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Product Catalog Product Catalog Product KREMER /// PRODUCT CATALOG www.kremerpigments.com PRODUCT CATALOG Table of Contents Pigments 01 TABLE OF Dyes & Vegetable Color CONTENTS Paints 02 Fillers & Building Materials 03 Mediums, Binders & Glues 04 Solvents, Chemicals & Additives 05 Ready-made Colors & Gilding Materials 3 01 Pigments 06 31 02 Dyes & Vegetable Color Paints Linen, Paper 35 03 Fillers & Building Materials & Foils 41 04 Mediums, Binders & Glues 53 05 Solvents, Chemicals & Additives 07 56 06 Ready-made Colors & Gilding Brushes Materials 66 07 Linen, Paper & Foils 08 69 08 Brushes Tools, Packaging & 74 09 Tools, Packaging & Supplies Supplies 10 82 Books & Color Charts 09 85 11 General Information Books & Color Charts 10 General Information 11 For further information and prices please visit us at www.kremerpigments.com 1 Icon-Legend ICON-LEGEND The following Icons are used in the brochure: Hazardous Item Read the Material Safety Data sheet carefully – you can find all Disclaimer product sheets under www.kremerpigments.com and consult our safe handling procedures – see Chapter 11. Not for home use! To buy this product you have to be over 21 years old. Please send us a copy of your identity card . These products require a Hazardous Item Disclaimer. Please fill out the form on page 116 or at www. kremerpigments. com and submit with your order. Cautionary Products may contain hazardous substances. Label Read the ACMI cautionary label carefully and consult our safe handling procedures – see Chapter 11. For further product-specific information please visit us at www.kremerpigments.com. Approved Products bearing the AP Product Seal of ACMI are certified in a Product program of toxicological evaluation By a medical expert to con- tain no materials in suMcient quantities to be toxic or injurious to humans or cause acute or chronic health problems. For further information see Chapter 11 or visit us at www. kremerpigments.com. Kremer-Made Products with this icon are Kremer-made. printed: March 2014 2 For further information and prices please visit us at www.kremerpigments.com Pigments 01 01 01 PIGMENTS 4 Kremer-made and Historic Pigments 13 Earth & Iron Oxide Pigments 16 Pigments of Modern Age 21 Special & E?ect Pigments 26 XSL-Pigments 27 Glass Pigments 27 IWA – Enogu® Mineral Pigments 29 Assortments For further information and prices please visit us at www.kremerpigments.com 5 01 Pigments KREMER-MADE AND HISTORIC PIGMENTS /// Orange / Red 01 /// Pinkcolor 10150 Pinkcolor, very lightfast, < 38 µ 10154 Pinkcolor Deep, very lightfast, contains lead, toxic, < 38 µ /// Cinnabar Chinese cinnabar is historically considered to be the best. This is not only because China un- derstood the manufacturing process of Vermilion early on, but because it developed a system of separating the diEerent colored particles in a glue solution - similar to the process explored by Michael Price (see Azurite MP). 10610 Natural Cinnabar Monte Amiata, < 63 µ, mercuric sulphide 10620 Natural Cinnabar, mineral pigment, from China 10624 Cinnabar, very fine, chien t´ou, < 20 µ The very finest and brightest of our cinnabars. 10625 Cinnabar, fine, chu piao, 20 - 50 µ 10627 Cinnabar, medium, chu sha or yin chu, bright, intense, 50 - 63 µ 10628 Cinnabar, dark, p’i sha, 63 - 100 µ Somewhat coarser and less brilliant. /// 11300 Red Jasper, semi-transparent, 0 - 120 µ 11550 Snaefellsjoekull Red, dark, reddish brown-violett earthcolor from Iceland Further Iceland Earthcolors: 11551 Heydalsvegur Yellow, 11552 Brimisvellir Green, 11553 Iceland Earthcolors Assortment. /// Burgundy Ochre In western Burgundy, south and north of the river Loire, numerous mines produced a local shade of natural earth ochre. Long before it became famous for its wines, and ochre was pulled from the earth, thin layers of iron ore were mined in the region, establishing a smelting industry and contributing to its wealth. Besides ochre and iron ore, there are also significant occurrences of gray clay which burns to a light color in ceramics. The ochre veins run only about a foot thick, and usually deep in the earth. After taking over the S.O.F. (Societe des Ocres Francaises) in 1970, the ochre producers of southern France closed all mines in Burgundy which had turned unprofitable, since the mines of the Luberon in the Provence region yield a higher volume and are more accessible. By chance we have obtained a good amount of the Burgundy ochres from old stock. The Burgundy ochre is also available in yellow hue. 11574 Burgundy Red Ochre, fine, from France, 0 - 80 µ 11575 Burgundy Red Ochre, from France, 0 - 120 µ 11576 Burgundy Red Ochre Deep, fine, from France, 0 - 80 µ 11577 Burgundy Red Ochre Deep, from France, 0 - 120 µ /// Spanish Ochre Sun-burnt Castille is in the heart of Spain. A special mixture of natural occurring minerals produces this orange-red ochre which we supply in two grinds. 11584 is suitable for under- painting and full tone application, while 11585 extra fine is used for highly lightfast glazes. 11274 Red Ochre, from Andalusia, < 80 µ 11584 Spanish Red Ochre, 0 - 120 µ 11585 Spanish Red Ochre, extra fine, Bauxite, 0 - 63 µ /// Moroccan Ochre 116430 Red Moroccan Ochre, warm transparent red ochre, < 120 µ 116431 Red Moroccan Ochre, fine, warm transparent red ochre, < 80 µ 6 Kremer-made and Historic Pigments For further information and prices please visit us at www.kremerpigments.com Pigments 01 116440 Dark Red Moroccan Ochre, maroon, < 120 µ 116441 Dark Red Moroccan Ochre, fine, maroon, < 80 µ /// Red Bole, in pieces 12480 Red Bole, cut in pieces , from Theley 01 /// Madder Lake Please find the Madder Roots (#37199 + #37201) in Chapter 02 Dyes & Vegetable Color Paints. 37202 Madder Lake, genuine, genuine, made from natural roots 37203 Madder Lake, yellowish, precipitated with tin salt 372051 Madder Lake Coral, from roots 372052 Madder Lake Salmon, from roots 372057 Madder Lake Carmine Red, from roots, precipitated with copper 372058 Madder Lake Hazelnut, precipitated with copper - May 2012 372141 Madder Lake made of roots, Dark Red, brilliant, intense hue, very fine grind, translucent According to historic recipe. 372142 Madder Lake made of roots, Bordeaux Red, brilliant, very fine grind 37217 Madder Lake Violet-Brown, fine, made from roots 40 kg Madder roots are necessary to get 1 kg Madder Lake Violet-Brown. This Madder Lake is recommended to be used for violin varnishes. 37218 Madder Lake Violet, Kremer-made from roots /// 42000 Vermilion, mercuric sulphide, light, from China 42100 Carmine Naccarat, made of cochineal 42500 Red Lead, Minium, contains lead, toxic /// Yellow /// Lead Tin Yellow 10100 Lead Tin Yellow, light, < 38 µ, contains lead, toxic Light lemon, changed hue. 10110 Lead Tin Yellow deep, changed hue, < 38 µ, contains lead, toxic Lead stannate, lightest yellow in oil painting from medieval times to around 1800. Opaque. Useful for highlights and as a very light covering yellow. 10120 Lead Tin Yellow II, yellow lead glass, 0 - 63 µ, contains lead, toxic Lead Tin Yellow II is produced with quartz, yielding a yellow lead glass pigment that is ground and screened through a fine mesh. Its hue is deeper than 10100 or 10110, and transparent, making it suitable for warm yellow glazes. /// 10130 Naples Yellow from Paris, < 50 µ, contains lead, toxic Manufactured according to 19th century methods as lead-zinc-antimoniate. 10700 Orpiment, genuine, King´s Yellow, coarse, 175 µ, contains arsenic, toxic The origin of the modern name derived from the Latin term auripigmentum or auripigmento, literally meaning gold paint. Orpiment was once widely used, particularily in the East, but limited supply and its toxic character made it a rare pigment nowadays. 10800 Realgar, genuine, red orpiment, 175 µ, contains arsenic, toxic Realgar is the natural orange-red sulphide of arsenic. It is chemically closely related to orpiment. The two minerals are often found in the same deposits. 10850 Crocoite , natural Chromium Yellow, < 80 µ, contains lead, toxic Crocoite is a mineral consisting of lead chromate. 11272 Yellow Ochre, from Andalusia, 0 - 80 µ 114051 Diamond Powder green-yellow, crystals, approx. 100 µ 11520 Jarosite, clear yellow ochre, < 100 µ Historical yellow pigment. Stable iron mineral with a characteristic pale yellow tone, typical color for Russian icon painting, and in artwork of Ancient Egypt. 11540 Taunus Ochre, light, German For further information and prices please visit us at www.kremerpigments.com Kremer-made and Historic Pigments 7 01 Pigments 11551 Heydalsvegur Yellow, yellow-gold, earthcolor from Iceland Further Iceland Earthcolors: 11550 Snaefellsjoekull Red, 11552 Brimisvellir Green, 11553 Iceland Earthcolors Assortment. 01 /// Burgundy Ochre These yellow ochres are like their red equivalents from the area around the Loire and have a very intense hue. 11572 Burgundy Yellow Ochre, fine, from France, 0 - 80 µ 11573 Burgundy Yellow Ochre, from France, 0 - 120 µ /// Moroccan Ochre Brilliant transparent gold ochre. Pure earth pigment from Midelt in Morocco. 116420 Yellow Moroccan Ochre, < 120 µ 116421 Yellow Moroccan Ochre, fine, < 80 µ /// 17000 Jarosite, from Cyprus, genuine, pale yellow ochre Lemon Yellow ochre is the clearest yellow ochre occurring naturally, without the deeper tone of French ochres. Because of the political situation of Cyprus the mining of this rare and beautiful earth has been neglected, but now a small amount of manual production is once again available. Other deposits of natural ochre of this clarity may exist, but the Cyprian Limonite has always been famous for its unique hue. 17050 Natural Sienna,
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