The 3 Sounds Moods Mp3, Flac, Wma

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The 3 Sounds Moods mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Moods Country: US Released: 1962 Style: Contemporary Jazz MP3 version RAR size: 1873 mb FLAC version RAR size: 1113 mb WMA version RAR size: 1647 mb Rating: 4.6 Votes: 921 Other Formats: AAC MMF MOD APE ASF MP3 MPC Tracklist Hide Credits Love For Sale A1 Written-By – Cole Porter Things Ain't What They Used To Be A2 Written-By – M. Ellington*, T. Persons* On Green Dolphin Street A3 Written-By – Kaper*, N. Washington* Loose Walk B1 Written-By – Richards*, Stitt* Lil Darlin' B2 Written-By – Neil Hefti* I'm Beginning To See The Light B3 Written-By – George*, Ellington*, James*, Hodges* Tammy's Breeze B4 Written-By – Gene Harris Sandu B5 Written-By – Clifford Brown Companies, etc. Record Company – Blue Note Records Inc. Pressed By – Plastylite Credits Bass – Andrew Simpkins Drums – Bill Dowdy Lacquer Cut By – RVG* Other [Model] – Ruth Mason Photography By [Cover Photo] – Hugh Bell Piano – Gene Harris Recorded By – Rudy Van Gelder Sleeve Notes – Leonard Feather Notes Labels: Blue Note Records Inc. • New York USA Originally released in October of 1960. This version can be differentiated by the company information printed on the labels, which indicates it was likely released between 1962 and 1966. Group name on the front cover: The 3 Sounds Group name on the back cover and labels: The Three Sounds Catalog number on the front and back covers: 4044 Catalog number on the labels: BLP 4044 B2 title on the back cover: Li'l Darlin' B2 title on the side B label: Lil Darlin' Barcode and Other Identifiers Matrix / Runout (Label, side A): (BN 4044-A) Matrix / Runout (Label, side B): (BN 4044-B) Matrix / Runout (Runout, side A): RVG (the Plastylite "ear") BN-LP-4044-A- Matrix / Runout (Runout, side B): (the Plastylite "ear") RVG BN-LP-4044 B Other versions Category Artist Title (Format) Label Category Country Year The Three Moods (LP, Album, BLP 4044 Blue Note BLP 4044 US 1960 Sounds Mono) Blue Note, 84044, BST The Three Moods (LP, Album, 84044, BST Blue Note, US 1962 84044, ST-84044 Sounds RP) 84044, ST-84044 Blue Note The Three Moods (CD, Album, CP32-9518 Blue Note CP32-9518 Japan 1987 Sounds RE) Moods (CD, Album, TOCJ-9058, BNST The 3 Blue Note, TOCJ-9058, BNST Ltd, Promo, RE, Japan 1998 84044 Sounds* Blue Note 84044 RM, Pap) BN 4044, BST The 3 Moods (LP, Album, Blue Note, BN 4044, BST Japan 1991 84044 Sounds* Ltd, RE) Blue Note 84044 Related Music albums to Moods by The 3 Sounds The Jazz Messengers - At The Cafe Bohemia Volume 2 Grant Green - Ain't It Funky Now Gene Harris - Higga-Boom Lou Donaldson With The Three Sounds - LD+3 Art Blakey Quintet - A Night At Birdland, Volume 1 Duke Pearson - Tender Feelin's The Three Sounds - Moods Stanley Turrentine With The Three Sounds - Blue Hour The Three Sounds - Good Deal The Three Sounds - Bottoms Up!.

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Igfzleirer 93024-0240 November 1997 Vol
P.O. BOX 24-O Ojai, Calif. igfzleirer 93024-0240 November 1997 Vol. I6 No. 11 Three Favors” be. His private existence was another matter. “My father did a lot of things in his life,” Andy said. “In his younger years he played saxophone and clarinet a little bit. He 1. If you have an e-mail address, I’d love to have it. You can worked for many years on the janitorial staff of the school system send it to me at [email protected]. of Richmond. His real life — all through the years he worked for 2. If you have not resubscribed for I998 but intend to, I’d them — was growing plants. He "grew vegetables andbeautiful appreciate it your doing it now. There’s an easy way to tell ﬂowers and sold them to people in the area. He was a wonderful whether you’ve resubscribed. If there’s a date or letters under your horticulturist. He had greenhouses, and his plants were famous. address on the envelope, you have. If not, you haven’t. Subscrip- “My father was an only child, I’m an only child, and Ihave one tions (in case you’ve misplaced the earlier notice) are $70 U.S. for son, Mark, who is in radio in Denver, Colorado.” Andy laughed. the U.S. and Canada, $80 for other countries. Anyone wishing to “The Simpkins family line runs thin!” send someone a gift subscription can do so for $35. And to anyone Andy combines formidable facility with a deep sound, beautiful who can’t afford the Jazzletter at all, it is, as always, free.
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3 Sounds, Bill Dowdy, Un Nativo Como EL Del Estado De Michigan
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© Ray a V Ery / C T S IMA
© Ray Avery /CTSIMAGES the three sounds groovin’ hard In May of 2010, when Resonance Records first embarked upon the adventure of unearthing and presenting historical jazz recordings to the world, George Klabin and I began looking into various archives for tapes to release. One day, George came to me with a list of tapes he’d come across; tapes in the possession of Jim Wilke, who years earlier had been the host of a syndicated Seattle-based radio program called Jazz After Hours. Over the course of Jim’s storied career, he’s been a staunch advocate for jazz and its greatest protagonists. Indeed, over the years, Jim has succeeded in presenting a veri- table Who’s Who of ’50s and ’60s jazz greats to the public. From February 1962 through August 1968, Jim hosted the weekly radio program, Jazz from the Penthouse, on Seattle’s KING-FM. As a well-known radio personal- ity in the Northwest, Jim developed a working relationship with Seattle’s legend- ary jazz club, the Penthouse, and consequently was able to air live performances by a wide array of artists while they performed at the club. These performances were broadcast direct to the public right as they happened. The shows not only went on the air live, Jim taped them, employing professional recording techniques and equipment. Over the years, Jim amassed an impressive collection of high-quality tapes; tapes that form a unique archive of the extraordinary music heard over the course of more than half a decade at the Penthouse by virtually all of the amazing music legends that played there.
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The Three Sounds Moods Mp3, Flac, Wma
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Lew TABACKIN: Tatsuya TAKAHASHI
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FRANKLIN GELTMAN presents k IN THE CITY OF NEW YORK ANDALL'S ISLAND hi H estiva AUGUST 21-22-23 Friday at 8:30 Saturday at 8:30 DIZZY GILLESPIE DUKE ELLINGTON & ORCH. and 16 pc. ORCH. DINAH WASHINGTON SARAH VAUGHN CHICO HAMILTON QUINTET HORACE SILVER QUINTET ALCOHN • ZOOTSIMS QUINTET DAVE BRUBECK QUARTET RAMSEY LEWIS TRIO JIMMIE SMITH TRIO CHRIS CONNOR BILL HENDERSON ART BLAKEY QUINTET MAX ROACH QUINTET THELONIOUS MONK JOHNNY RICHARDS & ORCH. and 10 pc ORCHESTRA Sunday at 7:30 MILES DAVIS SEXTET MODERN JAZZ QUARTET AHMAD JAMAL TRIO DAKOTA STATON STAN KENTON & ORCHESTRA TWILIGHT JAZZ: Friday & Saturday at 7:30 — Sunday at 6:30 p\aVeCl- " kw Vork W» ,\eeveo*a\^_Thea ^etfR . easy u s s0 *e e^^'J U ^ ^ V^s ever seen- backdrop;^ to HFREE PARKING FOR 10,000 CARS ALL SEATS RESERVED Mail order now for choice seats— $4.50; $3.60; $2.75; $2.00 Please enclose self-addressed envelope to: Randall's'isfarid'Jazz Festival—Dept7~56,""353" W. 67th St., N.Y. 19, N.Y. MANHATTAN: COLONY, 52 St. E. Broadway; RECORD SHACK, 125 St.; MODERN MUSIC, 2426 Sr. Cone. (Opp. Loews Paradise) 49 E. 170; B'KLYN: BIRDELS, 540 Nostrand; LONG ISLAND: TRIBORO, 89-29 165 St., Jamaica: MANHASSET MUSIC, 451 Plandome Rd., Manhasset; WHITE PLAINS: ANDY & DICKS, 117 Martine Ave. ' , J LETTERS In Defense of Srott But I think you were asking for some lp of Brown and of the band and of the music I was very surprised and hurt when I ideas. How about "An Experimental Sym• played was based on the sideman's view of things.) read Bill Crow's review of Tony Scott's posium of Radical Departures in .Modern 52nd Street Scene recording in the June Jazz" (none of the performers is allowed William Russo issue of The Jazz Keview.
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Del III Blå Musikk Med Blue Note – # III.2
Blå musikk med Blue Note – # III.1 Johan Hauknes salt peanuts* & Oslo Jazz Circle 14. januar 2020 salt-peanuts.eu Åtti deilige år med Blue Note You just have to play better for Blue Note! Del III Blå musikk med Blue Note – # III.2 III. 4000 Modern Jazz (4001-4382) – 1958/59–1972 Blå musikk med Blue Note – # III.3 Hva skjer inn mot 1960-tallet? Rudy Van Gelder nytt studio i Englewood Cliffs, NJ, mellom 1. og 20. juli 1959! IraBlue Gitler Note:beskrev det ny studioet: «In the high-domed, wooden-beamed, brick-tiled, spare modernity of Rudy Van Gelder's Reid Miles designet de aller fleste i denne delen studio, one can get a feeling akin to religion!» “soul jazz” og “funk jazz” Stilmessig: Nye stemmer: Hardbopen på vei ut Freddie Hubbard, Herbie Hancock, Grant Green, Wayne Shorter, Stanley Turrentine, Joe Henderson, Ny jazz, neo-bopLarry Young, & beyondTony Williams, 1964-66 Andrew Hill, Eric Dolphy Fri-formig og spirituell jazz blir “tidens melodi” Blue Note-familien blomstrer videre Horace Silver, Jackie McLean, Hank Mobley, Lee Morgan, Lou Donaldson og (drum roll) Art Blakey and the Jazz Messengers! Mot 1970 blir Blue Note mindre relevant for moderne jazz! Blå musikk med Blue Note – # III.4 Gamle kjemper vokser fortsatt: Blå musikk med Blue Note – # III.5 BLP 4003 Art Blakey and the Jazz Messengers – Moanin' /1958 Lee Morgan, trumpet; Benny Golson, tenor sax; Bobby Timmons, piano; Jymie Merritt, bass; Art Blakey, drums Van Gelder Studio, Hackensack, NJ, October 30, 1958 Moanin' (Bobby Timmons) Art Blakey and the Jazz
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Ike Abrams Quebec “Jim Dawgs”
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JREV3.2Full.Pdf
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