Unit 7 Teacher Guide Grade 3 Astronomy: Our Solar System and Beyond Grade 3 Unit 7 Astronomy : Our Solar System and Beyond
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Season 5 Article
N.B. IT IS RECOMMENDED THAT THE READER USE 2-PAGE VIEW (BOOK FORMAT WITH SCROLLING ENABLED) IN ACROBAT READER OR BROWSER. “EVEN’ING IT OUT – A NEW PERSPECTIVE ON THE LAST TWO YEARS OF “THE TWILIGHT ZONE” Television Series (minus ‘THE’)” A Study in Three Parts by Andrew Ramage © 2019, The Twilight Zone Museum. All rights reserved. Preface With some hesitation at CBS, Cayuga Productions continued Twilight Zone for what would be its last season, with a thirty-six episode pipeline – a larger count than had been seen since its first year. Producer Bert Granet, who began producing in the previous season, was soon replaced by William Froug as he moved on to other projects. The fifth season has always been considered the weakest and, as one reviewer stated, “undisputably the worst.” Harsh criticism. The lopsidedness of Seasons 4 and 5 – with a smattering of episodes that egregiously deviated from the TZ mold, made for a series much-changed from the one everyone had come to know. A possible reason for this was an abundance of rather disdainful or at least less-likeable characters. Most were simply too hard to warm up to, or at the very least, identify with. But it wasn’t just TZ that was changing. Television was no longer as new a medium. “It was a period of great ferment,” said George Clayton Johnson. By 1963, the idyllic world of the 1950s was disappearing by the day. More grittily realistic and reality-based TV shows were imminent, as per the viewing audience’s demand and it was only a matter of time before the curtain came down on the kinds of shows everyone grew to love in the 50s. -
United States
DEPARTMENT OF THE INTERIOR BULLETIN OF THE UNITED STATES ISTo. 146 WASHINGTON GOVERNMENT Pit IN TING OFFICE 189C UNITED STATES GEOLOGICAL SURVEY CHAKLES D. WALCOTT, DI11ECTOK BIBLIOGRAPHY AND INDEX NORTH AMEEICAN GEOLOGY, PALEONTOLOGY, PETEOLOGT, AND MINERALOGY THE YEA.R 1895 FEED BOUGHTON WEEKS WASHINGTON Cr O V E U N M K N T P K 1 N T I N G OFFICE 1890 CONTENTS. Page. Letter of trail smittal...... ....................... .......................... 7 Introduction.............'................................................... 9 List of publications examined............................................... 11 Classified key to tlio index .......................................... ........ 15 Bibliography ............................................................... 21 Index....................................................................... 89 LETTER OF TRANSMITTAL DEPARTMENT OF THE INTEEIOE, UNITED STATES GEOLOGICAL SURVEY, DIVISION OF GEOLOGY, Washington, D. 0., June 23, 1896. SIR: I have the honor to transmit herewith the manuscript of a Bibliography and Index of North American Geology, Paleontology, Petrology, and Mineralogy for the year 1895, and to request that it be published as a bulletin of the Survey. Very respectfully, F. B. WEEKS. Hon. CHARLES D. WALCOTT, Director United States Geological Survey. 1 BIBLIOGRAPHY AND INDEX OF NORTH AMERICAN GEOLOGY, PALEONTOLOGY, PETROLOGY, AND MINER ALOGY FOR THE YEAR 1895. By FRED BOUGHTON WEEKS. INTRODUCTION. The present work comprises a record of publications on North Ameri can geology, paleontology, petrology, and mineralogy for the year 1895. It is planned on the same lines as the previous bulletins (Nos. 130 and 135), excepting that abstracts appearing in regular periodicals have been omitted in this volume. Bibliography. The bibliography consists of full titles of separate papers, classified by authors, an abbreviated reference to the publica tion in which the paper is printed, and a brief summary of the con tents, each paper being numbered for index reference. -
Elements of Astronomy
^ ELEMENTS ASTRONOMY: DESIGNED AS A TEXT-BOOK uabemws, Btminwcus, anb families. BY Rev. JOHN DAVIS, A.M. FORMERLY PROFESSOR OF MATHEMATICS AND ASTRONOMY IN ALLEGHENY CITY COLLEGE, AND LATE PRINCIPAL OF THE ACADEMY OF SCIENCE, ALLEGHENY CITY, PA. PHILADELPHIA: PRINTED BY SHERMAN & CO.^ S. W. COB. OF SEVENTH AND CHERRY STREETS. 1868. Entered, according to Act of Congress, in the year 1867, by JOHN DAVIS, in the Clerk's OlBce of the District Court of the United States for the Western District of Pennsylvania. STEREOTYPED BY MACKELLAR, SMITHS & JORDAN, PHILADELPHIA. CAXTON PRESS OF SHERMAN & CO., PHILADELPHIA- PREFACE. This work is designed to fill a vacuum in academies, seminaries, and families. With the advancement of science there should be a corresponding advancement in the facilities for acquiring a knowledge of it. To economize time and expense in this department is of as much importance to the student as frugality and in- dustry are to the success of the manufacturer or the mechanic. Impressed with the importance of these facts, and having a desire to aid in the general diffusion of useful knowledge by giving them some practical form, this work has been prepared. Its language is level to the comprehension of the youthful mind, and by an easy and familiar method it illustrates and explains all of the principal topics that are contained in the science of astronomy. It treats first of the sun and those heavenly bodies with which we are by observation most familiar, and advances consecutively in the investigation of other worlds and systems which the telescope has revealed to our view. -
Cartes Et Constellations Anciennes Ou Disparues
CartesCartes etet constellationsconstellations anciennesanciennes ouou disparuesdisparues Patrice Février 2011 1 SommaireSommaire DDééfinitionfinition OrigineOrigine AstAst éérismesrismes UnUn peupeu dd ’’histoirehistoire LesLes grandsgrands cyclescycles mythologiquesmythologiques ReprRepr éésentationssentations etet cartescartes PtolPtol éémmééee AlmagesteAlmageste ZodiaqueZodiaque LesLes constellationsconstellations disparuesdisparues ConstellationsConstellations chinoiseschinoises 2 3 QuQu ’’estest --cece ququ ’’uneune constellation?constellation? Qui n’a jamais entendu parler de la Grande Ourse ou observé la casserole dans le ciel ? Qui ne s’est jamais posé la question de la signification de ces figures, qu’on appelle « constellations », illustrant le ciel nocturne ? En fait d’explication, il n’y en a qu’une : ces figures sont le fruit du hasard, de notre position dans l’espace, de notre vision du ciel en 2 dimensions et surtout de notre imagination … 4 OrigineOrigine desdes nomsnoms L'origine des noms de nos constellations est très ancienne. On a retrouvé en Arménie sur des dalles datant du 4e millénaire avant notre ère des représentations du Cygne, du Taureau ou du Lion. Les Babyloniens utilisaient déjà une bonne partie des constellations attribuées ensuite aux Grecs, en particulier celles du zodiaque. 5 On retrouve l’origine des constellations peu de temps après l’apparition de l’écriture, puisque des symboles cunéiformes représentant ces constellations ont été décelés sur des textes et des objets de civilisations aujourd’hui disparues, situées dans la vallée de l’Euphrate, il y a plus de 5 000 ans … Toutefois, il faudra attendre le IIème siècle ap. J-C. pour que l’astronome Grec Ptolémée procède à un découpage du ciel sur 1022 étoiles groupées en 48 constellations. Les constellations étaient ainsi la plupart du temps apparentées à des animaux ou figures mythologiques, dont l’utilité était aussi bien ésotérique (astrologie) que géographique, cartographique ou calendaire. -
Caput Medusae
john c. barentine ASTERISMS, SINGLE-SOURCE AND REBRANDS Uncharted Constellations Asterisms, Single-Source and Rebrands John C. Barentine Uncharted Constellations Asterisms, Single-Source and Rebrands 123 John C. Barentine TUCSON, AZ, USA SPRINGER PRAXIS BOOKS IN POPULAR ASTRONOMY Springer Praxis Books ISBN 978-3-319-27618-2 ISBN 978-3-319-27619-9 (eBook) DOI 10.1007/978-3-319-27619-9 Library of Congress Control Number: 2015958891 Springer Cham Heidelberg New York Dordrecht London © Springer International Publishing Switzerland 2016 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. Cover illustration: “Lacerta, Cygnus, Lyra, Vulpecula and Anser”, plate 14 in Urania’s Mirror, a set of celestial cards accompanied by A familiar treatise on astronomy...byJehoshaphatAspin.London. -
Lucy Kroll Papers [Finding Aid]. Library of Congress
Lucy Kroll Papers A Finding Aid to the Collection in the Library of Congress Manuscript Division, Library of Congress Washington, D.C. 2002 Revised 2010 April Contact information: http://hdl.loc.gov/loc.mss/mss.contact Additional search options available at: http://hdl.loc.gov/loc.mss/eadmss.ms006016 LC Online Catalog record: http://lccn.loc.gov/mm82078576 Prepared by Donna Ellis with the assistance of Loren Bledsoe, Joseph K. Brooks, Joanna C. Dubus, Melinda K. Friend, Alys Glaze, Harry G. Heiss, Laura J. Kells, Sherralyn McCoy, Brian McGuire, John R. Monagle, Daniel Oleksiw, Kathryn M. Sukites, Lena H. Wiley, and Chanté R. Wilson Collection Summary Title: Lucy Kroll Papers Span Dates: 1908-1998 Bulk Dates: (bulk 1950-1990) ID No.: MSS78576 Creator: Kroll, Lucy Extent: 308,350 items ; 881 containers plus 15 oversize ; 356 linear feet Language: Collection material in English Location: Manuscript Division, Library of Congress, Washington, D.C. Summary: Literary and talent agent. Contracts, correspondence, financial records, notes, photographs, printed matter, and scripts relating to the Lucy Kroll Agency which managed the careers of numerous clients in the literary and entertainment fields. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. People Braithwaite, E. R. (Edward Ricardo) Davis, Ossie. Dee, Ruby. Donehue, Vincent J., -1966. Fields, Dorothy, 1905-1974. Foote, Horton. Gish, Lillian, 1893-1993. Glass, Joanna M. Graham, Martha. Hagen, Uta, 1919-2004. -
Greek and Latin Roots: Part I - Latin Greek and Latin Roots for Science and the Social Sciences
Greek and Latin Roots: Part I - Latin Greek and Latin Roots for Science and the Social Sciences PART I: LATIN Sixth Edition (Adapted) Copyright © Estate of Peter L. Smith Greek and Latin Roots: Part I - Latin by Peter Smith (Estate) is licensed under a Creative Commons Attribution 4.0 International License, except where otherwise noted. Copyright © 2016 by Estate of Peter Smith Published by University of Victoria Victoria, British Columbia V8P 5C2 Canada [email protected] This book is released under a Creative Commons Attribution-4.0 International (CC BY 4.0) license. This means that you are free to copy, redistribute, and modify or adapt this book. Under this license, anyone who redistributes or modifies this textbook, in whole or in part, can do so for free providing they properly attribute the book as follows: Smith, Peter. (2016). Greek and Latin Roots: for Science and the Social Sciences, Part I – Latin. Victoria, BC: University of Victoria is used under a CC BY 4.0 International License. Additionally, if you redistribute this textbook, in whole or in part, in either a print or digital format, then you must retain on every electronic page and at least one page at the front of a print copy the following attribution: Download this book for free at http://open.bccampus.ca For questions about this book, please contact the Copyright and Scholarly Communication Office, University of Victoria Libraries at [email protected]. Cover image: Attic kylix by painter, Douris (ca. 480 BC). Photo by Egisto Sani. CC BY-NC-SA 2.0 Generic license. -
Ces Chères Disparues
© Venngeist – Août 2014 Les Potins d’Uranie [254] Ces chères disparues Al Nath Les constellations nous viennent des premiers La liste ci-après (alphabétique sur le nom latin temps de l'histoire humaine, lorsque les multiples lorsqu'il existe) ne prétend pas à l'exhaustivité. assemblages d'étoiles ont permis à nos ancêtres Elle reprend les constellations éphémères ou de projeter leurs idées, leurs sentiments ou leurs obsolètes qui nous ont paru présenter un certain émotions sur le ciel nocturne. Nous avons déjà intérêt avec, le cas échéant, une illustration expliqué en cette colonne comment l'on est arrivé disponible. Quelques-uns de ces astérismes ont aux 88 constellations reconnues officiellement déjà été discutés dans cette colonne. Un pointeur aujourd'hui par l'Union Astronomique Interna- renvoit alors le lecteur à l'article correspondant. tionale (UAI)1. Le lecteur intéressé par les détails des délimitations et des choix les ayant condition- nées pourra se référer aux explications d'Eugène Delporte dans sa publication de l'UAI2. Certaines constellations apparues au cours des siècles ne furent pas sélectionnées dans la liste finale pour différentes motivations dont la plus fréquente fut certainement le manque de recon- naissance par la communauté astronomique internationale. Certains astérismes furent aussi parfois élaborés par pur opportunisme envers un monarque, un bienfaiteur, un mécène, ou quelque autre puissant. D'autres, comme l'éphémère Chat de Lalande (Felis), n'était pas dépourvus d'humour. L'Argo Navis était une constellation beaucoup trop étendue. Elle fut éclatée en différents éléments dont la plupart http://www.potinsduranie_254_201408.pdf furent retenus pour la nomenclature officielle. -
SHSU Video Archive Basic Inventory List Department of Library Science
SHSU Video Archive Basic Inventory List Department of Library Science A & E: The Songmakers Collection, Volume One – Hitmakers: The Teens Who Stole Pop Music. c2001. A & E: The Songmakers Collection, Volume One – Dionne Warwick: Don’t Make Me Over. c2001. A & E: The Songmakers Collection, Volume Two – Bobby Darin. c2001. A & E: The Songmakers Collection, Volume Two – [1] Leiber & Stoller; [2] Burt Bacharach. c2001. A & E Top 10. Show #109 – Fads, with commercial blacks. Broadcast 11/18/99. (Weller Grossman Productions) A & E, USA, Channel 13-Houston Segments. Sally Cruikshank cartoon, Jukeboxes, Popular Culture Collection – Jesse Jones Library Abbott & Costello In Hollywood. c1945. ABC News Nightline: John Lennon Murdered; Tuesday, December 9, 1980. (MPI Home Video) ABC News Nightline: Porn Rock; September 14, 1985. Interview with Frank Zappa and Donny Osmond. Abe Lincoln In Illinois. 1939. Raymond Massey, Gene Lockhart, Ruth Gordon. John Ford, director. (Nostalgia Merchant) The Abominable Dr. Phibes. 1971. Vincent Price, Joseph Cotton. Above The Rim. 1994. Duane Martin, Tupac Shakur, Leon. (New Line) Abraham Lincoln. 1930. Walter Huston, Una Merkel. D.W. Griffith, director. (KVC Entertaiment) Absolute Power. 1996. Clint Eastwood, Gene Hackman, Laura Linney. (Castle Rock Entertainment) The Abyss, Part 1 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss, Part 2 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss. 1989. (20th Century Fox) Includes: [1] documentary; [2] scripts. The Abyss. 1989. (20th Century Fox) Includes: scripts; special materials. The Abyss. 1989. (20th Century Fox) Includes: special features – I. The Abyss. 1989. (20th Century Fox) Includes: special features – II. Academy Award Winners: Animated Short Films. -
The Twilight Zone
The Twilight Zone As a companion piece to my first paper for the Spring 2010 update of the Film Score Rundowns site, “The CBS Collection 072 UCLA,” I thought it would be fitting to offer rundowns of various written scores of the celebrated CBS series created by Rod Serling, The Twilight Zone. I worked on these scores starting in the spring of 1989 when the CBS Deed of Gift # 1 was first available to researchers. Usually I hand-copied but initially I was able to xerox some of the scores or cues thanks to the Harry Heitzer general permission that UCLA later, in a change of policy, decided to cancel. I have already delineated the episodes scored by Bernard Herrmann on my site in separate rundowns except for the pilot episode, “Where Is Everybody?” simply because the full score was not available in the collection (that I could find, anyway). Only a very elementary two-stave reduced conductor score dated 1/16/59 was available. However, I will briefly delineate this skeletal version here in this paper. I will first focus on the opening and closing themes of Marius Constant and also Herrmann’s version that I have. I will also cover the CBS Eye music by Herrmann and Goldsmith. Then I will focus on what I have of various Twilight Zone scores/cues from various composers. “Twilight Zone Theme” [“Opening Theme” designation on the reduced score] Music by Bernard Herrmann dated January 15, 1959 (dated the 16th on the reduced score). CBS cue # 1561; CBS X-58-D-3. -
Favorite Twilight Zone Episodes.Xlsx
TITLE - VOTING BRACKETS First Round Second Round Sweet Sixteen Elite Eight Final Four Championship Final Four Elite Eight Sweet Sixteen Second Round First Round Votes Votes Votes Votes Votes Votes Votes Votes Votes Votes Votes Votes Votes Votes 1 Time Enough at Last 57 56 Eye of the Beholder 1 Time Enough at Last Eye of the Beholder 32 The Fever 4 5 The Mighty Casey 32 16 A World of Difference 25 19 The Rip Van Winkle Caper 16 I Shot an Arrow into the Air A Most Unusual Camera 17 I Shot an Arrow into the Air 35 41 A Most Unusual Camera 17 8 Third from the Sun 44 37 The Howling Man 8 Third from the Sun The Howling Man 25 A Passage for Trumpet 16 Nervous22 Man in a Four Dollar Room 25 9 Love Live Walter Jameson 34 45 The Invaders 9 Love Live Walter Jameson The Invaders 24 The Purple Testament 25 13 Dust 24 5 The Hitch-Hiker 52 41 The After Hours 5 The Hitch-Hiker The After Hours 28 The Four of Us Are Dying 8 19 Mr. Bevis 28 12 What You Need 40 31 A World of His Own 12 What You Need A World of His Own 21 Escape Clause 19 28 The Lateness of the Hour 21 4 And When the Sky Was Opened 37 48 The Silence 4 And When the Sky Was Opened The Silence 29 The Chaser 21 11 The Mind and the Matter 29 13 A Nice Place to Visit 35 35 The Night of the Meek 13 A Nice Place to Visit The Night of the Meek 20 Perchance to Dream 24 24 The Man in the Bottle 20 Season 1 Season 2 6 Walking Distance 37 43 Nick of Time 6 Walking Distance Nick of Time 27 Mr. -
Constellations Concept Booklet Dan Lovallo 1 Constellations Algorithm A1) Selection of Constellation in Relation to Location: E.G
constellations concept booklet dan lovallo 1 constellations algorithm a1) Selection of constellation in relation to location: e.g. - Select constellations between Ecliptic and Celestial Equator - Number of constellation selection: 4 a2) Extraction of constellation in accordance to original default orientations CANCER a3) Extraction of constellation into vectorial points a1 a2 a3 b1) Overlapping of 4 sets of constellation points above one another. Sequence dependent on Constellation chart. b2) Vertical distances between each layer of constellation points relates to the relative real scale positions of those constellations. b3) Connection of points through single polyline to define total sequencing of constellation points. b1 b2 b3 c1) Panelling in accordance to the connected lines. Each panel is triangulated, governed by the closest two lines which form the edges of the panel. c2) Removal of panel based on random algorithm, which simulates the random connectivity of the constellations’ relative geographical locations. c3) Orientation of final output - select horizontal or vertical. c1 c2 c3 2 night sky photograph 3 visible stars chart 4 official constellations chart 5 chinese constellations chart Dunhuang Star map is one of the first known graphical representation of stars from ancient Chinese astronomy, dated to the Tang Dynasty (618–907) 6 chinese constellations chart 28 Chinese Constellations (asterisms) 7 chinese constellations chart 28 Chinese Constellations (asterisms) 8 egyptian constellations chart the zodiacal and para-zodiacal