RAL DESIGN Colours
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Ochre Art Supplies 101 White 134 Crimson 169 Caput Mortuum 223 Deep Red 102 Cream 135 Red Violet 170 May Gree
Ochre Art Supplies www.fluffymilk.com 101 White 134 Crimson 169 Caput Mortuum 223 Deep Red 102 Cream 135 Red Violet 170 May Green 225 Dark Red 103 Ivory 136 Purple Violet 171 Light Green 226 Alizarin Crimson 104 Light Yellow Glaze 137 Blue Violet 172 Earth Green 230 Cold Grey 105 Light Cad Yellow 138 Violet 173 Olive Green Yellowish 231 Cold Grey 106 Light Chrome Yellow 140 Light Ultramarine 174 Chrome Green Opaque 232 Cold Grey 107 Cad Yellow 141 Delft Blue 175 Dark Sepia 233 Cold Grey 1V 108 Dark Cad Yellow 142 Madder 176 VanDyck Brown 234 Cold Grey V 109 Dark Chrome Yellow 143 Cobalt Blue 177 Walnut Brown 235 Cold Grey V 110 Phthalo Blue 144 Cobalt Blue Greenish 178 Nougat 246 Prussian Blue 111 Cadmium Orange 145 Light Phthalo Blue 179 Bistre 247 Indanthrene Blue 112 Leaf Green 146 Sky Blue 180 Raw Umber 249 Mauve 113 Orange Glaze 149 Bluish Turquoise 181 Paynes Grey 250 Gold 115 Dark Cad Orange 151 Helio Blue-Reddish 182 Brown Ochre 251 Silver 117 Light Cad Red 152 Mid Phthalo Blue 183 Light Yellow Ochre 252 Copper 118 Scarlet Red 153 Cobalt Turquoise 184 Dark Naples Ochre 263 Caput Mortuum Violet 119 Light Magenta 154 Light Cobalt Turquoise 185 Naples Yellow 264 Dark Phthalo Green 120 Ultramarine 155 Helio Turquoise 186 Terracotta 266 Perm Green 121 Pale Geranium Lake 156 Cobalt Green 187 Burnt Ochre 267 Pine Green 123 Fuchsia 157 Dark Indigo 188 Sanguine 268 Green Gold 124 Rose Carmine 158 Deep Cobalt Green 189 Cinnamon 270 Warm Grey 125 Mid Purple Pink 159 Hookers Green 190 Venetian Red 271 Warm Grey 126 Perm Carmine 160 Manganese -
HP750 Product Bulletin
® Avery Dennison HP750 High Performance Cut Vinyl Film Series Opaque Permanent Revision: 3 Dated: 01/06/20 Uses: ® 3.0 mil (76 microns) high gloss Avery Dennison HP750 High Performance films are Face: premium quality, flexible, opaque solid color high gloss high performance film vinyl films designed for use in a wide range of sign making applications. This construction provides excellent Adhesive: Patented Advanced Acrylic Adhesive Technology (PAAAT) cutting, weeding and transferring characteristics for signage applications. This product is ideal for a variety Liner: 78# Bleached Kraft of intermediate term outdoor projects. Application Flat, Simple Curves Surfaces: Features: ● Patented Advanced Acrylic Adhesive Technology (PAAAT) enhances shelf life and results in best-in-class weeding ● Broadest color palette in the industry for color confidence ● Efficient and precise conversion on commercial and craft plotters ● Outstanding durability and color fastness ● High-gloss finish ● Excellent UV, temperature, humidity and salt spray performance ● Pantone® color reference makes design easy Conversion: ● Thermal Die-Cutting ● Thermal Transfer ● Steel Rule Die-Cut ● Drum Roller Sign-Cut Common Applications: ● Trucks ● Cars & Vans ● Buses ● Trailers ● Trains & Light Rail ● OEM Durable Decals ● Architectural Signage Product Data Sheet Page 1 of 6 ® Avery Dennison HP750 High Performance Cut Vinyl Film Series Opaque Permanent Revision: 3 Dated: 01/06/20 HP750-440-O Red 6 HP750-445-O Fire Red 6 HP750-450-O Dark Red 6 HP750-460-O -
Brochure Colour Chart New Masters Classic Acrylics
New Master Classic Acryllic Colours NEW MASTERS C L S A I C S S L I C A C R Y Pigment Identification A601 TITANIUM WHITE PW6 B682 INDIGO EXTRA PB15:2 - PR177 - PBL7 B826 IRIDESCENT SILVER MICA - PBL7 - PW6 NEW MASTERS A602 ZINC WHITE PW4 B683 CYAN BLUE PW4 - PB15:2 - PB29 B827 IRIDESCENT PEWTER MICA - PBL7 - PB15:2 - PW6 C A603 TITANIUM WHITE EXTRA OPAQUE PW6 A684 OLD HOLLAND BLUE LIGHT PW6 - PB15:2 B828 IRIDESCENT BRIGHT GOLD MICA - PW6 L S A604 MIXED WHITE PW6-PW4 C685 MANGANESE BLUE EXTRA PB15 - PB35 - PG50 B829 IRIDESCENT ROYAL GOLD MICA - PW6 A C A605 OLD HOLLAND YELLOW LIGHT PW6-PY184 E686 CERULEAN BLUE PB35 B830 IRIDESCENT BRONZE MICA - PW6 S L I A606 TITANIUM BUFF LIGHT PW6-PY42 A687 OLD HOLLAND BLUE MEDIUM PW6 - PB29 - PB15:2 B831 IRIDESCENT LIGHT COPPER MICA - PW6 S Y A607 TITANIUM BUFF DEEP PW6-PY42-PBR7 B688 OLD HOLLAND BLUE-GREY PW6 - PB29 - PBL7 B832 IRIDESCENT DEEP COPPER MICA - PW6 I C C R B608 OLD HOLLAND YELLOW MEDIUM PW6-PY184 F689 CERULEAN BLUE DEEP PB36 A B609 OLD HOLLAND YELLOW DEEP PW6-PY43 B690 PHTHALO BLUE TURQUOISE PB15:6 - PG7 ‘EXTRA’ means: Traditional colour made from lightfast pigment B610 BRILLIANT YELLOW LIGHT PW6-PY53 C691 PHTHALO BLUE GREEN SHADE PB16 B611 BRILLIANT YELLOW PW6-PY53 D692 COBALT BLUE TURQUOISE PB36 Chemical Composition B612 BRILLIANT YELLOW REDDISH PW6-PY53-PR188 E693 COBALT BLUE TURQUOISE LIGHT PG50 B613 NAPLES YELLOW REDDISH EXTRA PW6-PO73-PY53 B694 PHTHALO GREEN TURQUOISE PG7 - PB15:2 PW 4 ZINC OXIDE B614 FLESH TINT PW6-PR122-PR101 B695 PHTHALO GREEN BLUE SHADE PG7 PW 6 TITANIUM DIOXIDE -
Kenyon Collegian College Archives
Digital Kenyon: Research, Scholarship, and Creative Exchange The Kenyon Collegian College Archives 5-10-1961 Kenyon Collegian - May 10, 1961 Follow this and additional works at: https://digital.kenyon.edu/collegian Recommended Citation "Kenyon Collegian - May 10, 1961" (1961). The Kenyon Collegian. 2157. https://digital.kenyon.edu/collegian/2157 This News Article is brought to you for free and open access by the College Archives at Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in The Kenyon Collegian by an authorized administrator of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. rvn c Ul M Mli i i u vr 4 JOURNAL OF SYNDROMATIC ACADEMIA V- Jr I 7 f j J T- i 7nTyWv 4 f 1 K ITT if yrTTiiHSsp iar SHwi L such MAY 5 CENTS CANADA AND THE CONGO 1200 speech at Kenyon I ment I than 1UU colleges ner of a 1957 Academy Award here IN THE RENOVATOR Letters to the Editor 2 Renovator Cops Award 3 Faculty in Washington 3 HI JjllljWlWrtr The Last Laugh 4 Words of Wisdom 4 Survey Ranks Kenyon First 5 New Books 5 H U A C 6 From the Lunch Box 6 7 Kenyon Goes Co- ed 8 The Best of Hika 8 James Reston Praises Us New Library 9 Rugby Team Replaces Gentlemen Renovation 9 I wish to congratulate you for your marvelous last issue Never Published daily by the Faculty twice a year have I come across such fine re- porting in a collegiate newspaper Your staff is evidently a very smooth- running and well trained organization Letters To The Editor Throughout -
Materiallist Cuong Nguyen Pastel Workshop
MATERIALLIST CUONG NGUYEN PASTEL WORKSHOP 1. Paper • 2x Sennelier La Carte Pastel Card 19”x25” (Recommended color: Dark Gray) • or Clairefontaine Pastelmat Card (Recommended color: Dark Gray or Light Gray) • or Art Spectrum Colourfix Coated Pastel Paper (Recommended color: Rose Gray) 2. Stabilo CarbOthello Pastel Pencils (Required colors) • Recommended to buy the whole set of Stabilo CarbOthello Pastel Pencil (60 colors.) • Or you can also buy the list below: Titanium White (100) Caput Mortuum Violet (640) Ivory (105) Caput Mortuum Violet Light (642) Carmine Red (310) Caput Mortuum Red (645) Magenta (335) Burnt Sienna (670) Violet Deep (385) Dark Flesh Tint (680) Ultramarine Blue Middle (430) Flesh Tint Light (681) Leaf Green Middle (570) Sienna (685) Leaf Green (575) Gray 1 (700) Olive Green (585) Gray 3 (704) Leaf Green Deep (595) Gray 4 (706) Raw Umber (610) Gray 5 (708) Dark Ochre (615) Cold Gray 1 (720) Burnt Ochre (620) Cold Gray 4 (726) Burnt Umber (625) Neutral Black (750) Bister (635) Lamp Black (760) 3. Additional pastels of your choosing: • Some Nupastels and/or soft pastels that you may use for clothing and backgrounds 4. Accessories: • Drawing board (23”x26”) • Artist tape to hold drawing paper in place • Paper towels • Mahl stick (optional) 5. For sharpening pencils: • Utility knife • Or Afmat Pencil Sharpener (electric or manual, designed for 6-8.2mm sketching and drawing pencil) BENJAMIN ECK PROJECTS | M ÜLLERSTRAßE 46A | 80469 MÜNCHEN PLEASE NOTICE: Unfortunately we haven’t got space to store your wet paintings in the gallery. Please bring a transport solution by yourself so you can carry the paintings safely. -
2017 Design Trends Every Year, Accessa Rounds up Consumer Trends in Coatings and Colors for Homes and Offices from a Range of Sources
SPECIAL EDITION 2017 Design Trends Every year, Accessa rounds up consumer trends in coatings and colors for homes and offices from a range of sources. When your customers ask for it, you’ll be ready. Bathroom in Poised Taupe, Sherwin-Williams 2017 Color of the Year (PRNewsFoto/Sherwin-Williams) COLORS OF THE YEAR INTRODUCING THE 2017 COLOR OF 2017 KEY COLOR COMBINATIONS FEATURING THE YEAR – POISED TAUPE POISED TAUPE… In addition to the “warming up” of neutrals in general, Poised Taupe creates a cozy lifestyle and brings a 2017 will see several key colors emerge in sense of sanctuary into our homes. It diffuses the combination with taupe. stresses of the world outside our doors — so much • Cornflower Hues: Faded indigo and lighter so that we feel restored and in balance when we walk cornflower hues pair with modern white and across our threshold. Poised Taupe for a charming palette, reminiscent of the French countryside. The Danes have a word to describe this feeling, hygge • Organic Re-Imagined: Vegetal green, citrus green, (pronounced hue-gah), which loosely translates as weathered bronze and mustard yellow pair with cozy, or creating a sense of coziness and warmth. Poised Taupe to create a contemporary organic The soft glow of candle-light, a toasty drink, and the palette — re-imagined for the modern world. company of family and friends is certainly hygge, but this feeling comes from creating the right atmosphere. • Vintage Pastels: Pastels take on a vintage vibe with dusty ink, amber, Poised Taupe, sage and There is a particular beauty to be admired in homes oxidized yellow. -
Opaque Colors
When glazing, it helps to know which colors are transparent and which are opaque. Whether a particular color is transparent or opaque has to do simply with its inherent chemical makeup. An opaque color will offer more coverage than a transparent one; that much is obvious. But it is important to remember that opacity and transparency have nothing to do with color saturation/intensity or color permanence. Both groups contain fugitive colors as well as powerful ones (red can fade quickly in UV light; blue used in even small quantities will turn the mixture strongly blue). This list is provided to help you determine which colors are best used for underpainting, which are best for glazing right out of the tube, and which may require the use of a glazing medium. Opaque Oil Colors Transparent Oil Colors Whites Whites lead white zinc white titanium white transparent white Yellows Yellows cadmium yellow (all tones) aureolin (cobalt yellow) Naples yellow Indian yellow yellow ochre transparent gold ochre jaune brilliant transparent oxide yellow nickel titanate yellow stil de grain jaune Reds and Oranges Reds and Oranges cadmium red (light and dark) alizarin crimson cadmium orange rose madder (light and dark) English red ultramarine red Mars red quinacridone red Venetian red quinacridone burnt orange terra rosa transparent red oxide vermillion naphthol scarlet anthraquinoid red perinone orange Greens Greens chromium green oxide viridian permanent green phthalo green cadmium green phthalo turquoise green gold terre verte Browns Browns burnt umber burnt sienna raw umber raw sienna Pozzuoli earth brown madder alizarin transparent brown stil de grain brun Blues Blues cerulean blue ultramarine blue cobalt blue phthalo blue manganese blue indanthrone blue indigo Violets Violets cadmium purple cobalt violet Mars violet manganese violet caput mortuum violet carbazole violet quinacridone violet rose dore’ dioxazine purple Blacks and Neutrals Blacks and Neutrals lamp black ivory black peach black Davy’s gray Mars black Paynes gray . -
Brook Park Newsletter March 2017
A PUBLICATION OF THE BROOK PARK CIVIC ASSOCIATION MARCH 2017, ISSUE 3 Brook Park Journal Save The Date: IN THIS ISSUE Please check PAGE 5 for a full list of neighborhood events. Coordinator Updates...................2 Crime Watch Protection.............2 Brook Park Manor’s Annual Easter Egg Hunt 11:00am - Wall Memorial Park on Sloop Road. Please fill out registration form on page 4 Cookbooks for Sale......................2 to sign up! Event Ideas Wanted.......................2 Brook Park Facebook Page Resale Certificates Available.......2 This is a great way to get the word out quickly when you have items for sale, requests for Social Memberships Available.....2 contractor recommendations, advertise your services, etc. Spread the word and LIKE the page TODAY!!!! facebook.com/brookparkmanor. Ask a Realtor..................................3 Easter Egg Hunt Flyer...................4 Civic Association Dues Are Now Due Classifieds.......................................5 Your Civic Association Dues for 2017-2018 are now due. You may pay your dues by check payable to: BPMCA and forwarded to Jessica Deible or to any BPMCA Board Save the Date.................................5 Member or you can pay via PayPal (see details below). Questions??? Ask any Civic Association Board member. Annual Civic Dues Can Be Paid Via Paypal Membership Dues can be paid via Paypal Account or Credit Card!!! Visit: www.brookparkmanor.com and click on Pay Now to pay via Paypal. Current Board of Governors President/Treasurer: Vice President: Secretary: Membership: Dennis -
2019 0104 Price List Oil Colours & Mediums
By Appointment To Her Majesty The Queen Suppliers Of Artist & Gilding Materials Stuart R Stevenson London STUART R. STEVENSON Artist’s & Gilding Materials 68 Clerkenwell Road London. EC1M 5QA. Tel: 020 7253 1693 Fax: 020 7490 0451 www.stuartstevenson.co.uk e-mail [email protected] Established 1980 Partners Stuart R. Stevenson, Julia I. Stevenson, Christopher M. Stevenson, Suzy J. Stevenson & Nicholas C.Stevenson Price List Index Section 3 Oil Colours & Mediums Buntlac Spray Paints Page 50 C.Roberson Mediums & Varnish Page 4 Daler Rowney Artists Oil Colours Page 32-33 Daler Rowney Georgian Oil Colours Page 40 Gamblin Artists Oil Colours Page 8-11 Gamblin Fastmatte Page 12 Gamblin Mediums & Varnish Page 13-14 Lefranc & Bourgeois Mediums & Varnish Page 4 Miameri Puro Artists Oils Page 6-7 Michael Harding Artists Oil Colours Page 15-18 Michael Harding Mediums & Varnish Page 19 Montana Spray Paints Page 44 - 49 Oil Colour Prices Page 1-3 Old Holland Artists Oil Colours Page 20-22 Old Holland Mediums & Varnish Page 23 One Shot Signwrighting Enamels Page 43 Royal Talens Mediums & Varnish Page 4 Schmincke Mediums & Varnish Page 4 Schmincke Mussini Resin Oil Colours Page 24-25 Sennelier Artists Oil Colours Page 26-28 Sennelier Artists Oil Sticks Page 42 Winsor & Newton Artisan Water Mixable Oils Page 35 Winsor & Newton Artists Oil Colours Page 29-31 Winsor & Newton Griffin Fast Drying Oils Page 34 Winsor & Newton Oil & Varnish Page 38-39 Winsor & Newton Oil Bar Page 41 Winsor & Newton Winton Oil Colours Page 36-37 Zest-It Mediums & Varnish Page 4 Stuart R Stevenson Oil Colours And Mediums Price List 2019 1st April 2019 68 Clerkenwell Road London EC1M 5QA Cranfield Artists Oil Colour Code Year Range Series Size Ex.VAT Inc.VAT D Cranfield Artists Oil Series 1 40 ml. -
Air Force Blue (Raf) {\Color{Airforceblueraf}\#5D8aa8
Air Force Blue (Raf) {\color{airforceblueraf}\#5d8aa8} #5d8aa8 Air Force Blue (Usaf) {\color{airforceblueusaf}\#00308f} #00308f Air Superiority Blue {\color{airsuperiorityblue}\#72a0c1} #72a0c1 Alabama Crimson {\color{alabamacrimson}\#a32638} #a32638 Alice Blue {\color{aliceblue}\#f0f8ff} #f0f8ff Alizarin Crimson {\color{alizarincrimson}\#e32636} #e32636 Alloy Orange {\color{alloyorange}\#c46210} #c46210 Almond {\color{almond}\#efdecd} #efdecd Amaranth {\color{amaranth}\#e52b50} #e52b50 Amber {\color{amber}\#ffbf00} #ffbf00 Amber (Sae/Ece) {\color{ambersaeece}\#ff7e00} #ff7e00 American Rose {\color{americanrose}\#ff033e} #ff033e Amethyst {\color{amethyst}\#9966cc} #9966cc Android Green {\color{androidgreen}\#a4c639} #a4c639 Anti-Flash White {\color{antiflashwhite}\#f2f3f4} #f2f3f4 Antique Brass {\color{antiquebrass}\#cd9575} #cd9575 Antique Fuchsia {\color{antiquefuchsia}\#915c83} #915c83 Antique Ruby {\color{antiqueruby}\#841b2d} #841b2d Antique White {\color{antiquewhite}\#faebd7} #faebd7 Ao (English) {\color{aoenglish}\#008000} #008000 Apple Green {\color{applegreen}\#8db600} #8db600 Apricot {\color{apricot}\#fbceb1} #fbceb1 Aqua {\color{aqua}\#00ffff} #00ffff Aquamarine {\color{aquamarine}\#7fffd4} #7fffd4 Army Green {\color{armygreen}\#4b5320} #4b5320 Arsenic {\color{arsenic}\#3b444b} #3b444b Arylide Yellow {\color{arylideyellow}\#e9d66b} #e9d66b Ash Grey {\color{ashgrey}\#b2beb5} #b2beb5 Asparagus {\color{asparagus}\#87a96b} #87a96b Atomic Tangerine {\color{atomictangerine}\#ff9966} #ff9966 Auburn {\color{auburn}\#a52a2a} #a52a2a Aureolin -
KATRIN FRIDRIKS a Certain Blue Enters Your Soul
KATRIN FRIDRIKS A Certain Blue Enters Your Soul MALAT JD GALLERY 1 KATRIN FRIDRIKS A Certain Blue Enters Your Soul MALAT JD GALLERY “There are things known & thereSoul Traveler, 2020 are things unknown, & in betweenAcrylics on canvas are the doors of perception.”39 3/8 x 39 3/8 in - Aldous Huxley 100 x 100 cm 2 3 The Nobel Astral Soul Keepers 100x150+5cm 2021 detail KATRIN FRIDRIKS A Certain Blue Enters Your Soul Rarest and most precious amongst all of the colours to be found in nature, since the earliest days of figurative arts, blue has been the Philosopher's Stone of artists throughout time. Whether applied roughly in a cave wall in the African plains hundreds of thousands of years ago, impressed for all eternity in an immortal fresco masterpiece in ancient Rome or Renaissance Florence, or used on a canvas in a modern Paris atelier, blue and its shades have always connected deeply with the human soul. The colour of the divine and the transcendent par-excellence, blue has always represented the link between the spiritual and the material, connecting the sky above us and the seas below us. Silent ruler of our planet, blue is the ultimate horizon, uniting land to waters, embracing both heaven and earth. Our own beautiful home itself is but a blue marble in the limitless ocean of the stars. Here on earth, blue intrigued for centuries both painters, scientists and common people alike since the dawn of Man, as this pigment is a most fascinating and elusive mystery on its own Katrin Fridriks in her studio right: omnipresent and pervasive in nature, it is intriguingly one of the rarest and hardest ones to come by in the world at the same time. -
Product Catalog Product Catalog Product
KREMER /// PRODUCT CATALOG www.kremerpigments.com PRODUCT CATALOG Table of Contents Pigments 01 TABLE OF Dyes & Vegetable Color CONTENTS Paints 02 Fillers & Building Materials 03 Mediums, Binders & Glues 04 Solvents, Chemicals & Additives 05 Ready-made Colors & Gilding Materials 3 01 Pigments 06 31 02 Dyes & Vegetable Color Paints Linen, Paper 35 03 Fillers & Building Materials & Foils 41 04 Mediums, Binders & Glues 53 05 Solvents, Chemicals & Additives 07 56 06 Ready-made Colors & Gilding Brushes Materials 66 07 Linen, Paper & Foils 08 69 08 Brushes Tools, Packaging & 74 09 Tools, Packaging & Supplies Supplies 10 82 Books & Color Charts 09 85 11 General Information Books & Color Charts 10 General Information 11 For further information and prices please visit us at www.kremerpigments.com 1 Icon-Legend ICON-LEGEND The following Icons are used in the brochure: Hazardous Item Read the Material Safety Data sheet carefully – you can find all Disclaimer product sheets under www.kremerpigments.com and consult our safe handling procedures – see Chapter 11. Not for home use! To buy this product you have to be over 21 years old. Please send us a copy of your identity card . These products require a Hazardous Item Disclaimer. Please fill out the form on page 116 or at www. kremerpigments. com and submit with your order. Cautionary Products may contain hazardous substances. Label Read the ACMI cautionary label carefully and consult our safe handling procedures – see Chapter 11. For further product-specific information please visit us at www.kremerpigments.com. Approved Products bearing the AP Product Seal of ACMI are certified in a Product program of toxicological evaluation By a medical expert to con- tain no materials in suMcient quantities to be toxic or injurious to humans or cause acute or chronic health problems.