrey R. Matz Architects LLC, 200 Henry St., Stamford, CT 06902 Phone
Jeffrey R. Matz Architects LLC, 200 Henry St., Stamford, CT 06902 Phone: 203-722-3686 Mobile: 203-722-3686 Email: [email protected] Web: jrmallc.com Resume 2000-present Jeffrey R. Matz Architects, LLC, Stamford, Connecticut Residential additions, alterations, and new construction. L.M. Reid Group, Wilton, Connecticut Architectural Consultant, Residential additions, alterations, and new construction. J. Raymond Matz Architects, Norwalk, Connecticut Architectural Consultant, Historical preservation, multi-family, senior housing; residential additions and alterations. 1999 - 2000 SDR and Associates, East Hampton, New York. Architectural Consultant, Custom residential cabinetry, millwork and furniture design. 1998 - 1999 Frederick Stelle Company, Inc., Bridgehampton, New York. Architectural Consultant on per job basis. Conceptual master planning for 130 acre, 600,000 square foot private school campus in Eastern Long Island. 1993 - 1998 Kaehler/ Moore Architects, Greenwich, Connecticut. Project Architect. Residential additions, alterations and new construction. 1991 - 1993 William A. Kelly & Company Katonah, New York. Construction Project Management; Residential additions and alterations, architectural restoration of country estate. 1989 - 1991 Russell Gibson von Dohlen, White Plains, New York. Project Architect. Water Treatment Facility, space planning and interior redesign, Pitney Bowes Main Plant. Green House Banquet Hall, Co-op City. 1985 - 1989 SMS Architects, New Canaan, Connecticut. Project Architect. Addition to country club, mid-rise office building, retail building complex and parking garage, private residence, addition to private art gallery. 1984 Gwathmey Siegel andAssociates, New York, New York. Architect Intern. Design development: Knoll International furniture showroom. Construction documents: medical condominium complex, law firm interior cabinet and fumiture millwork. page 2 1979 - 1983 J. Raymond Matz, AIA, Architect and Planner, White Plains, New York. -
School of Architecture 2016–2017 School of Architecture School Of
BULLETIN OF YALE UNIVERSITY BULLETIN OF YALE BULLETIN OF YALE UNIVERSITY Periodicals postage paid New Haven ct 06520-8227 New Haven, Connecticut School of Architecture 2016–2017 School of Architecture 2016 –2017 BULLETIN OF YALE UNIVERSITY Series 112 Number 4 June 30, 2016 BULLETIN OF YALE UNIVERSITY Series 112 Number 4 June 30, 2016 (USPS 078-500) The University is committed to basing judgments concerning the admission, education, is published seventeen times a year (one time in May and October; three times in June and employment of individuals upon their qualifications and abilities and a∞rmatively and September; four times in July; five times in August) by Yale University, 2 Whitney seeks to attract to its faculty, sta≠, and student body qualified persons of diverse back- Avenue, New Haven CT 0651o. Periodicals postage paid at New Haven, Connecticut. grounds. In accordance with this policy and as delineated by federal and Connecticut law, Yale does not discriminate in admissions, educational programs, or employment against Postmaster: Send address changes to Bulletin of Yale University, any individual on account of that individual’s sex, race, color, religion, age, disability, PO Box 208227, New Haven CT 06520-8227 status as a protected veteran, or national or ethnic origin; nor does Yale discriminate on the basis of sexual orientation or gender identity or expression. Managing Editor: Kimberly M. Go≠-Crews University policy is committed to a∞rmative action under law in employment of Editor: Lesley K. Baier women, minority group members, individuals with disabilities, and protected veterans. PO Box 208230, New Haven CT 06520-8230 Inquiries concerning these policies may be referred to Valarie Stanley, Director of the O∞ce for Equal Opportunity Programs, 221 Whitney Avenue, 3rd Floor, 203.432.0849.