The China Closet: a Basic Guide
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1St Questionnaire Exemption No. 13A (Renewal Request)
Exemption Review under Directive 2011/65/EU .oeko.de www 1st Questionnaire Exemption No. 13a (renewal request) Exemption for „ Lead in white glasses used for optical applications“ Abbreviations and Definitions Cd Cadmium Cr VI Hexavalent chromium Pb Lead Background The Oeko-Institut and Fraunhofer IZM have been appointed within a framework contract1 for the evaluation of an application for granting an exemption to be included in or deleted from Annexes III and IV of the new RoHS Directive 2011/65/EU (RoHS 2) by the European Commission. Spectaris e.V has submitted the above mentioned request for exemption which has been subject to a first evaluation. The information you have referred has been reviewed and as a result we have identified that there is some information missing and a few questions to clarify concerning your request. Questions 1. The following information is specified on page 20: What is the purpose for which this patent is mentioned? The purpose is to show that there is an optical design for binoculars using Pb-containing glasses, for the reasons described in the application. An optical scope has at least one optical element which is used to image an object. An optical element is, for example, understood to mean a lens unit, a prism, or a prism system composed of multiple prisms. A lens unit is, for example, understood to mean one single lens or a unit which is composed of at least two lenses. It is now provided to make the optical element of glass, namely of at least one of the following glasses (glass types): N-BK7HT, N-SK2HT, F2HT, N-LASF45HT, SF6HT, N-SF6HTultra, N-SF6HT, SF57HTultra, N-SF57HTultra, N-SF57HT, as well as N-LASF9HT. -
Full Catalog
VOLUME 20 NUMBER 60 HIGH TEMPERATURE MATERIALS HANDBOOK Electrical - Structural Industrial Applications to 3000ºF COTRONICSCORP. SINCE 1971 © 2006 Cotronics Corp. For over thirty years, Cotronics’ Staff of Researchers, Engineers, Chemists, Technicians and Sales Assistants have provided industry with a reliable source of high quality, high temperature products specially formulated to meet the demanding specifications today’s technology requires. These products include: Duralco High Temperature Epoxies: Our unique cross linked, organic-inorganic, polymer systems have excellent adhesion, high temperature stability, dielectric properties and superior chemical, corrosion and moisture resistance. Resbond High Temperature Structural and Electrical Ceramics: These 4000ºF Machinable and Castable Ceramics, Adhesives, Potting and Encapsulating Compounds are available in a wide range of viscosities, strengths, conductivities, expansion rates and dielectric properties. Rescor Insulation Products: Tapes, Cloths, Blankets, Castable Ceramics, Putties, etc. Thermeez Maintenance and Repair Products: High Temperature Repair Putties, Gasket Formers, Thread Locking Compounds and Mold Releases are ideal for Repairs, Corrosion Control, Surface Rebuilding, etc. High Purity Materials: Ceramics, Metals, Oxides, Carbides, etc. for Research and Production applications. Cotronics offers the High Temperature solutions required to satisfy the most difficult applications in the Aerospace, Automotive, Semi-Conductor, Instrumentation, Appliances, Chemical Processing Industries. Cotronics provides the upmost in Excellence and Quality Control in its fully computerized manufacturing facilities. CALL COTRONICS FOR: Terms and Conditions Minimum Billing: $100.00 for rated accounts. Additional Technical Information Same Day Orders: Are subject to a $45.00 Expedited Fee. Adhesive Suggestions Foreign Shipments: Are subject to a $60.00 Handling Charge. Canadian Shipments: Are subject to a $25.00 Handling Charge. Custom Solutions Payments Made by Bank Transfer: Add $25.00 for Bank Charges. -
CASE 6 Shelf 1 #1 Fancy Opaque Glass 1982.65 WATER Challinor Taylor and Paneled Flower Funds Provided PITCHER Co., Pittsburgh, PA, Pattern, No
CASE 6 Shelf 1 #1 Fancy Opaque Glass 1982.65 WATER Challinor Taylor and Paneled Flower Funds provided PITCHER Co., Pittsburgh, PA, pattern, No. 23, by the Fifth patent June 1, 1886 pressed purple slag Annual Benefit opaque soda-lime Antiques Show glass Shelf 1 #2 Fancy Opaque Glass 1990.78 ELECTRIC New Martinsville Peachblow or Gift of Mrs. LIGHT Glass Mfg. Co., New Sunburst line, shaded Betty Woods SHADE Martinsville, WV, pink mold-blown Daniel about 1905-1910 glass with iridescent gold lining 1982.183AB BRIDE’S New Martinsville New Martinsville Gift of Mrs. BOWL ON Glass Mfg. Co., New Peachblow, pink Betty Woods STAND Martinsville, WV, shaded to white Daniel about 1905-1910 mold-blown glass, silver plated stand Shelf 1 #3 Opalescent and Iridescent 1981.138 BERRY Northwood Glass Diamond Funds provided BOWL Company, Indiana, Spearhead pattern, by Mr. Arthur B. PA, about 1900 deep blue shaded to Beaumont opalescent pressed glass 1990.109.1 TWO Dugan Glass Co., Diamond Museum 1990.109.2 MATCHING Indiana, PA, about Spearhead pattern, purchase INDIVIDUAL 1910 deep blue shaded to BERRY opalescent pressed BOWLS glass Shelf 1 #4 Opalescent and Iridescent 1000.164 DISH Dugan Glass Co., Peach opalescent Museum Indiana, PA, about pressed soda-lime purchase 1910-1914 glass with iridescent finish CASE 6 - Page 1 1989.72 BOWL Dugan Glass Co., Petals and Fans Museum Indiana, PA, about pattern on front with purchase 1910-1914 Jeweled Heart pattern on back, amethyst pressed soda-lime glass with deep iridescent finish 1994.39 PLATE Dugan Glass Co., Persian -
C:\Documents and Settings\Owner
A Multi-Media Guide to Shopping, Dining, Lodging, Recreation, Entertainment, Art & Historic Points of Interest for The American Heritage Tourist EVENTS... 4 INDEX OF CITIES... 6-7 ON THE ROAD... 27 Establish Your Community as a GREAT AMERICAN DESTINATION FALL / WINTER 2017-2018 (for less than a dime a day per lister) www.AmericanAntiquities.com See inside front cover 2 / AMERICAN JOURNAL Volume 25, FALL/WINTER 2017-18 AMERICAN ANTIQUITIES JOURNAL Volume 25, FALL/WINTER 2017-18/ 3 Enjoy your next road trip to one of our 500+ client cities. Let this be your guide for AboutAbout thethe CoCovverer shopping, dining, lodging, recreation, entertainment & historic points of interest for the AMERICAN HERITAGE TOURIST www.AmericanAntiquities.com Depression glass is clear or a specified number of colored translucent magazine subscriptions, thus glassware. It was produced in making its way into almost a multitude of colors, ranging every American home. from the deep colors of purple, Depression glass started one black, cobalt, and red to the of the largest collecting trends pastels of pink, yellow, green, ever, from collectors to amber, and blue which nostalgia hunters. Over created to bring a bright note 100,000 eager collectors now into the otherwise drab times seek this prized glass, of the depression. Most of this whether to complete a glassware was made in the handed-down family set of Ohio River Valley of the United dishes, or to find the highly States, where access to raw sought and elusive rare materials and power made pieces. manufacturing inexpensive. Depression glass is More than twenty becoming more scarce on the manufacturers made more open market. -
FUSED GLASS PLAID PLATE Free Fused Glass Project
Come Join Us! FUSED GLASS PLAID PLATE Free Fused Glass Project #551 Materials List: Materials List for COE 90 or COE 96 COE 90 Item# 90905 (Qty 2) White Opal Base Sheet Glass 8 x 8 OR use Clear Glass and make sure of slumping mold size) Item# 90915 Qty 1 Clear Sheet Glass 8 x 8 Item# 90906 Qty 1 Deep Royal Purple Sheet Glass 8 x 8 Item# 90945 Qty 1 Green Sheet Glass 8 x 8 Item# 90902 Qty 1 Light Turquoise Sheet Glass 8 x 8 COE 96 Item# 96905 (Qty 2) White Opal Base Sheet Glass 8 x 8 OR use Clear Glass and make sure of slumping mold size) Item# 96915 Qty 1 Clear Sheet Glass 8 x 8 Item# 96906 Qty 1 Deep Royal Purple Sheet Glass 8 x 8 Item# 96945 Qty 1 Green Sheet Glass 8 x 8 Item# 96902 Qty 1 Light Turquoise Sheet Glass 8 x 8 FUSING SUPPLIES: Other Items: Item# 41513 Bullseye Shelf Paper 1 square foot or Item# 41514 Papyros Shelf Paper 1 square foot Item# 41232 Mold Curved Square (This project will work other square molds and look wonderful so do not limit yourself to just one mold.) Item# 41507 Fuser's Glue Other Materials: · Cold Polishing - (one of the following) · Grinder · Abrasive Stone · Diamond Nail File · 3M™ Diamond Coated Sanding Sponges Clean Up Supplies: · Rubbing Alcohol, Dish Washing Detergent · Cloth with very little lint (old T-shirt) Step 1 - Preparation · Grind to round each of the 4 corners of the larger square used as the base piece of glass. -
The Wilman Collection
The Wilman Collection Martel Maides Auctions The Wilman Collection Martel Maides Auctions The Wilman Collection Martel Maides Auctions The Wilman Collection Lot 1 Lot 4 1. A Meissen Ornithological part dessert service 4. A Derby botanical plate late 19th / early 20th century, comprising twenty plates c.1790, painted with a central flower specimen within with slightly lobed, ozier moulded rims and three a shaped border and a gilt line rim, painted blue marks square shallow serving dishes with serpentine rims and and inscribed Large Flowerd St. John's Wort, Derby rounded incuse corners, each decorated with a garden mark 141, 8½in. (22cm.) diameter. or exotic bird on a branch, the rims within.ects gilt £150-180 edges, together with a pair of large square bowls, the interiors decorated within.ects and the four sides with 5. Two late 18th century English tea bowls a study of a bird, with underglaze blue crossed swords probably Caughley, c.1780, together with a matching and Pressnumern, the plates 8¼in. (21cm.) diameter, slop bowl, with floral and foliate decoration in the dishes 6½in. (16.5cm.) square and the bowls 10in. underglaze blue, overglaze iron red and gilt, the rims (25cm.) square. (25) with lobed blue rings, gilt lines and iron red pendant £1,000-1,500 arrow decoration, the tea bowls 33/8in. diameter, the slop bowl 2¼in. high. (3) £30-40 Lot 2 2. A set of four English cabinet plates late 19th century, painted centrally with exotic birds in Lot 6 landscapes, within a richly gilded foliate border 6. -
Specialist Collectors' Sale , Tue, 13 July 2021 9:00
Specialist Collectors' Sale , Tue, 13 July 2021 9:00 1 9ct gold charm bracelet with various novelty gold 17 Victorian silver vase of tapered cylindrical form and yellow metal charms £180-220 with embossed and pierced decoration on 2 9ct yellow and white gold bracelet with five white circular foot (lacking glass liner), by James gold double rope twist panels and yellow gold Dixon & Sons, Sheffield 1896. 11.5cm high £60- fittings. 20cm long £150-200 100 3 9ct gold circular open work ‘Ruth’ pendant on 18 Silver cigarette case with engine turned 9ct gold curb link chain. £250-300 decoration. Birmingham 1956 £60-100 4 Yellow and white metal Star of David pendant on 19 Victorian silver cased pocket watch with white 9ct gold chain £200-300 enamel dial, Roman numeral markers and subsidiary seconds dial, on silver watch chain 5 9ct gold Jewish heart shaped pendant on 18ct £40-60 gold chain £120-180 20 9ct gold flat curb link chain, 45.5cm long £150- 6 18ct gold diamond set black onyx plaque ring, 200 size L and 18ct gold signet ring, size R £80-120 21 9ct gold ball and fancy link chain, 59.5cm long 7 14ct gold wedding ring (stamped 585). Size Q £120-180 £40-60 22 Pair 9ct gold cufflinks, each oval panel engraved 8 9ct gold opal and ruby cluster ring, size N and with B and G £60-100 9ct gold emerald and opal flower head ring, size L½ £40-60 23 9ct gold heart pendant on 9ct gold chain, one other 9ct gold chain and 9ct gold watch bracelet 9 Two ladies' 9ct gold vintage wristwatches - parts £200-300 Accurist and Centaur, both on 9ct gold bracelets -
Collecting Vintage & Antique Milk Glass
COLLECTING MARCH 9, 2020 ADIRONDACK GIRL @ HEART MILK GLASS Some History Venetian glass makers devel- oped milky white glass some- time in the the 16th century and called it opal glass. The term we use today, milk glass, may have first been used by the Victorians who fell in love with it, due in part to its similarity to porcelain, which only the very wealthiest families could afford. After falling out of favor in the early 20th century, companies like Fenton, Westmoreland, and Indiana Glass ushered in a "golden age" of milk glass that extended After another serious down-turn, this simple white from about 1940 to 1970. glass entered our decorating consciousness again in the 2000's and it remains popular even now, in Victorian milk glass is often 2020. rather ornate and somewhat Interestingly enough, milk glass comes in a variety translucent, while newer pieces of colors, including, pink, yellow, blue, brown, and tend to be simpler and opaque. black. [You can see some examples in the blog post on this topic.] Quality milk glass has no mold marks and has a smooth, glossy Helpful Hints: finish. Florist grade glass is often I find milk glass most cheaply at garage sales, textured and contains unsightly sometimes for as little as a quarter and at thrift mold marks. stores, usually for $2-3/piece. Buy it only if you love it because you are unlikely to Fenton & Westmoreland Marks make a lot of profit on it if you try to sell it(!). If you want to sell it, colored milk glass sells better for me than plain white. -
Indoor Glass Cleaning Brochure
Clean Windows and Glass Faster, Safer and with Less Chemicals Indoor Glass Cleaning A Complete Line For All Glass Cleaning Needs ungerglobal.com Safely and Efficiently Clean All Your Indoor Glass Cleaning professionals face two key challenges when cleaning indoor surfaces such as windows, mirrors and elevators: safety and efficiency. Current window and glass cleaning tools lead to time-consuming and dangerous issues, like re-arranging furniture and reaching high or unusually positioned windows. Unger’s line of indoor window and glass cleaning tools increase productivity and safety by eliminating time spent moving furniture or climbing ladders. Clean Windows The Award Winning Choice 25% Faster and use for Indoor Glass Cleaning The Unger Stingray Ultimate Indoor 39% Less Chemicals Cleaning Tool provides a variety of glass and * window cleaning options, while the multiple than traditional spray and cloth cleaning lightweight extension poles enable you to clean high access areas without the use of ladders! The cleaning solution is powered by 3M Scotchgard™ Protection, which reduces the need to clean glass as often over time and can clean up to 1600 sq. ft. of windows before replacement. SRKT8 Stingray® Indoor Cleaning Kit - Deluxe 10’ shown *Source: Market Research – Professional Window Cleaners. Germany/UK, 2015, SR Strategy Routes Stingray® Indoor glass and window cleaning with Maximum Refillable System The Unger Stingray Flexibility, with new Refillable Refillable System allows ™ you to use your preferred Bottles and QuikPads window cleaning solution while still gaining all the QuikPad™ eliminates the need for laundering safety, speed and cleaning benefits Stingray provides. The QuikPad™ provides even more flexibility, allowing you to clean Adapter Plate used without having to launder with QuikPad™ Refillable bottle allows pads. -
Bullseye Glass Catalog
CATALOG BULLSEYE GLASS For Art and Architecture IMPOSSIBLE THINGS The best distinction between art and craft • A quilt of color onto which children have that I’ve ever heard came from artist John “stitched” their stories of plants and Torreano at a panel discussion I attended a animals (page 5) few years ago: • A 500-year-old street in Spain that “Craft is what we know; art is what we don’t suddenly disappears and then reappears know. Craft is knowledge; art is mystery.” in a gallery in Portland, Oregon (page 10) (Or something like that—John was talking • The infinite stories of seamstresses faster than I could write). preserved in cast-glass ghosts (page 25) The craft of glass involves a lifetime of • A tapestry of crystalline glass particles learning, but the stories that arise from that floating in space, as ethereal as the craft are what propel us into the unknown. shadows it casts (page 28) At Bullseye, the unknown and oftentimes • A magic carpet of millions of particles of alchemical aspects of glass continually push crushed glass with the artists footprints us into new territory: to powders, to strikers, fired into eternity (page 31) to reactive glasses, to developing methods • A gravity-defying vortex of glass finding like the vitrigraph and flow techniques. its way across the Pacific Ocean to Similarly, we're drawn to artists who captivate Emerge jurors (and land on the tell their stories in glass based on their cover of this catalog) exceptional skills, but even more on their We hope this catalog does more than point boundless imaginations. -
XIX Century Murano Glass Tableware Kindle
GLASS FOR THE TABLE : XIX CENTURY MURANO GLASS TABLEWARE PDF, EPUB, EBOOK Andrea Morucchio | 51 pages | 01 Jan 2000 | Arsenale | 9788877432131 | English, Italian | San Giovanni Lupatoto, United States Glass for the Table : XIX Century Murano Glass Tableware PDF Book Sort By:. Item Location see all. Fusing The process of founding or melting the batch. Heating pieces of glass in a kiln or furnace until they bond. The unofficial capital of glassmaking is perhaps known best for their dazzling chandeliers and opulent vases, which add a pop of color and sophistication to any room. Mentioned for accuracy Sign In Register. Cart 0. Originally established in in Pittsburgh , the first city to use coal for fuel in glassmaking, the company survived under several different firms until Much modern glass must be heated to about 2, degrees Farenheit, followed by a maturing period when the molten glass cools to a working temperature of about 2, degrees Farenheit. For a downloadable PDF, click here 27 pages. Since childhood he has shown great interest in art. Attributed to Salviati Dott. After annealing, the disk is cut into panes. In the master suite of a Long Island home, a motorized cabinet containing a Samsung television stands at the foot of the bed. Result is a polychrome design that is visible only when seen in cross section. So called because one surviving example is said to have belonged to Saint Hedwig of Silesia. Made by inflating a large gather, swinging it until it forms a cylinder, detaching it from the blowpipe, cutting it lengthwise, reheating it, and allowing it to slump to the form of a flat sheet. -
ORNAMENT 30.3.2007 30.3 TOC 2.FIN 3/18/07 12:39 PM Page 2
30.3 COVERs 3/18/07 2:03 PM Page 1 992-994_30.3_ADS 3/18/07 1:16 PM Page 992 01-011_30.3_ADS 3/16/07 5:18 PM Page 1 JACQUES CARCANAGUES, INC. LEEKAN DESIGNS 21 Greene Street New York, NY 10013 BEADS AND ASIAN FOLKART Jewelry, Textiles, Clothing and Baskets Furniture, Religious and Domestic Artifacts from more than twenty countries. WHOLESALE Retail Gallery 11:30 AM-7:00 PM every day & RETAIL (212) 925-8110 (212) 925-8112 fax Wholesale Showroom by appointment only 93 MERCER STREET, NEW YORK, NY 10012 (212) 431-3116 (212) 274-8780 fax 212.226.7226 fax: 212.226.3419 [email protected] E-mail: [email protected] WHOLESALE CATALOG $5 & TAX I.D. Warehouse 1761 Walnut Street El Cerrito, CA 94530 Office 510.965.9956 Pema & Thupten Fax 510.965.9937 By appointment only Cell 510.812.4241 Call 510.812.4241 [email protected] www.tibetanbeads.com 1 ORNAMENT 30.3.2007 30.3 TOC 2.FIN 3/18/07 12:39 PM Page 2 volumecontents 30 no. 3 Ornament features 34 2007 smithsonian craft show by Carl Little 38 candiss cole. Reaching for the Exceptional by Leslie Clark 42 yazzie johnson and gail bird. Aesthetic Companions by Diana Pardue 48 Biba Schutz 48 biba schutz. Haunting Beauties by Robin Updike Candiss Cole 38 52 mariska karasz. Modern Threads by Ashley Callahan 56 tutankhamun’s beadwork by Jolanda Bos-Seldenthuis 60 carol sauvion’s craft in america by Carolyn L.E. Benesh 64 kristina logan. Master Class in Glass Beadmaking by Jill DeDominicis Cover: BUTTERFLY PINS by Yazzie Johnson and Gail Bir d, from top to bottom: Morenci tur quoise and tufa-cast eighteen karat gold, 7.0 centimeters wide, 2005; Morenci turquoise, lapis, azurite and fourteen karat gold, 5.1 centimeters wide, 1987; Morenci turquoise and tufa-cast eighteen karat gold, 5.7 centimeters wide, 2005; Tyrone turquoise, coral and tufa- cast eighteen karat gold, 7.6 centimeters wide, 2006; Laguna agates and silver, 7.6 centimeters wide, 1986.