JANUARY Auction 16Th, 17Th and 18Th
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The Wilman Collection
The Wilman Collection Martel Maides Auctions The Wilman Collection Martel Maides Auctions The Wilman Collection Martel Maides Auctions The Wilman Collection Lot 1 Lot 4 1. A Meissen Ornithological part dessert service 4. A Derby botanical plate late 19th / early 20th century, comprising twenty plates c.1790, painted with a central flower specimen within with slightly lobed, ozier moulded rims and three a shaped border and a gilt line rim, painted blue marks square shallow serving dishes with serpentine rims and and inscribed Large Flowerd St. John's Wort, Derby rounded incuse corners, each decorated with a garden mark 141, 8½in. (22cm.) diameter. or exotic bird on a branch, the rims within.ects gilt £150-180 edges, together with a pair of large square bowls, the interiors decorated within.ects and the four sides with 5. Two late 18th century English tea bowls a study of a bird, with underglaze blue crossed swords probably Caughley, c.1780, together with a matching and Pressnumern, the plates 8¼in. (21cm.) diameter, slop bowl, with floral and foliate decoration in the dishes 6½in. (16.5cm.) square and the bowls 10in. underglaze blue, overglaze iron red and gilt, the rims (25cm.) square. (25) with lobed blue rings, gilt lines and iron red pendant £1,000-1,500 arrow decoration, the tea bowls 33/8in. diameter, the slop bowl 2¼in. high. (3) £30-40 Lot 2 2. A set of four English cabinet plates late 19th century, painted centrally with exotic birds in Lot 6 landscapes, within a richly gilded foliate border 6. -
Specialist Collectors' Sale , Tue, 13 July 2021 9:00
Specialist Collectors' Sale , Tue, 13 July 2021 9:00 1 9ct gold charm bracelet with various novelty gold 17 Victorian silver vase of tapered cylindrical form and yellow metal charms £180-220 with embossed and pierced decoration on 2 9ct yellow and white gold bracelet with five white circular foot (lacking glass liner), by James gold double rope twist panels and yellow gold Dixon & Sons, Sheffield 1896. 11.5cm high £60- fittings. 20cm long £150-200 100 3 9ct gold circular open work ‘Ruth’ pendant on 18 Silver cigarette case with engine turned 9ct gold curb link chain. £250-300 decoration. Birmingham 1956 £60-100 4 Yellow and white metal Star of David pendant on 19 Victorian silver cased pocket watch with white 9ct gold chain £200-300 enamel dial, Roman numeral markers and subsidiary seconds dial, on silver watch chain 5 9ct gold Jewish heart shaped pendant on 18ct £40-60 gold chain £120-180 20 9ct gold flat curb link chain, 45.5cm long £150- 6 18ct gold diamond set black onyx plaque ring, 200 size L and 18ct gold signet ring, size R £80-120 21 9ct gold ball and fancy link chain, 59.5cm long 7 14ct gold wedding ring (stamped 585). Size Q £120-180 £40-60 22 Pair 9ct gold cufflinks, each oval panel engraved 8 9ct gold opal and ruby cluster ring, size N and with B and G £60-100 9ct gold emerald and opal flower head ring, size L½ £40-60 23 9ct gold heart pendant on 9ct gold chain, one other 9ct gold chain and 9ct gold watch bracelet 9 Two ladies' 9ct gold vintage wristwatches - parts £200-300 Accurist and Centaur, both on 9ct gold bracelets -
Collecting Vintage & Antique Milk Glass
COLLECTING MARCH 9, 2020 ADIRONDACK GIRL @ HEART MILK GLASS Some History Venetian glass makers devel- oped milky white glass some- time in the the 16th century and called it opal glass. The term we use today, milk glass, may have first been used by the Victorians who fell in love with it, due in part to its similarity to porcelain, which only the very wealthiest families could afford. After falling out of favor in the early 20th century, companies like Fenton, Westmoreland, and Indiana Glass ushered in a "golden age" of milk glass that extended After another serious down-turn, this simple white from about 1940 to 1970. glass entered our decorating consciousness again in the 2000's and it remains popular even now, in Victorian milk glass is often 2020. rather ornate and somewhat Interestingly enough, milk glass comes in a variety translucent, while newer pieces of colors, including, pink, yellow, blue, brown, and tend to be simpler and opaque. black. [You can see some examples in the blog post on this topic.] Quality milk glass has no mold marks and has a smooth, glossy Helpful Hints: finish. Florist grade glass is often I find milk glass most cheaply at garage sales, textured and contains unsightly sometimes for as little as a quarter and at thrift mold marks. stores, usually for $2-3/piece. Buy it only if you love it because you are unlikely to Fenton & Westmoreland Marks make a lot of profit on it if you try to sell it(!). If you want to sell it, colored milk glass sells better for me than plain white. -
NEWSLETTER Holiday Open House & Bake Sale
2013 Fall PRESERVING HISTORY Volume 35 No. 2 NEWSLETTER Holiday Open House Crow Wing County Museum & Bake Sale & Research Library Restored Sheriff’s Residence At the Museum Open to the public Friday, December 13th MISSION STATEMENT 3 –7 pm The Crow Wing County Enjoy hot apple cider/coffee Historical Society is committed to Punch & cookies preserving the history New exhibits and telling the story of Crow Wing County. STAFF Brainerd book available in the museum gift shop Pam Nelson Director/Administrator Newsletter Editor Lynda Hall Assistant Administrator Darla Sathre Administrative Assistant Experience Works Staff Lyn Lybeck Bonnie Novick 2013 FALL NEWSLETTER President’s Report It's hard to believe we are well into November with Christmas just around the corner. We have had a busy yet eventful year. Our annual meeting was a success, although there is always room for more attendees. Our museum continues to receive rave reviews from our visitors that tour our building. The remodeling has added room for more displays, thank you and Bake Sale to the staff and volunteers who worked very hard to make these improvements a reality. A special thanks to board member Ron Crocker and his son Jeff for making it all possible. OPEN TO THE PUBLIC The open house in October highlighted the unveiling of a large portrait of Lyman White. We Friday, Dec. 13 3-7 pm were fortunate to have Mayor James Wallin do the honors before a very nice crowd. Lyman White is the gentleman who is recognized as the person who actually laid out the Cider, Coffee, Punch boundaries of the city of Brainerd. -
D.G.W. Auctioneers Inc. 760 Kifer Road, Sunnyvale, CA
D.G.W. Auctioneers Inc. 760 Kifer Road, Sunnyvale, CA. 94086. Phone: (408) 245-1863 Fax: (408) 245-1283 www.dgwauctioneers.com FREE CATALOG AVAILABLE ONLINE Saturday, June 14, 2014 at 10:00 AM An 18% Buyer’s Premium is charged on All Purchases (If the Payment Method is cash or check). Buyer’s premium is otherwise 22%. READ AUCTION RULES, ESPECIALLY WITH REGARDS TO OBTAINING A BIDDER NUMBER, PAYMENT & REMOVAL OF PURCHASED LOTS AUCTION CONDUCTED PURSUANT TO SECTION 2328 OF THE COMMERCIAL CODE AND SECTION 535 OF THE CALIFORNIA STATE PENAL AND CIVIL CODES Absentee bids: D.G.W. Auctioneers will execute bids for absentee bidders submitted in advance of the sale. D.G.W. Auctioneers assumes no responsibility for failure to execute any bid, and absentee bids are subject to the conditions of the sale. Absentee bidders should call the D.G.W. Auctioneers the day following the sale after 10:00 AM to ascertain if they are the successful bidder. No Warranty – All Items Are Sold “AS IS”: D.G.W. Auctioneers & the consignor do not warrant any lot to be merchantable or to be suited to any purpose, and they do not assume any risk, liability or responsibility to any person as to authenticity, genuiness, culture, source, origin, attribution, period, purpose or measurement of any lot. Removal: Please DO NOT REMOVE any item purchased until after the auction, at which time an attendant will assist you if required. Items not removed within the published collection times will incur a storage charge of $5.00 per day per lot. -
Self-Striking Red Glass Fabrication at Low Temperature Using Gold Nanoparticles
Journal of Metals, Materials and Minerals, Vol.28 No.2 pp.27-32, 2018 Self-striking red glass fabrication at low temperature using gold nanoparticles Yotsakit RUANGTAWEEP1,2,*, Jakrapong KAEWKHAO1,3 and Narong SANGWARANTEE4,* 1Center of Excellence in Glass Technology and Materials Science (CEGM), Nakhon Pathom Rajabhat University,Nakhon Pathom, 73000, Thailand 2Science Program, Faculty of Science and Technology, Nakhon Pathom Rajabhat University, Nakhon Pathom, 73000, Thailand 3Physics Program, Faculty of Science and Technology, Nakhon Pathom Rajabhat University, Nakhon Pathom, 73000, Thailand 4Applied Physics, Faculty of Science and Technology, Suan Sunandha University, Bangkok, 10300, Thailand *Corresponding author e-mail: [email protected]; [email protected] Received date: Abstract 9 May 2018 Revised date: This research is intended to determine the appropriate condition for gold ruby 24 May 2018 glass production at low temperature. The effects of reducing agent (SnO2 and SeO2) Accepted date: concentrations on coloration of gold nanoparticle (AuNPs) in glass samples have 29 September 2018 been investigated. The glasses with chemical compositions of SiO2, B2O3, Al2O3, Na2O, CaO, K2O, Sb2O3, SnO2, SeO2 and AuNPs were fabricated by conventional Keywords: Gold nanoparticles melt-quench technique at 1,200C in normal atmosphere. The results found that the Reducing agent red glasses were obtained by SnO2 with concentration of 0.5 wt% and SeO2 with Red glasses concentration of 0.05 wt%. The color of glasses were confirmed by UV-visible spectrophotometer in the wavelength range 300-1100 nm and color coordinate in CIE L*a*b* system. Moreover, the color of glasses were obtained immediately when took the glass out of furnace without second heat treatment. -
Lichtspiele the Play of Light Lassen Sie Licht Leuchten
Lichtspiele The play of light Lassen Sie Licht leuchten... Let there be light... Irlbacher Glas bringt Licht in allen öffentlichen und privaten Lebensbereichen zum Leuchten. Unsere Sicherheitsstandards entsprechen höchsten Anforderungen, unsere Produkte höchsten Qualitätsansprüchen. In enger Zusammenarbeit mit Designern, Kunden und Konstrukteuren entwickeln wir unsere Produktpalette ständig weiter. Fordern Sie uns – mit Ihren Ideen und Vorstellungen! Gläser für Ihre Leuchten finden Sie bei uns für unterschiedlichste Anwendungsgebiete. Irlbacher glass helps lighting up all sorts of public and private areas of life. Our safety standards meet the highest requirements and our products the highest quality standards. We are working continuously on developing our product palette in close cooperation with designers, design engineers and customers. Put us to the test – with your ideas and concepts! We provide glass for your lighting systems in a wide range of applications. ... im Außenraum ... ... outside ... 1 2 3 4 5 6 7 8 10 9 11 12 1 IMPAstep® Stufenglas, 5 IMPAstep® mit keramischem Siebdruck 10 IMPAstep®, Lichtleisten für LED Belastungsfähigkeit bis 5000 kg IMPAstep® with ceramic screen print IMPAstep®, LED light strips IMPAstep® stepped glass, 6 Glasquader, UV-verklebt 12 IMPAstep® mit Siebdruck zur Lichtstreuung load capacity up to 5000 kg Glass cuboids, UV-bonded IMPAstep® with screen print for light scattering 2 IMPAstep® mit Verlaufsdruck 7 Lichtleiter aus IMPAdur® 13 IMPAstep® mit Lichtlenkung durch Rillenstruktur IMPAstep® with fade out print IMPAdur® light guides IMPAstep® with corrugated light guiding structure 3 Vorsatzscheibe für 8 IMPAstep® mit Piktogramm Mastaufsatzleuchten IMPAstep® with pictogram Panels for mast-mounted luminaires 9 Keramisch bedruckte 4 Baugruppe für LED-Leuchten LED-Abdeckgläser Module for LED lamps LED cover glasses, ceramically printed .. -
Glass and Glass-Ceramics
Chapter 3 Sintering and Microstructure of Ceramics 3.1. Sintering and microstructure of ceramics We saw in Chapter 1 that sintering is at the heart of ceramic processes. However, as sintering takes place only in the last of the three main stages of the process (powders o forming o heat treatments), one might be surprised to see that the place devoted to it in written works is much greater than that devoted to powder preparation and forming stages. This is perhaps because sintering involves scientific considerations more directly, whereas the other two stages often stress more technical observations M in the best possible meaning of the term, but with manufacturing secrets and industrial property aspects that are not compatible with the dissemination of knowledge. However, there is more: being the last of the three stages M even though it may be followed by various finishing treatments (rectification, decoration, deposit of surfacing coatings, etc.) M sintering often reveals defects caused during the preceding stages, which are generally optimized with respect to sintering, which perfects them M for example, the granularity of the powders directly impacts on the densification and grain growth, so therefore the success of the powder treatment is validated by the performances of the sintered part. Sintering allows the consolidation M the non-cohesive granular medium becomes a cohesive material M whilst organizing the microstructure (size and shape of the grains, rate and nature of the porosity, etc.). However, the microstructure determines to a large extent the performances of the material: all the more reason why sintering Chapter written by Philippe BOCH and Anne LERICHE. -
Aerogel-Based Thermal Superinsulation: an Overview
J Sol-Gel Sci Technol (2012) 63:315–339 DOI 10.1007/s10971-012-2792-9 ORIGINAL PAPER Aerogel-based thermal superinsulation: an overview Matthias Koebel • Arnaud Rigacci • Patrick Achard Received: 7 March 2012 / Accepted: 27 April 2012 / Published online: 15 May 2012 Ó Springer Science+Business Media, LLC 2012 Abstract This review is focused on describing the inti- 1 Global need for superinsulation solutions mate link which exists between aerogels and thermal superinsulation. For long, this applied field has been con- 1.1 Why superinsulation? sidered as the most promising potential market for these nanomaterials. Today, there are several indicators suggest- Ever since the first global oil crisis in the seventies, the ing that this old vision is likely to become reality in the near scarcity of fossil fuels, which is the number one resource future. Based on recent developments in the field, we are for our chemical industry and energy carrier, has under- confident that aerogels still offer the greatest potential for lined the dependence of modern society on cheap energy non-evacuated superinsulation systems and consequently and resources [1]. Over short or long term, that very fact is must be considered as an amazing opportunity for sustain- forcing humanity to rethink global energy strategies and able development. The practical realization of such products consequently take appropriate measures. In addition to a however is time-consuming and a significant amount of limited supply of carbon based fuels worldwide, the effect R&D activities are still necessary to yield improved aerogel- of the carbon footprint i.e. the influence of a rising carbon based insulation products for mass markets. -
Maine Alumnus, Volume 62, Number 4, Fall 1981
The University of Maine DigitalCommons@UMaine University of Maine Alumni Magazines University of Maine Publications Fall 1981 Maine Alumnus, Volume 62, Number 4, Fall 1981 General Alumni Association, University of Maine Follow this and additional works at: https://digitalcommons.library.umaine.edu/alumni_magazines Part of the Higher Education Commons, and the History Commons Recommended Citation General Alumni Association, University of Maine, "Maine Alumnus, Volume 62, Number 4, Fall 1981" (1981). University of Maine Alumni Magazines. 314. https://digitalcommons.library.umaine.edu/alumni_magazines/314 This publication is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in University of Maine Alumni Magazines by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. • ■* Our Alumni Council Officers Profits joined the GAA council in 1975. Within a I year, she became a member of the executive board and in the span of four years, was elected second vice president, chaired the executive board, and was chosen first vice president. In June, “Jo” became the first t woman GAA president. She lives in Bangor, ME. i i i i Miss Josephine M. Profits ’38 i President i i Sylvester, a Houlton, ME attorney, joined the council in 1975 and within two years, agreed to I spearhead UMO’s alumni fund. As national campaign t chairman, he used a “personal appeal” to meet the I GAA’s record goal of $450,000. Torrey is commander t of a U.S. Naval Reserves unit in Bangor, ME. Torrey A. Sylvester ’59 First Vice President I I This Mobil Oil Corporation executive from Topsfield, MA, directed the national fund campaign in 1979, just two years after he joined the council. -
The Colors of Sea Glass Where Do They Come From?
The Colors Of Sea Glass Where Do They Come From? ...Just where do the colors of beach glass come from? Sea Glass is simply old glass products that were thrown into the sea, But, "Sea Glass is JUST GLASS, like Diamonds are JUST ROCKS"© It takes decades for broken glass to "become" sea glass. If you think about it, the common colors of sea glass, Green, Brown & White are still in wide use today......Rarer colors of seaglass are pieces that the color has not been made or used commercially for many years. We have broken the colors into rarity categories, it is a general rule and not to be carved in stone (or glass!) as certain colors can be found more readily in some areas. For Example, lavender glass can be a rarity in areas yet abundant in Maine & Canada but hardly ever found in the islands. Next time you're in an antique shop or flea market, look at the glass items and see if you haven't found a piece of glass this color! By The Sea Jewelry is proud to offer the finest Genuine Sea Glass Jewelry in just about every color of sea glass in the world! This glass knowledge is based on 28 years of collecting and decades of researching the origins of our glass. (Place your mouse over or tap the images to reveal what the sea glass looks like in this glass color and then a corresponding piece of our jewelry in that color) Common - White, Green, Brown found in most beach combing locations throughout the world. -
Auction Catalog Lot# Description
Auction Catalog Lot# Description 1 4 STEIFF BEARS IN ORIGINAL BOXES 2 ANTIQUE WICKER 6 PC DINING SET 3 ANTIQUE WICKER TEA CART 4 LARGE ANTIQUE COFFER 5 OVAL INDIAN BASKET 6 1920'S NAPOLEAN TRAY 7 3 PCS INDIAN POTTERY 8 1900'S AM. OAK TRIPLE DOOR BOOKCASE 9 TALL 6 PANEL CHINESE LACQUER SCREEN 10 LARGE INLAID ITALIAN 3-DOOR ARMOIRE W/ BEVELED MIRROR 11 1900'S CARVED CORNER CHAIR 12 VICTORIAN BEADED PURSE 13 VICTORIAN S.P. BRIDE'S BASKET W/ CLEAR BOWL 14 MARBLE TOP VICTORIAN TABLE 15 ANTIQUE CAST IRON BASE GLOBE 16 17TH CENTURY SLATE TOP PASTRY TABLE 17 BOHEMIAN GLASS EPERGNE & PAIR OF VASES 18 FRENCH STYLE LADY'S DESK W/ FIGURAL DEC. 19 4 LADY FIGURES 20 MAHOGANY STEPBACK BOOKSHELF W/ ASIAN MOTIF 21 PR. CAST METAL GILT FIGURAL WALL SCONCES W/ GLASS SHADES 22 SMALL ANTIQUE CLAW FOOT SETTEE 23 2 METAL TAZZOS 24 3 SMALL VICTORIAN GLASS VASES W/ METAL BASES 25 FRENCH STYLE LEATHER TOP DESK W/ CHAIR 26 STERLING OVERLAY CONSOLE SET 27 CARVED 1900'S OVAL OAK BREAKFAST TABLE W/ GRIFFIN 28 SET OF 4 CARVED 1900'S OAK FIGURAL DINING CHAIRS 29 19TH CENTURY PARLOR BARREL ORGAN 30 2 1920'S CARVED SPANISH STYLE HALL CHAIRS 31 HUTSCHENREUTHER LADY W/ DEER FIGURINE 32 ROSENTHAL FISH PORCELAIN FIGURINE 33 ARTS & CRAFTS DRESSER TRAY 34 HUTSCHENREUTHER EAGLE FIGURINE 35 1920'S SPANISH STYLE SERVER W/ IRON TRESTLE 36 VICTORIAN DRESS W/ SHOES & HAT ON DRESSFORM 37 CRANBERRY SWIRL EPERGNE & PITCHER 38 2 LARGE HAND PAINTED URNS (ROYAL VIENNA REPAIRED HANDLE) 39 GREEN SLAG GLASS TABLE LAMP Lo40t# LARGE CARVEDDes FcIrGipUtRioAnL BAR FRONT 41 3 PCS ART GLASS 42 PR.