Finest Artists' Resin-Oil Colours

Total Page:16

File Type:pdf, Size:1020Kb

Finest Artists' Resin-Oil Colours Finest artists’ resin-oil colours Series 10 101 1 HHHHH 102 2 HHHHH 103 1 HHHHH 105 5 HHHHH 206 2 HHHHH 236 3 HHHHH 232 4 HHHHH 231 4 HHHHH 224 1 HHHHH ○ ○ ○ ○ ○ flake white subst. zinc white titanium opaque transparent white burnt ochre light transparent Naples yellow Naples yellow brilliant yellow white yellow oxide deep light light 207 3 HHHHH 208 4 HHHHH 216 3 HHHH 220 6 HHHHH 227 5 HHHHH 210 3 HHHHH 209 4 HHHHH 221 5 HHHHH 228 5 HHHHH ○ Medieval yellow yellowish green lemon yellow vanadium yellow cadmium yellow transparent brilliant yellow vanadium yellow cadmium yellow Ural light light brilliant yellow deep medium 238 3 HHHHH 223 3 HHHHH 229 5 HHHHH 230 6 HHHHH 243 4 HHHHH 239 3 HHHH 340 4 HHHHH 356 6 HHHHH 364 3 HHHHH ○ ○ ○ transparent Indian yellow cadmium yellow cadmium orange brilliant orange transparent brilliant scarlet cadmium red light vermilion red yellow deep orange 341 6 HHHHH 357 6 HHHHH 343 3 HHHHH 353 3 HHHHH 365 3 HHHHH 344 4 HHHH 347 4 HHHH 346 4 HHHHH 358 4 HHHH ○ cadmium red cadmium red madder root red Florentine red transparent red madder lake alizarin madder madder lake dark carmine medium deep oxide brilliant lake 363 4 HHHH 366 3 HHHHH 472 4 HHHHH 473 3 HHHHH 495 3 HHHHH 494 1 HHHHH 478 2 HHHH 493 3 HHHHH 492 2 HHHH ○ ○ ○ transparent Caesar purple manganese violet transparent violet Byzantine blue indigo blue indigo Delft blue ultramarine blue magenta deep 491 2 HHHH 481 6 HHHHH 480 5 HHHHH 479 1 HHHH 496 3 HHHHH 490 1 HHHH 485 2 HHHH 486 4 HHHH 475 6 HHHH ○ ○ ○ ○ ultramarine blue cobalt blue deep cobalt blue light sapphire blue transparent Prussian blue royal blue light royal blue deep cobalt cerulean light oriental blue blue 477 3 HHHHH 487 5 HHHH 497 3 HHHHH 498 6 HHHHH 511 3 HHHHH 536 5 HHHHH 512 4 HHHHH 518 3 HHHHH 521 3 HHHHH transparent cyan manganese transparent cobalt turquoise cadmium green Turmaline green chromium oxide helio green deep helio green light cerulean blue turquoise green brilliant 535 6 HHHHH 513 3 HHHHH 529 3 HHHHH 528 6 HHHHH 640 1 HHHHH 526 2 HHHHH 510 3 HHHHH 530 2 HHHH 534 3 HHHHH ○ ○ oriental green chromium oxide viridian cobalt green Verona green sap green chrome green yellowish green transparent green deep opaque earth light golden green 646 1 HHHHH 656 1 HHHHH 660 1 HHHHH 644 2 HHHHH 653 1 HHHHH 237 3 HHHHH 661 1 HHHHH 651 1 HHHHH 663 1 HHHHH ○ ○ ○ natural Bohemian Attic light ochre raw Sienna yellow Sienna deep ochre transparent natural burnt English red Pozzuoli earth green earth orange oxide Sienna 647 1 HHHHH 648 1 HHHHH 662 3 HHHHH 669 1 HHHHH 670 1 HHHHH 664 1 HHHHH 666 1 HHHHH 667 1 HHHHH 645 1 HHHHH ○ ○ ○ Pompeiian red caput mortuum brown pink transparent raw umber light natural raw natural burnt Vandyke brown transparent brown oxide umber umber asphaltum brown 781 1 HHHHH 780 1 HHHHH 783 1 HHHHH 779 2 HHHH 790 2 HHHHH 792 2 HHHHH 782 3 HHHH 787 2 HHHH 788 2 HHHHH ○ ○ ○ ○ ○ lamp black ivory black mineral black atrament black shade grey dove grey Schmincke brownish grey 1 brownish grey 2 Payne‘s grey 784 2 HHHHH 785 2 HHHHH 860 4 HHHHH 861 4 HHHHH 862 4 HHHHH 863 4 HHHHH 864 4 HHHHH 865 4 HHHHH 866 4 HHHHH ○ ○ bluish grey 1 bluish grey 2 white gold renaissance gold antique gold yellow gold gold bronze rose gold copper Classification of symbols HHHHH extremely lightfast transparent 108 colours in 35 ml HHHH good lightfastness semi-transparent semi-opaque HHH lightfast opaque ○ 32 colours in 150 ml HH limited lightfastness H 1 Price group less lightfast 08/2020 H. Schmincke & Co. GmbH & Co. KG · Finest artists’ colours · Otto-Hahn-Str. 2 · D - 40699 Erkrath · Phone +49 (0)211/ 25 09 - 0 · www.schmincke.de · [email protected].
Recommended publications
  • HP750 Product Bulletin
    ® Avery​ ​Dennison​ ​ ​HP750 High Performance Cut Vinyl Film Series Opaque Permanent Revision: 3 Dated: 01/06/20 Uses: ®​ 3.0 mil (76 microns) high gloss Avery Dennison​ HP750 High Performance films are Face:​ premium quality, flexible, opaque solid color high gloss high performance film vinyl films designed for use in a wide range of sign making applications. This construction provides excellent Adhesive: ​Patented Advanced Acrylic Adhesive Technology (PAAAT) cutting, weeding and transferring characteristics for signage applications. This product is ideal for a variety Liner: 78# Bleached Kraft of intermediate term outdoor projects. ​ Application Flat, Simple Curves Surfaces: Features: ● Patented Advanced Acrylic Adhesive Technology (PAAAT) enhances shelf life and results in best-in-class weeding ● Broadest color palette in the industry for color confidence ● Efficient and precise conversion on commercial and craft plotters ● Outstanding durability and color fastness ● High-gloss finish ● Excellent UV, temperature, humidity and salt spray performance ● Pantone® color reference makes design easy Conversion: ● Thermal Die-Cutting ● Thermal Transfer ● Steel Rule Die-Cut ● Drum Roller Sign-Cut Common Applications: ● Trucks ● Cars & Vans ● Buses ● Trailers ● Trains & Light Rail ● OEM Durable Decals ● Architectural Signage Product Data Sheet Page 1 of 6 ® Avery​ ​Dennison​ ​ ​HP750 High Performance Cut Vinyl Film Series Opaque Permanent Revision: 3 Dated: 01/06/20 HP750-440-O Red 6 HP750-445-O Fire Red 6 HP750-450-O Dark Red 6 HP750-460-O
    [Show full text]
  • Kenyon Collegian College Archives
    Digital Kenyon: Research, Scholarship, and Creative Exchange The Kenyon Collegian College Archives 5-10-1961 Kenyon Collegian - May 10, 1961 Follow this and additional works at: https://digital.kenyon.edu/collegian Recommended Citation "Kenyon Collegian - May 10, 1961" (1961). The Kenyon Collegian. 2157. https://digital.kenyon.edu/collegian/2157 This News Article is brought to you for free and open access by the College Archives at Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in The Kenyon Collegian by an authorized administrator of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. rvn c Ul M Mli i i u vr 4 JOURNAL OF SYNDROMATIC ACADEMIA V- Jr I 7 f j J T- i 7nTyWv 4 f 1 K ITT if yrTTiiHSsp iar SHwi L such MAY 5 CENTS CANADA AND THE CONGO 1200 speech at Kenyon I ment I than 1UU colleges ner of a 1957 Academy Award here IN THE RENOVATOR Letters to the Editor 2 Renovator Cops Award 3 Faculty in Washington 3 HI JjllljWlWrtr The Last Laugh 4 Words of Wisdom 4 Survey Ranks Kenyon First 5 New Books 5 H U A C 6 From the Lunch Box 6 7 Kenyon Goes Co- ed 8 The Best of Hika 8 James Reston Praises Us New Library 9 Rugby Team Replaces Gentlemen Renovation 9 I wish to congratulate you for your marvelous last issue Never Published daily by the Faculty twice a year have I come across such fine re- porting in a collegiate newspaper Your staff is evidently a very smooth- running and well trained organization Letters To The Editor Throughout
    [Show full text]
  • 2017 Design Trends Every Year, Accessa Rounds up Consumer Trends in Coatings and Colors for Homes and Offices from a Range of Sources
    SPECIAL EDITION 2017 Design Trends Every year, Accessa rounds up consumer trends in coatings and colors for homes and offices from a range of sources. When your customers ask for it, you’ll be ready. Bathroom in Poised Taupe, Sherwin-Williams 2017 Color of the Year (PRNewsFoto/Sherwin-Williams) COLORS OF THE YEAR INTRODUCING THE 2017 COLOR OF 2017 KEY COLOR COMBINATIONS FEATURING THE YEAR – POISED TAUPE POISED TAUPE… In addition to the “warming up” of neutrals in general, Poised Taupe creates a cozy lifestyle and brings a 2017 will see several key colors emerge in sense of sanctuary into our homes. It diffuses the combination with taupe. stresses of the world outside our doors — so much • Cornflower Hues: Faded indigo and lighter so that we feel restored and in balance when we walk cornflower hues pair with modern white and across our threshold. Poised Taupe for a charming palette, reminiscent of the French countryside. The Danes have a word to describe this feeling, hygge • Organic Re-Imagined: Vegetal green, citrus green, (pronounced hue-gah), which loosely translates as weathered bronze and mustard yellow pair with cozy, or creating a sense of coziness and warmth. Poised Taupe to create a contemporary organic The soft glow of candle-light, a toasty drink, and the palette — re-imagined for the modern world. company of family and friends is certainly hygge, but this feeling comes from creating the right atmosphere. • Vintage Pastels: Pastels take on a vintage vibe with dusty ink, amber, Poised Taupe, sage and There is a particular beauty to be admired in homes oxidized yellow.
    [Show full text]
  • Brook Park Newsletter March 2017
    A PUBLICATION OF THE BROOK PARK CIVIC ASSOCIATION MARCH 2017, ISSUE 3 Brook Park Journal Save The Date: IN THIS ISSUE Please check PAGE 5 for a full list of neighborhood events. Coordinator Updates...................2 Crime Watch Protection.............2 Brook Park Manor’s Annual Easter Egg Hunt 11:00am - Wall Memorial Park on Sloop Road. Please fill out registration form on page 4 Cookbooks for Sale......................2 to sign up! Event Ideas Wanted.......................2 Brook Park Facebook Page Resale Certificates Available.......2 This is a great way to get the word out quickly when you have items for sale, requests for Social Memberships Available.....2 contractor recommendations, advertise your services, etc. Spread the word and LIKE the page TODAY!!!! facebook.com/brookparkmanor. Ask a Realtor..................................3 Easter Egg Hunt Flyer...................4 Civic Association Dues Are Now Due Classifieds.......................................5 Your Civic Association Dues for 2017-2018 are now due. You may pay your dues by check payable to: BPMCA and forwarded to Jessica Deible or to any BPMCA Board Save the Date.................................5 Member or you can pay via PayPal (see details below). Questions??? Ask any Civic Association Board member. Annual Civic Dues Can Be Paid Via Paypal Membership Dues can be paid via Paypal Account or Credit Card!!! Visit: www.brookparkmanor.com and click on Pay Now to pay via Paypal. Current Board of Governors President/Treasurer: Vice President: Secretary: Membership: Dennis
    [Show full text]
  • 2019 0104 Price List Oil Colours & Mediums
    By Appointment To Her Majesty The Queen Suppliers Of Artist & Gilding Materials Stuart R Stevenson London STUART R. STEVENSON Artist’s & Gilding Materials 68 Clerkenwell Road London. EC1M 5QA. Tel: 020 7253 1693 Fax: 020 7490 0451 www.stuartstevenson.co.uk e-mail [email protected] Established 1980 Partners Stuart R. Stevenson, Julia I. Stevenson, Christopher M. Stevenson, Suzy J. Stevenson & Nicholas C.Stevenson Price List Index Section 3 Oil Colours & Mediums Buntlac Spray Paints Page 50 C.Roberson Mediums & Varnish Page 4 Daler Rowney Artists Oil Colours Page 32-33 Daler Rowney Georgian Oil Colours Page 40 Gamblin Artists Oil Colours Page 8-11 Gamblin Fastmatte Page 12 Gamblin Mediums & Varnish Page 13-14 Lefranc & Bourgeois Mediums & Varnish Page 4 Miameri Puro Artists Oils Page 6-7 Michael Harding Artists Oil Colours Page 15-18 Michael Harding Mediums & Varnish Page 19 Montana Spray Paints Page 44 - 49 Oil Colour Prices Page 1-3 Old Holland Artists Oil Colours Page 20-22 Old Holland Mediums & Varnish Page 23 One Shot Signwrighting Enamels Page 43 Royal Talens Mediums & Varnish Page 4 Schmincke Mediums & Varnish Page 4 Schmincke Mussini Resin Oil Colours Page 24-25 Sennelier Artists Oil Colours Page 26-28 Sennelier Artists Oil Sticks Page 42 Winsor & Newton Artisan Water Mixable Oils Page 35 Winsor & Newton Artists Oil Colours Page 29-31 Winsor & Newton Griffin Fast Drying Oils Page 34 Winsor & Newton Oil & Varnish Page 38-39 Winsor & Newton Oil Bar Page 41 Winsor & Newton Winton Oil Colours Page 36-37 Zest-It Mediums & Varnish Page 4 Stuart R Stevenson Oil Colours And Mediums Price List 2019 1st April 2019 68 Clerkenwell Road London EC1M 5QA Cranfield Artists Oil Colour Code Year Range Series Size Ex.VAT Inc.VAT D Cranfield Artists Oil Series 1 40 ml.
    [Show full text]
  • KATRIN FRIDRIKS a Certain Blue Enters Your Soul
    KATRIN FRIDRIKS A Certain Blue Enters Your Soul MALAT JD GALLERY 1 KATRIN FRIDRIKS A Certain Blue Enters Your Soul MALAT JD GALLERY “There are things known & thereSoul Traveler, 2020 are things unknown, & in betweenAcrylics on canvas are the doors of perception.”39 3/8 x 39 3/8 in - Aldous Huxley 100 x 100 cm 2 3 The Nobel Astral Soul Keepers 100x150+5cm 2021 detail KATRIN FRIDRIKS A Certain Blue Enters Your Soul Rarest and most precious amongst all of the colours to be found in nature, since the earliest days of figurative arts, blue has been the Philosopher's Stone of artists throughout time. Whether applied roughly in a cave wall in the African plains hundreds of thousands of years ago, impressed for all eternity in an immortal fresco masterpiece in ancient Rome or Renaissance Florence, or used on a canvas in a modern Paris atelier, blue and its shades have always connected deeply with the human soul. The colour of the divine and the transcendent par-excellence, blue has always represented the link between the spiritual and the material, connecting the sky above us and the seas below us. Silent ruler of our planet, blue is the ultimate horizon, uniting land to waters, embracing both heaven and earth. Our own beautiful home itself is but a blue marble in the limitless ocean of the stars. Here on earth, blue intrigued for centuries both painters, scientists and common people alike since the dawn of Man, as this pigment is a most fascinating and elusive mystery on its own Katrin Fridriks in her studio right: omnipresent and pervasive in nature, it is intriguingly one of the rarest and hardest ones to come by in the world at the same time.
    [Show full text]
  • Finest Artists' Resin-Oil Colours
    Finest artists’ resin-oil colours Series 10 102 2 ★★★★★ 103 1 ★★★★★ 105 5 ★★★★★ 206 2 ★★★★★ 236 3 ★★★★★ 232 4 ★★★★★ 231 4 ★★★★★ 224 1 ★★★★★ 207 3 ★★★★★ ● ● ● ● Zinc white Titanium opaque Translucent white Flesh tint Translucent Naples yellow Naples yellow Brilliant yellow Medieval yellow white yellow oxide deep light 208 4 ★★★★★ 216 3 ★★★★ 220 6 ★★★★★ 227 5 ★★★★★ 209 4 ★★★★★ 221 5 ★★★★★ 228 5 ★★★★★ 238 3 ★★★★★ 223 3 ★★★★★ ● ● ● ● ● Yellowish green Lemon yellow Vanadium yellow Cadmium Cadmium yellow Vanadium yellow Cadmium Translucent Indian yellow Ural light yellow 1 light hue deep yellow 2 middle yellow 229 5 ★★★★★ 230 6 ★★★★★ 243 4 ★★★★★ 239 3 ★★★★ 340 4 ★★★★★ 356 6 ★★★★★ 364 3 ★★★★★ 341 7 ★★★★★ 342 6 ★★★★★ ● ● ● Cadmium Cadmium orange Chrome orange Translucent Brilliant scarlet Cadmium red Vermilion red hue Cadmium red Cadmium red hue yellow 3 deep hue orange light middle 357 6 ★★★★★ 343 3 ★★★★★ 353 3 ★★★★★ 365 3 ★★★★★ 344 4 ★★★★ 347 4 ★★★ 346 4 ★★★★★ 358 4 ★★★★ 363 4 ★★★★ ● ● ● ● ● ● Cadmium red Madder root hue Florentine red Translucent red Madder lake Alizarin madder Madder lake dark Carmine Translucent deep oxide brilliant lake magenta 366 3 ★★★★★ 482 8 ★★★★★ 473 3 ★★★★★ 495 3 ★★★★★ 494 1 ★★★★★ 478 2 ★★★★ 493 3 ★★★★★ 492 2 ★★★★ 491 2 ★★★★ ● ● ● ● ● Caesar purple Cobalt violet Translucent violet Byzantine blue Indigo hue Indigo Delft blue Ultramarine blue Ultramarine blue deep light 481 6 ★★★★★ 480 5 ★★★★★ 479 1 ★★★★ 496 3 ★★★★★ 490 1 ★★★★ 485 2 ★★★★ 486 4 ★★★ 475 8 ★★★★ 477 3 ★★★★★ ● ● ● ● ● Cobalt blue deep Cobalt
    [Show full text]
  • Paint Companies Announce Top Colors for 2017
    [MARKET UPDATE] By Michael Chamernik, Associate Editor PAINT TRENDS PAINT COMPANIES ANNOUNCE TOP COLORS FOR 2017 Consider this a primer for all the paint companies that named a Color of the Year for 2017. The hues ranged across the spec- trum, but soft, cool colors earned the most recognition. After a year of research, which included trade show visits and input from experts in home furnishing, ar- chitecture, and fashion, Benjamin Moore selected Shadow as its color of the year. The royal amethyst is similar to lilac, and the manufacturer says it adds energy and sophis- tication to a room. The color headlines Benjamin Moore’s Color Trends 2017 palette, which features 23 hues including Grandfather Clock Brown, Pink Bliss, and Dark Burgundy. “I think that Shadow does everything,” Lita Dirks, interior designer and president of Lita Dirks & Co., in Greenwood Village, Colo., told Professional Builder. “It’s a beautiful neutral, and it’s a beautiful accent at the same time. It can capture such amazing character and feeling in a room.” Poised Taupe from Sherwin-Williams is a neutral gray with a touch of brown mixed in. The result is a warmer, cozier tone, a departure from monochrome grays. The manufacturer recommends Poised Taupe as a backdrop that pairs well with 40 other colors in its 2017 Colormix forecast, including Stardew, a faded indigo; Marea Baja, a deep teal; or Rave Red, which has the appearance of red-stained bedrock. PPG and several of its brands all chose shades of violet for their Colors of the Year. PPG, which introduced four new palettes, opted for Violet Verbena.
    [Show full text]
  • CHAPTER 1 Introduction
    27 CHAPTER 1 Introduction The aim of this study is to investigate the well-known and widespread problem of severe paint loss from stained glass windows made by many firms in the mid- to late-nineteenth century. This problem results in the fading of painted detail from the surface of the glass, in the worst cases leaving pieces completely blank, as well as ‘ghosting’ of areas where the paint has been lost (Figures 1 and 2). It has become known as the ‘borax problem’,1 most likely due to a letter sent by William Morris to George Howard, around 1880, in which he writes: We (and I believe all other glass painters) were beguiled by an untrustworthy colour, having borax in it, some years ago, and the windows painted with this are going all over the country. Of course we have taken warning and our work will now be all right. We have given instructions to our man to take out the faulty glass, which we will – restore! – at once, and pay for that same ourselves – worst luck! Borax is the name of the culprit: the colour makers, finding that the glass- painters wanted a colour that would burn well at a lowish temperature, mixed borax with it to that end; but unluckily glass of borax is soluble in water, and hence the tears wept by our windows – and our purses. We use harder colour now, so that if any window of ours goes now it must be from other causes; bad burning or the like; I don’t think as things go that this is like to happen to us.2 As Morris suggests, many (although not all) stained glass firms of the period experienced the problem of paint loss.
    [Show full text]
  • ANTIQUITIES Wednesday 30 November 2016
    ANTIQUITIES Wednesday 30 November 2016 ANTIQUITIES Wednesday 30 November 2016 at 10.30am New Bond Street, London VIEWING BIDS ENQUIRIES CUSTOMER SERVICES Sunday 27 November +44 (0) 20 7447 7447 Siobhan Quin Monday to Friday 8.30am to 6pm 11am to 3pm +44 (0) 20 7447 7401 fax +44 (0) 20 7468 8225 +44 (0) 20 7447 7447 Monday 28 November To bid via the internet please [email protected] 9am to 4:30pm visit bonhams.com Please see pages 3 to 4 for Tuesday 29 November Serena Zaccaron bidder information including 9am to 4:30pm Telephone bidding +44 (0) 20 7468 8332 after-sale collection and shipment Please note that bids should be [email protected] submitted no later than 4pm on ILLUSTRATIONS SALE NUMBER the day prior to the sale. New Senior Consultant Front cover: Lot 169 23365 bidders must also provide proof Joanna van der Lande Back cover: Lot 172 of identity when submitting bids. Inside front cover: Lot 70 CATALOGUE Failure to do this may result in IMPORTANT INFORMATION Inside back cover: Lot 69 £30.00 your bid not being processed. The United States Government Opposite: Lot 74 has banned the import of ivory Bidding by telephone will only be into the USA. Lots containing IMPORTANT INFORMATION accepted on a lot with a lower ivory are indicated by the Please note that lots of Iranian estimate in excess of £1,000. symbol Ф printed beside the lot and Persian origin are subject number in this catalogue. to US trade restrictions which Live online bidding is available currently prohibit their import for this sale into the United States, with no Please email [email protected] exemptions.
    [Show full text]
  • Stained Glass in the Current Middle Ages
    Stained Glass in the Current Middle Ages A Comparison of 12th and 20th Century Techniques, Processes and Materials Used in Building Stained Glass Windows November 13, 1999 By Jimi Lee Known in the SCA as Lord Conor O Ceallaigh AoA, GMB, OSag, OM And in the Silver Horde as Subedei Qorchi James D. Lee 1999 - 2014 Draft Version 21 Date: 8/30/15 Time: 03:49:09 Stained Glass in the Current Middle Ages Page 2 of 56 James D. Lee 1999 - 2015 Stained Glass in the Current Middle Ages Table of Conten Table of Figures.............................................................................................5 Introduction....................................................................................................6 My Introduction to Stained Glass................................................................................6 Stained Glass Projects...................................................................................................7 How Glass is Made.........................................................................................8 What is Glass?................................................................................................................8 Making Glass in the 12th Century.................................................................................8 Making Glass in the 20th Century...............................................................................11 Art (Colored) Glass......................................................................................................13 To Paint or Not
    [Show full text]
  • RAL Design System Plus Farbliste
    RAL Design System plus Farbliste Das RAL DESIGN SYSTEM wurde 2018 überarbeitet und um 200 vorwiegend helle Farben ergänzt sowie jeder Farbe ein Farbname zugeordnet. Somit beinhaltet das überarbeitete RAL DESIGN SYSTEM plus 1825 Standardfarben. In dieser Liste finden Sie alle 1825 Farben mit Farbnummer, Farbname auf deutsch und englisch sowie die Hellbezugswerte jeder einzelnen Farbe. Die mit * gekennzeichneten Farben sind aus dem System entnommen worden. Die mit ** gekennzeichneten Farben sind neu hinzugefügt worden. The RAL DESIGN SYSTEM was revised in 2018 and supplemented by 200 predominantly light colors and assigned a color name to each color. Thus, the revised RAL DESIGN SYSTEM includes plus 1825 standard colors. In this list you will find all 1825 colors with color number, color name in German and English as well as the light reference values ​​of each individual color. The colors marked with * are taken from the system. The colors marked with ** have been newly added. Color Number Farbname Color name LRV 000 15 00 Tintenschwarz Ink black 5,31 000 20 00 Schieferschwarz Slate black 6,18 000 25 00 Onyxschwarz Onyx black 7,88 000 30 00 Mittelschwarz Medium black 9,32 000 35 00 Brikettgrau Briquette grey 11,47 000 40 00 Dunkelgrau Dark grey 14,13 000 45 00 Architekturgrau Architecture grey 17,55 000 50 00 Stahlgrau Steel grey 21,02 000 55 00 Mittelgrau Medium grey 25,12 000 60 00 Aschgrau Ash grey 29,99 000 65 00 Mörtelgrau Mortar grey 36,69 000 70 00 Leichtgrau Light grey 43,47 000 75 00 Marmorgrau Marble grey 50,86 000 80 00 Nebelgrau
    [Show full text]