DOCSLIB.ORG

Clavibus Unitis / 4 2015 Hlavní Redaktor: Jiří K

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Clavibus Unitis / 4 2015 Hlavní Redaktor: Jiří K IV / 2015 II Clavibus unitis / 4 2015 Hlavní redaktor: Jiří K. Kroupa Jako on-line revue pro kulturněhistorická studia v českých zemích vydává Nadace pro dějiny kultury ve střední Evropě (association for Central European Cultural Studies), Husova 20, CZ-110 00 praha 1, [email protected] http://www.acecs.cz/?f_idx=4 ISSN 1803-7747 published by © association for Central European Studies, 2015 all rights reserved; no part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher. 1 Clavibus unitis 4 (2015) C C U U UC © Association for Central European Cultural Studies 3 Jan Dismas Zelenka’s Life and Music Reconsidered (Zelenka Conference Prague 2015) Edited by Jiří K. Kroupa CONTENT introduction . 5 Janice B. STOCKIGT – Jóhannes ÁGÚSTSSON: reflections and recent findings on the life and music of Jan Dismas Zelenka (1679-1745) . 7 Wolfgang HORN: opera, arias and Zelenka: remarks on a special relationship . 49 Michaela FREEMANOVÁ: prague 1734: Jan Dismas Ze- lenka and Leonardo Leo . 71 Claudia LUBKOLL: Watermarks in Zelenka’s auto - graph scores in the Saxon State and university Library Dresden (SLuB) . 75 Jana VojtěškoVá: The works of Jan Dismas Zelenka in the eighteenth and nineteenth centuries in prague . 85 Frederic KIERNAN: Zelenka reception in the nine- teenth century: Some new sources . 91 © Association for Central European Cultural Studies Clavibus unitis 4 (2015), pp. 3-158 4 A R T I C U L I 5 Jan Dismas Zelenka’s Life and Music Reconsidered (Zelenka Conference Prague 2015) © Association for Central European Cultural Studies Clavibus unitis 4 (2015), pp. 5-6 6 Úvodem A R T I C U L I Clavibus unitis 4 (2015), pp. 5-6 © Association for Central European Cultural Studies 7 t a time when digitization projects of the Sächsi- sche Landesbibliothek – Staats- und universitäts- bibliothek Dresden (D-Dl; SLuB) have made im- aportant music collections of the Dresden court available online,1 it is fitting to reconsider a major contributor to the sacred music once held in the Catholic court church JaNice B. STockigt of Dresden: Jan Dismas Zelenka. Whilst acknowledging (university of Melbourne) Jan Dismas Zelenka’s Life and Music Reconsidered (Zelenka Conference Prague 2015) the firm foundations laid by many musicologists, edi- tors, and performers whose publications, editions, and JóHannes ÁGústssoN interpretations have appeared over the past fifty years (iceland) and more, it now is possible to fill certain gaps in our knowledge of Zelenka’s life, compositions, and the musi- cal context in which he worked. in chronogical order we report additional biographical, contextual, and selected Reflections and recent findings source information. on the life and music of 1709-1719 it now is well established that Zelenka’s long-time patron Jan Dismas Zelenka and composition teacher in Bohemia was Johann Hubert (1679-1745) Hartig and not, as previously supposed, the younger brother Joseph Ludwig Hartig.2 in Zelenka’s petition ad- dressed in 1712 to august ii, Elector of Saxony and King of poland, ‘Baron von Hartig’ was the exact title given * The authors acknowledge with gratitude the assistance of romy Hartmann and Sabine Engler at the Sächsisches Staats- archiv – Hauptstaatsarchiv Dresden (D-Dla), and Dr Karl W. Geck and the librarians at the Sächsische Landesbibliothek – Staats- und universitätsbibliothek (D-Dl; SLuB) for their gener- ous assistance. Dr Birgit Mitzscherlich of the Zentralabteilung, archiv-Bibliothek Kunst, Bischöfliches ordinariat Bautzen (D- Baud) also is thanked for her continuing help. We are indebted to the following friends and colleagues who have helped with translations and good advice: Brian Clark, Dr David Fairservice, Susanne Haring, Shelley Hogan, Frederic Kiernan, Dr Saman- tha owens, Dr Barbara reul, professor Michael Talbot, and Dr Jana Vojtěšková. Special thanks is due to the staff of the following institutions for granting permission to publish the reproductions seen in this article: ragna petrak (D-Dla), Ma- at a time when digitization projects of the Sächsische rina Lang (D-Dl), Bettina Erlenkamp at the Deutsche Fototek Landesbibliothek – Staats- und universitätsbibliothek (D-Dl), Maren May at the plansammlung of the Landesamt für Dresden have made important music collections of the Denkmalpflege Sachsen, and Yvonne Brandt anda ndreas pisch- Dresden court available online, it is timely to recon- el at the Kupferstich-Kabinett, Staatliche Kunstsammlungen sider a major contributor to the music once held in the Dresden. Catholic court church of Dresden: Jan Dismas Zelenka. 1 See: Examination of Jesuit documentation from the era of https://hofmusik.slub-dresden.de/en/themes/court-church- Saxon Electors Friedrich august i (august ii as King of and-royal-private-music-collection/ poland) and Friedrich august II (august III as King of https://hofmusik.slub-dresden.de/en/themes/schrank-ii/ poland) together with the rich sources of the Sächsisches https://hofmusik.slub-dresden.de/en/themes/opera-archive/ Staatsarchiv – Hauptstaatsarchiv Dresden (D-Dla) pro- https://hofmusik.slub-dresden.de/en/search-possibilities/ vides new information about the life and surroundings 2 on the Hartig family see KAPSA, Václav and MADL, Claire: of Zelenka at the court of Dresden. This leads to a re- ‘Weiss, the Hartigs and the prague academy Music academy: evaluation of certain opinions sustained in the Zelenka research into the “profound silence” left by a “pope of music”’, literature. Building upon research undertaken since the Journal of the Lute Society of America 33 (2000), pp. 47-85, and mid-twentieth century, and including more recent stud- KAPSA, Václav, PERUTKOVÁ, Jana and SpáčiloVá, Jana: ‘Some ies, in chronological order this paper reappraises and remarks on the relationship of Bohemian aristocracy to ital- expands upon aspects of Zelenka’s life, his patrons, com- ian music at the time of pergolesi’, in: BACCIAGALUPPI, Clau- positions, and the musical context in which he worked. dio – OTTENBERG, Hans-Günter – ZOPEllI, Luca (eds.): Giovanni Key words: Jan Dismas Zelenka; Baroque Music; prague; Battista Pergolesi e la musica napoletana in Europa centrale Vienna; Dresden; august ii; august iii; Maria Josepha [= Studi pergolesiani – pergolesi Studies, 8], Bern: peter Lang, Number of characters / words: 28 959 / 183 049 2012, pp. 313-341. See also VEVERKA, Karel: ‘Hudební mecenát Number of images: 12 hraběte Jana Huberta Hartiga u pražských křižovníků s červe- Number of tables: 1 nou hvězdou ve světle řádového listinného archivu’, Hudební Secondary language(s): Latin, German, italian, French věda 51 (2014), pp. 161-170. © Association for Central European Cultural Studies Clavibus unitis 4 (2015), pp. 7-48 8 J A NI ce B. S T O C K I G T – J Ó H A NN es Á G ús Tss ON by Zelenka to his former instructor.3 on more than one occasion the Diarium collegii Societatis Jesu ad sanctum Clementem Vetero-Pragae (Diarium Vetero-Pragae) specifically mentions the A musical involvement on the important Jesuit feast days of St ignatius Loyola (31 July) and St R Francis Xavier (3 December) of a member of the noble Hartig family: the illustrious and Excel- T lent Dominus de Hartig. For the feast of St Francis Xavier in 1709 it was reported that on 28 November Count de Hartig rehearsed an italian Mass for four choirs.4 perhaps this was orazio I Benevoli’s Missa In diluvio aquarum multarum. Zelenka, who once held a score of this work (now C water damaged), wrote this note at the conclusion of the title page: ‘à Zelenka Music: de | S: 5 U M: Le roy de pologne | Electeur de Saxe. 1719’. The prague performance of this setting, which involved 130 musicians, was noted on the feast day itself,6 while in 1712 the count offered a L new (unidentified) musical composition for the feast that lasted for two hours.7 Moreover, for I the feast of St ignatius Loyola in 1710 ‘ill. D. ab Hartig’ offered another new (also unidentified) musical composition.8 it is known that in 1709 Zelenka lived in the house of Johann Hubert Hartig, who must have promoted the compositions of his protégé through organising commissions for him to compose music to be played at the holy sepulchre in St Salvatore, the principal church of the Jesuit Clementinum college in prague’s old Town. This patronage resulted in three sepulchro oratorios: Immisit Dominus pestilentium (ZWV 58, 1709), commissioned by the Clementinum College, Attendite et videte (ZWV 59, 1712) and Deus Dux fortissime (ZWV 60, 1716), both com- missioned by Count Hubert Hartig.9 Some years later, on 9 February 1723, the final day of Shrovetide, an unidentified, newly-composed work of Zelenka was presented in the church of St Salvatore,10 and it was given in his presence.11 it long has been known that the prague copy of Zelenka’s late setting Litaniae Lauretanae Salus infirmorum (ZWV 152), a work intended to be performed upon the recovery of Queen Maria Josepha following her illness in 1744, was originally dedicated to the ‘Eccell. DD S:r:J: Comiti Joanni Huberto de Hartig S:C: regiae etc. Majes: Conciliario privato, nec non regio Boëmiae Locumtenenti.’12 The prague copy of this 3 ‘So habe doch, sowohl, der in der Music hochberühmte und überall bekannte Hr. Baron von Hartig zu prage.’ Zelenka’s original petition is kept in Vienna, a-Wn, Sign 15773. it is reproduced by HORN, Wolf- gang – KOhlhASE, Thomas – in association with LANDMANN, ortrun – REICH, Wolfgang (eds.): Zelenka- Dokumentation: Quellen und Materialen (ZD hereafter), 2 vols., Wiesbaden: Breitkopf & Härtel, 1989, v. 1, Dok. 2, p. 103, and STOCKIGT, Janice B.: Jan Dismas Zelenka (1679-1745): A Bohemian Musician at the Court of Dresden, oxford: oup, 2000, p. 307.
Load more

Recommended publications
  • 4012476369853.Pdf
    Mein Sonatenalbum Christoph Förster (1693-1745) Johann Sigismund Weiss (um 1690-1737) Sonata c-Moll · C minor Sonata B-Dur · B flat major 1 [Adagio] 1:33 16 Andante 1:59 2 Allegro 1:13 17 Allegro 2:34 3 [Adagio] 2:29 18 Adagio 2:00 4 Gigue 1:29 19 Vivace 3:49 20 Presto 2:06 William Babell (um 1690-1723) Georg Friedrich Händel (1685-1759) Sonata Nr. 11 g-Moll · G minor 5 Adagio 3:03 Sonata F-Dur HWV 363a 21 Adagio 1:51 6 Vivace 1:20 22 Allegro 1:58 7 Allegro 1:18 23 Adagio 2:22 24 Bourrée angloise 1:02 „Signor Bach“ (Johann Jacob Bach?) 25 Menuet 1:18 Sonata c-Moll · C minor 8 Andante 2:26 William Babell 9 Allegro 2:36 Sonata Nr. 12 c-Moll · C minor 10 Adagio 1:29 26 Adagio 2:04 11 Vivace 3:09 27 Vivace 0:45 Johann Georg Linike (ca. 1680-1762) Gottfried August Homilius (1714-1785) Sonata F-Dur · F major Sonata à Oboe solo col Basso HoWV XI.1 12 Adagio 2:36 28 Adagio 2:03 13 Allegro 2:43 29 Allegro assai 2:37 14 Largo 2:49 30 Amoroso 1:18 15 Allegro 3:25 31 Vivace 1:54 KARLA SCHRÖTER Barockoboe Ensemble CONCERT ROYAL Köln Die Oboensonate im 18. Jahrhundert sowie über Choral-Knaben. Sein kompositorisches Schaffen umfasst zahlreiche Kirchenkantaten, Psalm- und Sanctus- Alle auf dieser CD eingespielten Sonaten für Oboe und Vertonungen, eine Messe und reichlich Instrumentalmusik, Basso continuo dürften in der ersten Hälfte des 18.
    [Show full text]
  • Musiker-Migration Und Musik-Transfer Zwischen Böhmen Und Sachsen Im 18
    Musiker-Migration und Musik-Transfer zwischen Böhmen und Sachsen im 18. Jahrhundert Bericht über das Internationale Symposium vom 7. bis 9. November 2008 Herausgegeben von Hans-Günter Ottenberg und Reiner Zimmermann Redaktion: Klaus Burmeister 1 Inhalt Zum vorliegenden Band 3 Programmflyer 2008 6 Grußwort des Schirmherrn 9 Grußwort des Veranstalters 10 Verzeichnis der mit Abkürzungen zitierten Literatur 12 Verzeichnis der benutzen Bibliothekssigel 14 Armin Schmid, Regensburg Johann Christoph Kridel (Rumburg 1672–1733) und seine Kantaten-Sammlung Neu-eröffnetes Blumen-Gärtlein (Bautzen 1706) 15 Michaela Freemanová, Prag Johann Adolf Hasse’s oratorios in the Bohemian Lands 28 Klaus-Peter Koch, Bergisch Gladbach Böhmische Musiker waren im Sachsen des 18. Jahrhunderts nicht nur in Dresden. Anmerkungen zur böhmischen Musiker-Migration 39 Hrosvith Dahmen, Dresden Zur Prager-Dresdner Kirchenmusik unter besonderer Berücksichtigung der Messen von František Xaver Brixi 51 Marc Niubo, Prag The Italian Opera between Prague and Dresden in the Second Half of the Eighteenth Century 58 Daniela Philippi, Frankfurt/Main Zur Überlieferung der Werke Christoph Willibald Glucks in Böhmen, Mähren und Sachsen 74 Hans-Günter Ottenberg, Dresden Instrumentalwerke böhmischer Komponisten in der Dresdner Hofmusik des 18. Jahrhunderts – Repertoireschwerpunkte, Stilistik, Überlieferungswege, Aufführungspraxis 83 Jiří Mikuláš, Prag Der Prager Komponist Vinzenz Maschek (1755–1831) und Sachsen 103 Undine Wagner, Chemnitz Böhmen – Polen – Sachsen – Preußen. Franz Benda und seine Beziehungen zu Mitgliedern der Dresdner Hofkapelle 110 Roland Bienert, Berlin In der Ferne heimatverbunden? Die böhmischen Quellen zu Antonio Rosettis Kirchenmusik 126 2 Zum vorliegenden Band Zu den interessantesten Fragen der Musikgeschichtsschreibung zählen solche nach dem kulturellen Austausch über politische, konfessionelle, Zoll- und Währungsgrenzen hinweg.
    [Show full text]
  • SCHLOESSERLAND SACHSEN. Fireplace Restaurant with Gourmet Kitchen 01326 Dresden OLD SPLENDOR in NEW GLORY
    Savor with all your senses Our family-led four star hotel offers culinary richness and attractive arrangements for your discovery tour along Sa- xony’s Wine Route. Only a few minutes walking distance away from the hotel you can find the vineyard of Saxon master vintner Klaus Zimmerling – his expertise and our GLORY. NEW IN SPLENDOR OLD SACHSEN. SCHLOESSERLAND cuisine merge in one of Saxony’s most beautiful castle Dresden-Pillnitz Castle Hotel complexes into a unique experience. Schloss Hotel Dresden-Pillnitz August-Böckstiegel-Straße 10 SCHLOESSERLAND SACHSEN. Fireplace restaurant with gourmet kitchen 01326 Dresden OLD SPLENDOR IN NEW GLORY. Bistro with regional specialties Phone +49(0)351 2614-0 Hotel-owned confectioner’s shop [email protected] Bus service – Elbe River Steamboat jetty www.schlosshotel-pillnitz.de Old Splendor in New Glory. Herzberg Żary Saxony-Anhalt Finsterwalde Hartenfels Castle Spremberg Fascination Semperoper Delitzsch Torgau Brandenburg Senftenberg Baroque Castle Delitzsch 87 2 Halle 184 Elsterwerda A 9 115 CHRISTIAN THIELEMANN (Saale) 182 156 96 Poland 6 PRINCIPAL CONDUCTOR OF STAATSKAPELLE DRESDEN 107 Saxony 97 101 A13 6 Riesa 87 Leipzig 2 A38 A14 Moritzburg Castle, Moritzburg Little Buch A 4 Pheasant Castle Rammenau Görlitz A72 Monastery Meissen Baroque Castle Bautzen Ortenburg Colditz Albrechtsburg Castle Castle Castle Mildenstein Radebeul 6 6 Castle Meissen Radeberg 98 Naumburg 101 175 Döbeln Wackerbarth Dresden Castle (Saale) 95 178 Altzella Monastery Park A 4 Stolpen Gnandstein Nossen Castle
    [Show full text]
  • Abstracts Euromac2014 Eighth European Music Analysis Conference Leuven, 17-20 September 2014
    Edited by Pieter Bergé, Klaas Coulembier Kristof Boucquet, Jan Christiaens 2014 Euro Leuven MAC Eighth European Music Analysis Conference 17-20 September 2014 Abstracts EuroMAC2014 Eighth European Music Analysis Conference Leuven, 17-20 September 2014 www.euromac2014.eu EuroMAC2014 Abstracts Edited by Pieter Bergé, Klaas Coulembier, Kristof Boucquet, Jan Christiaens Graphic Design & Layout: Klaas Coulembier Photo front cover: © KU Leuven - Rob Stevens ISBN 978-90-822-61501-6 A Stefanie Acevedo Session 2A A Yale University [email protected] Stefanie Acevedo is PhD student in music theory at Yale University. She received a BM in music composition from the University of Florida, an MM in music theory from Bowling Green State University, and an MA in psychology from the University at Buffalo. Her music theory thesis focused on atonal segmentation. At Buffalo, she worked in the Auditory Perception and Action Lab under Peter Pfordresher, and completed a thesis investigating metrical and motivic interaction in the perception of tonal patterns. Her research interests include musical segmentation and categorization, form, schema theory, and pedagogical applications of cognitive models. A Romantic Turn of Phrase: Listening Beyond 18th-Century Schemata (with Andrew Aziz) The analytical application of schemata to 18th-century music has been widely codified (Meyer, Gjerdingen, Byros), and it has recently been argued by Byros (2009) that a schema-based listening approach is actually a top-down one, as the listener is armed with a script-based toolbox of listening strategies prior to experiencing a composition (gained through previous style exposure). This is in contrast to a plan-based strategy, a bottom-up approach which assumes no a priori schemata toolbox.
    [Show full text]
  • CM 2-10.Indd
    czech music quarterly Jan Mikušek The Bartered Bride Jazz of the 50s and 60s 2 0 1 0 2 | CM 2-10 obálka strany.indd 1 21.6.2010 14:51:46 International Music Festival Radio Autumn 12|10>16|10>2010 www.radioautumn.cz 12| 10| Tue 7.30 pm| Rudolfi num - Dvořák Hall 15| 10| Fri 7.30 pm| Bethlehem Chapel PRAGUE PREMIERS Contemporary Music Showcase Ferenc Liszt Concert of Laureates of Concertino Praga International Music Competition 2010 Hungarian Rhapsody No. 2 14| 10| Thu 7.30 pm| Martinů Hall Fryderik Chopin | Piano Concerto No. 2 Antonín Rejcha | Overture in D Major Béla Bartók Antonio Vivaldi | Guitar concerto Pavel Zemek (Novák) Dance Suite for orchestra Johann Sebastian Bach Concerto (Consonance) for Cello and Chamber Orchestra Maurice Ravel | La Valse Violin concerto in A minorr Wojciech Widłak | Shortly „on Line“ Wolfgang Amadeus Mozart Aleksander Nowak PRAGUE RADIO SYMPHONY Piano Concerto No. 23 Dark Haired Girl in a Black Sports Car ORCHESTRA Joseph Haydn | Symphony No. 45 „Farewell“ Tomáš Netopil | conductor Raminta Šerkšnytė Fairy Tale about the Little Prince Alexander Ghindin | piano COLLEGIUM OF PRAGUE RADIO SYMPHONY PLAYERS Erkki-Sven Tüür | Symphony No. 8 Tickets prices Alfonso Scarano | conductor 690, 490, 290, 90 CZK Veronika Hrdová | guitar CZECH CHAMBER PHILHARMONIC Julie Svěcená | violins ORCHESTRA PARDUBICE 13| 10| Wed 7.30 pm| Rudolfi num - Dvořák Hall Anastasia Vorotnaya | piano Marko Ivanovič | conductor Tickets prices Tickets prices Bedřich Smetana 290, 190, 90 CZK 150, 100 CZK Šárka, symphonic poem Witold Lutoslawski | Cello concerto 16| 10| Sat 7.00 pm| Rudolfi num - Dvořák Hall 15| 10| Fri 7.00 pm| Martinů Hall Zygmunt Noskowski Wojciech Kilar | Orawa for string orchestra Eye of the Sea, symphonic poem Wojciech Kilar Ignacy Jan Paderewski Leoš Janáček Ricordanza for string orcherstra Piano Concerto in A Minor Taras Bulba, rhapsody for orchestra Anatolius Šenderovas Antonín Dvořák | Symphony No.
    [Show full text]
  • Leopold and Wolfgang Mozart's View of the World
    Between Aufklärung and Sturm und Drang: Leopold and Wolfgang Mozart’s View of the World by Thomas McPharlin Ford B. Arts (Hons.) A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy European Studies – School of Humanities and Social Sciences University of Adelaide July 2010 i Between Aufklärung and Sturm und Drang: Leopold and Wolfgang Mozart’s View of the World. Preface vii Introduction 1 Chapter 1: Leopold Mozart, 1719–1756: The Making of an Enlightened Father 10 1.1: Leopold’s education. 11 1.2: Leopold’s model of education. 17 1.3: Leopold, Gellert, Gottsched and Günther. 24 1.4: Leopold and his Versuch. 32 Chapter 2: The Mozarts’ Taste: Leopold’s and Wolfgang’s aesthetic perception of their world. 39 2.1: Leopold’s and Wolfgang’s general aesthetic outlook. 40 2.2: Leopold and the aesthetics in his Versuch. 49 2.3: Leopold’s and Wolfgang’s musical aesthetics. 53 2.4: Leopold’s and Wolfgang’s opera aesthetics. 56 Chapter 3: Leopold and Wolfgang, 1756–1778: The education of a Wunderkind. 64 3.1: The Grand Tour. 65 3.2: Tour of Vienna. 82 3.3: Tour of Italy. 89 3.4: Leopold and Wolfgang on Wieland. 96 Chapter 4: Leopold and Wolfgang, 1778–1781: Sturm und Drang and the demise of the Mozarts’ relationship. 106 4.1: Wolfgang’s Paris journey without Leopold. 110 4.2: Maria Anna Mozart’s death. 122 4.3: Wolfgang’s relations with the Weber family. 129 4.4: Wolfgang’s break with Salzburg patronage.
    [Show full text]
  • Jewels from Volcanoes a Journey Through 500 Million Years of Earth History
    JEWELS FROM VOLCANOES A journey through 500 Million Years of Earth History Zuständig für die Durchführung der ELER-Förderung im Freistaat Sachsen ist das Staatsministerium für Energie, Klimaschutz, Umwelt und Land- wirtschaft, Referat Förderstrategie, ELER-Verwaltungsbehörde. Clicking this symbol on the top right corner of the double pages takes you back to the Index. Contents Welcome 3 The narrow gauge railway network of Mügeln and kaolin transport 30 Geopark Porphyrland 4 Glossen – living testimony of historic Travelling back in time – finding out why are loading and transport technology 31 we so rich in raw materials 6 Geoportal Mügeln Railway Station Supervolcanoes – Foundation of and China Clay Experience 32 the Geopark Porphyry Land 8 Clays for Ceramics in Wealth from rocks 10 the Künstlerhaus Schaddelmühle 33 Hills and towers 11 The Faïence and Stoneware Manufactory Hubertusburg 34 Geotopes – exciting places to understand geology 12 Ice Age discovery world in the Geopark Porphyry Land 36 Industrial culture – exploring industrial Drinking water production in the geopark 38 use of stones 13 Bad Lausick – traditional spa town since 1820 39 Unique and precious: “Rochlitz porphyry tuff“ 14 Castles and palaces in the Geopark Porphyry Land 40 The porphyry quarries on Rochlitz Hill and their owners 16 Geopark and Pleasure: hunting and fishing 43 Granite porphyry for the biggest monument in Europe 18 Geopark and Pleasure: fruit-growing 44 Basalt-Actien-Gesellschaft 21 Activities in the geopark 46 Trade Association Mineral Building Materials
    [Show full text]
  • Stadt Erweitert Telefonischen Service
    Ausgabe 03 | 21. März 2020 Amtsblatt der Großen Kreisstadt Grimma Service Liebe Leserinnen und Leser des Grimmaer Amtsblattes, in dieser Ausgabe finden Sie zahlreiche Veranstaltungshinweise und Terminankündi- gungen, die in Anbetracht der aktuellen Situation zum größten Teil hinfällig sind. Zum Zeitpunkt des Redaktionsschlusses war die Entwicklung in diesem Ausmaß noch nicht absehbar. Wir bitten daher um Ihr Verständnis. Kommen Sie gesund durch die nächsten Wochen! Ihr Redaktionsteam ■ Stadt erweitert telefonischen Service Grimma. Um den vermehrten Nachfragen seitens der Bürger nachzukommen, schaltete die Stadt Grimma weitere telefonische Kapazitäten frei, die während der Öffnungszeiten der Verwaltung (Montag 9.00 bis 16.00 Uhr, Dienstag 9.00 bis 18.00 Uhr, Donnerstag 9.00 bis 16.00 Uhr, Freitag 9.00 bis12.00 Uhr) besetzt sind. Unter der Nummer 03437/ 98 58 0 stehen zusätzliche Mitarbeiter für alle Fragen, die in der jetzigen Situation zwingend zu klären sind, gern zur Verfügung. Für dringende Fälle wurde zudem ein Außenwartebereich auf dem Markt eingerichtet, um sicher zu gehen, dass die Besucher der Verwaltung genügend Abstand zueinander haben. Die Türen bleiben verschlossen. Eine Mitar- beiterin oder ein Mitarbeiter kann mittels Telefon kontaktiert werden. Nur im Falle der Notwendigkeit erfolgt eine persönliche Kontaktaufnahme. Gleichzeitig teilt der Oberbürgermeister mit: „Die Lösung des Problems liegt im Kleinen - jeder von uns ist gefor- dert mit der Situation angemessen umzugehen.“ Für alle medizinischen Fragen und Informationen bezüglich des Corona-Virus ist die „Corona-Hotline" des Gesundheitsamtes unter Telefon 03437/ 984 5566 wochentags in der Zeit von 8.00 bis 18.00 Uhr erreichbar. Alle wichtigen Informationen finden Sie unter www.grimma.de Foto © Nico Alexander Heinz C M Y K www.grimma.de 03/2020 | 21.
    [Show full text]
  • Avian Influenza: Several Preventive and Control Measures Agreed by Standing Committee
    IP/06/465 Brussels, 5 April 2006 Avian Influenza: several preventive and control measures agreed by Standing Committee Member States have backed a series of Commission proposals to reinforce EU preventive and control measures with regard to avian influenza, at the Standing Committee on the Food Chain and Animal Health (SCFCAH). The Decisions relate to the outbreak of H5N1 avian influenza on a German poultry farm, rules on preventive measures taken with regard to zoo birds and an extension of the import bans for Croatia, Romania and Turkey. Germany Following confirmation of an outbreak of highly pathogenic H5N1 avian influenza on a poultry farm in Wermsdorf (Saxony) in Germany, the Standing Committee on the Food Chain and Animal Health today agreed to a Commission proposal to establish a risk area around the protection (3 km) and surveillance (10 km) zones, as required by Decision 2006/135/EC on avian influenza in poultry. The risk area acts as a buffer zone between the outbreak and the non-affected parts of the Member State or its neighbouring countries. Strict movement restrictions, bio-security measures and controls have to be applied in the risk area, in addition to the measures already foreseen for protection and surveillance zones under EU legislation. The establishment of a risk area help to prevent any further spread of the virus, and aims to provide reassurance to the consumers, poultry sector and trade partners about the safety of products dispatched. The decision agreed today adds a list of all the German municipalities covered by the protection and surveillance zones and the risk area to the Annex of Decision 2006/135/EC.
    [Show full text]
  • Anlage 1 Linienänderung Auf Den Achsen Des Grundnetzes 2. Ordnung
    Muldentalkreis Nahverkehrsplan 2006 - 2011 Anlage 1 Linienänderung auf den Achsen des Grundnetzes 2. Ordnung Fahrplan 2005/06 Konzept lfd. Bedienung Achsabschnitt Linie Verkehrs- Fplkm/ Tage/ Wochen/ Summe Nr. Linie (Summe Hin- und Änderung VU tage Tag Woche Jahr Fpl.-km Rückfahrten) Fahrplananpassung, Abstimmung auf 610 610 1 Bad Lausick - Grimma 30 Fahrten/Tag SPNV, Reduzierung des Fahrtangebotes Mo - Fr -56,0 5 52 -14.560 Ludwig Ludwig auf 26 Fahrten/Werktag Großbothen - Colditz - 619 Fahrplananpassung, Abstimmung auf 2 20 Fahrten/Tag 619 PVM Mo - Fr 0,0 5 52 0 (Rochlitz) PVM SPNV Fahrplananpassung, Abstimmung auf 630 630 Grimma - Mutzschen 20 Fahrten/Tag SPNV, zusätzlich 2 Fahrten/Werktag Mo-Fr 44,0 5 52 11.440 PVM PVM zwischen Grimma und Mutzschen 3 1 Fahrt/Tag und 631 631 Fahrplananpassung, Abstimmung auf Grimma - Mutzschen 10 Fahrten/Tag im Mo - Fr 0,0 5 52 0 PVM PVM SPNV Schülerverkehr 7 Fahrten/Tag (Ferien) 640 640 Fahrplananpassung, Mo - Fr und 9 Fahrten/Tag 0,0 5 40 0 RUNGE RUNGE Abstimmung auf SPNV (Schulzeit) (Schulzeit) Grimma - (Hohnstädt) - 5 Naunhof - (Brandis) zusätzlich 5 Fahrten/Tag Mo - Fr 115,0 5 40 23.000 10 Fahrten/Tag (Ferien) (Schulzeit) (Schulzeit) 641 641 bzw. 12 Fahrten/Tag RUNGE RUNGE (Schulzeit) zusätzlich 5 Fahrten/Tag Mo - Fr 115,0 5 12 6.900 (Ferien) (Ferien) Seite 1 von 2 Muldentalkreis Nahverkehrsplan 2006 - 2011 Anlage 1 Linienänderung auf den Achsen des Grundnetzes 2. Ordnung Fahrplan 2005/06 Konzept lfd. Bedienung Achsabschnitt Linie Verkehrs- Fplkm/ Tage/ Wochen/ Summe Nr. Linie (Summe Hin- und
    [Show full text]
  • Liste 17 Musikliteratur
    Liste 17 Musikliteratur Anhang: Varia Musikantiquariat Dr. Bernhard A. Kohl GmbH Mozartstraße 17 D-70180 Stuttgart / Germany Telefon +49 (0)7 11 - 60 02 46 Fax +49 (0)7 11 - 620 77 46 [email protected] www.musikantiquariat-kohl.de – 1 – Musikantiquariat Dr. Bernhard A. Kohl GmbH Mozartstraße 17 D-70180 Stuttgart / Germany Telefon +49 (0)7 11 - 60 02 46 Fax +49 (0)7 11 - 620 77 46 [email protected] www.musikantiquariat-kohl.de Unsere Geschäftsbedingungen (siehe Website) senden wir Ihnen auf Anfrage auch gerne zu. Versandkosten (in Euro) Inland: bis 1 kg 4,– / darüber 7,– Ausland: EU 6,– bzw. 10,– / Schweiz und Welt 6,- bzw. 10,– Preise in Euro (€) inkl. 7% Mehrwertsteuer (Bücher, Noten) bzw. 19% (Autographen, Graphik, Photographien) © 2015 Dr. Bernhard A. Kohl Sitz der Gesellschaft: Stuttgart HRB 21443 Mitglied im Börsenverein des Deutschen Buchhandels Verkehrs-Nr. 26485 USt-IdNr.: DE 813 065 317 Bankverbindung: Baden-Württembergische Bank IBAN: DE 48 6005 0101 0002 2186 49 BIC (SWIFT): SOLA DE ST Besuche nach Vereinbarung – 2 – 1 | Anthologie. – Einstein, Alfred (Hg.): Briefe deutscher Musiker. Verbilligter Sonderdruck für deutsche Kriegsgefangene. (Lizenz für Querido, Amsterdam) 1939. 8°. 330 Seiten, mehrere Notenbsp. (= Bücherreihe Neue Welt, 12). Papier ge- ringfügig gebräunt. OKt. 35,– Extrem seltene, unveränderte und ungekürzte Ausgabe, ursprünglich im Exilver- lag „Querido“ in Amsterdam erschienen; „Manufactured in the U. S. A.“. – Aus der Bibliothek des Musikforschers Prof. Dr. Reinhold Hammerstein mit eigh. Besitz- vermerk. – Mit 22 SS. Vorwort, Erläuterungen und biographischen Skizzen. Der in München geborene Alfred Einstein [1880–1952] gehörte zu den bedeutendsten Musikforschern Deutschlands, als er 1933 seine Heimat verlassen mußte; sein be- rühmter Vetter war der Physiker Albert Einstein.
    [Show full text]
  • Italienische Musiker Am Hof Des Emmerich Esterházy in Preßburg Und Die Kontakte Mit Der Kaiserlichen Hofmusikkapelle in Wien
    Musicologica Brunensia 53 / 2018 / Supplementum https://doi.org/10.5817/MB2018-S-12 Italienische Musiker am Hof des Emmerich Esterházy in Preßburg und die Kontakte mit der Kaiserlichen Hofmusikkapelle in Wien Italian Musicians at the Court of Emericus Esterházy in Preßburg and Contacts with the Imperial Court Ensemble in Vienna Ladislav Kačic / [email protected] Jan Stanislav Institute of Slavistics of the Slovak Academy of Sciences, Bratislava, SK Abstract Archbishop–primate Emericus Esterházy (1663–1745) belonged to the greatest patrons of the arts in the history of Bratislava. His ensemble consisted of many prominent musicians, where Italians held a significant role. Bassoonist Angelo Cavallari was the first Italian member of the Esterházy ensemble, working there in the years 1730–1734. Before, he had applied for an em- ployment in the Imperial Court Ensemble (Kaiserliche Hofmusikkapelle) in Vienna. In 1737, well know violinist Giacomo Calandro (1707–1788) came to Preßburg and 1740, even renowned Francesco Durante (1684–1755) was there. However, he stayed in Preßburg only for a year and subsequently he returned to Naples. In the same year as Durante, castratos Domenico Tas- selli and Dario Luca Catani also came to the Esterházy court. Previously, they had worked in Moravia, Tasselli also in Prague. At the end of 1743, also singer (contraalto) of Hofmusikkapelle Filippo Antonelli (1710–1760) joined the archbishop’s ensemble. Antonelli was not the only mu- sician who worked in Vienna and Preßburg at the same time. In 1731 already, violinist of Impe- rial Court Ensemble Johann Otto Rossetter (ca. 1680–1754) with his son Johann Killian (1710–?) began to serve for the Esterházy court.
    [Show full text]