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Ten Years Supporting, Delivering & Promoting the Whole Spectrum of Animation
TEN YEARS SUPPORTING, DELIVERING & PROMOTING THE WHOLE SPECTRUM OF ANIMATION Directors Message Wow – we made it to our 10th anniversary!! Who would have thought it? From very humble beginnings – our first festival in 2004 screened at the now-defunct Rupert Street Cinema in Piccadilly – to LIAF 2013, 10 days at 3 different venues. We have survived - sort of. Over 10 years we’ve received more than 12,000 entries, screened more than 2,500 films, and had some of the most talented animators in the world come and hang out with us. And we’ve had a ball on the way. It’s time to blow our own trumpet. As well as being the largest festival of it’s kind in the UK in terms of films and programmes screened, we have a substantial touring component and we run satellite events all year-round. We’ve screened at festivals, cinemas, theatres and colleges all around the world and in the UK and hopefully we have spread the word that animation is a valid artform that is only limited by the animator’s imagination. In short, our maxim is that in animation anything can happen. Long may this be. There are far too may people to thank here (hopefully you know who you are) but the guidance and immense work-rate of my co-Director Malcolm Turner has to be acknowledged. Way back when in our ground zero - actually in the year 1999 - I still vividly recall that very first meeting Malcolm and I had with our then-colleague Susi Allender in the back garden of our Melbourne flat. -
Les Journaux De Lipsett De Theodore Ushev Portrait De L’Artiste En Oedipe Jean-Philippe Gravel
Document generated on 09/30/2021 12:40 a.m. Ciné-Bulles Les Journaux de Lipsett de Theodore Ushev Portrait de l’artiste en OEdipe Jean-Philippe Gravel Volume 28, Number 4, Fall 2010 URI: https://id.erudit.org/iderudit/61027ac See table of contents Publisher(s) Association des cinémas parallèles du Québec ISSN 0820-8921 (print) 1923-3221 (digital) Explore this journal Cite this article Gravel, J.-P. (2010). Les Journaux de Lipsett de Theodore Ushev : portrait de l’artiste en OEdipe. Ciné-Bulles, 28(4), 24–27. Tous droits réservés © Association des cinémas parallèles du Québec, 2010 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Les Journaux de Lipsett de Theodore Ushev ANIMATION Portrait de l’artiste en Œdipe JEAN-PHILIPPE GRAVEL En animation, quand on quitte le domai- quences, comme le fait n’importe quel Lipsett (Lipsett Diaries). Lipsett n’était ne narratif des succès à la Disney pour cinéaste, mais surtout image par image. pas, à proprement parler, un animateur, s’intéresser aux développements plus ex- C’est à ce prix qu’il crée l’illusion du mais son activité s’en rapprochait. Lui périmentaux de cette forme, on se rap- mouvement avec un matériau inerte, aussi redonnait vie et mouvement à une pelle assez vite combien l’animation et le qu’il s’agisse de marionnettes, de ta- matière inerte, puisque ses films-collages métier d’animateur sont singuliers, et à bleaux, de dessins ou d’objets du quoti- (Very Nice, Very Nice, Free Fall, A Trip quel point ils touchent avec une pureté dien. -
Les Journaux De Lipsett / the Lipsett Diaries — Canada 2010, 14 Minutes]
Document generated on 09/27/2021 5:50 p.m. Séquences La revue de cinéma Les Journaux de Lipsett The Lipsett Diaries — Canada 2010, 14 minutes Élène Dallaire Number 269, November–December 2010 URI: https://id.erudit.org/iderudit/63538ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this review Dallaire, É. (2010). Review of [Les Journaux de Lipsett / The Lipsett Diaries — Canada 2010, 14 minutes]. Séquences, (269), 27–27. Tous droits réservés © La revue Séquences Inc., 2010 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Côté court | Arrêt sur image 27 La Formation des nuages arie-Hélène Turcotte noircit de petits carnets de croquis depuis bien longtemps. Sa formation men architecture fait qu’elle se retrouve sur l’équipe décor de Nouvelle-France de Jean Beaudin. C’est alors qu’elle ressent le désir de voir ses dessins bouger. Sur les conseils d’amis professionnels, elle entreprend une formation à l’université Concordia. Elle y fait la rencontre de Félix Dufour- Laperrière et de Mathieu Tremblay. Deux alliés importants dans son travail d’animation. Son court métrage Monsieur Carreau la rend éligible au concours cinéaste recherché(e), qu’elle remporte en 2006-07. -
17A Mostra Internacional De Cinema D'animació De Catalunya
17a Mostra Internacional de Cinema d’Animació de Catalunya Saluda * Welcome Salutació Lleida ha demostrat que creu en la indústria cultural, en les arts plàstiques i en els seus creadors. El projecte de ciutat que defensem passa per dinamitzar i fomentar la creació artística, fent palesa la nostra aposta per la cultura. Animac tornarà a convertir Lleida en la capital mundial de l’animació i en aquesta 17a edició ho farà explorant les possibilitats creatives de l’animació en la no ficció, amb el lema “A través de la realitat”. L’animació també s’alimenta dels gèneres, de les situacions i dels protagonistes que sorgeixen del moment, veraços i reals, que es veuen reforçats amb les noves tecnologies. Som capaços de compartir amb la comunitat social les nostres percepcions de la realitat i les nostres vivències. Amb les noves eines tecnològiques es trasllada la sensació d’immediatesa i de proximitat fent que les dues realitats, la de no ficció i la de l’animació, s’agafin de la mà i explorin nous móns i llenguatges creatius. La Mostra Internacional de Cinema d’Animació de Catalunya és un certamen especialitzat únic i singular al territori que, desprès de l’èxit aconseguit en les anteriors edicions, pretén consolidar el seu model, posant l’atenció en el creador, les noves promeses i la indústria. El festival ens aproparà l’animació des de diferents perspectives, com les seccions de masterclass, els esmorzars amb els autors, les projeccions de Petit Animac o Futur Talent, entre altres. I també ens visitaran professionals reconeguts del sector que ens explicaran les seves experiències, com el britànic Andy Glynne, un dels representants de l’animació documental. -
WEB Cat 2016.Pdf
© 2002 - 2016 / ∆ΙΕΘΝΕΣ ΦΕΣΤΙΒΑΛ ΤΟΥ ΣΙΝΕΜΑ ΑΝΙΜΑΤΙΟΝ ΣΤΗΝ ΥΠΑΙΘΡΟ - ΟΨΕΙΣ ΤΟΥ ΚΟΣΜΟΥ Καλλιτεχνικός Διευθυντής / Artistic Director Γιώργος Τσαγγάρης / Yiorgos Tsangaris Επιμέλεια και Επιλογή Διεθνούς Διαγωνιστικού Προγράμματος International Competiton Film Program curator Γιώργος Τσαγγάρης / Yiorgos Tsangaris Επιμέλεια και Επιλογή Κυπριακού Διαγωνιστικού Προγράμματος Cyprus Competiton Film Program curators Νίκος Σύννος / Nicos Sinnos Πασχάλης Πασχάλη / Paschalis Paschali Γιώργος Τσαγγάρης / Yiorgos Tsangaris ANIMA ANIMA Republic of Cyprus Association Internationale Republic of Cyprus Association Internationale FEST EUROPE FOR FESTIVALS FEST EUROPE FOR FESTIVALS Cultural Servises du Film d' Animation Επιμέλεια και Επιλογή Ταινιών Παιδικού Προγράμματος Cultural Servises du Film d' Animation CYPRUS FESTIVALS FOR EUROPE CYPRUS FESTIVALS FOR EUROPE Ministry of Education UNESCO - CICT Ministry of Education UNESCOand Culture - CICT Views of the World EFFE LABEL 2015-2016 and Culture Views of the World EFFE LABEL 2015-2016 Children’s Film Program curator Γιώργος Τσαγγάρης / Yiorgos Tsangaris Συντονισμός Cyprus Animation Forum Cyprus Animation Forum Coordinators Νίκος Σύννος / Nicos Synnos Συνδιοργανωτές / Co-Organizers Γιάννα Αμερικάνου / Yianna Americanou Φεστιβάλ Όψεις του Κόσμου & Μουσείον Χαρακτικής Χαμπή Γιώργος Τσαγγάρης / Yiorgos Tsangaris Animafest Cyprus - Views of the World & Hambis Printmaking Museum Επιμέλεια Προγράμματος Ταινιών The Animation Workshop Επίσημη Στήριξη / Official Support The Animation Workshop film Program Selection -
Awnmag5.08.Pdf
Table of Contents NOVEMBER 2000 VOL.5 NO.8 4 Editor’s Notebook A new, healthy beginning… 5 Letters: [email protected] TELEVISION 6 Belphégor,The Renewed Legend The legend of Belphégor has entranced France for years. Now France 2 and 3 bring the mys- terious dark figure back to television, only this time, it’s animated. Annick Teninge reports. 11 No Boundaries:An Interview With Eric Radomski From Batman: The Animated Series to Spawn and Spicy, Eric Radomski has always been testing the limits of animated TV, while being very vocal about what makes and breaks a show. Amid Amidi passes on the insight. 19 Primetime Animation Fills Growing Niche TV Gerard Raiti studies the migration of animated primetime programming from the major net- works to more specialized networks and reveals that maybe 2000 wasn’t such a bust after all, rather just a shifting of sorts. 2000 24 The Good,The Bad,The Butt-Ugly Martians The Butt-Ugly Martians are about to invade Earth and the World Wide Web simultaneously. Paul Younghusband investigates this strategy’s development and implementation process. 26 Boom and Doom Did primetime television animation fail because it was animated or because it was on big time network TV? Martin Goodman offers new insight on the pressures (and ignorance) influencing the bust of 2000. 30 Tom Snyder Productions Goes Scriptless Sharon Schatz goes behind the scenes at Tom Snyder Productions and learns how this surpris- ing little company has been hitting winners ever since its inception. 34 The Purpose of That X-Chromosome Oxygen’s flagship showcase of animation, X-Chromosome is almost a year old. -
25 Films D'animation
Document generated on 09/26/2021 8:07 p.m. 24 images 25 films d’animation Sous le signe de la diversité Marco de Blois Les 200 films québécois qu’il faut avoir vus Number 156, March–April 2012 URI: https://id.erudit.org/iderudit/66740ac See table of contents Publisher(s) 24/30 I/S ISSN 0707-9389 (print) 1923-5097 (digital) Explore this journal Cite this article de Blois, M. (2012). 25 films d’animation : sous le signe de la diversité. 24 images, (156), 36–40. Tous droits réservés © 24/30 I/S, 2012 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ 25 FILMS D’ANIMATION SOUS LE SIGNE DE LA DIVERSITÉ par Marco de Blois Établir la liste des 25 films d’animation québécois qu’il faut avoir vus, c’est d’abord s’assurer qu’elle reflète la diversité des techniques faisant la marque de l’animation québécoise. D’où l’éclectisme (apparent seulement) de notre sélection. En effet, si, par exemple, les Tchèques se prêtaient à l’exercice, il y a fort à parier que l’animation de marionnettes dominerait la liste, et si les Américains faisaient la même chose, on pourrait s’attendre à ce que le cartoon occupe le haut du pavé. -
Available Practicum & Internship Positions
Carleton University Film Studies Available Practicum & Internship Positions Summer 2019 Last Updated March 12, 2019 Early Summer Semester: May 8 – June 18 Late Summer Semester: July 2 – August 14 FILM FESTIVALS Asinabka Film & Media Arts Festival Ottawa International Animation Festival (OIAF) Canadian Film Institute (CFI) PRODUCTION RELATED Independent Film Co-operative of Ottawa (IFCO) Ottawa Film Office Parktown Studios SAW Video Media Art Centre ARCHIVES & MUSEUMS Ingenium: Canada's Museums of Science & Innovation Library and Archives Canada, Audiovisual Archives Branch Canadian Museum of History Audiovisual Resource Centre (AVRC) FILM FESTIVALS Asinabka Film & Media Arts Festival (http://www.asinabkafestival.org) Currently in our 8th year of programming, the Asinabka Festival aims ot highlight works that examine Indigenous issues and topics; to support media artists and filmmakers; to promote Indigenous cultures and languages; to educate people about First Nations, Métis, and Inuit issues in Canada, and about Indigenous issues internationally; to provide a space where Indigenous peoples can tell their own stories and see their own cultures reflected back at them; to entertain, to be innovative, and to present the best in Indigenous film. Positions available: To be determined. Ottawa International Animation Festival (OIAF) (https://www.animationfestival.ca/) Every September, the Ottawa International Animation Festival presents the world’s most cutting- edge, quirky and important animation — and transforms Ottawa into the centre of the animation universe. Supervisor: Chris Robinson Positions available: Early Summer: 1 student; Late Summer: 1 undergrad + 1 MA Tasks: o Early Summer: Assisting with OIAF selection. The OIAF receives over 2000 o entries from around the world. We need an intern to help sit in on the 1 o selection process and help keep the process organized. -
Animatrix: Animating Female Experience
Animatrix: Animating Female Experience Author Spark, Andi Published 2016 Thesis Type Thesis (Professional Doctorate) School Queensland College of Art DOI https://doi.org/10.25904/1912/114 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/365369 Griffith Research Online https://research-repository.griffith.edu.au Animatrix: Animating Female Experience Andi Spark B.Arts (Media Design), Adv Dip Arts (Electronic Design & Interactive Media) Queensland College of Art Arts, Education and Law Griffith University Submitted in fulfilment of the requirements of the degree of Doctor of Visual Arts February 2016 ABSTRACT This research explores the practice and context of animating female experience, specifically responding to the issue of postnatal depression. The interrelated hypothesis argues the definition of ‘animatrix’; a term that can be used to identify a particular approach to practice that is distinctly woman-centred or woman-created. In doing so, I address unfavourable conditions in the animation industry, both historically and continuing, that discourage an authentic female voice. This study takes an exploratory self-reflective practice approach wherein I examine my own and others’ experiences and responses to mental health issues surrounding childbirth. I correlate these to associated themes of the representation of adult women, social constructs and expectations of women as mothers, concepts of taboo and abjection, along with ideas of embodiment, memory, and fragmented storytelling. Coupled with this, I scrutinise practical and structural techniques used in animating; in particular, hand-drawn animation as opposed to the use of two-dimensional, cut-out, or rigged animating techniques or sculptural or digital three-dimensional model styles. -
(Microsoft Powerpoint
Chitose Hokkaido, JAPAN NEW CHITOSE AIRPORT INTERNATIONAL ANIMATION FESTIVAL 2014 AnimatedAnimated ShortShort FilmFilm CompetitionCompetition CALLCALL FORFOR ENTRYENTRY The New Chitose Airport International Animation Festival 2014 is intended to provide opportunities for animators to gain global popularity through an Animated Short Film Competition and to create a new forum for international exchanges via the culture of animation. Part of the festival’s appeal is its outstanding location in an airport with a massive flow of tourists and one of the world’s few airport movie theaters. We hope that animations with a variety of great individualities would gather in the New Chitose Airport terminal buildings from the world and the new festival of the 21st century could provide opportunities for them to gain global popularities. See you at New Chitose Airport Terminal! Outline Festival Period : 31st October 2014 – 3rd November 2014 Place : New Chitose Airport Terminal [Chitose Hokkaido, JAPAN] Screening : New Chitose Airport Terminal Theater Hosted by : New Chitose Airport International Animation Festival Committee Animated Short Film Competition Submission Awards Submission requirements 【 】 Grand Prix with 1 million JPY 1. Submissions must be animated films running no longer than 30 minutes New Filmmaker’s Award with 300,000 JPY 2. Submissions must be works completed on Japan Grand Prix with 500,000 JPY or after April 1, 2012. Audience Award with 100,000 JPY ...Check the official website for further information. Kids Audience Award with a memento 【Deadline 】 The judges may also institute a new Special 23rd June 2014 Award. Film Screening 【Submission procedures 】 Submissions are accepted only via the Online Films passing the initial judging will be screened Submission Form. -
In Betweening Canadian Animation (Work-In-Progress Excerpt from Forthcoming Book, Looking for a Place to Happen: in Search of Canadian Animation)
In Betweening Canadian Animation (work-in-progress excerpt from forthcoming book, Looking For a Place to Happen: In Search of Canadian Animation) By Chris Robinson Between January and March 2007, writer Chris Robinson (also Artistic Director of the Ottawa International Animation Festival) travelled across the country interviewing studio executives for a Canadian Heritage report on the animation industry. Along the way, Robinson interviewed animators in Vancouver, Calgary, Halifax, Toronto and Montreal for his forthcoming book, Looking for A Place to Happen: In Search of Canadian Animation (John Libbey Publishing, September 2008). The book, dedicated to the late animator, Helen Hill, will fuse memoir, criticism and interviews as Robinson delves into Canadian animation, art, creativity, depression and death. The following are the unedited travel notes from Robinson’s stop in Montreal, where he interviewed animators Alison Loader, Munro Ferguson, Chris Hinton, Malcolm Sutherland, Craig Welch, Michele Cournoyer, Theodore Ushev, Janet Perlman, Diane Obomsawin, Stephen Woloshen, Martine Chartrand, Nicholas Brault, Claude Cloutier, Chris Landreth and Toril Kove. So yeah, booze is under control, but not the mood. No doubt I have depression. No fucking doubt. The fact that I understood some of what Arthur Lipsett had experienced pretty much convinced me. Kelly knows. She wants me to get help. I always refused medication, but maybe there is no choice. Yet why did my mood lighten the moment I left the house? Ha… cover of Newsweek in train station has feature on men and depression. I bought it. When I’m irritable, I am very capable of no return. Not entirely convinced I’m suicidal, but I have an explosive temper and could hurt/kill in a flash. -
Animateka 2013
1 kolofon 10. Mednarodni festival animiranega filma Animateka 2013 2 th credits 10 International Animated Film Festival Animateka 2013 Urednica / Editor: Alenka Ropret Uredniški odbor / Editorial Board: Igor Prassel, Alenka Ropret, Maja Ropret Teksti / Texts: Milen Alempijević, Vanja Andrijević, Jonathan Hodgson, Anet ter Horst, Ivana Laučíková, Michaela Mertová, Anna Ida Orosz, Nina Peče, Wiktoria Pelzer, Igor Prassel, Bára Prˇíkaská, Chris Robinson, Vullnet Sanaja Oblikovanje / Design: Maja Rebov Ilustracija na naslovnici / Cover Illustration: Theodore Ushev Prevod / Translation: Maja Ropret Lektoriranje / Proofreading: Mojca Hudolin Tisk / Print: Collegium Graphicum Društvo za oživljanje zgodbe 2 koluta, 2013. 3 6 Pozdrav 6 Welcome 4 vsebina 8 Uvod 8 Intro contents 13 Žirija 13 Jury 19 Nagrade 19 Awards 21 Tekmovalni program 21 Competition Programme 37 Evropski študentski tekmovalni program 37 European Student Competition Programme 53 Slonov tekmovalni program 53 The Elephant in Competition 68 Vzhodnoevropska in srednjeevropska panorama 68 Eastern and Central European Panorama 81 Svetovni jagodni izbor 81 Best of the World 93 Žirija se predstavlja 93 Jury Programme 94 Theodore Ushev: filmska retrospektiva 94 Theodore Ushev: Film Retrospective 100 Jonathan Hodgson: filmska retrospektiva 100 Jonathan Hodgson: Film Retrospective 106 Vanja Andrijević: filmski program 106 Vanja Andrijević: Film Programme 110 Dennis Tupicoff: filmska retrospektiva 110 Dennis Tupicoff: Film Retrospective 114 Chris Robinson: filmski program 114 Chris Robinson: