© 2002 - 2016 / ∆ΙΕΘΝΕΣ ΦΕΣΤΙΒΑΛ ΤΟΥ ΣΙΝΕΜΑ ΑΝΙΜΑΤΙΟΝ ΣΤΗΝ ΥΠΑΙΘΡΟ - ΟΨΕΙΣ ΤΟΥ ΚΟΣΜΟΥ Καλλιτεχνικός Διευθυντής / Artistic Director Γιώργος Τσαγγάρης / Yiorgos Tsangaris

Επιμέλεια και Επιλογή Διεθνούς Διαγωνιστικού Προγράμματος International Competiton Film Program curator Γιώργος Τσαγγάρης / Yiorgos Tsangaris

Επιμέλεια και Επιλογή Κυπριακού Διαγωνιστικού Προγράμματος Cyprus Competiton Film Program curators Νίκος Σύννος / Nicos Sinnos Πασχάλης Πασχάλη / Paschalis Paschali Γιώργος Τσαγγάρης / Yiorgos Tsangaris ANIMA ANIMA Republic of Cyprus Association Internationale Republic of Cyprus Association Internationale FEST EUROPE FOR FESTIVALS FEST EUROPE FOR FESTIVALS Cultural Servises du Film d' Animation Επιμέλεια και Επιλογή Ταινιών Παιδικού Προγράμματος Cultural Servises du Film d' Animation CYPRUS FESTIVALS FOR EUROPE CYPRUS FESTIVALS FOR EUROPE Ministry of Education UNESCO - CICT Ministry of Education UNESCOand Culture - CICT Views of the World EFFE LABEL 2015-2016 and Culture Views of the World EFFE LABEL 2015-2016 Children’s Film Program curator Γιώργος Τσαγγάρης / Yiorgos Tsangaris

Συντονισμός Cyprus Animation Forum Cyprus Animation Forum Coordinators Νίκος Σύννος / Nicos Synnos Συνδιοργανωτές / Co-Organizers Γιάννα Αμερικάνου / Yianna Americanou Φεστιβάλ Όψεις του Κόσμου & Μουσείον Χαρακτικής Χαμπή Γιώργος Τσαγγάρης / Yiorgos Tsangaris Animafest Cyprus - Views of the World & Hambis Printmaking Museum Επιμέλεια Προγράμματος Ταινιών The Animation Workshop Επίσημη Στήριξη / Official Support The Animation Workshop film Program Selection Κυπριακή Δημοκρατία - Υπουργείο Παιδείας και Πολιτισμού Lana Tankosa Nikolic Republic of Cyprus - Ministry of Education and Culture Φεστιβάλ / Festival 2016 ASIFA Association International du Film d’Animation Επιμέλεια Έκθεσης και Αφιερώματος Ταινιών Theodore Ushev Χορηγοί Βραβείων / Awards Sponsors Theodore Ushev’s Tribute Film Selection and Exhibition Τράπεζα Κύπρου / Bank of Cyprus Theodore Ushev

Σε Συνεργασία / In Collaboration Επιμέλεια Προγράμματος Αφιερώματος Kaspar Jancis Πανεπιστήμιο Λευκωσίας / University of Nicosia Τεχνολογικό Πανεπιστήμιο Κύπρου / Cyprus Technological University Kaspar Jancis Tribute Film Selection Γραφείο Δημιουργική Ευρώπη Κύπρου / Creative Europe Desk Cyprus Kaspar Jancis Πρεσβεία της Αυστρίας στην Κύπρο / Austrian Embassy in Cyprus Σημείωμα για Theodore Ushev & Kaspar Jancis Στηρίζουν / With the support Note on Theodore Ushev & Kaspar Jancis Oργανισμός Νεολαίας Κύπρου / Youth Board of Cyprus Chris Robinson Τμήμα Αρχαιοτήτων Κύπρου / Department of Antiquities Cyprus Κινηματογραφική Λέσχη Λεμεσού / Limassol Cine Club Εργαστήρι Animation - Χαρακτική / Printmaking Animation Workshop Thomas Renoldner & Federica Pagnucco EFFE Label 2015 - 2016 / European Festivals Association Συντονισμός Εργαστηρίων / Workshops Coordinators Ειρήνη Στυλιανίδου / Irene Stylianides Θεόδωρος Κακουλλής / Theodoros Kakoullis Διεθνές Φεστιβάλ Ταινιών Animation Κύπρου Γιώργος Τσαγγάρης / Yiorgos Tsangaris Ταχ. Κιβ. 20675, Λευκωσία 1662, Κύπρος Animafest Cyprus P.O. BOX 20675, Nicosia, 1662, Cyprus [email protected] / www.animafest.com.cy © 2002 - 2016 ΟΨΕΙΣ ΤΟΥ ΚΟΣΜΟΥ / VIEWS OF THE WORLD Το Φεστιβάλ συμπληρώνει φέτος 15 χρόνια δυναμικής και ποιοτικής παρουσίας. Συντονισμός για Μουσείον Χαρακτικής Χαμπή / Coordination for Hambis Printmaking Museum venue Νιώθω πως αυτή η γιορταστική επέτειος σηματοδοτεί την αρχή μιας νέας εποχής για την Χαμπής Τσαγγάρης / Hambis Tsangaris Κυπριακή παραγωγή animation. Το φετινό Κυπριακό διαγωνιστικό πρόγραμμα είναι το πιο Hélène Reeb - Τsangaris ώριμο που είχαμε ποτέ. Συμπεριλαμβάνει διεθνείς συμπαραγωγές και μια παραγωγή της Συμβουλευτικής Επιτροπής Κινηματογράφου (Σ.Ε.ΚΙΝ). Επιπλέον, δύο ταινίες Κύπριων Συντονισμός για Τεχνόπολις 20 / Coordination for Technopolis 20 venue δημιουργών συμμετέχουν ταυτόχρονα και στο διεθνές διαγωνιστικό πρόγραμμα, ενώ μια Μαρκέλλα Νεοκλέους / Markella Neokleous Κυπριακή ταινία συμμετέχει στο διεθνές πανόραμα παιδικών ταινιών. Κι ακόμα, νεαροί Κύπριοι καλλιτέχνες, που έλαβαν μέρος σε προηγούμενες διοργανώσεις, επιστρέφουν με Παιδικό Εργαστήρι / Children’s Workshop Παναγιώτα Μιχαήλ / Panayiota Michael ωριμότερα έργα, ενώ πρωτοεμφανιζόμενοι δημιουργοί, που έλαβαν μέρος στο Animafest ως εθελοντές ή παρακολουθώντας εργαστήρια, κάνουν το ντεμπούτο τους στο εθνικό Εκπρόσωπος Τύπου / Press Attaché διαγωνιστικό πρόγραμμα. Αυτή είναι η μεγαλύτερη επιβράβευση για μας, γιατί πάντα είχαμε Τώνια Σταυρινού / Tonia Stavrinou την ανάπτυξη της Κυπριακής παραγωγής ως προτεραιότητα. Φωτογράφοι Φεστιβάλ / Official Photographers Παναγιώτης Μηνά / Panagiotis Mina Φέτος στο Κυπριακό Διαγωνιστικό συμμετέχουν με ταινίες τους οι Κύπριοι δημιουργοί: Σοφοκλής Καρπασίτης / Sofoklis Karpasitis Κωνσταντίνος Τερλικκάς (συμπαραγωγή με την Ουγγαρία και Ρουμανία, συμμετέχει και στο διεθνές διαγωνιστικό), Αλέξης Χαβιαράς (Συμπαραγωγή με Σ.Ε.ΚΙΝ, συμμετέχει και Κινηματογράφιση Φεστιβάλ / Festival Filming στο παιδικό διεθνές πανόραμα ταινίων), Ρέα Λαζαρίδη, Χριστίνα Καρεκλά, Sholeh Zah- Χρίστος Αγιομαμίτης / Christos Ayiomamitis raei, Κωνσταντίνος Σοφοκλέους, Μαρία Νικολάου, Κωνσταντίνος Γεωργίου (συμμετέχει Εκτέλεση Παραγωγής / Production και στο διεθνές διαγωνιστικό), Ντίνος Συρίμης, Χαράλαμπος Μαργαρίτης, Σάββας Φεστιβάλ Όψεις του Κόσμου / Views of the World Festival Θεοδοσίου, Γεωργία Νικολάου, Ελένη Χανδριώτου, Κοσμάς Νόνης, Περικλής Γεωργίου, Χάρης Χριστοδουλίδης και Στέφανος Χρυσάνθου. Παράλληλα στο φετινό φεστιβάλ θα Γενικός Συντονισμός Παραγωγής και Εθελοντών / συμμετέχουν με μια εγκατάσταση διαδραστικού χαρακτήρα με τίτλο «Hope with-in» οι Project Management and Volunteers Coordinator Φεστιβάλ / Festival 2016 φοιτητές του Τεχνολογικού Πανεπιστημίου Κύπρου Γεωργία Νικολάου, Ειρήνη Παντέλα, Μαρία Τσαγγάρη / Maria Tsangari Ηρακλής Ιωάννου, Κάλια Παύλου, Μιχάλης Κωνσταντίνου, Μύρια Αδάμου, Νικολέττα Επιμέλεια και Συντονισμός Συναυλίας Sandy Brour / Κυριάκου, Παμελα Αντρέου, Φανουρία Παναγιώτου και Φίλιππος Αθηνοδώρου. Sandy Brour Concert Coordination Αντώνης Αντωνίου / Antonis Antoniou Το διεθνές διαγωνιστικό πρόγραμμα αποτελείται και φέτος από μια επιλογή ταινιών διακεκριμένων καλλιτεχνών παγκοσμίως, που συνεχίζουν να μας γοητεύουν με την τεχνική Οικονομική Διαχείρηση / Finance και την ευαισθησία τους. Το διεθνές πρόγραμμα είναι για ακόμα μια φορά ποικιλόμορφο Μαρία Τσαγγάρη / Maria Tsangari Α. Χρυσάνθου & Σια Λτδ / A. Chrysanthou & Co. Ltd και πολύ επιλεκτικό, ενώ παρατηρούμε ότι, παρόλα τα τεχνολογικά επιτεύγματα της εποχής μας, στο χώρο του ανεξάρτητου animation αυξάνονται οι καλλιτέχνες που αξιοποιούν τις Τεχνική Υποστήριξη / Technical Support παραδοσιακές τεχνικές, όπως για παράδειγμα ζωγραφική σε γυαλί, κινούμενο σχέδιο, stop Γιάγκος Χατζηγιάννης / Yiangos Hajiyiannis & Event Pro motion animation κλπ. Κωνσταντίνος Τερλικκάς / Constantinos Terlikkas The Camassa Touch (Exhibition) Μεταξύ άλλων θα προβληθούν ταινίες των Koji Yamamura, Phil Mulloy, Igor Kovalyov, Georges Schwizgebel, Vladimir Leschiov, Riho Unt, David Jansen, Lei Lei, Cordell Barker, Reka Bucsi, Steve Socki, Janice Nadeau κ.α.

Μέσω της επαφής με τη δουλειά καλλιτεχνών τέτοιας εμβέλειας ενδυναμώνεται και καλλιεργείται ο τομέας του animation στον τόπο μας. Μαζί με τα εργαστήρια, τα αφιερώματα και τα masterclasses, το διεθνές διαγωνιστικό πρόγραμμα είναι το σχολείο στο οποίο βασίζεται και η δική μας ανάπτυξη στην Κύπρο.

Ευχαριστούμε λοιπόν όλους τους διεθνείς καλλιτέχνες που συμμετέχουν στο φεστιβάλ με τις ταινίες τους ή μέσα από εκπαιδευτικές δράσεις, στηρίζοντας έτσι την αποστολή του.

Οι παράλληλες εκδηλώσεις φέτος περιλαμβάνουν εργαστήρι υπό την καθοδήγηση των καλλιτεχνών Thomas Renoldner και Federica Pagnucco με θέμα «Χαρακτική και το Animation» στο Μουσείον Χαρακτικής Χαμπή στα Πλατανίστεια (18-20 Ιουλίου), έκθεση This year we celebrate the 15th edition of Countryside Animafest Cyprus! For fifteen years βασισμένη στην ταινία τους «L’ alfabeto delle cose piccole» καθώς και ημερίδα / Anima- the festival has maintained a dynamic presence in our country’s cultural scene. tion Forum σε συνεργασία με το πρόγραμμα Creative Europe Desk Cyprus, το Τεχνολογικό Πανεπιστήμιο Κύπρου και το Πανεπιστήμιο Λευκωσίας (Παρασκευή 22 Ιουλίου, ΤΕ.ΠΑ.Κ.), I feel that this joyful anniversary marks a turning point for Cypriot animation production. η οποία θα περιλαμβάνει και παρουσίαση του αναπτυξιακού έργου του The Anima- This year’s National competition programme is the most advanced and artistically mature tion Workshop της Δανίας. Από τις 21 μέχρι τις 23 Ιουλίου, στον εσωτερικό χώρο της we have ever had. It includes international co-productions, and one production by the Μεσαιωνικής Αγρέπαυλης καθ’ όλη τη διάρκεια της ημέρας το κοινό θα έχει την ευκαιρία Cyprus Cinema Advisory Board. Furthermore, two films by Cypriot artists take part in the να παρακολουθήσει αφιερώματα στη δουλειά των καλλιτεχνών Theodore Ushev και Kaspar international competition section, while one Cypriot film is included in the international Jancis. panorama of children’s films. Young Cypriot artists, who participated in the competition in previous years, are returning with more mature work, while some, who in the past had Έχουμε επίσης την τιμή και τη χαρά να φιλοξενούμε έκθεση με τις αφίσες του Theodor attended workshops or participated as festival volunteers, are making their debut in the Ushev, στη Μεσαιωνική Αγρέπαυλη μεσα στον Αρχαιολογικό χώρο της Παλιπάφου στα national competition section. This is the greatest reward for us, since we’ve always kept Κουκλια, κατά τη διάρκεια του φεστιβάλ. O Ushev, διεθνώς διακεκριμένος καλλιτέχνης the development of Cypriot animation production high up on the festival’s priorities. της αφίσας και του animation και γνωστός στο Κυπριακό φεστιβάλ τα τελευταία χρόνια, φιλοτέχνησε επίσης τη φετινή αφίσα μας. This year the participants in the National Competition Section are: Constantinos Terlikkas (with a co-production with Hungary and Romania, also participating in the international Το παιδικό πανόραμα ταινιών προβάλλεται στις 19 Ιουλίου στον πολιτιστικό χώρο competition), Alexis Chaviaras (Co-production with Cyprus Cinema Advisory Board, par- Τεχνόπολις 20 στην Πάφο. ticipating also at the Children’s film Panorama) Rhea Lazarides, Christina Karekla, Sholeh Zahraei, Constantinos Sophocleous, Maria Nicolaou, Constantinos Georgiou, Dino Syri- Το Φεστιβάλ θα κλείσει το Σάββατο 23 Ιουλίου με την τελετή βράβευσης και ακολούθως mis, Charalambos Margaritis, Savvas Theodosiou, Georgia Nicolaou, Eleni Chandriotou, με μια συναυλία από το αγαπημένο Κυπριακό μουσικό σχήμα Sandy Brour. Οι Sandy Brour Cosmas Nonis, Periclis Georgiou, Charis Christodoulides and Stephanos Chrysanthou. ιδρύθηκαν το 2012 και το 2016 κυκλοφόρησαν τον πρώτο τους δίσκο. Τους ευχόμαστε να At the same time, the students of the Cyprus Technological University Georgia Nicolaou, είναι καλοτάξιδος και τους ευχαριστούμε που είναι μαζί μας φέτος, για να κλείσουν με τον Irini Pantela, Iraclis Ioannou, Kalia Pavlou, Michalis Constantinou, Myria Adamou, Nicoletta καλύτερο τρόπο αυτό το μαγικό τριήμερο! Kyriakou, Pamela Andreou, Fanouria Panayiotou and Philippos Athinodorou, will partici- pate in the festival with an interactive installation entitled “Hope with-in”. Θα ήθελα να εκφράσω τις θερμές μας ευχαριστίες στους χορηγούς μας για τη σταθερή τους στήριξη: Τις Πολιτιστικές Υπηρεσίες του Υπουργείου Παιδείας και Πολιτισμού, που The exciting selection of films in the international competition will be a feast for the senses, μας στηρίζει εδώ και 15 χρόνια, το Τμήμα Αρχαιοτήτων, για τη δωρεάν παραχώρηση του and will include work by several internationally acclaimed artists, who continue to enchant αρχαιολογικού χώρου της Παλαιπάφου, τον Οργανισμό Νεολαίας Κύπρου, το Πανεπιστήμιο with their technique and emotional depth. In curating this year’s diverse and highly selec- Λευκωσίας και το Τεχνολογικό Πανεπιστήμιο Κύπρου καθώς και την Πρεσβεία της tive programme we observed that, despite our era’s technological advances, an increasing Αυστρίας στην Κύπρο. number of independent artists are using traditional animation techniques, such as painting on glass, drawn animation, stop motion animation etc. Φέτος τα βραβεία αθλοθετήθηκαν από την Τράπεζα Κύπρου. Την ευχαριστούμε και Among other artists, this year we will screen films by Koji Yamamura, Phil Mulloy, Igor Ko- προσβλέπουμε σε μία μακροχρόνια συνεργασία. Ευχαριστούμε επίσης το Creative Europe valyov, Georges Schwizgebel, Vladimir Leschiov, Riho Unt, David Jansen, Lei Lei, Cordell Desk Κύπρου για τη συνδιοργάνωση των διαλέξεων και παρουσιάσεων. Barker, Reka Bucsi, Steve Socki and Janice Nadeau.

Για άλλη μια φορά ευχαριστούμε τους εθελοντές μας που συμβάλλουν καθοριστικά στην One of our core beliefs is that the field of animation in Cyprus is enriched and cultivated επιτυχία της διοργάνωσης. through contact with the work of international artists of such caliber. Along with work- shops, tributes and masterclasses, the international competition section is an educational Καλωσορίζουμε και ευχαριστούμε ιδιαίτερα τη διεθνή κριτική επιτροπή, Kaspar Jancis, tool for Cypriot animators. Theodore Ushev και Γιώργο Σαββινίδη. So we’d like to thank all the international artists who are participating in the festival, either Τέλος, ένα μεγάλο ευχαριστώ στο κοινό που εδώ και 15 χρόνια μας στηρίζει και έχει in this year’s competition program or with educational side-bar events, thus supporting its αγκαλιάσει την τέχνη του animation. mission.

Καλό φεστιβάλ σε όλους! Side-bar events this year include a workshop by artists Thomas Renoldner and Federica Pagnucco entitled “PrintmakingAnimation”, at the Hambis Printmaking Museum, Platanis- tia (July 18-23), as well as an exhibition based on their film «L’ alfabeto delle cose piccole»; Γιώργος Τσαγγάρης a Day conference /Animation Forum in collaboration with Creative Europe Desk Cyprus, Καλλιτεχνικός Διευθυντής the Cyprus Technological University and the University of Nicosia, with keynote speakers

Morten Thorning and Lana Tankosa Nikolic from the Danish animation school The Anima- tion Workshop; from the 21st to the 23rd July during the day the audience will be able to watch tributes to the work of Theodore Ushev and Kaspar Jancis, screened indoors in the Manor House at Kouklia.

We are also proud to host an exhibition of posters by Theodore Ushev, in the Medieval Manor house, for the duration of the festival. Ushev, an internationally acclaimed director, animator and poster artist, well known to the Cypriot public from previous festival editions, has also created this year’s festival poster.

The children’s film panorama will be screened on July 19 at Technopolis 20 Cultural Cen- tre in Paphos.

The festival will close on Saturday July 23rd with the award ceremony, followed by a con- cert by one of our most beloved Cypriot bands, Sandy Brour. Sandy Brour were formed in 2012 and in 2016 their first album came out. We wish them the best of luck with their album debut and we thank them for being with us this year, to bring these magical three days to a close.

I would like to express our warmest thanks to our sponsors for their unwavering support: the Cultural Services of the Ministry of Education and Culture, who have supported us for fifteen years, the Department of Antiquities, for allowing us the use of the Palaepaphos archaeological site free of charge, the Cyprus Youth Board, the University of Nicosia, the Cyprus Technological University, and the Austrian Embassy in Cyprus. This year the awards are sponsored by the Bank of Cyprus. We thank them and we look forward to a long-term collaboration. We would also like to thank Creative Europe Desk Cyprus for co-organizing the lectures and presentations. I would also like to thank our volunteers whose contribution is invaluable.

I would like to welcome and thank our international jury, Kaspar Jancis, Theodore Ushev Διεθνής Κριτική Επιτροπή / International Jury Committee 2016 and Yiorgos Savvinides.

Finally, a big thanks to our audience, who have supported the festival for 15 years, em- bracing the art of animation.

Have a wonderful festival!

Yiorgos Tsangaris Artistic Director Kaspar Jancis Theodore Ushev Διεθνής Κριτική Επιτροπή / International Jury Committee Διεθνής Κριτική Επιτροπή / International Jury Committee

Γεννημένος στο Kyustendil της Βουλγαρίας, Born in Kyustendil, Bulgaria, Theodore Ushev Kaspar Jancis was born on May 8, 1975 in Γεννήθηκε στις 8 Μαΐου 1975 στο Ταλίν. Από ο Theodore Ushev έγινε αρχικά γνωστός στη first made a name for himself as a poster Tallinn. Since childhood he has been inter- παιδί έγραφε και εικονογραφούσε ιστορίες. χώρα του σαν καλλιτέχνης της αφίσας, πριν artist in his native country before settling in ested in writing stories, for which he made Τα πρώτα του κινούμενα σχέδια γεννήθηκαν μετακομίσει στον Μοντρεάλ το 1999. Εκεί Montreal, in 1999. There he quickly acquired his own illustrations. His first moving pictures στα περιθώρια των σχολικών του τετραδίων. γρήγορα απέκτησε τη φήμη χαρισματικού και a reputation as a prolific and gifted animator came into being in the corners of his school Νεαρός πέρασε ένα διάστημα κάνοντας εξαιρετικά παραγωγικού καλλιτέχνη, μέσα από through films such as Tzaritza (2006) and The notebooks. This was followed by a period as a διάφορες δουλειές. Αυτή η περίοδος, αν ταινίες όπως το Tzaritza (2006) και The Man Man Who Waited (2006). In 2010 he com- working youth, which was not particularly edu- και χωρίς εκπαιδευτικό περιεχόμενο, ήταν Who Waited (2006). Το 2010 ολοκλήρωσε pleted the critically acclaimed film, Lipsett Dia- cational, but was brimming with adventures. γεμάτη περιπέτεια. Τότε άρχισε να ασχολείται την διακεκριμένη ταινία Lipsett Diaries, ries, an imagined biography of the celebrated During that time he began working consist- συστηματικά με τη μουσική. Υπήρξε μέλος μια φανταστική βιογραφία του φημισμένου Canadian experimental filmmaker, which ently with music. He has been part of the της κεντρικής δημιουργικής ομάδας πολλών Καναδού πειραματικού σκηνοθέτη Arthur received the Genie Award for Best Animated creative core of several rock groups, written συγκροτημάτων ροκ μουσικής, γράφοντας Lipsett. Η ταινία βραβεύθηκε με το Ge- Short at the 31st Genie Awards. He created song lyrics, made arrangements and created στίχους, κάνοντας ενορχηστρώσεις και nie Award για Καλύτερη Ταινία Animation live show multimedia and promo animations tunes. In 1997 he began to study animation δημιουργώντας μελωδίες. Το 1997 άρχισε Μικρού Μήκους στα τριακοστά πρώτα Genie for the British band Public Symphony and under the guidance of Priit Pärn at the Turku τις σπουδές του στο animation στο Turku Awards. Δημιούργησε live show multimedia David Gilmour, and illustrations for Chris Rob- Arts and Media School in Finland. After gradu- Arts and Media School στη Φιλανδία, με και διαφημιστικά animation για το Βρετανικό inson’ book Ballad of a Thin Man: In Search ation he started making films which have been την καθοδήγηση του Priit Pärn. Μετά την συγκρότημα Public Symphony και τον μουσικό of Ryan Larkin (2008). In 2012 a short musical shown all over the world, receiving multiple αποφοίτηση άρχισε να φτιάχνει ταινίες, οι David Gilmour. Έκανε την εικονογράφηση για film, based on Demoni, a song by Bulgarian awards. οποίες έχουν προβληθεί και βραβευθεί σε το βιβλίο του Chris Robinson Ballad of a Thin band Kottarashky, won more than 10 awards, πολλές χώρες του κόσμου. Man: In Search of Ryan Larkin (2008). To 2012 including Nomination for the newly inaugu- μια μουσική ταινία μικρού μήκους βασισμένη rated Canadian Screen Awards. The third film στο τραγούδι Demoni του Βουλγαρικού from his 20th-century trilogy Gloria Victoria συγκροτήματος Kottarashky κέρδισε πάνω was named Most Well Liked Animated Short από 10 βραβεία, συμπεριλαμβανομένης of 2013. His previews film Blind Vaysha pro- μια υποψηφιότητας για τα Canadian Screen duced by the National Film Board of Canada, Awards. Η τρίτη ταινία της Τριλογίας του received the Junior Jury Award (short Films) 20ου αιώνα, Gloria Victoria, ανακυρήχθηκε at the Annecy International Animation Film ως η πιο δημοφιλής ταινία animation μικρού Festival. Ushev’s films have won more than μήκους του 2013. Η πιο πρόσφατη ταινία του, 80 awards and mentions, and been shown Blind Vaysha , μια παραγωγή του Εθνικού in many retrospectives, including the Short Κέντρου Κινηματογράφου του Καναδά (NFB), Film Festival in Clermont-Ferrand, France. In βραβεύθηκε με το Junior Jury Award (short 2011, Ushev’s drawings and paintings were films) στο Annecy International Animation Film exhibited in the Barbican Centre, London, UK. Festival. Oι ταινίες του Ushev έχουν κερδίσει Since 2010, Theodore Ushev has taught and περισσότερα από 80 βραβεία και εύφημους given workshops and master classes at more μνείες διεθνώς, και έχουν παρουσιαστεί σε than 15 universities and festivals around the πολλές ρετροσπεκτίβες, όπως για παράδειγμα world, including Japan, France, Spain, Ger- στο Short Film Festival του Clermont-Ferrand many, Portugal, London, Budapest. His works στη Γαλλία. To 2011 το Barbican Centre have been included in official selections and του Λονδίνου παρουσίασε έκθεση με τα received award in all the major international σχέδια και τους πίνακές του. Από το 2010 forums for contemporary Graphic Design and διδάσκει, δίνει εργαστήρια και master classes animation festivals. σε περισσότερα από 15 πανεπιστήμια και φεστιβάλ σε πολλές χώρες του κόσμου. Γιώργος Σαββινιδης / Yiorgos Savvinidis Διεθνής Κριτική Επιτροπή / International Jury Committee

Ο Γιώργος Σαββινίδης γεννήθηκε το 1977 Yiorgos Savvinides was born in 1977 in στη Θεσσαλονίκη και μεγάλωσε στα Thessaloniki and grew up in Yiannitsa. He has Γιαννιτσά. Ζει στην Κύπρο από το 1998. been living in Cyprus since 1998. He studied Σπούδασε δημοσιογραφία στο Πανεπιστήμιο journalism at Frederick University in Nicosia Frederick στη Λευκωσία (1999-2003) από (1999-2003) and he received his BA with όπου έλαβε το πτυχίο του (B.A.) με διάκριση. distinction. He has written hundreds of arti- Έχει υπογράψει εκατοντάδες άρθρα, cles, interviews and critiques on theatre, film, συνεντεύξεις και κριτικά σημειώματα πάνω dance, literature and the visual arts and he σε θέματα θεάτρου, κινηματογράφου, has published research on these subjects. He χορού, λογοτεχνίας και εικαστικών κι έχει has taken part in various press delegations on δημοσιεύσει σχετικές έρευνες. Συμμετείχε cultural matters abroad, reporting on events σε αρκετές δημοσιογραφικές αποστολές and institutions, such as the 12th Biennale of πολιτιστικού ενδιαφέροντος στο εξωτερικό, Young Creators from Europe and the Mediter- καλύπτοντας διοργανώσεις, όπως η 12η ranean (Naples, 2005) and the Ruhrtriennale Μπιενάλε Νέων Δημιουργών Ευρώπης (2012). He has been working in the media και Μεσογείου (Νάπολη, 2005) και η group Phileleftheros since 2007, as an arts Τριενάλε του Ρουρ (2012). Από το 2007 and culture reporter for the newspaper and εργάζεται στον δημοσιογραφικό οργανισμό the electronic publications. He has worked as

«Ο Φιλελεύθερος» ως συντάκτης και a journalist in “Haravgi” newspaper (2001- Πρόγραμμα Φεστιβάλ / Festival Program 2016 αρθρογράφος πολιτιστικών θεμάτων στην 2006). For 18 months (2006-2007) he worked εφημερίδα και τις ηλεκτρονικές εκδόσεις. as a script writer for advertising companies. Εργάστηκε ως δημοσιογράφος στην He has been a member of the Jury for the εφημερίδα «Χαραυγή» (2001-2006). State Theatre Awards in Cyprus for 2011-12 Για περίπου 18 μήνες (2006-2007) εργάστηκε and 2012-13 seasons. In the spring of 2016 ως κειμενογράφος και σεναριογράφος σε he was appointed by merit on the Cinema διαφημιστικές εταιρείες. Advisory Committee of Cyprus. Διετέλεσε μέλος της Κριτικής Επιτροπής των Βραβείων Θεάτρου Κύπρου για τις θεατρικές περιόδους 2011-12 και 2012-13. Την άνοιξη του 2016 διορίστηκε αριστίνδην μέλος της Συμβουλευτικής Επιτροπής Κινηματογράφου. Πρόγραμμα / Schedule

ΕΝΑΡΞΗ ΠΡΟΒΟΛΩΝ 20:45 / SCREENINGS STARTS AT 20:45

ΜΕΣΑΙΩΝΙΚΗ ΑΓΡΕΠΑΥΛΗ, ΠΑΛΑΙΠΑΦΟΣ, ΚΟΥΚΛΙΑ ΜΟΥΣΕΙΟΝ ΧΑΡΑΚΤΙΚΗΣ ΧΑΜΠΗ ANCIENT SITE OF PALAEPAPHOS, KOUKLIA HAMBIS PRINTMAKING MUSEUM Πέμπτη / Thursday 21/7 18 - 20/7 Εργαστήρι / Workshop The Animation Workshop - Πρόγραμμα Ταινιών / Film Program Printmakinganimation Thomas Renoldner & Federica Pagnucco Κυπριακό Διαγωνιστικό Ι / Cyprus Competition Ι 18 - 23/7 Έκθεση / Exhibition: L’alfabeto delle cose piccole

Παρασκευή / Friday 22/7 ΤΕΧΝΟΠΟΛΙΣ 20 Διεθνές Διαγωνιστικό Ι / International Competition Ι TECHNOPOLIS 20 Κυπριακό Διαγωνιστικό ΙΙ / Cyprus Competition ΙΙ 19/7 Παιδικό Πρόγραμμα Ταινιών / Children’s Films Διεθνές Διαγωνιστικό ΙΙ / International Competition ΙΙ Παιδικό Εργαστήρι / Children’s Workshop Σάββατο / Saturday 23/7 ΤΕΧΝΟΛΟΓΙΚΟ ΠΑΝΕΠΙΣΤHΜΙΟ ΚΥΠΡΟΥ Διεθνές Διαγωνιστικό ΙΙΙ / International Competition ΙΙΙ CYPRUS TECHNOLOGICAL UNIVERSITY Τελετή λήξης και απονομή βραβείων / Award Ceremony Συναυλία / Concert: Sandy Brour 22/7 Cyprus Animation Forum #3 Κτήριο “Τάσσος Παπαδόπουλος”, οδός Θέμιδος και Νικόλα Ξιούτα, Λεμεσός 21 - 23/7 Μεσαιωνική Αίθουσα / Medieval Hall Tassos Papadopoulos Building, Themidos and Nicola Xiouta street, Limassol Προβολή ταινιών (Αφιέρωμα) / Film screenings (Tribute): ΕΝΑΡΞΗ ΚΑΙ ΔΙΑΡΚΕΙΑ ΠΑΡΟΥΣΙΑΣΕΩΝ 10:00 - 15:00 PRESENTATIONS ARE FROM 10:00 - 15:00 Theodore Ushev & Kaspar Jancis

Έκθεση Αφίσας / Poster Exhibition Theodore Ushev Αφιέρωμα / Tribute Επιλεγμένες Tαινίες / Selected Films: Kaspar Jancis Μεσαιωνική Αγρέπαυλη, Παλαίπαφος - Κούκλια Ancient Site of Palaepaphos - Κouklia

Οι ταινίες του Kaspar Jancis είναι ελαφρώς The films of Estonian animator Kaspar Jancis αποστασιοποιημένα κωμικο-μελοδράματα are understated, absurdist, comic-melodramas με στοιχεία παραλόγου. Οι μπερδεμένοι featuring misguided characters struggling to χαρακτήρες του παλεύουν να δημιουργήσουν connect with their fellow humans. Their tragedy δεσμούς με τους συνανθρώπους τους. Η is that they fear genuine, intimate connection τραγωδία τους έγκειται στο ότι φοβούνται την yet desperately crave it. ουσιαστική, βαθειά σύνδεση, ενώ ταυτόχρονα In the Hitchcock- influenced, Weitzenberg την ποθούν απελπισμένα. Street (2002), the man performs an assort- Στην εμπνευσμένη από το Χίτσκοκ ταινία ment of inane magic tricks to get his lover’s Weitzenberg Street (2002), ο άντρας κάνει attention. Bored, she finds erotic solace in the διάφορα ανιαρά ταχυδακτυλουργικά κόλπα touch of a mosquito. Touch is all she craves, για να τον προσέξει η αγαπημένη του. Αυτή, not tricks. βαριεστημένη, βρίσκει ερωτική παρηγοριά στο We see it again at the end of Marathon (2006), άγγιγμα ενός κουνουπιού: αυτό που λαχταρά when a flirting, deceitful mother, having forgot- πραγματικά είναι η σωματική επαφή, κι όχι τα ten her daughter, races to a playground to find Piano, 2015 μαγικά κόλπα. her. As they make eye contact and wave, a Το ίδιο μοτίβο βλέπουμε στο τέλος της ταινίας train passes between them and leads into the Marathon (2006), όταν μια άπιστη μητέρα που end credits. έχει το νου της στο φλερτ, έχοντας ξεχάσει In the Cartoon d’or winning, Crocodile (2009), την κόρη της στην παιδική χαρά τρέχει για να a one time Opera star turned boozy, crocodile- τη βρει. Καθώς βλέπουν η μια την άλλη και costumed kid’s entertainer would rather suffer χαιρετιούνται από μακριά, ένα τρένο περνάει and remain alone than accept an imperfect ανάμεσά τους, οδηγώντας μας στους τίτλους love. τέλους. Jancis’ most recent film, Piano (2015) is argu- Στην ταινία Crocodile (2008), που βραβεύθηκε ably the only time we get some semblance of a με Cartoon d’or, ένας αλκοολικός ξεπεσμένος happy ending when the gaggle of disconnect- σταρ της Όπερας, που δουλεύει ως ed and lonely characters briefly rise above their διασκεδαστής παιδιών με στολή κροκόδειλου, self-induced miseries when a piano begins προτιμά να υποφέρει και να μείνει μόνος, playing. For one brief moment, the characters παρά να δεχτεί μια ερωτική σύντροφο με are aware and truly alive. In unison they gently ελαττώματα. smile and quietly emit unfiltered, harmonic joy. Η τελευταία ταινία του Jancis, Piano (2015), In a world suffocating from facile distractions, είναι ίσως η μόνη που καταλήγει σε κάποιου perhaps these fleeting, momentary connec- είδους happy end: οι αποξενωμένοι και tions are the best we can hope for. μοναχικοί χαρακτήρες του για μια στιγμή If so, that truly is tragic. ξεπερνούν τη μιζέρια που προκάλεσαν οι

ίδιοι στον εαυτό τους όταν ένα πιάνο αρχίζει Chris Robinson Morten on the Ship of Fools , 2016 (working title) να παίζει. Για μια φευγαλέα στιγμή, οι χαρακτήρες αντιλαμβάνονται τον κόσμο γύρω τους και είναι πραγματικά ζωντανοί. Όλοι μαζί χαμογελούν απαλά και σιγανά εκπέμπουν σε WEITZENBERG STREET αρμονία την ειλικρινή χαρά τους. 2002 / 17’ Σε ένα κόσμο που ασφυκτιά λόγω της MARATHON πληθώρας ανούσιων περισπασμών, ίσως 2006 / 15’ αυτές οι εφήμερες, στιγμιαίες συναντήσεις CROCODILE είναι το καλύτερο που μπορούμε να ελπίζουμε. 2009 / 17’ Αν είναι έτσι, τότε η ζωή μας είναι πραγματικά VILLA ANTROPOFF τραγική. 2012 / 13’ (Co-directed with Vladimir Lechiov) PIANO 2015 / 10’ Αφιέρωμα / Tribute Επιλεγμένες Ταινίες & Έκθεση Αφίσας / Poster Εxhibition & Selected Films: Theodore Ushev Μεσαιωνική Αγρέπαυλη, Παλαίπαφος - Κούκλια Ancient Site of Palaepaphos - Κouklia

Ο Theodor Ushev είναι ένας καλλιτέχνης Theodore Ushev is a freewheeling animation του animation με ελεύθερο πνεύμα και μια artist with an almost feverish compulsion to πυρετώδη ανάγκη να δημιουργεί όσο γρήγορα create as fast and as often as he wants to. και όσο συχνά θέλει. Όμως η παραγωγή στο Fast and prolific are generally not the way animation δεν χαρακτηρίζεται συνήθως από things are supposed to be done in animation. ταχύτητα και πληθώρα. Despite technological advancements that now Παρόλες τις τεχνολογικές εξελίξεις που enable animators to create quicker and just as επιτρέπουν στους καλλιτέχνες να δημιουργούν effectively as they could ten years ago, a good το ίδιο αποτελεσματικά αλλά πολύ πιο many animators still like to take their sweet γρήγορα απ’ ό,τι πριν δέκα χρόνια, πολλοί ol’ time sometimes as long as 10 years! when animators εξακολουθούν να παίρνουν το creating their films. Working at such a slow χρόνο τους, καμιά φορά μέχρι και δεκαετία! pace can make it difficult for animators to craft για να φτιάξουν μια ταινία. Είναι δύσκολο να relevant art that speaks to the moment and παραμένεις επίκαιρος όταν δουλεύεις με τόσο has, arguably, led to one of the drawbacks of αργό ρυθμό, κι αυτό πιθανόν να έχει οδηγήσει animation: the genre often lacks urgency and σε ένα από τα μειονεκτήματα της τέχνης του immediacy. animation: συχνά του λείπει η αμεσότητα και η σχέση με το κοινωνικό πλαίσιο, με το τώρα. Why so slow? Animation is littered with for- Γιατί τόση βραδύτητα; Η κοινότητα του malists so fixated on technique and craft that animation είναι γεμάτη από φορμαλιστές “concept” is virtually an afterthought, a dirty που έχουν τέτοια εμμονή με την τεχνική word. The result is precious, polished works ώστε το εννοιολογικό περιεχόμενο του that look nice can have very little to say about έργου να καταντά δευτερεύουσας σημασίας, the surrounding world. σχεδόν μια «κακή» λέξη. Το αποτέλεσμα είναι εξεζητημένα, τεχνικά άψογα έργα που Ushev’s handling of animation is raw, rough βασίζονται στο όμορφο οπτικό αποτέλεσμα, and chaotic; there’s nothing polished, χωρίς όμως να έχουν κάτι να πουν για τον pristine or precious about his methods. His κόσμο γύρω τους. films, some made in mere weeks, seek to unpack the chaos of his moment—and ours. Η προσέγγιση του Ushev στο animation είναι It’s this rare and raw honesty that separates ωμή, χαοτική, ακατέργαστη: δεν υπάρχει Ushev from some of his animation peers who τίποτα υπερβολικά τέλειο ή ραφιναρισμένο too often treat animation like one of Laura The Man Who Waited, 2006 / Poster by Theodore Ushev στη μεθοδολογία του. Οι ταινίες του, που Wingfield’s glass figurines from The Glass μερικές φορές ολοκληρώνονται μέσα σε λίγες Menagerie. βδομάδες, στόχο έχουν να εξαπολύσουν 3RD PAGE FROM THE SUN NIGHTINGALES IN DECEMBRE 2014 / 5 ’ 2011 / 3 ’ το δικό του χάος και το δικό μας. Αυτή η Ushev’s films are a refreshing bad breath σπάνια και τραχιά ειλικρίνεια είναι αυτό που and a sorely needed slap of reality in a field DRUX FLUX, I YANNICK NÉZET-SÉGUIN: ξεχωρίζει τον Ushev από κάποιους από dominated by works of faux angst and techno- 2008 / 4 ’ NO INTERMISSION 2010 / 5’ τους συναδέλφους του, που πολύ συχνά logical gumdrops. GLORIA VICTORIA προσεγγίζουν το animation σαν να επρόκειτο 2013 / 7 ’ BLOOD MANIFESTO 2015 / 2 ’ για ένα εύθραυστο γυάλινο ζωάκι της Λώρα Chris Robinson TOWER BAWHER Γουίγκφηλντ από το Γυάλινο Κόσμο. 2006 / 3 ’ THE MAN WHO WAITED Οι ταινίες του Ushev είναι μια βρωμερή LIPSETT DIARIES 2006 / 7 ’ πνοή ανανέωσης και ένα αναγκαίο χαστούκι 2010 / 14 ’ DEMONI πραγματικότητας σε ένα τομέα όπου TZARITZA 2012 / 3’,43 ’’ κυριαρχούν έργα με φτηνό συναισθηματισμό 2006 / 6 ’ SONAMBULO γεμάτα τεχνολογικά πυροτεχνήματα. 2015 / 4’,20 ’’ Guest School Selected Films Μεσαιωνική Αγρέπαυλη, Παλαίπαφος - Κούκλια The Animation Workshop Ancient Site of Palaepaphos - Κouklia

Black Tape

Το Animation Workshop (TAW) βρίσκεται στο The Animation Workshop (TAW) is located in THE SAGA OF BIORN TIGER Viborg της Δανίας. Υπάγεται στο School of Viborg, Denmark. It is a part of VIA University Benjamin Kousholt Pernille Kjær Business, Technology and Creative Industries College’s School of Business, Technology 2011 / 7’ 2015 / 5’,51’’ του VIA University College, και ειδικεύεται and Creative Industries and has expertise in PLASTIC ABUELA GRILLO στους τομείς της εκπαίδευσης, του πολιτισμού, the areas of education, culture, communica- Chintis Lundgren Denis Chapon της επικοινωνίας και της επιχειρηματικότητας. tion and business development. To this effect, 2013 / 3’,60’’ 2010 / 13’ Για το σκοπό αυτό επωφελείται από ένα it benefits from a strong international network ROB`N`RON OCEANS APART δυνατό διεθνές δίκτυο καλλιτεχνών, of artists, professionals, companies, funding Magnus Igland Møller & Peter Smith Adrian Dexter, Hans Frederik Jacobsen 2013 / 3’,60’’ 2015 / 2’ επαγγελματιών, εταιρειών, χορηγών και institutions and partner schools. σχολών. TSUNAMI MELLEM VÆGGENE Sofie N. Kampmark Sara Jespersen Holm The objectives of TAW are to provide facili- 2015 / 7’ 2016 / 8’ Οι στόχοι του ΤΑW είναι να παρέχει υποδομή ties and resources for projects and artists to BACKWATER GOSPEL NO, THANK YOU και πόρους σε καλλιτέχνες και projects· να grow; to establish and maintain structures for Bo Mathorne Adrian Dexter, Hans Frederik Jacobsen εγκαθιδρύει και να συντηρεί δομές στην higher education and professional training that 2011 / 9’,30’’ 2015 / 1’,20’’ ανώτερη και επαγγελματική εκπαίδευση, οι secures the best learning and talent develop- THE REWARD BLACK TAPE οποίες να εξασφαλίζουν υψηλού επιπέδου ment; and to generate cultural understanding, Mikkel Mainz Elkjær & Kenneth Ladekjær Uri & Michelle Kranot παιδεία και ανάπτυξη ταλέντων·να προάγει την both nationally and internationally, through the 2012 / 9’ 2014 / 3’ πολιτιστική καλλιέργεια, σε τοπικό και διεθνές animation and comic book industries. TAW επίπεδο, μέσα από τη βιομηχανία του anima- has also played a vital role in many interna- tion και των comic. tional projects, which seek to improve and create an understanding of the role functional To ΤΑW είχε επίσης καθοριστικό ρόλο σε animation and applied comics can play in πολλά διεθνή projects, τα οποία στόχο έχουν public discourse, learning and modern com- να προάγουν το ρόλο του animation και των munication processes. comic στο δημόσιο διάλογο, στην παιδεία και στη σύγχρονη επικοινωνία. TAW has built an excellent and wide-reaching reputation as an institution of higher education Το TAW έχει δημιουργήσει μια άριστη διεθνή in areas associated with visual storytelling. In φήμη ως θεσμός ανώτερης εκπαίδευσης 2016, the institution was featured among the στους τομείς που σχετίζονται με την οπτική Top 20 Schools to Hire From as selected by αφήγηση. Το 2016 συμπεριλήφθηκε στις 20 the Animation Magazine and has furthermore καλύτερες σχολές από το Animation Μagazine been honoured with the 5th place worldwide και ήρθε επίσης πέμπτο παγκοσμίως στα CG in the CG Student Awards in 2015. TAW Student Awards 2015. Κατατάσσεται επίσης also ranked among the Top 100 Schools ανάμεσα στις 100 καλύτερες σχολές Anima- for Animation, Gaming and Design and 14th tion, Gaming and Design και 14ο ανάμεσα στις among International Animation Schools by the Διεθνείς Σχολές Animation από το Animation Animation Career Review in 2014. Career Review το 2014.

Rob`n`Ron Abuela Grillo Cyprus Animation Forum #3 Παρασκευή / Friday 22/7 Τεχνολογικό Πανεπιστήμιο Κύπρου - Λεμεσός Cyprus Technological University - Limassol

MORTEN ON THE SHIP OF FOOLS ΤΗΕ ΑΝΙΜΑΤΙΟΝ WORKSHOP SUBFRAME ANIMATION ΔΗΜΙΟΥΡΓΙΚΗ ΕΥΡΩΠΗ 2014-2020 KASPAR JANCIS CREATIVE EUROPE 2014-2020 MORTEN THORNING & LANA TANKOSA NIKOLIC ΜΙΑ ΨΗΦΙΑΚΉ ΠΕΙΡΑΜΑΤΙΚΉ ΠΡΟΣΈΓΓΙΣΗ ΤΗΣ ΚΑΡΈ-ΚΑΡΈ ΔΙΑΔΙΚΑΣΊΑΣ Ο Μόρτεν στο πλοίο των τρελών (Morten on ΧΑΙΡΕΤΙΣΜΟΣ / WELCOME Ο διευθυντής του Animation Workshop Center, the Ship of Fools) είναι μια ταινία stop mo- A DIGITAL EXPERIMENTAL APPROACH NENAD BOGDANOVIC Morten Harpøth Thorning, θα παρουσιάσει τη tion από Εσθονούς, Ιρλανδούς και Βέλγους μεθοδολογία και οργανωτική δομή του Anima- OF THE FRAME BY FRAME PROCESS δημιουργούς, βασισμένη στο ομώνυμο βιβλίο Επικεφαλής Γραφείου Δημιουργική Ευρώπη tion Workshop και η συντονίστρια εκπαιδευτικών ΝΙΚΟΣ ΣΥΝΝΟΣ / NICOS SYNNOS και θεατρικό έργο του Kaspar Jancis. Κεντρικός Κύπρου / Head of Creative Europe Desk Cyprus προγραμμάτων Animation και CG Arts, Lana ήρωας είναι ο οχτάχρονος Μόρτεν, ο οποίος Tankosa Nikolic, θα παρουσιάσει το πρόγραμμα Μήπως η ψηφιακή τεχνολογία έχει τυποποιήσει παίρνει το μέγεθος εντόμου από το ξόρκι Εκτελεστικός Διευθυντής Ιδρύματος Συμφωνική Bachelor, με έμφαση στις ταινίες (commissioned την παραγωγή animation, ή άραγε ο animator κάποιου αδέξιου μάγου. Έτσι παγιδεύεται πάνω Ορχήστρα Κύπρου / Executive Director, Cyprus films) του δεύτερου έτους. Ανάμεσα στις δύο έχει πιο ευέλικτα εργαλεία στα χέρια του όσο στην ψεύτικη βαρκούλα του. Εκεί όμως πρέπει Symphony Orchestra Foundation παρουσιάσεις θα προβληθεί μία μικρή επιλογή ποτέ πριν; Η παρουσίαση θα επικεντρωθεί σε να αντιμετωπίσει κάποια τρομακτικά έντομα τα ταινιών από το Animation Workshop. πειράματα που αποτελούν μέρος μελέτης της οποία έχουν καταλάβει το πλοίο του. Η ταινία ψηφιακής καρέ - καρέ διαδικασίας παραγωγής δημιουργήθηκε με την κλασική τεχνική stop mo- The Animation Workshop Center Director, animation. Εξερευνώντας τον ψηφιακό χώρο tion και απευθύνεται σε παιδιά όλων των ηλικιών! Morten Harpøth Thorning and Educational ως ένα αχανές μεταφυσικό πεδίο, η έρευνα έχει Το μεταφορικό της περιεχόμενο την κάνει Coordinator within Animation and CG Arts, Lana ως στόχο να ανακαλύψει τρόπους παραγωγής κατάλληλη και για ενήλικες. Είναι μια περιπέτεια Tankosa Nikolic, will respectively present the οπτικών ψευδαισθήσεων της κίνησης που θα δοσμένη με παραδοσιακό τρόπο, ένα hom- practice and organizational structure of the Ani- προτείνουν νέα κινηματογραφικά είδη προβολής age σε αγαπημένες ιστορίες όπως Η Αλίκη στη mation Workshop and the Bachelor Education ενσωματωμένα σε μεμονωμένες μονάδες της Χώρα των Θαυμάτων, ο Τζέημς και το τεράστιο with focus on the 2nd year Commissioned Films. ταινίας. Θα παρουσιαστούν πειράματα στη ροδάκινο, ο Μάγος του Οζ, κλπ. Between the two presentations a small selection συναρμολόγηση του φιλμικού χρόνου αλλά και of films from The Animation Workshop will be του κινηματογραφικού καρέ, όπως επίσης και Morten on the Ship of Fools is a stop motion screened. παραδείγματα της εφαρμογής των πειραμάτων feature made by Estonian, Irish and Belgian αυτών σε φιλμ και βίντεο. animators. It’s based on the book and theatre play by Kaspar Jancis. The film is about Morten Has digital technology standardized animation who, after being magically shrunken to the size filmmaking, or does the animator have more flex- of an insect, gets trapped on his toy boat. There ible tools in his/her hands than ever before? he has to prove himself to cannibalistic insects This presentation will focus on experiments as who have control over his ship. The film is made part of a study of the digital frame by frame ani- in classical stop motion technique. It will be a mation process. By exploring the digital space story for children of all ages! Its metaphorical as a vast metaphysical field, this research aims content can speak to an adult audience. It is an to discover ways of producing optical illusions of adventure film told in the old-school way, a hom- motion that will suggest new cinematic viewing age to stories like Alice in Wonderland, James integrated in the very individual units of film. and the Giant peach, Wizard Oz etc. Experiments on the compositing of the filmic time and the film frame will be presented, as well as examples of the application of these experi- ments in film and video. MAGIC MOLLY ΔΗΜΙΟΥΡΓΙΚΗ ΕΥΡΩΠΗ 2014-2020 ΔΗΜΙΟΥΡΓΙΚΗ ΕΥΡΩΠΗ 2014-2020 ΜΑΡΙΑ ΠΑΥΛΟΥ / MARIA PAVLOU CREATIVE EUROPE 2014-2020 CREATIVE EUROPE 2014-2020

Το “Magic Molly” είναι μια τηλεοπτική σειρά H ΑΝΑΠΤΥΞΗ ΠΑΡΑΓΩΓΗΣ ANIMATION ΕΥΚΑΙΡΙΕΣ ΧΡΗΜΑΤΟΔΟΤΗΣΗΣ ΑΠΟ ΤΟ animation 26 X 7 λεπτά για παιδιά προσχολικής ΜΕΣΑ ΑΠΟ ΤΟ SINGLE PROJECT ΥΠΟΠΡΟΓΡΑΜΜΑ ΠΟΛΙΤΙΣΜΟΣ ηλικίας (προ-δημοτικής). Διηγείται τις περιπέτειες ΤΟΥ ΥΠΟ-ΠΡΟΓΡΑΜΜΑΤΟΣ MEDIA μια νεαρής μαθητευόμενης μάγισσας και FUNDING OPPORTUNITIES UNDER των δυο φίλων της, του δράκου Vigor και DEVELOPING AN ANIMATION PROJECT THE CULTURE SUBPROGRAMME της κουκουβάγιας Sophia. Χρησιμοποιώντας UNDER MEDIA’S SINGLE PROJECT CALL ΔΡ. ΑΝΤΡΗ ΧΑΤΖΗΑΝΔΡΕΟΥ / DR. ANDRI HADJIANDREOU καθημερινά αντικείμενα με μαγικό τρόπο, ΓΙΑΝΝΑ ΑΜΕΡΙΚΑΝΟΥ / YIANNA AMERICANOU ψάχνουν για απαντήσεις που βοηθούν το νεαρό ακροατήριο να κατανοήσει συναισθήματα, να εξασκήσει τη φαντασία του και να αναπτύξει την Η παρουσίαση αυτή θα σας οδηγήσει μέσα από Πρόκειται για μια σύντομη παρουσίαση επιθυμία για γνώση. Το project βρίσκεται σε προ- το ταξίδι κατανόησης της προκήρυξης του Single όλων των ευκαιριών χρηματοδότησης από αναπτυξιακή φάση και πρόκειται να υποβληθεί Project για τα κινούμενα σχέδια, διερευνώντας το υποπρόγραμμα Πολιτισμός, με έμφαση για χρηματοδότηση από το Creative Europe τις διαθέσιμες ευκαιρίες χρηματοδότησης, και στα Έργα Διασυνοριακής Συνεργασίας (Development Fund). πώς να ξεκινήσει κανείς την εφαρμογή της και στα Δίκτυα που χρηματοδοτούνται από αίτησης. Απευθύνεται σε εταιρείες παραγωγής το Πρόγραμμα Δημιουργική Ευρώπη. Η “Magic Molly” is a 26 x 7 minute animated TV ή δημιουργούς που ενδιαφέρονται για την παρουσίαση απευθύνεται σε πολιτιστικούς series for upper preschool (preschool plus). It παραγωγή Κινουμένων Σχεδίων. φορείς, οργανισμούς, εταιρείες, μουσεία, follows the adventures of a young apprentice γκαλερί, εκπαιδευτικά ιδρύματα, θέατρα, witch and her two friends, Vigor the dragon and This presentation will lead you through the jour- καλλιτέχνες, ομάδες καλλιτεχνών, κτλ, που Sophia the owl. Through the use of everyday ney of understanding the Single Project Call for δραστηριοποιούνται στον πολιτιστικό και objects with a magical twist, they search for an- ANIMATION, exploring the available funding op- δημιουργικό τομέα και που επιδιώκουν να swers that help our young audience understand portunities, and how to start putting together an διευρύνουν τις συνεργασίες και τη δικτύωση τους emotions, exercise their imagination and develop application. It is aimed at production companies τόσο εντός όσο και εκτός Κύπρου. a thirst for knowledge. The project is in its pre- and creators who are interested in Animation or development phase and will soon be submitted have a project in development. This will be a flash session of all available funding for a Creative Europe development fund. opportunities under the Culture subprogramme, with special focus on Cooperation Projects and on Networks that are being funded by Creative Europe Programme. The presentation is aimed at cultural institutions, organizations, companies, museums, galleries, educational institutions, the- atres, artists, artist groups, etc., that are active in the cultural and creative sector and are seeking to expand their partnerships and networking both within and outside Cyprus . Έκθεση & Εργαστήρι / Workshop & Exhibition Μουσείον Χαρακτικής Χαμπή Hambis Printmaking Museum

Thomas Renoldner Federica Pagnucco Thomas Renoldner studied psychology and Federica Pagnucco works on illustration and education theory at the University of Innsbruck crafts. She has obtained numerous acknowl- and Salzburg; he studied painting and anima- edgements; she has been selected as the tion films at the Academy of Applied Arts in Vi- Illustrations Exhibition at the Bologna Children enna. Since the age of sixteen, he has worked Books Fair; she has exhibited in Japan and in the sectors of music, painting, film, installa- Korea and in various personal exhibitions. tion and performance. He has made numerous She has to her credit various publications with personal experimental and animated films and Italian and foreign publishers and has realized some commercials. Leader of the animations various illustrated albums. She designs and studios at the Vienna Art School and at the makes pieces of furniture, objects d’art and Academy of Fine Arts in Vienna. He has been games using mainly paper, wood and fabric. Curator of the Animation Avantgarde programs She collaborates with schools and organiza- at the Vienna Independent Shorts Film Festival tions in planning creative programs and she and director of the One Day Animation Festival holds courses on illustration and expressive in Vienna. workshops for young people and adults. She lives in Valvasone (Pordenone). O Thomas Renoldner σπούδασε ψυχολογία και θεωρία της παιδαγωγικής στο Πανεπιστήμιο Η Federica Pagnucco ασχολείται με την του Ίνσμπρουκ και Σάλτσμπουργκ. Σπούδασε εικονογράφηση και τις κατασκευές. Η επίσης ζωγραφική και κινηματογράφο δουλειά της έχει κερδίσει πολλές διακρίσεις. l’ alfabeto delle cose piccole animation στην Ακαδημία Εφαρμοσμένων Έχει επιλεγεί για έκθεση Εικονογράφησης Τεχνών στη Βιέννη. Από την ηλικία των στη διεθνή έκθεση παιδικού βιβλίου στη δεκαέξι ετών δούλεψε στους τομείς της Μπολόνια. Η δουλειά της έχει παρουσιαστεί Δύο εξέχουσες προσωπικότητες της διεθνούς Austrian fine artist, musician and experimental μουσικής, ζωγραφικής, κινηματογράφου, σε προσωπικές εκθέσεις στην Ιαπωνία καλλιτεχνικής κοινότητας, ο Αυστριακός Animation filmmaker Thomas Renoldner and εγκατάστασης και των παραστατικών τεχνών. και στην Κορέα. Έχει στο ενεργητικό της σκηνοθέτης και Ακαδημαϊκός Thomas Renold- Italian illustrator Federica Pagnucco will lead a Έχει στο ενεργητικό του ένα μεγάλο αριθμό πολλές εκδόσεις με Ιταλικούς και διεθνείς ner και η Ιταλίδα εικονογράφος Federica Pag- three-day workshop exploring the combination πειραματικών ταινιών και ταινιών animation, εκδοτικούς οίκους και έχει φιλοτεχνήσει πολλά nucco θα ηγηθούν ενός τριήμερου πρακτικού possibilities between printmaking and Anima- καθώς και επίσης αρκετές διαφημίσεις. Είναι εικονογραφημένα λευκώματα. Σχεδιάζει και εργαστηρίου το οποίο θα εξερευνήσει τις tion. The printmakinganimation workshop is επικεφαλής των animation studios στη Σχολή κατασκευάζει έπιπλα, διακοσμητικά αντικείμενα δυνατότητες συνδυασμού Χαρακτικής και based on their recent film: l’ alfabeto delle cose Καλών Τεχνών της Βιέννης και στην Ακαδημία και παιχνίδια χρησιμοποιώντας κυρίως χαρτί, Αnimation. Η ιδέα του εργαστηρίου βασίζεται piccole. Καλών Τεχνών της Βιέννης. Υπήρξε επιμελητής ξύλο και ύφασμα. Συνεργάζεται με σχολεία στην πρόσφατη ταινία των Renoldner και Pag- των προγραμμάτων πειραματικού animation και οργανισμούς στο σχεδιασμό δημιουργικών nucco με τίτλο l’ alfabeto delle cose piccole. An exhibition with the artworks produced στο Φεστιβάλ Ανεξάρτητων Ταινιών Μικρού προγραμμάτων και παραδίδει μαθήματα for the film l’ alfabeto delle cose piccole will Μήκους της Βιέννης και του φεστιβάλ One Day εικονογράφησης και εργαστήρια δημιουργικής Παράλληλα, έκθεση με τα έργα που be held at the Hambis Printmaking Museum Animation Festival της Βιέννης. έκφρασης για παιδιά και ενήλικες. Ζει στο δημιουργήθηκαν για την ταινία l’ alfabeto delle between 18 - 23 of July. Valvasone (Pordenone). cose piccole θα παρουσιάζεται στο Μουσείον Χαρακτικής Χαμπή από τις 18 μέχρι τις 23 Ιουλίου. Πρόγραμμα Παιδικών Ταινιών Children’s Film Program Τεχνόπολις 20 Technopolis 20

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Μέσα από την τέχνη του animation τα παιδιά AGRINOUI µπορούν να ανακαλύψουν και να γευτούν την Alexis Chaviaras µαγική δυνατότητα της τέχνης να συγκινεί Cyprus / 2015 / 19’40’’ αλλά και να λέει ιστορίες, γνωρίζοντας OTTO παράλληλα τις παραδόσεις των διαφόρων Job, Joris & Marieke λαών, και τις πολιτισµικές τους αξίες. Nederland / 2015 / 10’ Αυτή η ξεχωριστή ενότητα του Φεστιβάλ PERFECT HOUSEGUEST παρουσιάζει μια επιλογή με παιδικές Ru Kuwahata - Max Porter USA / 2015 / 1’35’’ ταινίες απο κάθε γωνιά του πλανήτη μαζί με ένα παιδικό εργαστήρι storyboard & NEIGHBOURWOOD εικονογράφισης για μικρά παιδιά υπό την Fynn Grosse-Bley - Eddy Hohf Germany / 2016 / 4’ καθοδήγηση της Παναγιώτας Μιχαήλ. SOMETHING Through the art of animation children can dis- Elena Walf cover and experience the magical ability of art Germany / 2015 / 7’ to stir the emotions and to tell stories through THE CHIMNEY SWEEP various people’s traditions and cultural values. Nicolas Bianco-Levrin Διεθνές Διαγωνιστικό Πρόγραμμα / International Competition Program This special new section of the festival France / 2015 / 1’32’’ includes a small selection of children’s films FOX TALE from all over the world. Panayiota Mihael will Doosun Shin USA / 2015 / 2’18’’ lead a children animation Workshop. DUST BUDDIES Beth Tomashek USA / 2016 / 4’4’’ PRINCE KI KI DO; THE BALLOON Grega Mastnak Slovenia / 2015 / 4’56’’ MARS 3752 Nicolas Bianco-Levrin France / 2015 / 1’32’’ MOROSHKA Polina Minchenok Russia / 2015 / 7’40’’ HUGO BUMFELDT Eva Katinka Bognar Hungary / 2016 / 12’02’’ THE TOTS (EPISODE TRIP) Nova Bana - Michal Struss Slovakia / 2015 / 8’

Something PARADE DE SATIΕ THE EMPTY VELODROOL BIRD FLU Koji Yamamura Dahee Jeong Sander Joon Priit Tender, Hefang Wei Japan / 2016 / 14’ South Korea, France / 2016 / 10’ Estonia / 2015 / 6’11’’ Estonia, 2016, 09’40’’ Production: Yamamura Animation Production: Sacrebleu Productions, Between The Pictures Production: Estonian Academy of Arts Production: Eesti Joonisfilm

Synopsis Synopsis Priit Tender Synopsis Koji Yamamura In the woman’s room, mem- Dahee Jeong Sander Joon An addicted biker runs out A woman is reflecting on Priit Tender was born in 1971 A Parade for 3 managers Koji Yamamura was born in ories constantly accumulate Dahee Jeong got a Bachelor of Sander Joon is an anima- of cigarettes. He joins a Story about a man and in Tallinn, Estonia. He gradu- & 4 performers. Mixing 1964 in Japan. He graduated and disappear like dust. Arts in Visual Communication tor and VJ artist who lives, race to get more, but has a snake, an alcoholised ated from Tallinn Pedagogical quotes from French com- from Tokyo Zokei University The man spends his time at Hongik University in Seoul. studies and works in Tallinn. to take help from some penguin and the disap- University as an art-teacher. poser Erik Satie’s essays in 1987. His works have won in this room creating futile She went to Paris in 2008 He received a BA degree in peculiar people in the pearance of birds. Story His first job was as one of the with the music Parade, more than 80 prizes around little games with woman’s and got a Master’s degree in animation at Estonian Academy audience to stay in the about an apple tree and artists for Priit Pärn and Janno this is an animated re- the world. He is currently a memories. Animation at École of Arts. He concentrates on competition. apples, about roots and P ldma’s film “1895” (1995). creation of realist ballet sub-chairman of the Japan Ani- Nationale Supérieure des coherent design and uses õ rootlessness. Story about His debut as director came in images going beyond mation Association (JAA) and arts Décoratifs. She directed animation to create surrealistic a paradise and about be- 1996 with the film “Gravita- reality. a member of the board of direc- several short animation films world spiced with humour. tors of the Japanese branch of for her school works and also ing expelled from it. tion”. He has participated in the International Animated Film directed Le temps de l’arbre several art-exhibitions. Recent Association (ASIFA). He is also for her final project in 2012. films include Message for the a professor of Tokyo University Her short film Man On The Neighbours, 2006 (Special of the Arts. Chair has been awarded many Mention for Animation from prizes, including the Cristal International Film Festival at the Annecy Animation Film DaKINO, Romania 2007), Festival in 2014. A Vegetated Director, 2007 (Estonian Cultural Endowment award for best film of the year), Kitchen Dimensions, 2008 (Honourable Mention Ottawa Animation Festival, Canada 2010, Special Jury prize Hiro- shima International Animation Festival, Japan 2010).

International Competition I International Competition I HOW LONG, NOT LONG PETER’S FOREST VERY LONELY COCK BEFORE LOVE Michelle and Uri Kranot Martina Meštrović Leonid Shmelkov Igor Kovalyov Denmark / 2016 / 5’32’’ Croatia / 2016 / 8’25’’ Russia / 2015 / 6’ Russia / 2016 / 19’15’’ Production: TinDrum animation Production: Kreativni sindikat Production: Soyuzmultfilm film studio Production: Irina Fomchenko, Alexey Bondar, Elena Malenkina / Bazelevs

Synopsis Michelle and Uri Kranot Synopsis Martina Meštrović Synopsis Leonid Shmelkov Synopsis Igor Kovalyov A visual journey that chal- Michelle and Uri Kranot are A universal parable about Martina Meštrović (1974) It was a hard day for the Director of animation, script- Before Love deals with Igor Kovalyov is an internationally lenges us to think about independent filmmakers, differences, told in three graduated in Sculpture from very lonely cock. Perhaps writer, artist and illustrator solitude, misunderstand- acclaimed filmmaker, designer, a universal belonging that interdisciplinary artists and im- colours. A story about the the Academy of Fine Arts in tomorrow it’ll be better. Leonid Shmelkov was born in ing and disunity in our animator, and director. His short doesn’t confine itself to migrants. Their films have won natural and the excluded, Zagreb. She has held several Moscow in 1982. In 2005, he life. The title suggests films Andrei Svislotski, Hen, His a city, region or national numerous international prizes the normal and the un- solo and group exhibitions. In graduated from the Moscow that everything happen- wife, Bird in the Window, Flying boundary in an age where and participated in numerous common; a duel between 2004, she ventured into the State University of Printing, ing to the characters is Nansen and Milch have received xenophobia, national- film festivals. For the past learned binary opposi- world of animated film, working Graphic Arts Department. not yet true love. Human numerous awards and accolades ism and intolerance are eight years they have been tions. The film reflects on as a 2D and 3D set designer, Since 2005 he has been shortcomings tie the dra- throughout the animation and ubiquitous. working as artists in residence an important issue: If our animator and director. She participating in exhibitions, matic knot of the story. film community.Born in Kiev, at “The Animation Workshop” nature isn’t a threat to lives and works in Zagreb. making pictures for children’s Everybody finds his or Ukraine, Igor Kovalyov was the in Viborg, Denmark, where anyone then who or what Filmography: Peter’s Forest magazines, illustrating books. her way to unhappiness. co-founder of Moscow’s legend- they also teach and guide prevents us from living our (2016), Bla (2013). Since 2007, he is a member of Everybody is looking ary Pilot School of Animation. the bachelor projects of the life – possibly the only one the association of illustrators for love. The studio also housed some of school. we have - to the fullest? Magic Saw. In 2009 he gradu- the most brilliant artists in Russia ated from the school-studio including many of the current SHAR in Moscow in animation Klasky Csupo designers and directing. Currently he is work- animators. ing as a director, designer and In 1991, Kovalyov accepted animator, as well as drawing il- an invitation to work at Klasky lustrations for children’s books Csupo’s studio in Hollywood. and mentoring workshops for In his time there, Kovalyov children. co-directed Klasky Csupo’s first feature film, The Rugrats Movie and has directed the television series, Aaahh!!! Real Monsters as well as episodes of Duckman and Rugrats, commercials and Internet shorts. International Competition I International Competition I LOVE THE ONE WHO TAMED THE CLOUDS INK MEETS BLANK Réka Bucsi Julie Rembauville Tymon Albrzykowski Hungary / 2016 / 14’ France / 2015 / 4’30’’ Poland / 2016 / 5’11 Production: BODDAH Production: Nicolas Bianco-Levrin / Prototypes Productions Production: FUMI Studio

Synopsis Réka Bucsi Synopsis Julie Rembauville & Synopsis Tymon Albrzykowski LOVE is a short film Réka Bucsi, born in 1988, is At the top of a canyon Nicolas Bianco-Levrin The movie is black and I was born in 1988 at Gdańsk, describing affection in 3 a Hungarian independent ani- the old Indian Flying Nicolas Bianco-Levrin and white, rythmic metamorpho- Poland. I finished a secondary different chapters, through mation filmmaker. From 2008 Shadow teaches the Julie Rembauville are prolific sis of abstract geometric School of Arts in Gdynia, an impact on a distant to 2013 she attended MOME young Nayati the animation film­makers and forms. Its dramaturgy is at the artistic photography solar system. Abstract (Moholy-Nagy University of ancient art of smoke children’s book authors who built by pure form and department . From 2009 to haiku-like situations reveal Art and Design Budapest), signals. This is the have worked together regu- evocative music. It has 2015 I studied Animation Film the change in atmosphere animation department. Her meeting of two opposite larly since 2003. They have been fully implemented and Special Effects Direction on one planet, caused by graduation film Symphony no. characters. The boy’s co-directed 27 short films cameraless, directly on a at the Film School in Łódź. the change of gravity and 42 was selected in the 64th hyperactivity upsets the using various techniques 35mm film tape. light. This pulsing planet Official Shorts Competition at calm of the old shaman, (stop-motion, paper cut-out makes the inhabitants Berlinale and Sundance Film soon causing disaster. and drawings). These include become one with each Festival 2015, and was Short- [R] (2010) and Ben Hora other in various ways. listed for the 87th Academy (2010), It’s a dog’s life (2012), Awards. From 2011-2012 she Minoule (2014), all of which attended Essemble, a Digital made their mark at several filmmaking training program. international festivals. In 2013/2014 she attended Animation Sans Frontiéres (ASF), the European Anima- tion Production Workshop. She was participant of the Artist in Residency program of Open Workshop, in Den- mark. Réka is represented as a director by Passion Pictures Paris.

International Competition I International Competition II SO RED AND A LITTLE BLUE BOOKS ON BOOKS COMPOSITION AMORE D’INVERNO Sijia Luo Lei Lei Mitja Manček Isabel Herguera China / 2015 / 4’ China / 2016 / 7’14’’ Slovenia / 2015 / 3’34’’ Spain, Italy / 2015 / 8’ Production: Sichuan Fine Arts Institute Film-Video-Animation School Production: Raydesign Production: Mitja Mancek Production: Isabel Herguera, Geronimo Carbonó

Synopsis Sijia Luo Synopsis Lei Lei Synopsis Mitja Manček Synopsis Isabel Herguera The fragments of informa- Sijia Luo (1993), Chinese The cutout patterns are from In 2010, his film This is LOVE Two audiovisual and film Mitja Manček, born in 1987 in While a couple walks along Isabel Herguera studied Fine tion scatter among the Animation Filmmaker. Bachelor my father’s book ”Book was shown at Ottawa Interna- basics- sound and image- the Slovenian town Postojna, the river, hunters hide Arts at the Kunstakademie computer and Internet, Degree from Sichuan Fine Arts cover collection in the West“, tional Animation Festival and are created by the same started animating his first film behind a hill, and friends in Duesseldorf and received her and constitute the world Institute Film-Video-Animation which was published in 1988. awarded the 2010 Best Narra- lines engraved directly on at the age of 10. He received the forest recall the Dancer MFA at Calarts, California. of Red and Blue. When School in 2015. She is lives in Driven by the idea of “revisit- tive Short. In 2013 his film Re- primary audiovisual me- a Specialist Diploma in the of Clavesana, a metaphor Afterwards, she worked in they meet each other Guangzhou city. ing through returning”, begin- cycled was selected by Annecy dium- film track- in order to field of animation at Film of free love. She slowly several animation studios in their faces look so red, ning in May 2013 I have been festival and was the Winner of trigger the most harmonic school Zlín in Czech republic vanishes into the winter Los Angeles before returning but are their moods a little collecting, cutting out and Grand Prix shorts - non-nar- relationship that is possible in 2009. Since March 2010 he landscape. to Spain, where she has blue? collaging those book cover rative at Holland International between them. In this film has worked as a freelancer in been making films that have prints from the “Book cover Animation Film Festival. In 2014 you can see the sound and Slovenia, in various cultural been selected in festivals like collection in the West” back he was a member of the Jury at hear the image. fields. He shoots independent Annecy, Leipzig, Rotterdam on to Western secondhand Zagreb International Animation films, makes graphic designs and Ann Arbor, among others. books that I acquired over Film Festival. He was awarded for books and runs workshops. Currently she juggles between the years. an Asian Cultural Council Grant He has made 16 animated films making films and teaching at in 2014. in 16 years, which have been the National Institute of Design screened at various festivals in Ahmedabad, India and the from New York to Tokyo. Central Academy of Fine Arts (CAFA) in Beijing, China.

International Competition II International Competition II ONCE UPON A LINE WAITIN FOR THE NEW YEAR DAEWIT Alicja Jasina Vladimir Leschiov David Jansen Poland, USA / 2016 / 7’ Latvia / 2016 / 8’11’’ Germany / 2015 / 14’50’’ Production: LUNOHOD Production: Fabian&Fred

Synopsis Alicja Jasina Synopsis Vladimir Leschiov Synopsis David Jansen A man leads a monotone, Alicja Jasina is a Polish film- A lonely woman street Born in 1970. Artist, animator, A wolf child, an angel, a David Jansen (* January humdrum existence until maker who has recently gradu- cleaner’s letter to an film director and producer. cat. The film animated in 7th 1981 in Wipperfuerth, he suddenly falls in love. ated with a Master’s degree unknown person, written Founder of animation studio the tradition of wood cut Germany) became a mechanic His world turns upside- in Animation and Digital Arts on the first day of the Lunohod in 2007. Animated technique, tells the story for plastic and caoutchouc down after he meets a from University of Southern New Year: a year spent short films: The Letter, (2002) of an abandoned child, technologies after school. red-haired woman who California in Los Angeles. observing the seasons and Grandad’s Honey (2002) who grows up with wolfs Afterwards he did an internship manages to break his Before that, she obtained a dreaming of a miracle for Insomnia (2004), Lost in Snow after his mother rescued at Columbia Tristar in script established routine. What Bachelor’s degree in Illustration the following New Year. (2007), Wings and Oars (2009) him from his violent father. development followed by work follows is a short portrait and Animation at Kingston 96 (2010), Villa Antropoff (2012) After an enigmatic journey for Sony Pictures. From 2006 of a difficult relationship University in London. Her Rainy Days (2014), Waiting For full of privations and in to 2012 he studied animation marked by a struggle for short films have won awards the New Year (2016). quest for identity he finds at Academy for Media Arts, control and preserving at festivals worldwide. In 2014 his peace in forgiveness. Cologne in the film class of Rai- one’s identity, and finally she won the Royal Television mund Krumme and Stéphanie loss and depression. Society Student Award for her Beaugrand. The ending gives hope graduation film “Light Bulb”. for a new beginning and Alicja tells intriguing stories a change of perspective. about daily dilemmas and captures the everyday life in unusual ways.

International Competition II International Competition II THE MASTER JAZZ ORGIE IF I WAS GOD ERLKONIG Riho Unt Irina Rubina Cordell Barker Georges Schwizgebel Estonia / 2015 / 18’ Germany / 2016 / 1’15’’ Canada / 2015 / 7’ Switzerland / 2015 / 05’28’’ Production: Nukufilm OÜ Production: Filmakademie Baden-Württemberg Production: National Film Board of Canada Production: Studio GDS

Synopsis Riho Unt Synopsis Irina Rubina Synopsis Cordell Barker Synopsis Georges Schwizgebel A dog named Popi and a Riho Unt was born in 1956. Dots, Lines, Planes and The swirl of life brought Have you ever been Cordell Barker is a Canadian A father rides with his son 2012 Chemin faisant / 2011 monkey named Huhuu are From 1979 to 1982 he attended Forms set themselves in mo- Irina Rubina to this world as twelve years old? Did animator based in Winnipeg, through the forest. The Romance / 2008 Retouches waiting for their Master the Estonian State Institute tion and get drawn into their a Muscovite. But the smell you ever daydream in Manitoba. He began animating sick child thinks he sees / 2006 Jeu / 2004 L’homme to come home. But one of Arts, in the Department of own choreographic world. of fresh pretzels drew her to school? Would God-like in his late teens after taking the Erlking who both sans ombre / 2000 La jeune day the master is just not Interior Design. He has written, Germany. She jumped into art omnipotence have been on an apprenticeship at Kenn charms and frightens him. fille et les nuages / 1998 Fugue coming back any more... directed and art directed more in Brunswick, Germany, then the solution to all your Perkins Animation. A two-time / 1996 ZigZag / 1995 L’année From this particular day than 20 animated films. Recent pushed off and dove into the childhood troubles? Academy Award nominee, du daim / 1992 La course à there starts their mutual works include Miriam`s Kite mathematical ocean in Berlin. Barker is an animation film- l’abîme / 1989 Le sujet du tab- life. Popi, even though he (2013), Happy Birthday (2012) But beneath the surface she maker with the National Film leau / 1986 Nakounine / 1985 is actually smarter and Lili (2008) and North Dragon realized that the deeper she Board of Canada (NFB). 78 tours / 1982 Le ravissement stronger, succumbs to (2007), Miriam and the flood delved, the darker it became. de Frank N. Stein / 1977 Hors- monkey’s whims. Popi is (2006), Miriam`s nestbox She was afraid to end up in the jeu / 1975 Perspectives / 1974 a symbol of obedience (2006), Brothers bearhearts Black Square, so she decided Le vol d’Icare and subservience. On (2005), The Penguin Parade to make another 180-degree the other hand, Huhuu (2002), Having Soul (2001). turn. On the way back she symbolises licentiousness came across a school of fish. and silliness. This is an al- It was so colorful and had legory, more phantasmal moved so elegantly that she than a dream and more simply had to swim behind it. dreadful than truth. Based She tried to retain its bright on the short story “Popi colors and graceful plasticity. and Huhuu” by Friedebert When she turned her eyes Tuglas. away from the fish, she found herself in the Animationinstitut at the Filmakademie Baden- Wuerttemberg. And till this day she swims happily with her animation swarm there... If she is not in Paris looking for International Competition III International Competition III other fish... MAMIE SPARROW DUET AFTER THE END ENDGAME Janice Nadeau Steve Socki Sam Southward Phil Mulloy Canada, France / 2016 / 6’ 20’’ USA / 2016 / 3’54’’ United Kingdom / 2015 / 11’6’’ United Kingdom / 2015 / 7’20’’ Production: Folimage Studio, National Film Board of Canada Production: Steve Socki Productions Production: National Film and Television School Production: Spectre Films, Phil Mulloy

Synopsis Janice Nadeau Synopsis Steve Socki Synopsis Sam Southward Synopsis Phil Mulloy Mamie lives in a seaside Janice Nadeau (1977 Animated abstract shapes Steve Socki is currently an For René Fustercluck life Sam Southward is a London After a tough week at the Born in Wallasey, Merseyside. home on the Gaspé Pen- Gatineau, Canada) worked and gestures dance Assistant Professor at DePaul was bad, the Apocalypse born director, screenwriter and office, Richard and George Studied painting at Ravens- insula. When she receives as the artistic director for together with repeating University in Chicago, teaching was awful, and then Gordon animator. He is known for his like to play war games over bourne College of Art, then an expropriation notice, her various organisations. She patterns of motion. The animation courses. He also arrived … After The End distinct character design and the weekend to relax. The attended the Royal College of cloistered world crumbles. has illustrated many books images developed from taught for 3 years at California explores the possibility that the combination of live action dispassionate atmosphere Art Film School. Worked as a Her granddaughter wit- and is a three-time recipient pastel sketches of crows Institute of the Arts. the only thing worse than and CG techniques that he and minimalist style with freelance writer/director. Be- nesses this uprooting and of the prestigious Governor and sparrows interacting For over 25 years he worked being the last man on earth, uses to tell stories. Profession- which the growing brutality gan making animation in 1989. starts to question the lack of General’s Award for her with each other. Their as an animation director is being the second to last ally he has worked on a wide is handled slowly wipes Since that time he has made real ties between them. illustrations. In 2014, she playful hops and leaps & producer in Hollywood man on earth. variety of projects, from films the smile from your face, over fifty short films. Awards co-directed her first animated suggested a secretive on animated TV series at and commercials to computer before making sure that it include Grand Prix—Zagreb, film with Nicola Lemay, kind of ballet to me, as if studios including Nickelodeon, games and performance piec- doesn’t return. Best British—London Animation No Fish Where to Go. Her they were performing a Cartoon Network, Disney TV, es. A common thread in Sam’s Festival, Grand Prix-Ottawa latest project, Mamie, is a ritualistic dance. Universal Animation, Warner work is his sense of humour Animation Film Festival, Jury very personal film and a co- Bros, Bento Box, and Klasky and the way he uses it to tackle Award-Annecy, Critics Award- production between Folimage Csupo. Steve was nominated poignant subject matter and to Zagreb, McClaren Award, Jury and The National Film Board by the Television Academy for create immersive worlds. Award-Berlin InterFest. of Canada. 5 Emmy Awards, and won 1. Steve Socki received an MFA in animation from Cal Arts, where he studied under mentor Jules Engel.

International Competition III International Competition III Εθνικό (Κυπριακό) Διαγωνιστικό Πρόγραμμα / National (Cyprus) Competition Program prostitution. in herprocesstoescape unsuspected younggirl of eventsthatoccurtoan The unfortunatesequence Synopsis Production: UniversityofWestminster Cyprus, UK/20161’53’’ Constantinos Sophocleous ENSLAVED trafficking. short animatedfilmforhuman graduation filmtoproducea with IgniteOxfordformy TV series.FinallyIworked and videosupportforCypriot Sigma TV,providingaudio with theproductionteamat Cyprus. Furthermore,Iworked for thehistoryandcultureof producing fouranimationfilms worked withTheCypriotPuzzle video London producingthemusic with BullionProductionsLtd better myskills.Ihaveworked students, alwaystryingto rated withgamedevelopment personal projects.Icollabo- companies, aswellonmany sity Ihaveworkedwiththree During mytimeatUniver- Constantinos Sophocleous Electric Love-Borns Electric . Also Production: CharalambosMargaritis Cyprus /20151’44’’ Charalambos Margaritis LARGE SCALEABSURDITIESVOL.1 about it. ing muchonecansay Frankly, thereisnoth- that itisananimatedfilm. and weshouldspecify It isinblackandwhite A veryshortfilm. This isashortfilm. Synopsis Paphos, Cyprus. currently livesandworksin the IndieFestFilmAwards.He the AwardofRecognitionat Absurdities, Vol.1”received His film“LargeScale Festival. International AnimationFilm tor AwardintheAnim8fest received theBestAnima- Fest. For“Workhouse”he International ArtHouseFilm Festival theBlow-UpChicago International IndependentFilm Festival inNicosia,theSarmat val, theInternationalMotion the LondonGreekFilmFesti- participated amongothersin His film“Workhouse”(2012) Beaux ArtsdeParisin2012. Nationale Superieurede He graduatedfromtheÉcole Cyprus. was bornin1985Paphos, Charalambos Margaritis Charalambos Margaritis National Competition I TO REACH A SOUL I, THE EYE SERAFIM BÉBER’ LE DROMADAIRE Stefanos Chrysanthou Eleni Chandriotou Charis Christodoulides Rhea Lazarides, Christina Karekla Cyprus, UK / 2016 / 2’54’’ Cyprus / 2015 / 2’21’’ Cyprus, UK / 2016 / 1’ Cyprus, France / 2015 / 4’20’’ Production: Arts University Bournemouth Production: Thomas Gauthier

Synopsis Stephanos Chrysanthou Synopsis Eleni Chandriotou Synopsis Charis Christodoulides Synopsis Rhea Lazarides The film follows Kido, a Stefanos Chrysanthou is The eyes say what the mouth Eleni is in her final year in the In a planet of free will, Charis Christodoulides was Beber the dromedary is Graduate from the London child struggling to es- a Greek-Cypriot born on does not. After researching, Fine Arts Department of the dominated by war and born in 1993 with a passion desperatly looking for water College of Communication cape an untypical ‘coma October 18, 1992. Graduat- thinking and experimenting, University of Nicosia. Her hatred, the source of all towards all the forms and in the desert... with a 2D animation degree world’. As his family and ing from school in 2010, he I created this short animation work includes photography, that exist is incarnated in expressions of art. He is cur- and Animation Mentor gradu- doctors lose hope for joined the compulsory Cypriot trying to understand the video, collages, drawing and a person called Serafim. rently a fourth year student in ate in 3D character animation. his recovery, his brother, National Guard for 2 years as fundamentals of visual per- animation. She is passion- His purpose is to help the Scotland (UWS) undertaking Has experience in post- Brodo, does everything a Sergeant. After completing ception. We have a journey ate about animation, and is people achieve the highest the Computer Animation production houses in London in his power to keep his military service he took the to make in order to create experimenting with different of their abilities, in order to course. Completed a two year and Cyprus for advertising them from switching off Art and Design Foundation our own perception of the techniques both handmade stop the never ending war. portfolio building course in and short films and is currently his life support machine Diploma with Distinction at Ai- world around us and then to and digital. He explains the reason for Fine arts, and attended acting putting together a 2D & 3D as he hopes for Kido to gaia School. He then pursued discover the world within us. his arrival while telling the and dance lessons since the animation studio in London. wake up. the BA Animation Production The eye, which represents story of the creation of all age of seven. Worked as an She is currently creative course at Arts University everyone’s eyes, uncon- that is. He states that the art teacher and as an interior director of the Greenhouse Bournemouth. During his sec- sciously or consciously origin of light and darkness designer-painter for selected London (N16 9BU) which is a ond year he joined internship chooses what to save from is the same. Both created clients. Successfully partici- co working space for creative opportunities and volunteered the journey and with whom from the divine to coexist, pated in three animation com- people in North London. in Cyprus’ animation festival. to interact. There is a whole and maybe the reason petitions, winning first place in For his graduation year he universe hidden behind our for their existence is not two of them. Throughout his Christina Karekla directed, co-produced and eyes... to fight each other, but to academic and spiritual evolu- Visual artist with a background lead animated the hybrid film work together. tion he also gained multiple in sculptural ceramics and ‘To Reach a Soul’. Currently, skills on photography, acting, visual research. Stefanos is a freelance Char- dancing, singing, directing and Current work includes sculp- acter Animator and seeking filming. ture, painting and illustration. job opportunities mainly in the Teaching experiences at art CG & Cut-out/Puppet area. workshops for children and adults. Beber, during which I was more of an assistant director, is my first experience with animation. National Competition I HAIRY HARRY-THE FIRST INCIDENT MONEY POLLUTION THE GLITCH FROGO Dino Syrimis Periklis Georgiou Maria Nicolaou Georgia Nicolaou Cyprus / 2016 / 1’4’’ Cyprus / 2016 / 1’14’’ Cyprus / 2014 / 1’3’’ Cyprus / 2016 / 0.44’’ Production: Dinosaurius Animation Production: Canterbury Christ Church University

Synopsis Dino Syrimis Synopsis Periklis Georgiou Synopsis Maria Nicolaou Synopsis Georgia Nicoalou A very hairy character tries Dino Syrimis is an award win- Money Pollution is a short Periklis Georgiou hails from The story is about a female I currently study Film This short animation I have just completed my to stop the evil created by ning Animator who is now animation that in one way Larnaca, Cyprus and is a stu- hostage that is kept Radio and Television at follows a frog as it jumps studies of Multimedia & 3D printers. working at Zedem Media as or another showcases the dent at the Cyprus University captive by a man. A short Christ Church University around on a lake and lands Graphic Arts at Cyprus an animator. control of money over our of Technology in Multimedia animation connecting and as a second year student, on water lily leaves until it University of Technology. My His carreer includes work for life and its consequences. and Graphic Arts department. glitching reality and the majoring in film, animation suddenly lands on a plastic work experience includes television with Green Olive Since his baby steps in arts dream world. and cinematography. I was water bottle and it sinks creating animations for Rialto Films, for the internet with and graphics he has been nominated for an award at with it on top. This anima- Theatre and HDR Timelapses Gnosysoft and Opium Works interested in movement, color, my University for the short tion focuses mainly on the for the ICT Lab. My passion and for video games with Flix shape and everything related. animation “The Glitch” visual experimentation with for experimentation is evident Interactive. He has the tendency to ap- (2016). I also directed a animation techniques and in my films and animations. In During his Masters course, he proach what is happening in short film called “Catch Me material aesthetics created addition, my team and I have completed a short film which this world with a sometimes If You Can’t” (2015) and for my thesis at Cyprus Uni- created two experimental was screened at Animated large or small dose of irony drawn a storyboard for it. I versity of Technology. How- films that included animated Exeter, Flatpack, CYIFF and and humor. Money Pollution is was the Director of Photog- ever, the short story has an sequences for the Pharos Art CIFF where he won the award his first short animation movie. raphy (DOP) and the camera environmental message at Foundation. for best animated short film. operator to another short the end: people should not His education includes a Mas- film called “Biff” (2015) and litter nature. ters in Animation from the was the camera operator University of Glamorgan and a to a short film called “The BA in Animation from the Reverse” (2016). I speak University of Wolverhampton. both Greek and English.

National Competition I National Competition I Interactive Instalation / Out of Competition National Competition & Children’s Film Panorama LARGE SCALE ABSURDITIES VOL. 2 HOPE WITH - IN AGRINOUI FROM HEAVEN Charalambos Margaritis Cyprus / 2016 Alexis Chaviaras Sholeh Zahraei Cyprus / 2015 / 8’16’’ Cyprus Technological University Cyprus / 2015 / 19’40’’ Cyprus / 2016 / 1’9’’ Production: Kimonos Art Center Production: A. Chaviaras Productions ltd. / Production: Lupa Pictures Financial Support: Cyprus Ministry of Education and Culture C.C.A.C.

Synopsis Art Directors: Hologram Supervisors: Synopsis Alexis Chaviaras Synopsis Sholeh Zahraei This is a short film. Michalis Constantinou Michalis Constantinou A young mare visits Cy- Alexis was born in Antwerp A video art about the Sholeh Zahraei was born in Not as short as others may Philippos Athinodorou Myria Adamou prus to take part in races. in 1978. He has been teach- abandoned Nicosia Interna- Tehran/Iran, grew up in Berlin, be! And it’s in color, which Frustrated from failure, she ing animation at Universi- tional Airport, based on the and studied Digital Filmmaking is quite a surprise given the Graphics Directors: Projection Mapping abandons the racetrack ties in Cyprus since 2009. events of 1974 in Cyprus in Amsterdam. She graduated animator’s style. Kalia Pavlou Supervisors: after confronting her strict Alexis has been generating and their tragic aftermath. with a BA with High Honors We should specify that it Nicoletta Kyriakou Iraclis Ioannou father. The mare will meet media animation material from the Department of Radio, is an animated film as well. Pamela Andreou Irini Pantela new friends who will try since 2002 and is currently Television and Film and That’s about it. Fanouria Panayiotou to help her find her lost researching the field of sce- pursued her Master’s degree Technical Directors: courage. nic design for 3D computer in the Department of Visual Multimedia Directors: Philippos Athinodorou animated films. Arts & Visual Communication Iraclis Ioannou Nicoletta Kyriakou In 2011 he produced and in Cyprus. Since 2010, she Michalis Constantinou Pamela Andreou directed the animated short also works on underwater Fanouria Panayiotou “Struthio”. photography and film. Sholeh Video/Animation has participated as a talent in Directors: Promotional Videos: the Berlinale Talent Campus Irini Pantela Georgia Nicolaou 2016. In January 2016, Sholeh Iraclis Ioannou participated in a filmmaking Myria Adamou workshop with maestro Abbas Georgia Nicolaou Kiarostami in Cuba where she made a short film mentored by him.

National Competition I National Competition II National & International Competition National & International Competition CLUSTER 140 000 - 1 UNITED UROPA THE MAN AND THE TREES Constantinos Georgiou Savvas Theodosiou Cosmas Nonis Constantinos Terlikkas, Dani Pucz Cyprus / 2015 / 3’39’’ Cyprus / 2016 / 1’13’’ Cyprus / 2016 / 1’7’’ Cyprus, Romania, Hungary / 2015 / 1’50’’ Production: Northumbria University Production: Cyprus University of Technology Production: Cyprus University of Technology Production: Filmtett.ro

Synopsis Constantinos Georgiou Synopsis Savvas Theodosiou Synopsis Cosmas Nonis Synopsis Constantinos Terlikkas Cluster is a short animated Recent BA Animation To be or not to be? But I come from Nicosia and I This artistic animated film Cosmas Nonis is a third- One minute animated short, Born in Nicosia in 1986. In Oc- film about the life of a graduate from Northumbria what’s happening when was born in 1994. I currently attempts to reveal the con- year student at the Cyprus based on a one minute tober 2011 he graduated from young adult suffering from University specialising in 3D “not to be” is not a choice? study Graphic Arts at Cyprus cepts related to the totalitar- Technological University in short tale by hungarian folk the Department of Graphic cluster headaches. He Animation and Visual Effects. 2001; A bomb falls down, University of Technology, ian and autocratic methods the Multimedia Department writer Gaspar Heltai. A story Design, in the Faculty of Fine struggles not only with his Contracted by The Cypriot scattering death to hun- with first class honours. I’m of Europe elite classes that of the Fine Arts School. of a man, who goes out to Arts and Design, at Techno- pain but also with loneliness Puzzle in July 2015 to pro- dreds. A “tele-witness”, highly motivated about Art strive to unite Europe under In 2015 I participated in the forest to ask for a stick, logical Educational Institute of and depression. This also duce 4 high quality short was scattering plague to and Design and I’m interested one authority for the benefit Animafest Cyprus with my a story about true nature of Athens (ΤΕΙ). In October 2011 illustrates the isolated life motion graphics/info graph- hundreds million days ago; in Fine Arts, Graphic Design, of the economic purposes film Atonement. manhood. he finished his final university and detached being of an ics videos about the citizens a black rat. Not any black Animation and Web Design. of bankers, stock-markets project, which consisted of individual with a serious of Cyprus. My responsibili- rat! Pierre is immune to and big corporations. The two sections: the design of problem. The problem ties were to bring life to the death. 1945; A bomb fell semiotics of the film guide his personal branding and is defined and judged drawings I received from the down scattering death to the viewer to consciously the creation of his second by a world that does not graphic designers and illus- 140.000. One Hundred or subconsciously create personal animation, short understand, and labelled trators and make the videos Forty Thousand Minus connections between the film, entitled Nannourisman as ‘a headache’. It shows interesting by using different One... E.E (European Union) with which has screened at the how the demon cluster has animation techniques. the Nazis that carried out the 11th Countryside Animafest taken everything he loves same idea of an inhumane Cyprus, Views of the World away and stripped him of United Europe. and at the 5.0 αniμasyroς In- his desire to live. Finally, he ternational Animation Festival confronts the demon the + Forum. only way he feels he can. Dani Pucz Animation film maker and graphic designer from Hungary. Former Illyés Akadémia student. His first film was Karawane (2015), his first exhibition was held at Mika Tivadar, titled “now National Competition II you see daddy, finally i got an exhibition!” Ευχαριστούμε τους / Acknowledgements:

Υπουργείο Παιδείας & Πολιτισμού / Ministry of Education & Culture Annaida Orosz & Tamas Patrovits Παύλο Παρασκευά, Διευθυντή Πολιτιστικών Υπηρεσιών ΥΠΠ / Vesna Dovnikovich (ASIFA Secretary General) Pavlo Paraskeva, Director of the Cultural Services of the MOEC Vjera Matkovich Έλενα Χριστοδουλίδου, Λειτουργό Α΄ Πολιτιστικών Υπηρεσιών ΥΠΠ / Chris Robinson Elena Christodoulidou, Cultural Services of the MOEC Arril Johnson Διομήδη Νικήτα, Λειτουργό Πολιτιστικών Υπηρεσιών ΥΠΠ / Τεχνολογικό Πανεπιστήμιο Κύπρου / Cyprus University of Technology Diomides Nikitas, Cultural Services of the MOEC Ερασμία Κολά / Erasmia Kola Nenad Bogdanovic, Creative Europe Desk Cyprus Μαρία Παύλου / Maria Pavlou Γιάννα Αμερικάνου / Yianna Americanou, Creative Europe Desk Cyprus Κατερίνα Παντέλα / Katerina Pantela Αντρη Χατζιαντρέου /Andri Hadjiandreou, Creative Europe Desk Cyprus Κινηματογραφική Λέσχη Λεμεσού / Limassol Cine club Μαρίνα Σολομίδου - Ιερωνυμίδου / Marina Solomides - Ieronimidou Αντώνη Αντωνίου / Antoni Antoniou Διευθύντρια Τμήματος Αρχαιοτήτων Το μουσικό σχήμα Sandy Brour / Music Band Sandy Brour Director at Cyprus Department of Antiquities Ευθυμία Άλφα / Efthymia Alphas / Μέμνων Αρέστη / Memnon Arestis / Χαριτίνη Φρύνη Χατζηχριστοφή / Frini Hatzichristofi - Cyprus Department of Antiquities Κυριάκου / Xaritini Kyriakou / Βερόνικα Αλωνεύτου / Veronika Aloneftou / Σάββα Ευθυμία Άλφα / Efthimia Alpha - Cyprus Department of Antiquities Θωμά / Savvas Thoma / Σύμη Σουκιούρογλου / Simis Soukiorouglou Οργανισμό Νεολαίας Κύπρου / Youth Board of Cyprus Χρίστο Αγιομαμίτη / Christos Ayiomamitis Αυστριακή Πρεσβεία στην Κύπρο / Austrian Embassy Σοφοκλή Καρπασίτη / Sofokli Karpasiti Ελένη Αγκαστινιώτου / Eleni Angastiniotou Πανεπιστήμιο Λευκωσίας / Νicosia University Μέλη κριτικής επιτροπής / Jury committee members Κατερίνα Ατταλίδου & Τζον Μαυρή / Katerina Attalidou and John Mavris Kaspar Jancis Γιάγκο Χαντζηγιάννη / Yiangos Handjigiannis Theodore Ushev Μαρκέλλα Νεοκλέους / Markella Neokleous Γιώργο Σαββινίδη / Yiorgo Savvinidi Παναγιώτα Μιχαήλ / Panagiota Michael Lana Tankosa Nikolic and Morten Thorning - The Animation Workshop Χριστίνα & Ηλία Ζήρα / Christina & Ilias Ziras Thomas Renoldner and Federica Pagnucco Ευτυχία Αλευρά / Eftihia Alevra Τον Πρόεδρο και το Κοινοτικό Συμβούλιο Κουκλιών Χριστίνα Κωνσταντίνου / Christina Constantinou President Michalakis Solonos and the Community Council, Kouklia Φύτο & Δημήτρη / Fitos & Dimitris Μαρία Λένου, Προϊσταμένη Αρχαιολογικού χώρου στα Κούκλια, Παλαίπαφος Εθελοντές Φεστιβάλ / Festival Volunteers: Δημοσθένης Δημοσθένους / Demosthenis Maria Lenou, Ancient site of Palaepaphos supervisor Demosthenous / Μυρτώ Θεοχαρίδου / Myrto Theocharidou / Νικόλας Κυριάκου Ελισάβετ Πέτρου, προσωπικό Αρχαιολογικού χώρου στα Κούκλια Παλαίπαφος Nicolas Kyriakou / Ελένη Χανδριώτου / Eleni Chandriotou / Κατερίνα Σιαμμά / Kat- Elisavet Petrou, Ancient site of Palaepaphos staff erina Shiama / Λούης Λοΐζου / Louis Loizou / Μικαέλα Popovic / Michaela Popovits Γιώργος Χαραλάμπους, προσωπικό Αρχαιολογικού χώρου στα Κούκλια Παλαίπαφος Αντρέας Ρωσσίδης / Andreas Rossides / Μάγια Πάρπα / Mayia Parpa / Μαρία Yiorgos Charalambous, Ancient site of Palaepaphos staff Αδάμου / Maria Adamou / Κλειώ Κραμβή / Kleio Kramvi / Ελένη Κραμβή / Eleni Αβέρκιος Χατζηιωάνου, προσωπικό Αρχαιολογικού χώρου στα Κούκλια Παλαίπαφος Kramvi / Αντρέας Κακουλής / Andreas Kakoullis / Χριστιάνα Γεωργιάδου / Christiana Averkios Hatzioannou, Ancient site of Palaepaphos staff Georgiadou / Χάρης Χριστοδουλίδης / Charis Christodoulides Τράπεζα Κύπρου, Μιχάλη Περσιάνη / Bank of Cyprus, Michalis Persianis Όλους τους σκηνοθέτες, διανομείς και δημιουργούς των ταινιών, καθώς και όλους Μουσειόν Χαρακτικής Χαμπή / Hambis Printmaking Museum όσοι βοήθησαν με οποιονδήποτε τρόπο / Χαμπή Τσαγγάρη / Hambi Tsangari All the filmmamakers and film distributors. Αnd everyone who helped in any way. Hélène Reeb-Tsangaris Ειρήνη Στυλιανίδου / Irene Stylianides Ελένη Παναγίδου / Eleni Panagidou ΕΝΤΥΠΑ - ΕΚΔOΣΕΙΣ ΦΕΣΤΙΒΑΛ / FESTIVAL PRINTED MATERIAL - PUBLICATIONS

ΔΗΜΙΟΥΡΓΙΚO / CREATIVE: Αφίσα / Poster: Theodore Ushev Λογότυπο Φεστιβάλ / Festival logo: Γιώργος Τσαγγάρης / Yiorgos Tsangaris

ΚΑΤΑΛΟΓΟΣ ΦΕΣΤΙΒΑΛ / FESTIVAL CATALOGUE Συντονισμός ύλης / Text general coordination: Μαγδαλένα Ζήρα / Magdalena Zira Γιώργος Τσαγγάρης / Yiorgos Tsangaris Επιμέλεια και διορθώσεις ελληνικών κειμένων Editing and proof-reading of greek texts: Μαγδαλένα Ζήρα / Magdalena Zira Μετάφραση και επιμέλεια αγγλικών κειμένων Translation and editing of english texts: Μαγδαλένα Ζήρα / Magdalena Zira Καλλιτεχνική επιμέλεια και σχεδιασμός εκδόσεων Artistic direction and design of the editions: Γιώργος Τσαγγάρης / Yiorgos Tsangaris Υλοποίηση ιστοσελίδας / Web development: Κωσταντίνος Τερλικκάς / Constantinos Terlikas Εκτύπωση / Printing: Cassoulides Masterprinters