The Nara State
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Emperor Hirohito (1)” of the Ron Nessen Papers at the Gerald R
The original documents are located in Box 27, folder “State Visits - Emperor Hirohito (1)” of the Ron Nessen Papers at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Ron Nessen donated to the United States of America his copyrights in all of his unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. Digitized from Box 27 of The Ron Nessen Papers at the Gerald R. Ford Presidential Library THE EMPEROR OF JAPAN ~ . .,1. THE EMPEROR OF JAPAN A Profile On the Occasion of The Visit by The Emperor and Empress to the United States September 30th to October 13th, 1975 by Edwin 0. Reischauer The Emperor and Empress of japan on a quiet stroll in the gardens of the Imperial Palace in Tokyo. Few events in the long history of international relations carry the significance of the first visit to the United States of the Em peror and Empress of Japan. Only once before has the reigning Emperor of Japan ventured forth from his beautiful island realm to travel abroad. On that occasion, his visit to a number of Euro pean countries resulted in an immediate strengthening of the bonds linking Japan and Europe. -
Mother of the Nation: Femininity, Modernity, and Class in the Image of Empress Teimei
Mother of the Nation: Femininity, Modernity, and Class in the Image of Empress Teimei By ©2016 Alison Miller Submitted to the graduate degree program in the History of Art and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson Dr. Maki Kaneko ________________________________ Dr. Sherry Fowler ________________________________ Dr. David Cateforis ________________________________ Dr. John Pultz ________________________________ Dr. Akiko Takeyama Date Defended: April 15, 2016 The Dissertation Committee for Alison Miller certifies that this is the approved version of the following dissertation: Mother of the Nation: Femininity, Modernity, and Class in the Image of Empress Teimei ________________________________ Chairperson Dr. Maki Kaneko Date approved: April 15, 2016 ii Abstract This dissertation examines the political significance of the image of the Japanese Empress Teimei (1884-1951) with a focus on issues of gender and class. During the first three decades of the twentieth century, Japanese society underwent significant changes in a short amount of time. After the intense modernizations of the late nineteenth century, the start of the twentieth century witnessed an increase in overseas militarism, turbulent domestic politics, an evolving middle class, and the expansion of roles for women to play outside the home. As such, the early decades of the twentieth century in Japan were a crucial period for the formation of modern ideas about femininity and womanhood. Before, during, and after the rule of her husband Emperor Taishō (1879-1926; r. 1912-1926), Empress Teimei held a highly public role, and was frequently seen in a variety of visual media. -
Representations of Pleasure and Worship in Sankei Mandara Talia J
Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei mandara Talia J. Andrei Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences Columbia University 2016 © 2016 Talia J.Andrei All rights reserved Abstract Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei Mandara Talia J. Andrei This dissertation examines the historical and artistic circumstances behind the emergence in late medieval Japan of a short-lived genre of painting referred to as sankei mandara (pilgrimage mandalas). The paintings are large-scale topographical depictions of sacred sites and served as promotional material for temples and shrines in need of financial support to encourage pilgrimage, offering travelers worldly and spiritual benefits while inspiring them to donate liberally. Itinerant monks and nuns used the mandara in recitation performances (etoki) to lead audiences on virtual pilgrimages, decoding the pictorial clues and touting the benefits of the site shown. Addressing themselves to the newly risen commoner class following the collapse of the aristocratic order, sankei mandara depict commoners in the role of patron and pilgrim, the first instance of them being portrayed this way, alongside warriors and aristocrats as they make their way to the sites, enjoying the local delights, and worship on the sacred grounds. Together with the novel subject material, a new artistic language was created— schematic, colorful and bold. We begin by locating sankei mandara’s artistic roots and influences and then proceed to investigate the individual mandara devoted to three sacred sites: Mt. Fuji, Kiyomizudera and Ise Shrine (a sacred mountain, temple and shrine, respectively). -
The Establishment of State Buddhism in Japan
九州大学学術情報リポジトリ Kyushu University Institutional Repository The Establishment of State Buddhism in Japan Tamura, Encho https://doi.org/10.15017/2244129 出版情報:史淵. 100, pp.1-29, 1968-03-01. Faculty of Literature, Kyushu University バージョン: 権利関係: - 1 - THE ESTABLISHMENT OF STATE BUDDHISM IN JAPAN Encho Tamura In ancient times, during the Yamato period, it was the custom for each succeeding emperor at the beginning of his reign to seek some site on which to build a new imperial palace and relocate himself. In other words, successive emperors neither inherited their palaces from the previous emperor nor handed them down to the following emperor. Hardly any example is to be found of the same palace being used by more than two emperors successively. The fact that the emperor in ancient times was called by the name of the place where his palace was located* is based on this custom of seeking new sites and founding new palaces. < 1 > This custom was strictly adhered to until the 40th Emperor, Temmu (672-686 A. D.).** The palaces, though at times relocated at Naniwa (the present Osaka Prefecture), or at Cmi (Shiga Prefecture), in most cases were built in different locations within the boundary of the Yamato area (Nara Prefecture). It is true that there is a theory denying the existence of emperors previous to the 14th Emperor, Chuai, but it is clearly stated in both the Kojiki and the Nihonshoki that all of the emperors including Jimmu, the 1st Emperor, strictly adhered to this custom of relocating the palace. This reflects the fact *For example, Emperor Kimmei was called "Shikishima no Kanazashi no Miya ni Arne ga shita Shiroshimesu Sumeramikoto" (The Emperor who rules the whole area under heaven at his Kanazashi Palace in Shikishima). -
Powerful Warriors and Influential Clergy Interaction and Conflict Between the Kamakura Bakufu and Religious Institutions
UNIVERSITY OF HAWAllllBRARI Powerful Warriors and Influential Clergy Interaction and Conflict between the Kamakura Bakufu and Religious Institutions A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN HISTORY MAY 2003 By Roy Ron Dissertation Committee: H. Paul Varley, Chairperson George J. Tanabe, Jr. Edward Davis Sharon A. Minichiello Robert Huey ACKNOWLEDGMENTS Writing a doctoral dissertation is quite an endeavor. What makes this endeavor possible is advice and support we get from teachers, friends, and family. The five members of my doctoral committee deserve many thanks for their patience and support. Special thanks go to Professor George Tanabe for stimulating discussions on Kamakura Buddhism, and at times, on human nature. But as every doctoral candidate knows, it is the doctoral advisor who is most influential. In that respect, I was truly fortunate to have Professor Paul Varley as my advisor. His sharp scholarly criticism was wonderfully balanced by his kindness and continuous support. I can only wish others have such an advisor. Professors Fred Notehelfer and Will Bodiford at UCLA, and Jeffrey Mass at Stanford, greatly influenced my development as a scholar. Professor Mass, who first introduced me to the complex world of medieval documents and Kamakura institutions, continued to encourage me until shortly before his untimely death. I would like to extend my deepest gratitude to them. In Japan, I would like to extend my appreciation and gratitude to Professors Imai Masaharu and Hayashi Yuzuru for their time, patience, and most valuable guidance. -
The Myth of the Goddess of the Undersea World and the Tale of Empress Jingu’S Subjugation of Silla
Japanese Journal of Religious Studies 1993 20/2-3 The Myth of the Goddess of the Undersea World and the Tale of Empress Jingu’s Subjugation of Silla Akima Toshio In prewar Japan, the mythical tale of Empress Jingii’s 神功皇后 conquest of the Korean kingdoms comprised an important part of elementary school history education, and was utilized to justify Japan5s coloniza tion of Korea. After the war the same story came to be interpreted by some Japanese historians—most prominently Egami Namio— as proof or the exact opposite, namely, as evidence of a conquest of Japan by a people of nomadic origin who came from Korea. This theory, known as the horse-rider theory, has found more than a few enthusiastic sup porters amone Korean historians and the Japanese reading public, as well as some Western scholars. There are also several Japanese spe cialists in Japanese history and Japan-Korea relations who have been influenced by the theory, although most have not accepted the idea (Egami himself started as a specialist in the history of northeast Asia).1 * The first draft of this essay was written during my fellowship with the International Research Center for Japanese Studies, and was read in a seminar organized by the institu tion on 31 January 199丄. 1 am indebted to all researchers at the center who participated in the seminar for their many valuable suggestions. I would also like to express my gratitude to Umehara Takeshi, the director general of the center, and Nakanism Susumu, also of the center, who made my research there possible. -
Print This Article
sJapanese Language and Literature JJournalapanese of the American Language Association and of Teachers Literature of Japanese Journal of the American Association of Teachers of Japanese jll.pitt.edu | Vol. 54 | Number 1 | April 2020 | DOI 10.5195/jll.2020.89 jll.pitt.edu | Vol. 54 | Number 1 | April 2020 | DOI 10.5195/jll.2020.89 ISSN 1536-7827 (print) 2326-4586 (online) ISSN 1536-7827 (print) 2326-4586 (online) Poetics of Acculturation: Early Pure Land Buddhism and the Topography of the Periphery in Orikuchi Shinobu’s The Book of the Dead Ikuho Amano Introduction Known as the exponent practitioner of kokubungaku (national literature), modernist ethnologist Orikuchi Shinobu (1887–1953) readily utilized archaic Japanese experiences as viable resources for his literary imagination. As the leading disciple of Yanagita Kunio (1875–1962), who is known as the founding father of modern folkloric ethnology in Japan, Orikuchi is often considered a nativist ethnologist whose works tend to be construed as a probing into the origin of the nation. He considered the essence of national literature as “the origins of art itself,” and such a critical vision arguably linked him to interwar fascism.1 Nevertheless, his nativist effort as a literatus was far from the nationalist ambition of claiming a socio-cultural unity. On the contrary, Orikuchi invested his erudition to disentangle the concatenation of the nation, religion, and people and thus presented ancient Japanese experience as discursive molecules rooted in each locality. In this regard, his novel Shisha no sho (The Book of the Dead, 1939) plays an instrumental role of insinuating the author’s nuanced modernist revisionism. -
Medieval Japan
Medieval Japan Kingaku Temple in Kyoto, Japan A..D..300 A..D.7.700 1100 1500 c. A.D. 300 A.D.646 1192 c. 1300s Yayoi people Taika reforms Rule by Noh plays organize strengthen shoguns first into clans emperor’s powers begins performed Chapter Overview Visit ca.hss.glencoe.com for a preview of Chapter 5. Early Japan Physical geography plays a role in how civilizations develop. Japan’s islands and mountains have shaped its history. The Japanese developed their own unique culture but looked to China as a model. Shoguns and Samurai Conflict often brings about great change. Japan’s emperors lost power to military leaders. Warrior families and their followers fought each other for control of Japan. Life in Medieval Japan Religion influences how civilization develops and culture spreads. The religions of Shinto and Buddhism shaped Japan’s culture. Farmers, artisans, and merchants brought wealth to Japan. View the Chapter 5 video in the Glencoe Video Program. Categorizing Information Make this foldable to help you organize information about the history and culture of medieval Japan. Step 1 Mark the midpoint of the Step 2 Turn the Reading and Writing side edge of a sheet of paper. paper and fold in Jap an As you read the chapter, each outside edge organize your notes to touch at the by writing the main midpoint. Label ideas with supporting as shown. details under the appropriate heading. Draw a mark at the midpoint Early Shoguns and Life in Japan Samurai Medieval Japan Step 3 Open and label your foldable as shown. -
Slide 36. Introduction of Miwa Deity to Mt. Hiei
Footnote Slide 36. Condensed Visual Classroom Guide to Daikokuten Iconography in Japan. Copyright Mark Schumacher, 2017. INTRODUCTION OF MIWA DEITY TO MT. HIEI Scholars generally assume the Miwa deity (aka Ōmononushi, aka Ōnamuchi) was introduced to Mt. Hiei during the reign of Tenji 天智天皇 (r. 626–71). The prevailing view is that the Miwa deity was “invited” to Mt. Hiei around 663-667 CE, when Tenji moved his court out of the Yamato basin to the more secluded site of Ōtsu 大津 (near Mt. Hiei). In 667 CE, Tenji’s new palace was built just five kilometers south of Mt. Hiei. Before the court’s move to Ōtsu, one of the most important sites of court kami worship was Mt. Miwa, located on the eastern edge of the Yamato plain. The Miwa deity hailed from Mt. Miwa and was perhaps Japan’s most powerful kami in those days. It is therefore “reasonable” to assume the Miwa deity was “invited” by Tenji’s court to reside near the new capital in Ōtsu. NONETHELESS, it is impossible to say with certainty if the Miwa deity was installed at Mt. Hiei between 663-667 CE. It is safer to say the Miwa deity was “imported” to Mt. Hiei sometime in the 7th or 8th centuries (probably before the Nara era). Saichō 最澄 (767-822), founder of Hiei’s shrine-temple multiplex, was certainly aware of the Miwa deity and actively venerated it. • Writes Meri Arichi in Seven Stars of Heaven and Seven Shrines on Earth: The Big Dipper and the Hie Shrine in the Medieval Period, quote from pp. -
Shintō and Buddhism: the Japanese Homogeneous Blend
SHINTŌ AND BUDDHISM: THE JAPANESE HOMOGENEOUS BLEND BIB 590 Guided Research Project Stephen Oliver Canter Dr. Clayton Lindstam Adam Christmas Course Instructors A course paper presented to the Master of Ministry Program In partial fulfillment of the requirements for the Degree of Master of Ministry Trinity Baptist College February 2011 Copyright © 2011 by Stephen O. Canter All rights reserved Now therefore fear the LORD, and serve him in sincerity and in truth: and put away the gods which your fathers served −Joshua TABLE OF CONTENTS Acknowledgements........................................................................................................... vii Introduction..........................................................................................................................1 Chapter One: The History of Japanese Religion..................................................................3 The History of Shintō...............................................................................................5 The Mythical Background of Shintō The Early History of Shintō The History of Buddhism.......................................................................................21 The Founder −− Siddhartha Gautama Buddhism in China Buddhism in Korea and Japan The History of the Blending ..................................................................................32 The Sects That Were Founded after the Blend ......................................................36 Pre-War History (WWII) .......................................................................................39 -
1 Church and State ( : Ritsuryo Saisei Itchi Kami
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Welcome to TRUSpace | TRUSpace 1 State Shinto and the Use of Shrines in Japanese Colonies By Cary S. Takagaki In the third month of 1868, the newly formed Meiji government announced its intention to return to the ritsuryo system of government that had been in place during the Nara and Heian periods. This was a system that held to the concept of unity between church and state (saisei itchi). Thus, the Jingikan, Office of (Shinto) Deities (often translated as Office of Kami Worship), was revived in that same month as one of seven departments in the Dajokan, the administrative organ of the state, and in an attempt to “purify” the tradition, a policy of separating Buddhism from Shinto (shinbutsu bunri-rei) was adopted.1 However, in July of 1869, the Jingikan was given the highest rank of all government offices, placing it above the Dajokan, and in the following year an Imperial Rescript on the Enshrinement of the Kami was issued, asserting that, along with various Shinto gods, all the emperors of Japan were to be worshiped as kami: Now that the imperial dignity has passed to Us, small and frail of form though we be, we are afraid both night and day that there will be some want in Our performance of the Imperial duties. We thereby enshrine with the Jingikan (The Office of Kami Worship), the kami of Heaven and Earth, together with the eight kami of Kamimusubi-no-kami, Takamimusubi-no-kami, Tamatsu-memusubi-no-kami, Ikumusubi-no-kami, Taramusubi-no-kami, Omiyame-no-kami, Miketsukami and Kotoshironushi-no-kami, and along with them, the souls of all past Emperors. -
The Hachiman Cult and the Dokyo Incident Author(S): Ross Bender Source: Monumenta Nipponica, Vol
The Hachiman Cult and the Dokyo Incident Author(s): Ross Bender Source: Monumenta Nipponica, Vol. 34, No. 2 (Summer, 1979), pp. 125-153 Published by: Sophia University Stable URL: http://www.jstor.org/stable/2384320 Accessed: 17-03-2016 17:03 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Sophia University is collaborating with JSTOR to digitize, preserve and extend access to Monumenta Nipponica. http://www.jstor.org This content downloaded from 77.80.42.241 on Thu, 17 Mar 2016 17:03:08 UTC All use subject to JSTOR Terms and Conditions The Hachiman Cult and the D6ky6 Incident by Ross BENDER XO I NE of the gravest assaults ever made on the Japanese imperial institution was launched by the Buddhist priest D6ky6' in the 760s. Dokyo, who came from a clan of the low-ranking provincial aristocracy, gained the affection of the retired Empress K6ken2 in 761 and proceeded to gather political power to himself; by the end of the decade he stood as the paramount figure in the court bureaucracy and had already begun to usurp imperial prerogatives. It was in 769 that an oracle from the shrine of Hachiman in Kyushu was reported to Nara: the god prophesied peace in the realm if Dokyo were proclaimed em- peror.