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National Arts Awards Monday, October 19, 2015
2015 Americans for the Arts National Arts Awards Monday, October 19, 2015 Welcome from Robert L. Lynch Performance by YoungArts Alumni President and CEO of Americans for the Arts Musical Director, Jake Goldbas Philanthropy in the Arts Award Legacy Award Joan and Irwin Jacobs Maria Arena Bell Presented by Christopher Ashley Presented by Jeff Koons Outstanding Contributions to the Arts Award Young Artist Award Herbie Hancock Lady Gaga 1 Presented by Paul Simon Presented by Klaus Biesenbach Arts Education Award Carolyn Clark Powers Alice Walton Lifetime Achievement Award Presented by Agnes Gund Sophia Loren Presented by Rob Marshall Dinner Closing Remarks Remarks by Robert L. Lynch and Abel Lopez, Chair, introduction of Carolyn Clark Powers Americans for the Arts Board of Directors and Robert L. Lynch Remarks by Carolyn Clark Powers Chair, National Arts Awards Greetings from the Board Chair and President Welcome to the 2015 National Arts Awards as Americans for the Arts celebrates its 55th year of advancing the arts and arts education throughout the nation. This year marks another milestone as it is also the 50th anniversary of President Johnson’s signing of the act that created America’s two federal cultural agencies: the National Endowment for the Arts and the National Endowment for the Humanities. Americans for the Arts was there behind the scenes at the beginning and continues as the chief advocate for federal, state, and local support for the arts including the annual NEA budget. Each year with your help we make the case for the funding that fuels creativity and innovation in communities across the United States. -
Biography & Links
CLAES OLDENBURG 1929 Born in Stockholm, Sweden Education 1946 – 1950 Yale University, New Haven, Connecticut 1950-1954 Art Institute of Chicago, Chicago, Illinois Selected Exhibitions 2013 Claes Oldenburg: The Street and The Store, MoMA, New York, NY Claes Oldenburg: The Sixties, Walker Art Center, Minneapolis, MN Wood, Metal, Paint: Sculpture from the Fisher Collection, Cantor Arts Center at Stanford University, Stanford, CA NeuenGalerie-neu gesehen: Sammlung + documenta-Erwerbungen, Neue Galerie, Kassel, Germany Pop Goes The Easel: Pop Art And Its Progeny, Lyman Allyn Art Museum, New London, CT The Pop Object: The Still Life Tradition in Pop Art, Acquavella Galleries, Inc., New York, NY 2012 Claes Oldenburg. The Sixties, UMOK ,Vienna, Guggenheim Museum Bilbao, the Museum of Modern Art New York, Walker Art Center, and the Ludwig Museum im Deutschherrenhaus. Claes Oldenburg, Pace Prints, New York, New York. Claes Oldenburg: Arbeiten auf Papier, Neue Nationalgalerie, Berlin, Germany Claes Oldenburg: Strange Eggs, The Menil Collection, Houston, TX Claes Oldenburg, Museum Ludwig, Cologne, Germany Claes Oldenburg-From Street to Mouse: 1959-1970, Museum Moderner Kunst Stiftung Ludwig-MUMOK, Vienna, Austria 2011 THE PRIVATE COLLECTION OF ROBERT RAUSCHENBERG, Gagosian Gallery, New York, NY Burning, Bright: A Short History of the Light Bulb, The Pace Gallery, New York, NY Contemporary Drawings from the Irving Stenn Jr. Collection, The Art Institute of Chicago, Chicago, IL Proof: The Rise of Printmaking in Southern California, Norton Simon Museum -
Philharmonic Au Dito R 1 U M
LUBOSHUTZ and NEMENOFF April 4, 1948 DRAPER and ADLER April 10, 1948 ARTUR RUBINSTEIN April 27, 1948 MENUHIN April 29, 1948 NELSON EDDY May 1, 1948 PHILHARMONIC AU DITO R 1 U M VOL. XLIV TENTH ISSUE Nos. 68 to 72 RUDOLF f No S® Beethoven: S°"^„passionala") Minor, Op. S’ ’e( MM.71l -SSsr0*“” « >"c Beethoven. h6tique") B1DÛ SAYÂO o»a>a°;'h"!™ »no. Celeb'“’ed °P” CoW»b» _ ------------------------- RUOOtf bKch . St«» --------------THE pWUde'Pw»®rc’^®®?ra Iren* W°s’ „„a olh.r,„. sr.oi «■ o'--d s,°3"' RUDOLF SERKIN >. among the scores of great artists who choose to record exclusively for COLUMBIA RECORDS Page One 1948 MEET THE ARTISTS 1949 /leJ'Uj.m&n, DeLuxe Selective Course Your Choice of 12 out of 18 $10 - $17 - $22 - $27 plus Tax (Subject to Change) HOROWITZ DEC. 7 HEIFETZ JAN. 11 SPECIAL EVENT SPECIAL EVENT 1. ORICINAL DON COSSACK CHORUS & DANCERS, Jaroff, Director Tues. Nov. 1 6 2. ICOR CORIN, A Baritone with a thrilling voice and dynamic personality . Tues. Nov. 23 3. To be Announced Later 4. PATRICE MUNSEL......................................................................................................... Tues. Jan. IS Will again enchant us-by her beautiful voice and great personal charm. 5. MIKLOS GAFNI, Sensational Hungarian Tenor...................................................... Tues. Jan. 25 6. To be Announced Later 7. ROBERT CASADESUS, Master Pianist . Always a “Must”...............................Tues. Feb. 8 8. BLANCHE THEBOM, Voice . Beauty . Personality....................................Tues. Feb. 15 9. MARIAN ANDERSON, America’s Greatest Contralto................................. Sun. Mat. Feb. 27 10. RUDOLF FIRKUSNY..................................................................................................Tues. March 1 Whose most sensational success on Feb. 29 last, seated him firmly, according to verdict of audience and critics alike, among the few Master Pianists now living. -
Claes Oldenburg & Coosje Van Bruggen
Document generated on 09/28/2021 9:46 a.m. Espace Sculpture Claes Oldenburg & Coosje Van Bruggen La sculpture publique, l’architecture et l’urbanisme Claes Oldenburg & Coosje Van Bruggen Public Sculpture, Architecture and Urbanism Éric Valentin Espace architecturé Architectured Space Number 106, Winter 2013–2014 URI: https://id.erudit.org/iderudit/70720ac See table of contents Publisher(s) Le Centre de diffusion 3D ISSN 0821-9222 (print) 1923-2551 (digital) Explore this journal Cite this article Valentin, É. (2013). Claes Oldenburg & Coosje Van Bruggen : la sculpture publique, l’architecture et l’urbanisme / Claes Oldenburg & Coosje Van Bruggen: Public Sculpture, Architecture and Urbanism. Espace Sculpture, (106), 12–18. Tous droits réservés © Le Centre de diffusion 3D, 2013 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ ESPACE ARCHITECTURÉ ARCHITECTURED SPACE Claes OLDENBURG & Coosje VAN BRUGGEN La sculpture publique, l’architecture et l’urbanisme Public Sculpture, Architecture and Urbanism Éric VALENTIN Toutes les sculptures publiques d’Oldenburg et de van Bruggen sont liées All of Claes Oldenburg and Coosje van Bruggen’s public sculptures are à des messages de différentes natures ; mais dans ce texte, c’est leur linked to messages of various sorts; however, in this text, it is their dialogue avec l’urbanisme et l’architecture que l’on souhaite résumer dialogue with urbanism and architecture that we seek to summarize, dans ses grandes lignes à partir de notre livre sur leurs créations1. -
Claes Oldenburg and Coosje Van Bruggen
CLAES OLDENBURG AND COOSJE VAN BRUGGEN SELECTED BIBLIOGRAPHY BOOKS AND EXHIBITION CATALOGUES 2017 The Art Museum. London: Phaidon, 2017: 386, illustrated. Claes Oldenburg: Shelf Life (exhibition catalogue). Text by the artist. New York: Pace Gallery, 2017. Baum, Kelly, Lucy Bradnock, and Tina Rivers Ryan. Delirious: Art at the Limits of Reason, 1950–1980 (exhibition catalogue). Metropolitan Museum of Art, 2017. Delirious: Art at the Limits of Reason 1950–1980 (exhibition catalogue). Texts by Kelly Baum, Lucy Bradnock and Tina Rivers Ryan. New York: Met Breuer, 2017: pl.79, illustrated. Haywood, Robert E. Allan Kaprow and Claes Oldenburg: art, happenings, and culture politics, 1958-1967. New Haven: Yale University Press, 2017. Inventing Downtown: Artist-Run Galleries in New York City, 1952–1965 (exhibition catalogue). New York and Munich: Grey Art Gallery, New York University; Delmonico Books Prestel, 2017: 128–31, 208–13, illustrated. Martin Z. Margulies Collection, Vol.1. Bologna BO, Italy: Damiani, 2018: 122–124, illustrated. Rosa, Joseph, ed. Victors For Art: Michigan’s Alumni Collectors (exhibition catalogue). Text by Kathryn A. Huss. Michigan: The Regents of the University of Michigan, 2017: 57, illustrated. Claes Oldenburg and Coosje van Bruggen: Selected Bibliography—Books 2 UBS Art Collection: To Art Its Freedom. Text by Mary Rozell. Berlin: Hatje Cantz Verlag CmbH, 2016: 106, illustrated. 2016 “Claes Oldenburg.” In Donald Judd Writings. New York: Judd Foundations, 2016: 180–4. Cohen, John. Cheap Rents…and de Kooning. Text by John Elderfield. Göttingen: Steidl, 2015: 131, illustrated. The Fisher Collection at the San Francisco Museum of Modern Art. San Francisco: San Francisco Museum of Modern Art, 2016: 25–31, illustrated. -
Walker Guided Tour Topics and Themes
Walker Guided Tour Topics and Themes GUIDED TOUR TOPICS For guided tours, please select your topic preference. (Note maximum number of participants.) Gallery Tour (max. 60) Familiarize yourself with contemporary art by exploring works of art in the Walker’s collection. Sculpture Garden Tour (max. 60) Explore concepts such as shape, scale, space, and texture in one of the country’s largest urban sculpture parks. The Minneapolis Sculpture Garden features more than 40 artworks, including the whimsical Pop Art icon Spoonbridge and Cherry by Claes Oldenburg and Coosje van Bruggen. Architecture of Expansion (max. 60) These tours introduce visitors to the expanded Walker Art Center through an in-depth exploration of its state-of-the-art spaces and the processes used by the architects Herzog & de Meuron for designing the 2005 building. Special Exhibition (max. may vary) Our special exhibition tours focus on a variety of topics and artists. For more information about exhibitions currently on view, click here: http://schools.walkerart.org/exhibitions.wac. Custom Tour (max. may vary) The tour program will work with you to develop a custom tour based on a theme or topic of particular interest to your group. We will contact you to make arrangements after we receive your request. In addition to a specially tailored topic, your tour can be enriched by an Art Lab or food and drink from D’Amico Modern Events (see additional tour components below). Pre-K Gallery Tour (max. 60) Children explore works of art in the galleries by focusing on basic elements such as color, line, shape, and pattern. -
Claes Oldenburg: Strange Eggs
Claes Oldenburg: Strange Eggs Rarely displayed collages offer insight into sculptor’s extraordinary take on the everyday On View at the Menil Collection September 20, 2012 – February 3, 2013 Houston, August 28, 2012 – For more than fifty years Claes Oldenburg (b. 1929) has surprised, humored, and disoriented audiences with his unconventional use of media and scale to depict ordinary objects. The latest exhibition at the Menil Collection, Claes Oldenburg: Strange Eggs, will showcase a remarkable group of collages by the Swedish-born American artist. These works, amalgams of commercial advertisements and newspaper and magazine images, are some of Oldenburg’s earliest known pieces and represent a pivotal moment of experimentation in his prolific career. Completed over the course of two years after Oldenburg moved to New York City from Chicago in 1956, the exhibition’s eighteen collages feature self-contained forms that the artist made by seamlessly melding fragments cut from magazines purchased near his apartment on the Lower East Side. While many of the arrangements are unidentifiable, within them some original references remain: a piece of pie, the hind legs of a horse, a tree branch, the creased skin of a clenched fist, the texture of concrete. The process of combining art and everyday life would later define Oldenburg’s work. Born in 1929 in Stockholm, Sweden, Oldenburg grew up in Chicago where his father was Consul General of Sweden. After studying literature and art history at Yale University and later taking classes at the Art Institute of Chicago, Oldenburg moved to New York and eventually became part of a group of artists challenging Abstract Expressionism by returning to “realism,” working with found objects and figurative images. -
Plantoir by Claes Oldenbug and Coosje Van Bruggen
PUBLIC FOUNDATION GREATER Educational Resource DES MOINES ART PLANTOIR BY CLAES OLDENBUG AND COOSJE VAN BRUGGEN PHOTO: PAULA FELTNER ABOUT THE ART AND THE ARTIST Created in 2001 by artists Claes Oldenburg and Coosje van Bruggen, Plantoir is an example of the oversized versions of everyday objects for which the artists are so well known. The artists’s representation of a common gardening tool is easily recognized, but they alter it so that we see its form in an entirely new way. The most important change is size: standing at over 23-feet tall and weighing 2300 pounds, Plantoir is no longer an ordinary hand-tool, but a monumental sculptural statement. Their use of a manufactured commercial object is associated with Pop Art, a movement of the late 1950s and early 1960s which embraced popular culture. After this transformation by Oldenburg and van Bruggen, we may never again see a garden trowel without thinking of it in a different way; they have changed both our ways of seeing and thinking. The title of the sculpture is a French word (another transformation) for a tool that plants seedlings. Plantoir is installed on the grounds of the headquarters of the Meredith Corporation and was acquired in honor of the 100th anniversary of the company. Meredith pioneered in publishing magazines such as Successful Farming and Better Homes and Gardens and is appropriately commemorated by the appropriated and re-conceptualized garden trowel, Plantoir. ARTIST BIO Claes Oldenburg (b.1929) and Coosje van Bruggen (1942 – 2009) began their artistic collaboration in the mid-1970s; they married in 1977. -
Correia, Artur Manuel Gouveia, 1988- Lugar, Espaço E Movimento: O Percurso Como Elemento Fundamental Da Arquitectura
Universidades Lusíada Correia, Artur Manuel Gouveia, 1988- Lugar, espaço e movimento: o percurso como elemento fundamental da arquitectura http://hdl.handle.net/11067/258 Metadados Data de Publicação 2013-04-29 Resumo A dissertação desenvolvida tem como principal tema o percurso como elemento fundamental da arquitectura. Para a sua realização, parte-se da ideia do percurso, como elemento dinamizador de um projecto de arquitectura, explicado e percebido através de três factores: o lugar, o espaço e o movimento. Estes três temas, são abordados, através de uma perspectiva da arquitectura onde é identificada a ideia de um percurso, que se relaciona com esta, numa ordem sequencial de acontecimentos. Definidos at... Palavras Chave Lugar (Filosofia) na arquitectura, Espaço (Arquitectura), Movimento (Filosofia) Tipo masterThesis Revisão de Pares Não Coleções [ULL-FAA] Dissertações Esta página foi gerada automaticamente em 2021-10-10T17:22:23Z com informação proveniente do Repositório http://repositorio.ulusiada.pt U NIVE RSID ADE LUSÍ ADA DE L ISBO A Fac uldad e de Arquitectura e A rtes Mestrado integ rado em Arquitectura Lugar, espaço e movimento: o percurso como elemento fundamental da arquitectura Realizado por: Artur MManuel Gouveia Correia Orientado por: Prrof. Doutor Arqt. Fernando Manuel Domingues Hipólito Constituição do Júri: Presidente: Prof. Doutor Arqt. Joaquim José Ferrão de Oliveira Braizinha Orientador: Prof. Doutor Arqt. Fernando Manuel Domingues Hipólito Assistente de orientação: Mestre Arqt. José Maria de Brito Tavares Assis -
CLAES OLDENBURG and COOSJE VAN BRUGGEN SELECTED GROUP EXHIBITIONS 2018 the Art of Collaboration, Venus Over Manhattan, New York
CLAES OLDENBURG AND COOSJE VAN BRUGGEN SELECTED GROUP EXHIBITIONS 2018 The Art of Collaboration, Venus Over Manhattan, New York, September 17–October 23, 2018. 2017 The Long Run, Museum of Modern Art, New York, November 11, 2017–November 4, 2018. American Sculpture: Sotheby’s Beyond Limits, Chatsworth, Derbyshire, United Kingdom, September 15– November 12, 2017. Delirious: Art at the Limits of Reason 1950–1980, Met Breuer, New York, September 13, 2017–January 14, 2018. (Catalogue). Deadeye Dick: Richard Bellamy and His Circle, Peter Freeman, Inc., New York, September 12–October 28, 2017. Victors for Art: Michigan’s Alumni Collectors at the University of Michigan Museum of Art, Part 1: Figuration, A. Afred Taubman Gallery, the University of Michigan Museum of Art, February 19–June 11, 2017; Part 2: Abstraction, A. Afred Taubman Gallery, the University of Michigan Museum of Art, July 1–October 29, 2017; Irving Stenn, Jr. Family Gallery, the University of Michigan Museum of Art, August 19–November 26, 2017. (Catalogue) Claes Oldenburg and Coosje van Bruggen: Selected Group Exhibitions 2 Inventing Downtown: Artist-Run Galleries in New York City, 1952–1965, Grey Art Gallery, New York University, New York, January 10–April 1, 2017. Traveled to: NYUAD Art Gallery, Abu Dhabi, October 4, 2017–January 13, 2018. (Catalogue) 2016 Los Angeles to New York: Dwan Gallery, 1959–1971, National Gallery of Art, Washington, D.C., September 30, 2016–January 29, 2017. Traveled to: Los Angeles County Museum of Art, March 19–September 10, 2017. (Catalogue) Summer Group Show: Make Light of It, Pace/MacGill Gallery, New York, July 7–August 24, 2016. -
Paulacoopergallery.Com
P A U L A C O O P E R G A L L E R Y FOR IMMEDIATE RELEASE Claes Oldenburg & Coosje van Bruggen There is no such thing as a perfect lamb chop 243A Worth Avenue, Palm Beach, FL December 5, 2020 – January 9, 2021 PALM BEACH, FL—An exhibition of work by Claes Oldenburg and Coosje van Bruggen titled “There is no such thing as a perfect lamb chop”1 marks the inauguration of Paula Cooper Gallery’s new seasonal pop-up at 243A Worth Avenue opening on Saturday, December 5, 2020. The couple first began their working partnership in 1976 and, over the course of the next three decades, produced an extensive body of drawings, sculptures, and public commissions. The presentation at Paula Cooper Gallery includes examples from these important collaborative years, as well as works by Oldenburg made before their meeting and after van Bruggen’s passing in 2009. In celebration of the vibrant life of Palm Beach and the surrounding area, “There is no such thing as a perfect lamb chop” presents a selection of drawings and sculptures by Oldenburg and van Bruggen, with a focus on their representations of food, sport, music, and other articles of pleasure. These striking images reinvent quotidian objects, using line and form to playfully merge natural elements with the irreverent and the fantastical. In the duo’s 2007 pastel drawing, an anthropomorphized shuttlecock performs a feat of superhuman acrobatics across the rotunda of the Guggenheim Museum. Elsewhere, Oldenburg’s canvas-and-resin tomates farcies entice and charm viewers with their luscious hue and supple surfaces. -
Gaiás Cidade Da Cultura
ENG 8 GAIÁS, CITY OF CULTURE 10 ARCHITECTURE 12 THE CITY OF CULTURE IN FIGURES 13 GAIÁS CENTRE MUSEUM 14 LIBRARY AND ARCHIVE OF GALICIA 15 CINC. NEW TECHNOLOGIES BUILDING 16 GAIÁS CENTRE FOR ENTREPRENEURSHIP (CEM) 17 HEJDUK TOWERS AND OUTDOOR SPACES 18 FOREST OF GALICIA AND GREEN AREAS 19 CULTURAL PROGRAM 20 EVENTS 21 MAP 6 GAIÁS—CITY OF CULTURE cidadedacultura.gal GAIÁS, CITY OF CULTURE The City of Culture presents itself as a driver to promote innovative projects in the field of culture, entrepreneurship and technology, and a point to connect Galicia to the rest of the world. Built on the top of Mount Gaiás, one of the hills surrounding Santiago de Compostela, this city that seems to emerges from the earth stands as an architectural icon of modern Galicia, in dialogue with the centuries- GAIÁS CENTRE LIBRARY AND old Compostela, a World Heritage site and MUSEUM ARCHIVE OF destination of the Way of Saint James. Its beauty and versatility GALICIA render this the perfect venue They preserve the bibliographical Open to the public since the year 2011, the to host temporary exhibitions, and documentary memory of City of Culture of Galicia was inaugurated performing arts shows and large- Galicia, and they act as the head scale events. of the public network of libraries by the then Prince and Princess of Asturias, and archives. now their majesties King Felipe de Borbón and Queen Letizia, of Spain. This powerful infrastructure, surrounded by nature areas, houses these four buildings: 7 GAIÁS—CITY OF CULTURE cidadedacultura.gal GAIÁS CENTRE CENTRE FOR GREEN AREAS FUNDACIÓN CIDADE FOR ENTREPRE- CULTURAL On the slopes of Mount Gaiás DA CULTURA DE NEURSHIP INNOVATION grows the Forest of Galicia, with GALICIA over nine thousand native trees.