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National Arts Awards Monday, October 19, 2015
2015 Americans for the Arts National Arts Awards Monday, October 19, 2015 Welcome from Robert L. Lynch Performance by YoungArts Alumni President and CEO of Americans for the Arts Musical Director, Jake Goldbas Philanthropy in the Arts Award Legacy Award Joan and Irwin Jacobs Maria Arena Bell Presented by Christopher Ashley Presented by Jeff Koons Outstanding Contributions to the Arts Award Young Artist Award Herbie Hancock Lady Gaga 1 Presented by Paul Simon Presented by Klaus Biesenbach Arts Education Award Carolyn Clark Powers Alice Walton Lifetime Achievement Award Presented by Agnes Gund Sophia Loren Presented by Rob Marshall Dinner Closing Remarks Remarks by Robert L. Lynch and Abel Lopez, Chair, introduction of Carolyn Clark Powers Americans for the Arts Board of Directors and Robert L. Lynch Remarks by Carolyn Clark Powers Chair, National Arts Awards Greetings from the Board Chair and President Welcome to the 2015 National Arts Awards as Americans for the Arts celebrates its 55th year of advancing the arts and arts education throughout the nation. This year marks another milestone as it is also the 50th anniversary of President Johnson’s signing of the act that created America’s two federal cultural agencies: the National Endowment for the Arts and the National Endowment for the Humanities. Americans for the Arts was there behind the scenes at the beginning and continues as the chief advocate for federal, state, and local support for the arts including the annual NEA budget. Each year with your help we make the case for the funding that fuels creativity and innovation in communities across the United States. -
Cross-Board Territorial Co-Operation Challenges in Europe: Some Reflections from Galicia-Northern Portugal Experience
Cross-board Territorial Co-operation Challenges in Europe: some reflections from Galicia-Northern Portugal experience Luís Leite Ramos MP - Portugal, Parliamentary Assembly of the Council of Europe International Conference CROSS-BORDER COOPERATION IN EUROPE 25 May 2018 | Dubrovnik, Croatia Spain and Portugal Border: one of the oldest in Europe. International Conference CROSS-BORDER COOPERATION IN EUROPE 25 May 2018 | Dubrovnik, Croatia Portugal and Spain, nine centuries of rivalry and mistrust The relations between 2 countries have often been difficult. They have been rivals at the see conquest as early as in the XIVth century and they have been enemies in many wars. Even when Spain and Portugal fought to keep their colonies around the globe, some co- operation existed between them. For nine centuries rivalry and mistrust defined the relations between Spain and Portugal. International Conference CROSS-BORDER COOPERATION IN EUROPE 25 May 2018 | Dubrovnik, Croatia … but a common history and future International Conference CROSS-BORDER COOPERATION IN EUROPE 25 May 2018 | Dubrovnik, Croatia Galicia and Northern Portugal CBC - legal framework Spain-Portugal Friendship and Co-operation Treaty - 27th November 1977 Council of Europe Madrid Outline Convention on Cross-Border Cooperation between Territorial Communities or Authorities, Council of Europe (21st May1980) Portugal and Spain ratified the Council of Europe Madrid Outline Convention – 1989 | 1990. Constitutive Agreement of the Galicia-Northern Portugal Working Community – 1991 Cross-Border -
Diarios De Viaxe Inéditos De Valentín Paz-Andrade. “Do Aire Atlántico Ao Mar Pacífico” © 2014
Boletín da Real Academia Galega Núm. 373, pp. 261-274 Diarios de viaxe inéditos de Valentín Paz-Andrade. “Do aire atlántico ao mar Pacífico” © 2014. Real Academia Galega DIARIOS DE VIAXE INÉDITOS DE VALENTÍN PAZ-ANDRADE. “DO AIRE ATLÁNTICO AO MAR PACÍFICO”1 Emilia García López Consello da Cultura Galega Fixen un cruceiro pol-o Pacífico. Algún día, se tes paciencia, pode- rás ler o relato d-este periplo2. Resumo: As notas publicadas recentemente como diarios de viaxe de Valen- tín Paz-Andrade (Lérez, Pontevedra, 1898-Vigo, 1987) permanecían inéditas, desde hai sesenta anos, nas gabetas da súa marabillosa biblioteca da súa casa Pousa Nova do Mar en Samil (Vigo). O seu autor, poeta, xornalista, economista, empresario e tamén político ga- leguista, percorreu o Novo Continente, desde Canadá ata Chile, na década dos cincuenta do século pasado. Viaxou como Delegado para América Lati- na da Organización das Nacións Unidas para a Alimentación e a Agricultura (FAO), pois era un recoñecido especialista en economía pesqueira. O resultado daquela experiencia recolleuno o autor nuns textos que na súa inmensa maioría permaneceron inéditos e que se caracterizan por unha prosa riquísima que combina o lirismo fondo do poeta cunha análise profunda e certeira dos lugares, xentes e acontecementos, que ía atopando ao seu paso. Os lugares dos que os textos gardan testemuño foron: Nova York, México: Guanajuato, Jalisco, Pátzcuaro; Colombia: Val do Cauca, Illas Gorgonas, Cali, Tumaco, Buenaventura, Cartaxena de Indias; Brasil: costa do Estado de Per- nambuco e finalmente chegada a Santiago de Chile. Estas notas, ás veces manuscritas e outras pasadas a máquina, foron descuber- tas grazas ao esforzo e apoio do Consello da Cultura Galega para a organiza- ción e dixitalización do arquivo persoal do autor, e tamén á grata disposición da familia de Valentín Paz-Andrade, co fin de que, en 2012, o fondo persoal do autor estivera a disposición dos investigadores durante a celebración do Día das Letras Galegas. -
Landscape in Galicia and Asturias
Landscape in Galicia and Asturias Francisco José Flores Díaz [email protected] Where are the regions? ·Area:40.178 Km² ·Population:3,72 millions ·Population density:92,63 person/Km² ·The most important rivers are “Miño”. “Eo” and “Sil” ·The most part of the population lives near the coast, specially in three big cities. Climate Characteristics: -Strong changes between seasons -High humidity -High precipitation -Drought in summer -Minor temperature variations on the coast than interior Soil Soils are generally: -shallow -with a sandy or loamy texture, - acidic and with abundant organic matter, which gives the upper layer its typical dark color -Without lack of necessary elements for the plants ● -Granitic majority Landscape of the area We can distinguish three types of landscapes: -Mountainous -Inrerior -Coastal Great plant and animal biodiversity Some endemic Protected spaces Areas with special ecological characteristics restricted for different economic and productive uses. Around 15% of territory Issues of the area ·Soil salinization ·Erosion of surface ·Fires ·Contamination of the soil and water ·Destruction of river banks ·Compactation of the soil Soil salinization It is not the main problem in the region, but it appears in areas where rainfall is less abundant and fertilization is excessive It affects: · Chemical properties of soil · Microorganisms ·Plant growth Erosion surface Caused: · Loss of vegetation cover Excessive cattle · Fires · Torrential rains Fires Contamination of the soil and water There is a very large thermal power -
Endless House: Intersections of Art and Architecture June 27, 2015–March 6, 2016 the Robert Menschel Architecture and Design Gallery, Third Floor
Endless House: Intersections of Art and Architecture June 27, 2015–March 6, 2016 The Robert Menschel Architecture and Design Gallery, third floor Endless House considers the single-family home and archetypes of dwelling as a theme for the creative endeavors of architects and artists. Through drawings, photographs, video, installations, and architectural models drawn from MoMA’s collection, the exhibition highlights how artists have used the house as a means to explore universal topics, and how architects have tackled the design of residences to expand their discipline in new ways. The exhibition also marks the 50th anniversary of the death of Viennese-born artist and architect Frederick Kiesler (1890–1965). Taking its name from an unrealized project by Kiesler, Endless House celebrates his legacy and the cross-pollination of art and architecture that made Kiesler’s 15-year project a reference point for generations to come. Work by architects and artists spanning more than seven decades are exhibited alongside materials from Kiesler’s Endless House design and images of its presentation in MoMA’s 1960 Visionary Architecture exhibition. Intriguing house designs—ranging from historical projects by Mies van der Rohe, Frank Gehry, Peter Eisenman, and Rem Koolhaas, to new acquisitions from Smiljan Radic and Asymptote Architecture—are juxtaposed with visions from artists such as Louise Bourgeois, Bruce Nauman, Mario Merz, and Rachel Whiteread. Together these works demonstrate how the dwelling occupies a central place in a cultural exchange across generations and disciplines. Organized by Pedro Gadanho, Curator, Department of Architecture and Design, The Museum of Modern Art Architecture and Design Collection Exhibitions are made possible by Hyundai Card and Hyundai Capital America. -
Nowe Miasto Pod Ziemią New Underground City
EWA WĘCŁAWOWICZ-GYURKOVICH∗ NOWE MIASTO POD ZIEMIĄ NEW UNDERGROUND CITY Streszczenie Obserwowana na przełomie wieków fascynacja formami organicznymi, zakrzywionymi bądź pofałdowanymi zmusza do sięgania do świata przyrody, by odkrywać ją niejako na nowo. Szeroki kontekst środowiska, pejzaż, większe fragmenty natury nie zaskakują w analizie projektowej. Nie przypadkiem znowu powracamy do obecnej w awangardzie od lat 70. Sztuki Ziemi. Różnorodność bazująca na topografii terenu staje się podstawową wytyczną wszelkich działań. Słowa kluczowe: miasto, architektura współczesna Abstract Fascination with organic, bent, or undulating forms, observable at the turn of centuries, calls for reference to the world of nature to discover it once again. Broad context of the environment, landscape, bigger fragments of nature do not surprise in design analysis. It is not accidental that we return to the Art of Earth, present in avant-garde since the 70s. Variety basing on topography of the site becomes the guideline of all activity. Keywords: city, contemporary architecture ∗ Dr inż. arch. Ewa Węcławowicz-Gyurkovich, Instytut Historii Architektury i Konserwacji Zabytków, Wydział Architektury, Politechnika Krakowska. 196 (...) z miastami jest jak ze snami: wszystko co wyobrażalne może się przyśnić, ale nawet najbardziej zaskakujący sen jest rebusem, który kryje w sobie pragnienie lub jego odwrotną stronę – lęk. Miasta jak sny są zbudowane z pragnień i lęków, nawet jeśli wątek ich mowy jest utajony, zasady – absurdalne, perspektywy – złudne, a każda rzecz kryje w sobie inną (...) Italo Calvino, Niewidzialne miasta1 Nowe Centrum Kulturalne prowincji Galicja w zachodnio-północnej Hiszpanii zajmuje całe wzgó- rze na zachodnim pogórzu Gór Kantabryjskich, na przedmieściach miasta Santiago de Compostela. Region Galicji od X w. p.n.e. -
Paulacoopergallery
P A U L A C O O P E R G A L L E R Y FOR IMMEDIATE RELEASE CLAES OLDENBURG & COOSJE VAN BRUGGEN THINGS AROUND THE HOUSE 534 W 21st Street November 7 – December 19, 2015 Opening reception: November 12, 6 – 8 pm NEW YORK—Things Around the House, an exhibition of works by Claes Oldenburg and Coosje van Bruggen, will be on view at Paula Cooper Gallery from November 7 through December 12. The exhibition includes nearly 100 works from the house and studio where Oldenburg has lived since 1971 and which he shared with his wife and partner Coosje van Bruggen from 1976 until her passing in 2009. By offering an intimate look at works that stayed on with the artists, the exhibition presents a unique view into a creative practice whose end Oldenburg has described as “developing a language of both exterior and interior life, in one expression.” Embracing what he calls “the poetry of everywhere,” Claes Oldenburg reimagines commonplace objects in distorted scale, materiality and hue. His exaggerated forms breathe vitality and tactile lyricism into ubiquitous or overlooked articles. The works on view in Things Around the House render fantastic or unfamiliar subjects that are usually prosaic and mundane. The exhibition also illuminates the artist’s cumulative approach to art making. His engagement with objects through sketches, writings, models and drawings is a constant process over decade- long periods of coexistence. The artist asserts: “Process is what keeps a thing alive, one thing leads to another. One has to do more to it – intensify color, play with material and scale, subject the form to gravity, make it collide with another object, turn it upside down or bury it halfway into the ground - so that it opens up multiple associations.” Claes Oldenburg was born in Stockholm, Sweden, in 1929. -
“Shall We Compete?”
5th International Conference on Competitions 2014 Delft “Shall We Compete?” Pedro Guilherme 35 5th International Conference on Competitions 2014 Delft “Shall we compete?” Author Pedro Miguel Hernandez Salvador Guilherme1 CHAIA (Centre for Art History and Artistic Research), Universidade de Évora, Portugal http://uevora.academia.edu/PedroGuilherme (+351) 962556435 [email protected] Abstract Following previous research on competitions from Portuguese architects abroad we propose to show a risomatic string of politic, economic and sociologic events that show why competitions are so much appealing. We will follow Álvaro Siza Vieira and Eduardo Souto de Moura as the former opens the first doors to competitions and the latter follows the master with renewed strength and research vigour. The European convergence provides the opportunity to develop and confirm other architects whose competences and aesthetics are internationally known and recognized. Competitions become an opportunity to other work, different scales and strategies. By 2000, the downfall of the golden initial European years makes competitions not only an opportunity but the only opportunity for young architects. From the early tentative, explorative years of Siza’s firs competitions to the current massive participation of Portuguese architects in foreign competitions there is a long, cumulative effort of competence and visibility that gives international competitions a symbolic, unquestioned value. Keywords International Architectural Competitions, Portugal, Souto de Moura, Siza Vieira, research, decision making Introduction Architects have for long been competing among themselves in competitions. They have done so because they believed competitions are worth it, despite all its negative aspects. There are immense resources allocated in competitions: human labour, time, competences, stamina, expertizes, costs, energy and materials. -
To the West of Spanish Cantabria. the Palaeolithic Settlement of Galicia
To the West of Spanish Cantabria. The Palaeolithic Settlement of Galicia Arturo de Lombera Hermida and Ramón Fábregas Valcarce (eds.) Oxford: Archaeopress, 2011, 143 pp. (paperback), £29.00. ISBN-13: 97891407308609. Reviewed by JOÃO CASCALHEIRA DNAP—Núcleo de Arqueologia e Paleoecologia, Faculdade de Ciências Humanas e Sociais, Universidade do Algarve, Campus Gambelas, 8005- 138 Faro, PORTUGAL; [email protected] ompared with the rest of the Iberian Peninsula, Galicia investigation, stressing the important role of investigators C(NW Iberia) has always been one of the most indigent such as H. Obermaier and K. Butzer, and ending with a regions regarding Paleolithic research, contrasting pro- brief presentation of the projects that are currently taking nouncedly with the neighboring Cantabrian rim where a place, their goals, and auspiciousness. high number of very relevant Paleolithic key sequences are Chapter 2 is a contribution of Pérez Alberti that, from known and have been excavated for some time. a geomorphological perspective, presents a very broad Up- This discrepancy has been explained, over time, by the per Pleistocene paleoenvironmental evolution of Galicia. unfavorable geological conditions (e.g., highly acidic soils, The first half of the paper is constructed almost like a meth- little extension of karstic formations) of the Galician ter- odological textbook that through the definition of several ritory for the preservation of Paleolithic sites, and by the concepts and their applicability to the Galician landscape late institutionalization of the archaeological studies in supports the interpretations outlined for the regional inter- the region, resulting in an unsystematic research history. land and coastal sedimentary sequences. As a conclusion, This scenario seems, however, to have been dramatically at least three stadial phases were identified in the deposits, changed in the course of the last decade. -
Philharmonic Au Dito R 1 U M
LUBOSHUTZ and NEMENOFF April 4, 1948 DRAPER and ADLER April 10, 1948 ARTUR RUBINSTEIN April 27, 1948 MENUHIN April 29, 1948 NELSON EDDY May 1, 1948 PHILHARMONIC AU DITO R 1 U M VOL. XLIV TENTH ISSUE Nos. 68 to 72 RUDOLF f No S® Beethoven: S°"^„passionala") Minor, Op. S’ ’e( MM.71l -SSsr0*“” « >"c Beethoven. h6tique") B1DÛ SAYÂO o»a>a°;'h"!™ »no. Celeb'“’ed °P” CoW»b» _ ------------------------- RUOOtf bKch . St«» --------------THE pWUde'Pw»®rc’^®®?ra Iren* W°s’ „„a olh.r,„. sr.oi «■ o'--d s,°3"' RUDOLF SERKIN >. among the scores of great artists who choose to record exclusively for COLUMBIA RECORDS Page One 1948 MEET THE ARTISTS 1949 /leJ'Uj.m&n, DeLuxe Selective Course Your Choice of 12 out of 18 $10 - $17 - $22 - $27 plus Tax (Subject to Change) HOROWITZ DEC. 7 HEIFETZ JAN. 11 SPECIAL EVENT SPECIAL EVENT 1. ORICINAL DON COSSACK CHORUS & DANCERS, Jaroff, Director Tues. Nov. 1 6 2. ICOR CORIN, A Baritone with a thrilling voice and dynamic personality . Tues. Nov. 23 3. To be Announced Later 4. PATRICE MUNSEL......................................................................................................... Tues. Jan. IS Will again enchant us-by her beautiful voice and great personal charm. 5. MIKLOS GAFNI, Sensational Hungarian Tenor...................................................... Tues. Jan. 25 6. To be Announced Later 7. ROBERT CASADESUS, Master Pianist . Always a “Must”...............................Tues. Feb. 8 8. BLANCHE THEBOM, Voice . Beauty . Personality....................................Tues. Feb. 15 9. MARIAN ANDERSON, America’s Greatest Contralto................................. Sun. Mat. Feb. 27 10. RUDOLF FIRKUSNY..................................................................................................Tues. March 1 Whose most sensational success on Feb. 29 last, seated him firmly, according to verdict of audience and critics alike, among the few Master Pianists now living. -
From Munster to La Coruña Across the Celtic Sea: Emigration, Assimilation, and Acculturation in the Kingdom of Galicia (1601-40)
Obradoiro de Historia Moderna, N.º 19, 9-38, 2010, ISSN: 1133-0481 FROM MUNSTER TO LA CORUÑA ACROSS THE CELTIC SEA: EMIGRATION, ASSIMILATION, AND AccULTURATION IN THE KINGDOM OF GALICIA (1601-40) Ciaran O’Scea University College Dublin RESUMEN . Entre 1602 y 1608 cerca de 10.000 individuos de todos los estratos de la sociedad gaélica irlandesa predominante en el suroeste de Irlanda emigraron al noroeste de España como consecuenciade la fallida intervención militar española en Kinsale en 1601-02, lo que condujo a la consolidación de la comunidad irlandesa en La Coruña (Galicia). Esto ha permitido un análisis de la asimilación e integración de la comunidad en las estructuras civiles, eclesiásticas y reales de Galicia y de la monarquía hispánica. Los resultados muestran como la inicial introspección de la comunidad irlandesa durante la primera década dio paso a una rápida asimilación e integración en la siguiente. Al mismo tiempo, las alteradas circunstancias socio-económicas y políticas condujeron a cambios de gran alcance en las estructuras internas y los valores socio-culturales de la comunidad. Palabras clave: emigración irlandesa, España, Irlanda, Galicia, La Coruña, asimilación, integración, Kinsale. ABSTR A CT . Between 1602 and 1608 c. 10.000 individuals from all strata of predominantly Gaelic Irish society in the south west of Ireland emigrated to the north west of Spain in the aftermath of the failed Spanish military intervention at Kinsale in 1601-02, leading to the consolidation of the fledling Irish community in La Coruña in Galicia. This has permitted an analysis of the community´s assimilation and integration to the civil, ecclesiastical and royal structures of Galicia and the Spanish monarchy. -
The Kingdom of Galicia and the Monarchy of Castile-León in the Twelfth and Thirteenth Centuries*
chapter 11 The Kingdom of Galicia and the Monarchy of Castile-León in the Twelfth and Thirteenth Centuries* Francisco Javier Pérez Rodríguez Like many political territories in Europe, contemporary Galicia is the heir of one that took shape in the central Middle Ages, specifically in the twelfth and thirteenth centuries. The kingdom of Galicia which emerged after 1100 bore the name of the late Roman province of Gallaecia, but occupied a smaller region. The nucleus of the ancient province and its capital Bracara Augusta (modern Braga) lay beyond the borders of the newly configured kingdom of the twelfth century. Moreover, the medieval kingdom of Galicia would remain part of the kingdom of León. After both were permanently joined with Castile in 1230, Galicia became just one more of the numerous kingdoms that made up what is customarily known as the Crown of Castile. Within this ensemble, the kingdom of Galicia retained a distinctive charac- ter, based partly on the Galician language which differentiated it from the rest of the Crown of Castile and linked it more closely with neighboring Portugal. Galician society, however, manifested other distinguishing features as well, and, from the thirteenth century onward, a separate administrative and fiscal structure was established for the region. Historians have particularly high- lighted the political and economic power and social position of the church in Galicia, and made this the explanation for the relative poverty of the lay aris- tocracy and the diminishing interest of the Castilian kings in the region after 1230. According to this narrative, the monarchy lost direct political authority over much of Galicia, because of the royal concession of cotos—territories pro- tected by immunities from royal intervention—to cathedrals and monasteries during the twelfth century.