Conception and Fabrication of Reusable Microfluidic Tools to Study
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
C:\Documents and Settings\Owner
A Multi-Media Guide to Shopping, Dining, Lodging, Recreation, Entertainment, Art & Historic Points of Interest for The American Heritage Tourist EVENTS... 4 INDEX OF CITIES... 6-7 ON THE ROAD... 27 Establish Your Community as a GREAT AMERICAN DESTINATION FALL / WINTER 2017-2018 (for less than a dime a day per lister) www.AmericanAntiquities.com See inside front cover 2 / AMERICAN JOURNAL Volume 25, FALL/WINTER 2017-18 AMERICAN ANTIQUITIES JOURNAL Volume 25, FALL/WINTER 2017-18/ 3 Enjoy your next road trip to one of our 500+ client cities. Let this be your guide for AboutAbout thethe CoCovverer shopping, dining, lodging, recreation, entertainment & historic points of interest for the AMERICAN HERITAGE TOURIST www.AmericanAntiquities.com Depression glass is clear or a specified number of colored translucent magazine subscriptions, thus glassware. It was produced in making its way into almost a multitude of colors, ranging every American home. from the deep colors of purple, Depression glass started one black, cobalt, and red to the of the largest collecting trends pastels of pink, yellow, green, ever, from collectors to amber, and blue which nostalgia hunters. Over created to bring a bright note 100,000 eager collectors now into the otherwise drab times seek this prized glass, of the depression. Most of this whether to complete a glassware was made in the handed-down family set of Ohio River Valley of the United dishes, or to find the highly States, where access to raw sought and elusive rare materials and power made pieces. manufacturing inexpensive. Depression glass is More than twenty becoming more scarce on the manufacturers made more open market. -
Collecting Vintage & Antique Milk Glass
COLLECTING MARCH 9, 2020 ADIRONDACK GIRL @ HEART MILK GLASS Some History Venetian glass makers devel- oped milky white glass some- time in the the 16th century and called it opal glass. The term we use today, milk glass, may have first been used by the Victorians who fell in love with it, due in part to its similarity to porcelain, which only the very wealthiest families could afford. After falling out of favor in the early 20th century, companies like Fenton, Westmoreland, and Indiana Glass ushered in a "golden age" of milk glass that extended After another serious down-turn, this simple white from about 1940 to 1970. glass entered our decorating consciousness again in the 2000's and it remains popular even now, in Victorian milk glass is often 2020. rather ornate and somewhat Interestingly enough, milk glass comes in a variety translucent, while newer pieces of colors, including, pink, yellow, blue, brown, and tend to be simpler and opaque. black. [You can see some examples in the blog post on this topic.] Quality milk glass has no mold marks and has a smooth, glossy Helpful Hints: finish. Florist grade glass is often I find milk glass most cheaply at garage sales, textured and contains unsightly sometimes for as little as a quarter and at thrift mold marks. stores, usually for $2-3/piece. Buy it only if you love it because you are unlikely to Fenton & Westmoreland Marks make a lot of profit on it if you try to sell it(!). If you want to sell it, colored milk glass sells better for me than plain white. -
Quarterly Journal of the All India Glass Manufacturers' Federation Inside
Vol. 4 | No. 1 | April - June 2016 www.aigmf.com Quarterly Journal of The All India Glass Manufacturers’ Federation Bi-lingual Inside Interview Special Feature Yoshihiko Sano • Sustainability in Glass President of Nipro Corporation • A Note on Closed Glass Companies in the USA • Nipro Injects Innovation into Pre- for Artistic Appreciation filled Syringes and Targets US Expansion • Efficient Workflow: Automation and Digitisation Reduce Production and Handling Costs Upcoming Events (Sept 2, 2016) • FEA Studies of Impact Loads on NNPB Refillable • Enhancing Profitability by Empowering Workforce Bottles • Business Opportunities for Indian Glass Companies at Port of Duqm, • Energy Efficient Renovation Boost for Added- Sultanate of Oman Value Glazing • AIGMF Executive Committee Meeting / AGM Main Story Glass Packaging Supporting Swachh Bharat Abhiyaan (Clean India Campaign) event at Central Glass and Ceramic Research Institute (CSIR-CGCRI), Kolkata Page No. 6 Technical Articles Prof. (Dr.) A. K. Bandyopadhyay Prof. (Dr.) A Sustainable 50 for postage postage for 50 ` ASS ASS www.aigmf.com Building and Packaging material - An Publication GlASS Gl Gl 500 (within India) + + India) (within 500 ` ` Overseas: US$ 60 (including postage and bank charges) bank and postage (including 60 US$ Overseas: Order Print Copies: Print Order Price: Price: PORT OF DUQM Duqm, 100% Foreign Ownership the preferred Tax -exemption for 30 years Free Repatriation of Capital Special Economic & profi ts No minimum capital requirement No currency restrictions Zone for your No personal income tax Exemption from import & overseas export duties Usufruct agreements up to 50 years renewable investment One-stop station service For more information, contact: Port of Duqm Company SAOC Tel: (+968) 24342800 | Fax: (+968) 24587343 | [email protected] | www.portduqm.com 2 Kanch | Vol. -
Lichtspiele the Play of Light Lassen Sie Licht Leuchten
Lichtspiele The play of light Lassen Sie Licht leuchten... Let there be light... Irlbacher Glas bringt Licht in allen öffentlichen und privaten Lebensbereichen zum Leuchten. Unsere Sicherheitsstandards entsprechen höchsten Anforderungen, unsere Produkte höchsten Qualitätsansprüchen. In enger Zusammenarbeit mit Designern, Kunden und Konstrukteuren entwickeln wir unsere Produktpalette ständig weiter. Fordern Sie uns – mit Ihren Ideen und Vorstellungen! Gläser für Ihre Leuchten finden Sie bei uns für unterschiedlichste Anwendungsgebiete. Irlbacher glass helps lighting up all sorts of public and private areas of life. Our safety standards meet the highest requirements and our products the highest quality standards. We are working continuously on developing our product palette in close cooperation with designers, design engineers and customers. Put us to the test – with your ideas and concepts! We provide glass for your lighting systems in a wide range of applications. ... im Außenraum ... ... outside ... 1 2 3 4 5 6 7 8 10 9 11 12 1 IMPAstep® Stufenglas, 5 IMPAstep® mit keramischem Siebdruck 10 IMPAstep®, Lichtleisten für LED Belastungsfähigkeit bis 5000 kg IMPAstep® with ceramic screen print IMPAstep®, LED light strips IMPAstep® stepped glass, 6 Glasquader, UV-verklebt 12 IMPAstep® mit Siebdruck zur Lichtstreuung load capacity up to 5000 kg Glass cuboids, UV-bonded IMPAstep® with screen print for light scattering 2 IMPAstep® mit Verlaufsdruck 7 Lichtleiter aus IMPAdur® 13 IMPAstep® mit Lichtlenkung durch Rillenstruktur IMPAstep® with fade out print IMPAdur® light guides IMPAstep® with corrugated light guiding structure 3 Vorsatzscheibe für 8 IMPAstep® mit Piktogramm Mastaufsatzleuchten IMPAstep® with pictogram Panels for mast-mounted luminaires 9 Keramisch bedruckte 4 Baugruppe für LED-Leuchten LED-Abdeckgläser Module for LED lamps LED cover glasses, ceramically printed .. -
Arneson Auction Service EST 1937 " 78Th Year " Jim Arneson Registered Wisconsin Auctioneer #836 Neillsville ~ 715-819-2689 Sparta ~ 608-797-5086
Arneson Auction Service EST 1937 " 78th Year " Jim Arneson Registered Wisconsin Auctioneer #836 Neillsville ~ 715-819-2689 Sparta ~ 608-797-5086 Antique Glassware Auction Saturday April 18th ~~ Start 10:30 am ~~ DeForest, WI Held at: The Comfort Inn 5025 Cty Hwy V Large Collection of Carnival Glass in Many Patterns & Colors. Carnival Glass Convention Pieces. A Few Whimsy Items. Fenton, Fostoria, Northwood, Imperial, Dugan and Other Glass Companies. Crystal, Vases, Bowls, Compotes, Candy Dishes, Pitchers, Punch Bowls, Perfume Bottles, Dresser Sets, Miniature Children's Ceramic Tea/Coffee Sets. Ceramic and Pottery including: Royal Copley, Red Wing, Shawnee, Fire King, Japan. Depression Glass, Art Glass Vases, Glasses and lots more Great Miscellaneous Glass. If you Collect Carnival Glass Don't Miss This Auction.................... Terms: Cash, Check, MasterCard, Visa, Discover w/fee. Wis. Sales Tax No Onsite Buyers Fee!! No Onsite Buyers Fee!! No Onsite Buyers Fee!! Broadcast live online thru Proxibid. Use your computer to Participate from the comfort of your own home or office. Learn more at Proxibid.com # Description Sold Vintage German Marigold Carnival Glass Vase. Footed Prism Panels Pattern by The Brockwitz Glass Co. 1 in Brockwitz, Germany 1915-1940s. 9" Tall. 2 Vintage Marigold Carnival Glass vase, Octagon pattern by Imperial Glass Co. 7-3/4" Tall and 3-1/4" Base 3 Vintage Marigold Carnival Glass vase, Ripple pattern by Imperial Glass Co. 10-1/2" Tall and 3" Base 4 Vintage Marigold Carnival Glass vase, Rustic pattern by Fenton Glass Co. 9-1/2" Tall and 3-1/4" Base. 5 Vintage Marigold Carnival Glass vase, Lined Lattice Pattern by Dugan Glass Co. -
Aerogel-Based Thermal Superinsulation: an Overview
J Sol-Gel Sci Technol (2012) 63:315–339 DOI 10.1007/s10971-012-2792-9 ORIGINAL PAPER Aerogel-based thermal superinsulation: an overview Matthias Koebel • Arnaud Rigacci • Patrick Achard Received: 7 March 2012 / Accepted: 27 April 2012 / Published online: 15 May 2012 Ó Springer Science+Business Media, LLC 2012 Abstract This review is focused on describing the inti- 1 Global need for superinsulation solutions mate link which exists between aerogels and thermal superinsulation. For long, this applied field has been con- 1.1 Why superinsulation? sidered as the most promising potential market for these nanomaterials. Today, there are several indicators suggest- Ever since the first global oil crisis in the seventies, the ing that this old vision is likely to become reality in the near scarcity of fossil fuels, which is the number one resource future. Based on recent developments in the field, we are for our chemical industry and energy carrier, has under- confident that aerogels still offer the greatest potential for lined the dependence of modern society on cheap energy non-evacuated superinsulation systems and consequently and resources [1]. Over short or long term, that very fact is must be considered as an amazing opportunity for sustain- forcing humanity to rethink global energy strategies and able development. The practical realization of such products consequently take appropriate measures. In addition to a however is time-consuming and a significant amount of limited supply of carbon based fuels worldwide, the effect R&D activities are still necessary to yield improved aerogel- of the carbon footprint i.e. the influence of a rising carbon based insulation products for mass markets. -
The Colors of Sea Glass Where Do They Come From?
The Colors Of Sea Glass Where Do They Come From? ...Just where do the colors of beach glass come from? Sea Glass is simply old glass products that were thrown into the sea, But, "Sea Glass is JUST GLASS, like Diamonds are JUST ROCKS"© It takes decades for broken glass to "become" sea glass. If you think about it, the common colors of sea glass, Green, Brown & White are still in wide use today......Rarer colors of seaglass are pieces that the color has not been made or used commercially for many years. We have broken the colors into rarity categories, it is a general rule and not to be carved in stone (or glass!) as certain colors can be found more readily in some areas. For Example, lavender glass can be a rarity in areas yet abundant in Maine & Canada but hardly ever found in the islands. Next time you're in an antique shop or flea market, look at the glass items and see if you haven't found a piece of glass this color! By The Sea Jewelry is proud to offer the finest Genuine Sea Glass Jewelry in just about every color of sea glass in the world! This glass knowledge is based on 28 years of collecting and decades of researching the origins of our glass. (Place your mouse over or tap the images to reveal what the sea glass looks like in this glass color and then a corresponding piece of our jewelry in that color) Common - White, Green, Brown found in most beach combing locations throughout the world. -
WCD-079.Pdf 5.43MB 2016-07-11 11:33:19
PLAINTlFPS EXHIBIT I CER-504 • eramlC~ ulletin October, 1954 OFFICERS Presidtn/ Ray W. Pafford Fort Worth, Texas Pr(Jiden/.Ele(/ Robert Twells CONTENTS Fostoria, Ohio riet.Presidents William O. Brandt Los Angeles, Calif. Papers John F. McMahon Alfred, N. Y. Gun-Placed Silica Cupola Linings 301 Rolland R. Roup T. E. Barlow and P. D. Humont Milwaukee, Wise. ~r Automatic Spraying of Glazes•.•.••••.................•.•.. 307 Dougherty R. J. Verba • burgh, Pa. General Sure/ary and Edi/or Pozzolans-Their Properties and Manufacture .•........••.•..•309 Charles S. Pearce Rudy L. Nordmeyer Columbus, Ohio Commil/ee on Publicalions Articles J. J. Canfield Eisenhower Letter•••.........•..•..•...........•.•.•..•..311 Chairman W.R.Kerr Wollastonite as a Ceramic Material ••••••.•..•..•.•.•....•••. 312 C. H. Hahner Karl Schwartzwalder. Pereny Kilns ..•..•.•.........•.••..•.........•.•..•...•••317 C. S. Pearce (ex officio) Nominations for Officers : 322 Milnaging Editor James S. Welch Rosters Editorial Assis/anls Membership Roster •.•.....•..•.•....••.•..•.•.••.....••••R·f Mary Ann Weigelt Emmoline R. Jamra Institute Roster .•.••••....•.•.••.•........•............• R.1 OS Eill/ern ReprestntatiDe WlIIiam T. Mohrman, Jr. 501 Fifth Ave., !'ew York 17, N. Y. Departments Phone: Oxford 7.2369 In Print for Ceramists 3 Sections 313 Mai Ibox for Readers 4 Schools 315 Offices Meetings Calendar 6 Institute Page 316 _ t'UliDt, tditorial, and adDer. Personal Notes 12 Authors 318 : 2525 North High St., mbus 2, Ohio. Phone LA. Out of the Kiln 13 Names 320 7012. A.T.&T. Teletype, CL593 '" Puhlication: 20th & North· Men & Positions 16, 17 BuildiRg Progress 321 I ampton Sts., Easton, Pa. Advertisers Index 18 I 6400 copies of this issue were printed i~ ....... )44 9CiIffil)INi"-.""'.!i*!f .."LA'~ Membership Roster 1 ....c. -
JANUARY Auction 16Th, 17Th and 18Th
09/30/21 12:50:15 JANUARY Auction 16th, 17th and 18th Auction Opens: Thu, Jan 16 10:00am ET Auction Closes: Sat, Jan 18 8:00pm ET Lot Title Lot Title 0001 GREEN LEATHER RECLINER 0028 WINE CABINET 0002 SECRETARY 0029 FLATWARE IN CASE 0003 ANTIQUE 3 DRAWER DRESSER 0030 WOODEN TV CONSOLE 0004 QUEEN ANNE DINING TABLE WITH 6 0031 VINTAGE SPLIT VANITY DRESSER WITH CHAIRS CHAIR 0005 CHINA HUTCH 0032 WELLER POTTERY ROMA DOUBLE BUD 0006 OAK TABLE WITH 4 CHAIRS VASE 0007 BOOK HUTCH WITH SHELF 0033 HUNTER GREEN COFFEE TABLE AND 2 END TABLES 0008 YELLOW AND BLUE FLORAL LOVESEAT AND CHAIR 0034 MODEL SHIP 0009 DUAL PEDESTAL DINING TABLE WITH 0035 HANDPAINTED BIRD HOUSE LEAF 0036 MAGAE HARTZELL ORIGINAL ART/ 0010 SET OF 6 POTTERY BARN PARSONS AFTER THE SAIL CHAIRS 0037 CURVED GLASS CURIO CABINET 0011 FESCO LINE CABOOSE 0038 WELLER POTTERY DAFFODIL PITCHER 0012 BEIGE SLEEPER SOFA 0039 2013 FORD C-MAX SEL HYBRID 50,000 0013 NAUTICAL LAMP MILES 0014 ROWE FURNITURE COMTEMPORARY 0040 LARGE AREA RUG 6 X 9 CHAIR 0041 LARGE AREA RUG 9 X 12 0015 OAK BARRISTER BOOKCASE 0042 LARGE AREA RUG 9 X 15 0016 VINTAGE HUTCH 0043 LARK HILL KARASTAN AREA RUG 8 X 11 0017 WHALING BARK 1840 LAMP 0044 2 SHELF LOTS OF DVDS 0018 SOLID CHERRY LEBRUN BROS SERVER 0045 CAFFE ESPRESSO ART 0019 2 ANDREA BY SADEK FIGURINES 0046 HAVILAND CHINA 11 PLC PLUS 0020 WHITE AND PINK CHAISE ACCESSORES 0021 STRIPED VINTAGE CHAIR AND 0047 ROYAL CROWN TEA SET OTTOMAN 0048 STAIN GLASS LAMP 0022 VINTAGE BLACK CHAIR 0049 ORIGINAL FRAMED ART 0023 WOODEN ELEPHANT 0050 MAGAE HARTZLL ORIGINAL ART 0024 CARVED -
Ereemlc~ Ulletin October, 1956 OFFICERS Pr~Sidtnl Karl Schwartzwalder Flint, Mich
PLAINTIFF'S EXHIBIT I CER-510 • erEEmlC~ ulletin October, 1956 OFFICERS Pr~sidtnl Karl Schwartzwalder Flint, Mich. _......... Pr~sidtnl-Elul John F. McMahon Papers Alfred, N. Y. Yiu-Prnidtnl! Petrology of Fused Alumina Abrasives . 387 Oscar G. Burch H. N. Baumann, Jr. Toledo, Ohio Louis Navias InRuence of Selected Facton in Evaluating Dielectric Strength Schenectady, N. Y. of Porcelain . 391 C. W. Planje Lee A. Shearouse, D. L. Heath, and W. J. Smothers Los Angeles, Calif. Use of Wollastonite in Artware Bodies ....•.............•• Tr~asur~r 396 Thomas L. Stalter Andrew Pereny umbus. Ohio Development of Sewer Pipe Glazes from Volcanic Materials ... 399 al Sur~/arJ and Editor Ian O. Knizek ~ 4Irles S. Pearce !' Colum bus, Ohio A Recolding DiFFerential Thermal Expansion Apparatus . 402 I Stephan P. Mitoff and Joseph A. Pask Commillu on Publications Role of Patents in Development and Research ..............•. 405 C. H. Hahner O. E. Williams Chairman W. R. Kerr J. O. Everhart E. P. McNamara C. S. Pearce (~X officio) Articles Managing Edilor Hi gh-Temperature Electronicsat General Electric. •........... 407 James S. Welch Report of the Research Committee.. • •• .....•..........•••• 408 Edilorial A ssislanls Emmoline R. Jamra Nominations For OFFicen. ........•...................... 416 Mary Weigelt Rohr Charlotte B. Burge.. AdlNrlising Manag~r Arthur S. Koachny Rosters Easl"n R~pr~stnla/jo~ WiUiam T. Mohrman, Jr. Membenhip Roster..................................... 417 501 Fifth Ave., New York 17, N. Y. Institute Roster ....................................•...R.121 Phone: Oxford 7-2369 Midw~sl &prlSmlalio~ James K. Millhouse 5124 West Irving Park Rd. Departments Chicago 41, III. Phone: Mulberry 5-0070 In Print for Ceramists. 2 Advertisers'lndex. -
Program and Technical Digest of LPM2011
The 12th International Symposium on Laser Precision Microfabrication LPM2011 June 7{10, 2011 Takamatsu, Kagawa, Japan http://www.jlps.gr.jp/lpm/lpm2011/ Final Program updated May 26, 2011 General Chair Koji Sugioka RIKEN, Japan Co-Chair/Program Committee Chair Hiroyuki Niino AIST, Japan Co-Chair Friedrich Dausinger Dausinger + Giesen GmbH, Germany Co-Chair Alberto Piqu´e Naval Research Laboratory, USA Co-Chair Kazuyoshi Itoh Osaka University, Japan Co-Chair Seiji Katayama Osaka University, Japan Honorary Chair Isamu Miyamoto Osaka University, Japan Steering Committee Chair Toshihiko Ooie AIST, Japan Paper Codes on LPM2011 Symposium Program LPM2011 Oral Presentations The 1st & 2nd letters of the codes indicate the day of the week. Tu = Tuesday We = Wednesday Th = Thursday Fr = Friday The 3rd number indicates the presentation room. 1 = Room 1 (Kagawa International Conference Hall, 6F) 2 = Room 2 (Room #61, Sunport Hall Takamatsu, 6F) 3 = Room 3 (Room #62, Sunport Hall Takamatsu, 6F) The 4th letter indicates the presentation type. PL = Plenary I = Invited O = Oral UO = ppt with voice naration The last number after hyphen signals the presentation order of the paper in each room. For example, Tu1-O-4 [Tuesdayday] [Room 1] | [Oral Presentation] | [4th presentation in Room 1] Poster Presentations The 1st & 2nd letters of the codes indicate the day of the week. We =Wednesday Th =Thursday The 3rd letter P and UP means Poster Presentation and Unmanned Poster Presentation, respectively. The last number after hyphen signals the poster order of the paper of the day. For example, We-P-1 [Wednesday] | [Poster Presentation] | [the 1st presentation on the day] Important Notes The poster presenters are requested to give Short Presentations and to be present in front of their poster during 12:20{14:00 of the indicated day. -
Technical Glass Product Catalogue
WE KNOW ABOUT GLASS MORE THAN YOU THINK - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - TECHNICAL GLASS PRODUCT CATALOGUE sight glass lighting glass screen printed glass thin glass quartz glass borosilicate glass ceramic glass ant-reflective glass glass tubes and packaging laser optics protection Węgier glass WĘGIER GLASS company was founded in 1994, and its founder and owner is Wojciech - - - - - - - - - - - - - - - - - - - - - - - - - Węgier, brought up in a family with glassmaking traditions. He had been gaining his professional knowledge and experience from an early age, and right after graduation he worked in a variety of positions in the local glassworks in Kunice. In the period of the economic transformation he decided to establish his own company. It has been systematically developed and modernized in the past 20 years, and at the same time its assortment widened. The company specializes in manufacturing a wide range of glass for the needs of both domestic market and export. Foreign buyers constitute more than 40% of our customers. Comprehensive and modern production facilities allow to meet the demands of each buyer. We specialize in the field of technical, tempered, fireplace glass, all kinds of filters and glasses used in aggressive industrial conditions. The family-run company has a specialized working team guaranteeing high quality of production. For many years ISO Certificate has been motivating us to comply