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THE WIZARD of OZ an ILLUSTRATED COMPANION to the TIMELESS MOVIE CLASSIC by John Fricke and Jonathan Shirshekan with a Foreword by M-G-M “Munchkin” Margaret Pellegrini
THE WIZARD OF OZ AN ILLUSTRATED COMPANION TO THE TIMELESS MOVIE CLASSIC By John Fricke and Jonathan Shirshekan With a foreword by M-G-M “Munchkin” Margaret Pellegrini The Wizard of Oz: An Illustrated Companion to the Timeless Movie Classic is a vibrant celebration of the 70th anniversary of the film’s August 1939 premiere. Its U.S. publication coincides with the release of Warner Home Video’s special collector’s edition DVD of The Wizard of Oz. POP-CULTURE/ ENTERTAINMENT over the rainbow FALL 2009 How Oz Came to the Screen t least six times between April and September 1938, M-G-M Winkie Guards); the capture and chase by The Winkies; and scenes with HARDCOVER set a start date for The Wizard of Oz, and each came and went The Witch, Nikko, and another monkey. Stills of these sequences show stag- as preproduction problems grew. By October, director Norman ing and visual concepts that would not appear in the finished film: A Taurog had left the project; when filming finally started on the A • Rather than being followed and chased by The Winkies, Toto 13th, Richard Thorpe was—literally and figuratively—calling the shots. instead escaped through their ranks to leap across the castle $20.00 Rumor had it that the Oz Unit first would seek and photograph whichever drawbridge. California barnyard most resembled Kansas. Alternately, a trade paper re- • Thorpe kept Bolger, Ebsen, and Lahr in their Guard disguises well ported that all the musical numbers would be completed before other after they broke through The Tower Room door to free Dorothy. -
Arisia 2010 Pocket Program
Maps Quick Ref ARISIA 2011 Main Events Dealers January 14-17 ARISIA BOSTON 2010 Friday NEW LOCATION: Westin Boston Saturday Waterfront Hotel $130/night Sunday Monday Participant Schedules Fan GoH: RenŽ Walling Artist GoH: Josh Simpson Writer GoH: Kelley Armstrong POCKET PROGRAM Webcomic GoH: Shaenon Garrity Pre-Registration $25 until 2010-01-20 B 1st Floor Paul MAPS HOTEL Revere Garage A Main Program Ops Entrance Masquerade, Bone Marrow & Blood Drive President’s CD Gift Sign-ups Fan Tables Shop D Registration Crispus Attucks William Dawes Molly Pitcher Business Center A B Info Desk BC Elevators Arisia Sales Prefunction Thomas Paine Haym President’s B President’s A Solomon Coat Food Cart Check A Front Desk EscalatorsBathrooms Bridge to Garage/ Health Club 2nd Floor (stairs) 201 202 203 204 205 Rooms 207–223 Volunteer Lounge Bathrooms Elevators Aquarium Cambridge Rooms 212–224 Con Ops Atrium & Security Con Suite MAPSHOTEL Escalators Hotel Area Zephyr Patio No access Crow’s Nest: 3rd floor Atrium to Lobby Dealers’ Row: 3rd floor BU Lounge: 10th floor Zephyr Fast Track: Empress (14th floor) Rooms 237–256 Restaurant & Bar Art Show: Charles View (16th floor) QUICK REFERENCE QUICK REFERENCE Access/Handicapped Services go to Information Desk Filk (all night) Crispus Attucks Anime Room Haym Solomon Friday–Sunday 11pm–late Fri/Sat/Sun 7pm–6am Monday after teardown Arisia TV Channel 41 Films Molly Pitcher Movies, live ballroom events, etc. Friday 4pm–1am SciFi Channel replaces BBC channel for the con. Saturday 7pm–1am Art Show Charles View (16th floor) Sunday 6pm–1am Monday 9am–11am (audience choice vote 9am sharp) Friday 6pm–9pm Food Options Saturday 10am–8pm Sunday 10am–8pm Hotel Restaurant on second floor. -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
Super! Drama TV April 2021
Super! drama TV April 2021 Note: #=serial number [J]=in Japanese 2021.03.29 2021.03.30 2021.03.31 2021.04.01 2021.04.02 2021.04.03 2021.04.04 Mon Tue Wed Thu Fri Sat Sun 06:00 06:00 TWILIGHT ZONE Season 5 06:00 TWILIGHT ZONE Season 5 06:00 06:00 TWILIGHT ZONE Season 5 06:00 TWILIGHT ZONE Season 5 06:00 #15 #17 #19 #21 「The Long Morrow」 「Number 12 Looks Just Like You」 「Night Call」 「Spur of the Moment」 06:30 06:30 TWILIGHT ZONE Season 5 #16 06:30 TWILIGHT ZONE Season 5 06:30 06:30 TWILIGHT ZONE Season 5 06:30 TWILIGHT ZONE Season 5 06:30 「The Self-Improvement of Salvadore #18 #20 #22 Ross」 「Black Leather Jackets」 「From Agnes - With Love」 「Queen of the Nile」 07:00 07:00 CRIMINAL MINDS Season 10 07:00 CRIMINAL MINDS Season 10 07:00 07:00 STAR TREK Season 1 07:00 THUNDERBIRDS 07:00 #1 #2 #20 #19 「X」 「Burn」 「Court Martial」 「DANGER AT OCEAN DEEP」 07:30 07:30 07:30 08:00 08:00 THE BIG BANG THEORY Season 08:00 THE BIG BANG THEORY Season 08:00 08:00 ULTRAMAN towards the future 08:00 THUNDERBIRDS 08:00 10 10 #1 #20 #13「The Romance Recalibration」 #15「The Locomotion Reverberation」 「bitter harvest」 「MOVE- AND YOU'RE DEAD」 08:30 08:30 THE BIG BANG THEORY Season 08:30 THE BIG BANG THEORY Season 08:30 08:30 THE BIG BANG THEORY Season 08:30 10 #14「The Emotion Detection 10 12 Automation」 #16「The Allowance Evaporation」 #6「The Imitation Perturbation」 09:00 09:00 information[J] 09:00 information[J] 09:00 09:00 information[J] 09:00 information[J] 09:00 09:30 09:30 THE GREAT 09:30 SUPERNATURAL Season 14 09:30 09:30 BETTER CALL SAUL Season 3 09:30 ZOEY’S EXTRAORDINARY -
Hearing Nostalgia in the Twilight Zone
JPTV 6 (1) pp. 59–80 Intellect Limited 2018 Journal of Popular Television Volume 6 Number 1 © 2018 Intellect Ltd Article. English language. doi: 10.1386/jptv.6.1.59_1 Reba A. Wissner Montclair State University No time like the past: Hearing nostalgia in The Twilight Zone Abstract Keywords One of Rod Serling’s favourite topics of exploration in The Twilight Zone (1959–64) Twilight Zone is nostalgia, which pervaded many of the episodes of the series. Although Serling Rod Serling himself often looked back upon the past wishing to regain it, he did, however, under- nostalgia stand that we often see things looking back that were not there and that the past is CBS often idealized. Like Serling, many ageing characters in The Twilight Zone often sentimentality look back or travel to the past to reclaim what they had lost. While this is a perva- stock music sive theme in the plots, in these episodes the music which accompanies the scores depict the reality of the past, showing that it is not as wonderful as the charac- ter imagined. Often, music from these various situations is reused within the same context, allowing for a stock music collection of music of nostalgia from the series. This article discusses the music of nostalgia in The Twilight Zone and the ways in which the music depicts the reality of the harshness of the past. By feeding into their own longing for the reclamation of the past, the writers and composers of these episodes remind us that what we remember is not always what was there. -
The Life and Times of Penny Arcade. Matthew Hes Ridan Ames Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1996 "I Am Contemporary!": The Life and Times of Penny Arcade. Matthew heS ridan Ames Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Ames, Matthew Sheridan, ""I Am Contemporary!": The Life and Times of Penny Arcade." (1996). LSU Historical Dissertations and Theses. 6150. https://digitalcommons.lsu.edu/gradschool_disstheses/6150 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
Season 5 Article
N.B. IT IS RECOMMENDED THAT THE READER USE 2-PAGE VIEW (BOOK FORMAT WITH SCROLLING ENABLED) IN ACROBAT READER OR BROWSER. “EVEN’ING IT OUT – A NEW PERSPECTIVE ON THE LAST TWO YEARS OF “THE TWILIGHT ZONE” Television Series (minus ‘THE’)” A Study in Three Parts by Andrew Ramage © 2019, The Twilight Zone Museum. All rights reserved. Preface With some hesitation at CBS, Cayuga Productions continued Twilight Zone for what would be its last season, with a thirty-six episode pipeline – a larger count than had been seen since its first year. Producer Bert Granet, who began producing in the previous season, was soon replaced by William Froug as he moved on to other projects. The fifth season has always been considered the weakest and, as one reviewer stated, “undisputably the worst.” Harsh criticism. The lopsidedness of Seasons 4 and 5 – with a smattering of episodes that egregiously deviated from the TZ mold, made for a series much-changed from the one everyone had come to know. A possible reason for this was an abundance of rather disdainful or at least less-likeable characters. Most were simply too hard to warm up to, or at the very least, identify with. But it wasn’t just TZ that was changing. Television was no longer as new a medium. “It was a period of great ferment,” said George Clayton Johnson. By 1963, the idyllic world of the 1950s was disappearing by the day. More grittily realistic and reality-based TV shows were imminent, as per the viewing audience’s demand and it was only a matter of time before the curtain came down on the kinds of shows everyone grew to love in the 50s. -
Twilight Zone Series 4: Science and Superstition Checklist
Twilight Zone Series 4: Science and Superstition Checklist Base Cards # Card Title [ ] 217 The Last Night of a Jockey [ ] 218 The Last Night of a Jockey [ ] 219 The Last Night of a Jockey [ ] 220 The Last Night of a Jockey [ ] 221 The Last Night of a Jockey [ ] 222 The Last Night of a Jockey [ ] 223 Mr. Bevis [ ] 224 Mr. Bevis [ ] 225 Mr. Bevis [ ] 226 Mr. Bevis [ ] 227 Mr. Bevis [ ] 228 Mr. Bevis [ ] 229 The Bard [ ] 230 The Bard [ ] 231 The Bard [ ] 232 The Bard [ ] 233 The Bard [ ] 234 The Bard [ ] 235 The Passersby [ ] 236 The Passersby [ ] 237 The Passersby [ ] 238 The Passersby [ ] 239 The Passersby [ ] 240 The Passersby [ ] 241 Dead Man's Shoes [ ] 242 Dead Man's Shoes [ ] 243 Dead Man's Shoes [ ] 244 Dead Man's Shoes [ ] 245 Dead Man's Shoes [ ] 246 Dead Man's Shoes [ ] 247 Back There [ ] 248 Back There [ ] 249 Back There [ ] 250 Back There [ ] 251 Back There [ ] 252 Back There [ ] 253 The Purple Testament [ ] 254 The Purple Testament [ ] 255 The Purple Testament [ ] 256 The Purple Testament [ ] 257 The Purple Testament [ ] 258 The Purple Testament [ ] 259 A Piano in the House [ ] 260 A Piano in the House [ ] 261 A Piano in the House [ ] 262 A Piano in the House [ ] 263 A Piano in the House [ ] 264 A Piano in the House [ ] 265 Night Call [ ] 266 Night Call [ ] 267 Night Call [ ] 268 Night Call [ ] 269 Night Call [ ] 270 Night Call [ ] 271 A Hundred Yards Over the Rim [ ] 272 A Hundred Yards Over the Rim [ ] 273 A Hundred Yards Over the Rim [ ] 274 A Hundred Yards Over the Rim [ ] 275 A Hundred Yards Over the Rim [ ] 276 A Hundred -
Kachemak Bay, Alaska: an Exploration of People and Place
Kachemak Bay, Alaska: An Exploration of People and Place Exhibit Evaluation I had not realized the commitment and value of each individual to the community. -Visitor Prepared for the Pratt Museum by Visitor Studies Services 2004 Kachemak Bay, Alaska: An Exploration of People and Place Exhibit Evaluation by Wendy Meluch of Visitor Studies Services, 2004 Abstract Extensive research of the exhibit, Kachemak Bay, Alaska: An Exploration of People and Place shows it to be popular and effective with visitors on every communication and affective goal set forth in the Exhibit Master Plan. Research also finds that Community Collaborators who helped to create exhibit elements found the experience deeply meaningful and satisfying, meeting every desired cognitive, affective and behavioral outcome established for the collaboration programs. Pre- and post-test surveys of the exhibit as a whole, and specific elements in it, and two observational studies in the exhibit involved nearly 600 visitors to the Pratt Museum. In most studies, Travelers and Area Residents used distinct survey instruments and are considered separately for analysis. Over 30 Community Collaborators responded to lengthy questionnaire forms, sharing deeply personal experiences and revelations about their participation. ii Acknowledgements Just as the Kachemak Bay Exhibit could only be birthed by extensive collaboration among many talented and smart individuals, so this research was born of the cooperative efforts of many capable people. Betsy Webb, Curator of Collections at the Pratt Museum and wearer of many other hats as well, was instrumental to every phase of this research. The hundreds of visitor surveys could not have been conducted without Gale Parsons and Shannon Riley, and their careful guidance of the Museum’s summer interns. -
Idioms-And-Expressions.Pdf
Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context. -
Broadway's My Beat Naming Standard
Broadway’s My Beat Anthology Broadway Is My Beat ..................................................................................................................... 1 From Wikipedia, the free encyclopedia .......................................................................................... 1 Broadway Is My Beat Special Edition ............................................................................................ 2 eBay Offering: The other "Beat" .................................................................................................... 2 Pre-emptive Events: ........................................................................................................................ 3 Radios Census ................................................................................................................................. 3 "Broadway is My Beat" Streeter Click .......................................................................................... 3 OLD RADIO TIMES ...................................................................................................................... 4 Broadway's My Beat Cast and Crew .............................................................................................. 5 From Times Square to Columbus Circle ........................................................................................ 6 Broadway Is My Beat From Wikipedia, the free encyclopedia Anthony Ross as Detective Danny Clover in Broadway Is My Beat Broadway Is My Beat, a radio crime drama, ran on CBS from February -
9781900178983 #2002 #Sansom, 2002 #David Buckman #Martin Leman: a World of His Own
9781900178983 #2002 #Sansom, 2002 #David Buckman #Martin Leman: A World of His Own Martin Leman: A World of His Own Artists in Britain Since 1945: M to Z Old Steamboat Days on the Hudson River Born in London, Martin Leman (1934-present, British) , is a prolific cat artist with a world-wide reputation. He is a member of the Royal Society of British Artists and the Watercolour Society. After completing Art school in Worthing and studying at The Central School of Art and Design Holborn, he worked for several years as a graphic designer and taught at Hornsey College of Art and several other colleges. Leman started painting in 1969 and ten years later he had published his first illustrated book Comic and Curious Cats with the text by Angela Carter. His most recent book is, Martin Leman, A World of His Own. He continues to work and live in Islington, London with his wife Jill, who is also an artist. Penny Black and Tiffany. The Artistâ™s Cat. "A World of His Own" is episode thirty-six of the American television anthology series The Twilight Zone. It was the last episode of the show's first season and essentially comedic in tone. It originally aired on July 1, 1960, on CBS. Coming home, Victoria West (Phyllis Kirk) spots her husband, playwright Gregory West (Keenan Wynn), through the window sharing a drink, and flirting in his study with Mary (Mary LaRoche), an attractive, affectionate young woman. Mr. West quickly does destroys a tape Title: A World of His Own (01 Jul 1960).