The Sunset Limited, by Cormac Mccarthy, Pulls Into the Coachella

Total Page:16

File Type:pdf, Size:1020Kb

The Sunset Limited, by Cormac Mccarthy, Pulls Into the Coachella For Immediate Release Contact: Alvin Kupperman [email protected] 323-333-4707 The Sunset Limited, by Cormac McCarthy, Pulls into The Coachella Valley Repertory Theatre (CV REP) But when the train leaves the station, whose soul will go with it? One man’s journey spurs another man’s outlook on faith…it’s never just black and white! “This is mind expanding theatre at it’s best…” Tom Williams, Chicagocritic.com __________________________________________________________ Rancho Mirage, CDA –Feb. 1, 2013 - The Coachella Valley Repertory Theatre (CV REP) is announcing its third in-house production of their 2012-13 season, The Sunset Limited, by Cormac McCarthy, scheduled for a three week run at the CV REP theatre in Rancho Mirage from March 20-April 7, 2013. Written by Pulitzer Prize–winning novelist, Cormac McCarthy, (The Road, No Country for Old Men), and directed by CV REP Artistic Director, Ron Celona, The Sunset Limited is an edge-of-your seat drama about “White” a Caucasian, atheistic professor, and “Black” an Afro-American ex-convict/evangelical Christian who are brought together by desperate circumstances on a New York City subway platform. The play begins soon after “Black” brings “White” back to his Harlem apartment where they lock horns in a high-stakes, electrifying faith-versus-reason debate. “There are some Playwright’s words that have to be experienced in person….an actor’s dream to share, and an audience’s moment to be a part of the collaboration of thoughtful words and the human spirit. Cormac McCarthy’s writing does just that!, “ says CV Repertory ‘s Artistic Director, Ron Celona. First performed at Steppenwolf Theatre in Chicago and then New York City in 2006 and faithfully adapted for a 2011 HBO movie starring Samuel Jackson and Tommy Lee Jones, The Sunset Limited is a stirring play that offers two opposing viewpoints of life and death, faith, and the future of mankind - a psychological cat and mouse game with a compelling climax sure to provide audiences with a riveting, theatrical experience. Critics applauded the 2006 Steppenwolf Theatre pre-Broadway premiere of The Sunset Limited. Critical comments included “...The ideas presented offer so much ‘food-for- thought’ that you’ll be discussing them long after seeing The Sunset Limited. Only good can come from that. This is mind expanding theatre at its best...." Tom Williams, Chicagocritic.com The Sunset Limited will be performed from March 20th- April 7th at the CV Repertory Theatre located in The Atrium at 69-930 Highway 111 Rancho Mirage, CA 92270. Tickets are $40.00 and can be purchased online at www.cvrep.org or at the box office: 760-296-2966. Group seats are available. CV Rep is an educational and dramatic theatre organization that presents thought- provoking theatre of substance and children’s outreach programs designed to enrich the quality of life for Coachella Valley residents and visitors. For more information call 760- 296-2966 or visit www.cvrep.org. .
Recommended publications
  • Cormac Mccarthy's Suttree
    Missing in Portuguese: Prolegomenon to a Translation of Cormac McCarthy‟s Suttree Michael Scott Doyle (University of North Carolina at Charlotte) Missing in Portuguese is a translation of Cormac McCarthy‟s fourth novel, Suttree.1 Why should this be of concern? Because Portuguese is a major world language,2 Cormac McCarthy is one of the most acclaimed contemporary American novelists, and Suttree, published in 1979, is one of his most lauded novels. McCarthy—winner of a prestigious MacArthur Fellowship (1981), also known as the “genius grant,” the National Book Award (1992) and National Book Critics Circle Award (1992) for his novel All the Pretty Horses, the James Tait Black Memorial Prize (2007), and the Pulitzer Prize for Fiction (2007) for The Road—is a high priest among American writers. While eight of his ten novels have been translated into Portuguese—O Guarda do Pomar in 1996 [The Orchard Keeper, 1965], Filho de Deus, 1994 [Child of God, 1974], Meridiano de Sangue, 2006 [Blood Meridian, 1985], Todos os Belos Cavalos, 1993 [All the Pretty Horses, 1992], A Travessia, 1999 [The Crossing, 1994], Cidades da Planície, 2001 [Cities of the Plain, 1998], Onde os Velhos Não Têm Vez, 2007 [No Country for Old Men, 2005] and A Estrada, 2007 [The Road, 2006]—Suttree awaits its rightful rendition into this major literary language as well.3 The translation-to-be will require the talents of a master wordsmith in order to felicitously bring the novel‟s many complexities into Portuguese, and doing so will enrich the library of world literature available in the Portuguese language.
    [Show full text]
  • The Sunset Limited Press Release
    588 Sutter Street #318 San Francisco, CA 94102 415.677.9596 fax 415.677.9597 www.sfplayhouse.org PRESS RELEASE VENUE: 533 Sutter Street, @ Powell For immediate release Contact: Susi Damilano August, 2010 [email protected] West Coast Premiere of THE SUNSET LIMITED By Cormac McCarthy Directed by Bill English September 28 through November 6th Press Opening: October 2nd San Francisco, CA (August 2010) - The SF Playhouse (Bill English, Artistic Director; Susi Damilano, Producing Director) are thrilled to announce casting for the West Coast Premiere of The Sunset Limited by Cormac McCarthy which opens their eighth season. “The theme of the 2010-2011 season is ‘Why Theatre?”, remarked English. “Why do we do theatre? How does theatre serve our community?” Each of our selections for our eighth season will give a different answer to these questions. Based on the belief that mankind created theatre to serve a spiritual need in our community, our riskiest and most challenging season yet will ask us to face mankind’s deepest mysteries. We open the season with one of the most powerful writers of our time, Cormac McCarthy (All the Pretty Horses, The Road, No Country for Old Men). The play, billed as “a novel in play form” brings us into a startling encounter on a New York subway platform which leads two strangers to a run-down tenement where they engage in a brilliant verbal duel on a subject no less compelling than the meaning of life. TV and film star Carl Lumbly (Jesus Hopped the ‘A’ Train, Alias, Cagney & Lacey) returns to the SF Playhouse to reunite with local favorite Charles Dean (White Christmas, Awake and Sing!) after having performed together in Berkeley Rep’s 1997 production of Macbeth.
    [Show full text]
  • A Translation Autopsy of Cormac Mccarthy's The
    A TRANSLATION AUTOPSY OF CORMAC MCCARTHY’S THE SUNSET LIMITED IN SPANISH: LITERARY AND FILM CODA Michael Scott Doyle [T]he translation is not the work, but a path toward the work. —José Ortega y Gasset, “The Misery and Splendor of Translation,” 109 We now have the personal word of the author’s to be transformed into a personal word of the trans- lator’s. As always with translation, this calls for a choice among synonyms. —Gregory Rabassa, If This Be Treason: Translation and Its Dyscontents, 12–13 Glossary of the Codes Used S1 = the first Spanish TLT version to be analyzed = Y1,theliterary translation-in-progress S2 = the second Spanish TLT version to be analyzed = Y2, the final, published literary translation S3 = the third Spanish TLT version to be analyzed = the movie subtitles S4 = the fourth Spanish TLT version to be analyzed = the movie dubbing SLT-E = Source Language Text English (Translation from English) SLT-X = Source Language Text in X Language (Translation from Language X) TLT = Target Language Text TLT-S = Target Language Text Spanish (translation into Spanish) Y1 = Biopsy Stage of a Translation = the Translation-in-Progress (in the Process of Being Translated) Y2 = Autopsy Stage of a Translation = the Final Published Translation (Post-process of the Act of Translating, an Outcome of Y1) Introduction: From Biopsy to Autopsy The literary translation criticism undertaken in the Sendebar article “A Translation Biopsy of Cormac McCarthy’s The Sunset Limited in Spanish: Shadowing the Re-creative Process” antici- pates a postmortem
    [Show full text]
  • I've Travelled a Lot on Amtrak Over the Years. At
    I’ve travelled a lot on Amtrak over the years. At one time or another I’d taken most of the major trains that head west: the California Zephyr, the Southwest Chief, and the Empire Builder. There was one branch of the Amtrak map, though, that I’d never taken. That was the Sunset Limited, the once grand old train that runs across the bottom of the country on the old Southern Pacific tracks. I’ve always wanted to take that train, and the wish would finally be granted on this trip. My main vacation in 2016 would take me to Los Angeles. I haven’t been to that city in a decade, yet when I stepped off the train platform at Union Station it seemed like I’d just been there yesterday. Everything was wonderfully familiar. L.A. is not a city I know really well (like Chicago), but it’s still a place that feels like home. It was good to get back there—to return to some old favorite places and to check out some things I hadn’t seen before. While our trip wouldn’t officially begin until tomorrow, I’m starting my re-cap today. My sister Margaret, who would accompany me on this vacation, came over to my place around 1:30pm. The bulk of the day was spent working with her laptop computer. She wanted to install Windows 10 on the machine before the free upgrade offer expired. When I upgraded my two computers a year ago, all the necessary programs downloaded in the background for days or weeks prior to the changeover.
    [Show full text]
  • THE SUNSET LIMITED by Cormac Mccarthy Directed by Terry Johnson
    PRESS RELEASE – 25 November 2019 Twitter/ Facebook / Instagram / Website IMAGES CAN BE DOWNLOADED HERE THE BOULEVARD THEATRE PRESENTS THE SUNSET LIMITED By Cormac McCarthy Directed by Terry Johnson Gary Beadle and Jasper Britton, The Sunset Limited. Photo Helen Murray CASTING IS TODAY ANNOUNCED FOR THE LONDON PREMIERE OF CORMAC MCCARTHY’S THE SUNSET LIMITED, DIRECTED BY TERRY JOHNSON THE CAST WILL BE GARY BEADLE AND JASPER BRITTON THE PLAY RUNS AT THE BOULEVARD THEATRE FROM 16 JANUARY, WITH PRESS NIGHT ON 21 JANUARY NEW IMAGES CAN BE DOWNLOADED HERE The Boulevard Theatre today announces casting for the London premiere of The Sunset Limited, a gripping play about redemption, faith and free by multi award-winning writer Cormac McCarthy. The two hander features performances from Gary Beadle, who will play the role of ‘Black’ and Jasper Britton, who will play the role of ‘White’. The Sunset Limited will be directed by Olivier and Tony Award-winner Terry Johnson (Mrs Henderson Presents, La Cage aux Folles and The Graduate). Cormac McCarthy's other celebrated works include The Road, All the Pretty Horses, Blood Meridian and No Country for Old Men. This production also marks the first time Cormac McCarthy’s work has been seen on a London stage. Gary Beadle has appeared in a number of TV dramas including Patrick Melrose, Death in Paradise, Silent Witness, Grantchester, and as a regular for several years in EastEnders. He was most recently on stage in The Treatment at the Almeida Theatre where his credits also include The Testaments. Other theatre includes Les Blancs (National Theatre), Now We Are Here (Young Vic) and a profoundly affectionate, passionate devotion to someone (Royal Court).
    [Show full text]
  • In the Wake of the Sun: Navigating the Southern Works of Cormac Mccarthy © 2009 by Christopher J
    In the Wake of the Sun Navigating the Southern Works of Cormac McCarthy Christopher J. Walsh In the Wake of the Sun In the Wake of the Sun Navigating the Southern Works of Cormac McCarthy Christopher J. Walsh Newfound Press THE UNIVERSITY OF TENNESSEE LIBRARIES, KNOXVILLE In the Wake of the Sun: Navigating the Southern Works of Cormac McCarthy © 2009 by Christopher J. Walsh Digital version at www.newfoundpress.utk.edu/pubs/walsh Newfound Press is a digital imprint of the University of Tennessee Libraries. Its publications are available for non-commercial and educational uses, such as research, teaching and private study. The author has licensed the work under the Creative Commons Attribution-Noncommercial 3.0 United States License. To view a copy of this license, visit <http://creativecommons.org/licenses/by-nc/3.0/us/>. For all other uses, contact: Newfound Press University of Tennessee Libraries 1015 Volunteer Boulevard Knoxville, TN 37996-1000 www.newfoundpress.utk.edu ISBN-13: 978-0-9797292-7-0 ISBN-10: 0-9797292-7-0 Walsh, Christopher J., 1968- In the wake of the sun : navigating the southern works of Cormac McCarthy / by Christopher J. Walsh. Knoxville, Tenn. : Newfound Press, University of Tennessee Libraries, c2009. xxiii, 376 p. : digital, PDF file. Includes bibliographical references (p. [357]-376). 1. McCarthy, Cormac, 1933- -- Criticism and interpretation. I. Title. PS3563.C337 Z943 2009 Book and cover design by Jayne Rogers Cover image by Andi Pantz I dedicate this book to my mother, Maureen Lillian Walsh, and to the memory of my father, Peter Anthony Walsh (1934-2000), as their hard work and innumerable sacrifices made all of this possible.
    [Show full text]
  • No Country for Old Men and Cormac Mccarthy's Fiction in Post-9/11
    ‘Some (Not So) New Kind’: No Country for Old Men and Cormac McCarthy’s Fiction in Post-9/11 American Culture Richmond B. Adams antae, Vol. 6, No. 1 (Apr., 2019), 21-34 Proposed Creative Commons Copyright Notices Authors who publish with this journal agree to the following terms: a. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal. b. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access). antae (ISSN 2523-2126) is an international refereed journal aimed at exploring current issues and debates within English Studies, with a particular interest in literature, criticism and their various contemporary interfaces. Set up in 2013 by postgraduate students in the Department of English at the University of Malta, it welcomes submissions situated across the interdisciplinary spaces provided by diverse forms and expressions within narrative, poetry, theatre, literary theory, cultural criticism, media studies, digital cultures, philosophy and language studies. Creative writing and book reviews are also encouraged submissions. 21 ‘Some (Not So) New Kind’: No Country for Old Men and Cormac McCarthy’s Fiction in Post-9/11 American Culture Richmond B. Adams Northwestern Oklahoma State University On the eve of what became the decade of Vietnam, C.
    [Show full text]
  • Mccarthy Cormac
    A Guide to the Cormac McCarthy Papers 1964-2007 Collection 091 Descriptive Summary Creator: Cormac McCarthy Title: The Cormac McCarthy Papers Dates: 1964-2007 Abstract: The Cormac McCarthy Papers span 1964-2007 and document the literary career of one of America’s most celebrated authors. The collection is arranged in two series: Published Works and Unpublished Works. The bulk of the collection is Published Works. Novels and produced plays and screenplays represented include: The Orchard Keeper; Outer Dark; Child of God; The Gardener’s Son; Suttree; Blood Meridian; All the Pretty Horses; The Crossing; The Stonemason; Cities of the Plain; No Country for Old Men; the Road; and The Sunset Limited. Unpublished Works include the screenplay, “Whales and Men,” and an unfinished novel “The Passenger.” NOTE: “The Passenger” is restricted until after novel is published. Identification: Collection 091 Extent: 98 boxes (46 linear feet) Language: English. Repository: Southwestern Writers Collection, The Wittliff Collections, Alkek Library, Texas State University-San Marcos Cormac McCarthy Papers SWWC Collection 091 Biographical Sketch Pulitzer Prize winning novelist and playwright, Cormac McCarthy, was born Charles McCarthy, Jr., on July 20, 1933, in Providence, Rhode Island. He was the third of six children born to Charles and Gladys McCarthy, preceded by sisters Jackie and Bobbie, and followed by Bill, Maryellen, and Dennis. In 1937, his parents moved the family to Knoxville, Tennessee, where his father was employed as a lawyer with the Tennessee Valley Authority. McCarthy spent much of his life in Tennessee, and his early works are clearly influenced by that region. His first four published novels, The Orchard Keeper (1965), Outer Dark (1968), Child of God (1973), and Suttree (1979), reflect the culture, myth and character of East Tennessee and Appalachia.
    [Show full text]
  • Knoxville & Appalachia in the Works of Cormac Mccarthy
    1 Knoxville & Appalachia In The Works Of Cormac McCarthy The publication of the newly crowned Pulitzer prize winner The Road in late 2006 marks an imaginative homecoming for Cormac McCarthy. On a literal level McCarthy has returned to the setting of his first four novels, and of course to his childhood home of Knoxville, East Tennessee and Appalachia. However, the acclaimed Border Trilogy and the 2005 novel No Country For Old Men are infused with the myths, culture, humor and indeed violence of his native soil, and Knoxville and Appalachia have consistently informed one of the most unique and challenging voices at work today in Southern and American fiction. The Road has very much bought McCarthy’s career full circle. Indeed, more than just signal an imaginative homecoming, the novel even suggests that the region affords an opportunity for regeneration and rebirth – those sacrosanct American myths – in a world where all other physical, cultural and spatial markers have quite simply been destroyed. In order to illuminate The Road and McCarthy’s southern body of work, I will provide some brief biographical information, as well as addressing the key themes and issues which we can find in his Southern novels. I would also like to incorporate the work of the southern literary scholar Richard Gray who, in his excellent study Southern Aberrations, asks important questions about the issues which inform the construction of Southern literary and cultural identity. Furthermore, I would also like to briefly consider the myth and history of Knoxville and East Tennessee, narrative modes which have done much to inform McCarthy’s work.
    [Show full text]
  • The Mystery of Evil and Grace in Cormac Mccarthy's Later Works
    “To Make a Fire Somewhere Out There in All That Dark”: The Mystery of Evil and Grace in Cormac McCarthy’s Later Works The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Ziegler, Aaron Christopher. 2019. “To Make a Fire Somewhere Out There in All That Dark”: The Mystery of Evil and Grace in Cormac McCarthy’s Later Works. Master's thesis, Harvard Extension School. Citable link https://nrs.harvard.edu/URN-3:HUL.INSTREPOS:37365379 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA ! “To Make a Fire Somewhere Out There In All That Dark”: The Mystery of Evil and Grace in Cormac McCarthy’s Later Works Aaron Christopher Ziegler A Thesis in the Field of English for the Degree of Master of Liberal Arts in Extension Studies Harvard University May 2019 ! ! Abstract This thesis explores the seemingly paradoxical and mysterious relationship of evil and grace in Cormac McCarthy’s later works: No Country for Old Men, The Road, and The Sunset Limited. While McCarthy’s literary worlds articulate a metaphysical collapse and are consequentially replete with such cruelty as to appear entirely absurd and devoid of beauty, the later works actually reveal a robust set of grace moments. A scholarly conversation attempting to ascribe McCarthy’s fiction as gratuitously cruel, on one extreme, and explicitly moralistic, on the other extreme, often denies the interdependence of terrifying, unintelligible evil and unexplainable goodness and beauty in McCarthy’s fiction.
    [Show full text]
  • December 2019 ‘IM GOD’ Court Oks License Plate a Federal Court on Nov
    Winning law Reproductive Secularism doesn’t student essays rights are critical destroy society published human rights or moral order PAGES 10-14 PAGES 15-17 PAGE 23 Vol. 36 No. 10 Published by the Freedom From Religion Foundation, Inc. December 2019 ‘IM GOD’ Court OKs license plate A federal court on Nov. 13 cleared the way for a Kentucky man, backed by the Freedom From Religion Foundation and the ACLU of Kentucky, to obtain a personalized license plate reading “IM GOD.” In November 2016, FFRF Member Ben Hart filed a lawsuit after he was denied the personalized license plate. Kentucky Division of Motor Vehicle officials, who have approved several religious personalized plates, refused Hart’s request, initially calling his “IM GOD” license plate message “obscene or vulgar.” Later, the state said the plate was rejected because it was “not in good taste.” While residing in Ohio, Hart had a similar license plate (pictured below). The lawsuit, filed on Hart’s behalf by FFRF and ACLU of Kentucky, challenged the Kentucky Transportation Cabinet’s denial of his plate based on statutory viewpoint restrictions that govern religious, anti-religious or political messages. “The Commonwealth [of Kentucky] went too far,” the U.S. District Court for the Eastern Court of Ken- Cartoon by Steve Benson I’m thankful to finally tucky resoundingly For all we do, this wall’s for you (and everyone) have the same opportunity ruled in favor of Hart. “ “To allow such plates The Freedom From Religion Foundation is proud to help in the fight to keep strong the wall to select a personal message as ‘IM4GOD’ and ‘LU- of separation between state and church.
    [Show full text]
  • Cormac Mccarthy (1933- ) “In 1979, He Published His Fourth Novel, Suttree, on Which He Had Worked on A
    ANALYSIS Suttree (1979) Cormac McCarthy (1933- ) “In 1979, he published his fourth novel, Suttree, on which he had worked on and off for almost twenty years. This was McCarthy’s ‘big’ book, the one some still consider his best. Set primarily in Knoxville in the early 1950s, the book details the events in the life of Cornelius Suttree, a young man from a prominent family who has chosen to live with the down-and-out in the McAnally Flats area of the city. While the story is based in experience—the characters, events and places often identifiable by local Knoxvillians— the extent of its autobiographical nature is difficult to determine. As Guy Davenport wrote in the National Review, ‘there is something of a portrait of the artist as a young man about this book. Coming after three objective novels with no trace of a self-portrait, there is nothing here of the author digesting his adolescence. Instead, it would seem that the author has projected himself into a character he might have been were circumstances otherwise, or that he is being autobiographical in an obliquely symbolic way.’ The book hit close to home, resulting, according to the Knoxville News-Sentinel, in ‘more talk about town than any novel since James Agee’s A Death in the Family. The Memphis Press-Scimitar ran an angry review, ‘A Masterpiece of Filth’: Portrait of Knoxville Forgets to be Fair,’ to which the historian and novelist Shelby Foote, a long-time admirer of McCarthy, responded with a letter passionately defending the book. Other reviewers drew apt comparisons between McCarthy and Joyce, comparisons Suttree both invited and sustained.
    [Show full text]