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4H Horse Rules Show Book
Colorado 4-H Horse Show Rule Book LA1500K 2021 309997-HorseShowRuleBk-combo.indd 1 3/1/2021 10:16:08 AM ACKNOWLEDGMENTS The following members of the Colorado 4-H State Horse Advisory Rules Subcommittee assisted in the revision of the current Colorado 4-H Horse Show Rulebook: Angela Mannick (Elbert) Jodie Martin-Witt (Larimer) Tiffany Mead (Jefferson) Carmen Porter (Boulder) Tom Sharpe (Mesa) Jonathan Vrabec (El Paso) Lindsay Wadhams (Colorado State Fair) PERMISSION TO REPRODUCE PUBLICATION Requests for permission to reproduce any parts or all of this Colorado 4-H Youth-Development publication should be directed to: 4-H Publications Liaison State 4-H Office Colorado State University Cooperative Extension 4040 Campus Delivery Fort Collins, CO 80523-4040 Extension programs are available to all without discrimina- tion. To simplify technical terminology, trade names of products and equipment occasionally will be used. No endorsement of products named is intended nor is criticism implied of products not mentioned. Members are referred to the Colorado State Fair website for rules regarding entries for the state 4-H Horse Show held at the Colorado State Fair. 2020/2021 309997-HorseShowRuleBk-combo.indd 2 3/1/2021 10:16:08 AM TABLE OF CONTENTS Acknowledgments .......................................................inside front cover Colorado State 4-H Horse Show Rules .................................................2 Use of the Name and Emblem of 4-H Club Work ...............................2 Horse Humane Policy Statement .........................................................2 -
CHAINSAW SAFETY: Always Use Your Personal Protective Equipment (PPE)
CHAINSAW SAFETY: Always Use Your Personal Protective Equipment (PPE) Ellen Bauske, Wade Hutcheson, and Rolando Orellana Operating a chainsaw is inherently dangerous. The chain moves at 55-60 miles per hour, or about 88 feet per second. The teeth on the chain are designed not to cut but to remove material. Accidental contact with chainsaws often results in serious injuries to operators. Cuts are not the only hazard a saw user must avoid. Saw operators are often struck by falling limbs and trunks as the tree moves and shifts while it’s cut. Operators fall off ladders and out of trees, or they trip as they move through brush over uneven ground. Even when the tree is on the ground, danger lurks in wood under tension. Spring poles snap and logs roll unexpectedly. A chainsaw operator has three lines of defense: education, good technique, and personal protective equipment (PPE). When the first two fail, PPE can save your life. The Occupational Safety and Health Administration (OSHA) requires that saw operators wear head protection, eye protection, hearing protection, chainsaw chaps or pants, and suitable footwear. HEAD PROTECTION A protective hard hat should be worn whenever you are working in an area where it’s possible that falling objects could cause injury to the head. For tree fellers, that means a hard hat should be worn immediately upon exiting the truck. Branches fall, saws spit objects out of trees, and climbers drop things. Saw operators are often hit on the side and top of the head and would benefit from a helmet with side protection and a chin strap. -
Lower Clothing Prices
WEDNESDAY, DECEMBER 1, 1920 NORTHERN WYOMING HERALD THREE to me about all the state should spend ! WYOMING WOMAN MUST PAY ! CRABBE TO HEAD in any biennial period. i eggs, besides what we used ourselves. CUT PENALTY FOR HER CRIME KANSAS McCormick, Idaho.” HIGHWAY WORK DOWN No Useless Obligations LEAGUE —C. D. Irimo, ] Fred L. Crabbe, formerly superin-j Poultry raisers who get abun- “I desire to say that I am in favor penitenfary an Colorado’s state will re- tondent of the Wyoming anti-saloon !' dance of eggs, use Dr. LeGear’s Poul- of roads, but, as I stated in my speech ceive 50 PER CENT FOR WINTER another woman prisoner soon league and later prohibition commis- try Prescription, which tones up the at Sheridan and elsewhere, I am not the of as result the sentence imposed sioner , has been chosen superintend- system and stimulates the in favor of going crazy over the sub- Federal egg-produc- Reply to a published criticism of the matter of reducing these overhead jby Judge Riner upon Minnie ent of the league in Kansas. ing organs without injury. If you 1 I ject of roads; am favor of C. work and methods of the state < expenses and they agreed neither I in Brown. Following her plea of guilt According to arrangements made want eggs this eggs the i with me the incurring obligations unless winter, when highway department was made by that it was not necessary it would state to a white slave charge, the judge it will not be necessary for Mr. Crabbe mean money, get Dr. -
Ask the Judge Questions About Dressage with Amy Mcelroy
Ask the Judge Questions about Dressage With Amy McElroy Amy McElroy is a USEF R judge, qualified to officiate at any USEF recognized show at all national dressage levels. She rides, trains and teaches at Fairlane Farm in Aiken and judges about a dozen dressage shows and events each year. In her popular Ask the Judge column, she answers readers’ questions about dressage. Dear Amy, in recent years. They come in many styles, are comfortable, cool and lightweight. Some even come with “bling.” I am getting ready to start this year’s show season at the Fourth There are also a few other recent changes in the rules for proper Level. I just got a gorgeous top hat for Christmas. My trainer has attire. The rules state that in Fourth Level and below “A short riding always told me that when I can come down the centerline in the coat of conservative color . is mandatory.” Proper conservative canter, it would be time for me to wear my top hat. When my colors are: black, grey, navy or brown. A newer rule says that coats husband learned that I would be showing Fourth level, he surprised may have contrast coloring, and/or piping. For example a black coat me with this gift. with light pink collars would be acceptable, or a grey coat with black So, now that I am ready and I have the hat, I have heard that I can collars. A cutaway coat is also permitted – this is like a modified no longer wear it in Fourth level. -
718-879-3300 Online: Email: [email protected] Fax: 718-879-3301
PRICE LIST DRESSED TO PERFECTION 2018 phone: 718-879-3300 online: www.MFGApparel.com email: [email protected] fax: 718-879-3301 Item Color Description Size Price Basic Vest - Men's (Catalog page 10, Scale: E) H5352 Black XS - 6X $15.00 H5352 Navy, Hunter Green, Red, Burgundy, Brown XS - 6X $16.00 H5352 Heather Grey XS - 6X $16.00 Basic Vest - Women's (Catalog page 11, Scale: F,G) H5355 Black 3XS - 5X $15.00 H5355 Navy, Hunter Green, Red, Burgundy, Brown 3XS - 5X $16.00 H5355 Heather Grey 3XS - 5X $16.00 Basic Vest - Women's Extended Longer Version (Catalog page 11, Scale: F,G) H5555 Black 3XS - 5X $15.00 Reversible Vest - Men's (Catalog page 12, Scale: E) H5522 Black/Red Reversible 2 front pockets on Black side only XS - 6X $20.00 H5522 Grey/Burgundy Reversible 2 front pockets on Grey side only XS - 6X $21.00 Reversible Vest - Women's (Catalog page 12, Scale: F,G) H5525 Black/Red Reversible 2 front pockets on Black side only 3XS - 5X $20.00 H5525 Grey/Burgundy Reversible 2 front pockets on Grey side only 3XS - 5X $21.00 Silky Belted Back Vest - Men's (Catalog page 13, Scale: E) H5362 Black Silky Belted Back Vest - Men's XS - 6X $17.00 Tunic Vest -Women's (Catalog page 14, Scale: F,G) H5375 Black (Women's only) - Unlined construction S-3X $16.00 Lapel Vest -Men's (Catalog H5552 Black Black Satin Lapel Vest -Men's XS - 6XL $19.00 Lapel Vest -Women's H5555 Black Black Satin Lapel Vest -Women's XXS - 5XL $19.00 Satin Vests NEW STYLE -Men's (Catalog page 15, Scale: E) H5522 Black, Grey, Red, Royal Blue, Dark Purple, Burgundy Satin Vest w/ -
RAL COLOR CHART ***** This Chart Is to Be Used As a Guide Only. Colors May Appear Slightly Different ***** Green Beige Purple V
RAL COLOR CHART ***** This Chart is to be used as a guide only. Colors May Appear Slightly Different ***** RAL 1000 Green Beige RAL 4007 Purple Violet RAL 7008 Khaki Grey RAL 4008 RAL 7009 RAL 1001 Beige Signal Violet Green Grey Tarpaulin RAL 1002 Sand Yellow RAL 4009 Pastel Violet RAL 7010 Grey RAL 1003 Signal Yellow RAL 5000 Violet Blue RAL 7011 Iron Grey RAL 1004 Golden Yellow RAL 5001 Green Blue RAL 7012 Basalt Grey Ultramarine RAL 1005 Honey Yellow RAL 5002 RAL 7013 Brown Grey Blue RAL 1006 Maize Yellow RAL 5003 Saphire Blue RAL 7015 Slate Grey Anthracite RAL 1007 Chrome Yellow RAL 5004 Black Blue RAL 7016 Grey RAL 1011 Brown Beige RAL 5005 Signal Blue RAL 7021 Black Grey RAL 1012 Lemon Yellow RAL 5007 Brillant Blue RAL 7022 Umbra Grey Concrete RAL 1013 Oyster White RAL 5008 Grey Blue RAL 7023 Grey Graphite RAL 1014 Ivory RAL 5009 Azure Blue RAL 7024 Grey Granite RAL 1015 Light Ivory RAL 5010 Gentian Blue RAL 7026 Grey RAL 1016 Sulfer Yellow RAL 5011 Steel Blue RAL 7030 Stone Grey RAL 1017 Saffron Yellow RAL 5012 Light Blue RAL 7031 Blue Grey RAL 1018 Zinc Yellow RAL 5013 Cobolt Blue RAL 7032 Pebble Grey Cement RAL 1019 Grey Beige RAL 5014 Pigieon Blue RAL 7033 Grey RAL 1020 Olive Yellow RAL 5015 Sky Blue RAL 7034 Yellow Grey RAL 1021 Rape Yellow RAL 5017 Traffic Blue RAL 7035 Light Grey Platinum RAL 1023 Traffic Yellow RAL 5018 Turquiose Blue RAL 7036 Grey RAL 1024 Ochre Yellow RAL 5019 Capri Blue RAL 7037 Dusty Grey RAL 1027 Curry RAL 5020 Ocean Blue RAL 7038 Agate Grey RAL 1028 Melon Yellow RAL 5021 Water Blue RAL 7039 Quartz Grey -
Powder Denim Sky Teal Midnight Cerulean Navy Turquoise Cornflower Periwinkle Royal Opal Cmg 08458 Cmg 1 26 27 3 4 6 29 30 31 2 32 33
MARCH 2010 House Beautiful sp ring ALL COLO | A BOUT issue BLUE POWDER DENIM SKY TEAL MIDNIGHT CERULEAN NAVY TURQUOISE CORNFLOWER PERIWINKLE ROYAL OPAL CMG 08458 1 26 27 3 4 6 29 30 31 2 32 33 5 28 34 7 8 36 10 11 9 50 BLUE FABRICS 35 14 12 13 15 37 38 41 40 19 39 47 17 43 44 45 18 46 16 20 42 23 24 25 49 21 48 22 50 1 CLOQUE DE COTON 6 ARIPEKA 10 STRIATE IN AQUA. KaTE 14 CHRISSY IN DENIM. ViCTOria 18 FORMIA 22 DJEBEL 26 GASTAAD PLAID IN CaPri. 31 LA GAROUPE 35 LUCE 39 JUPON BOUQUET 43 OcELOT IN AZUL. KaT BURKI 47 KHAN CASHMERE IN COLOR 8. DOMINIQUE KIEffER IN HYdraNGEA. ROGERS GabriEL THROUGH STUdiO HaGAN HOME COLLECTION: IN RUSCELLO. DECORTEX IN GaLET. LELIEVRE THROUGH EriC COHLER FOR LEE JOfa: IN INdiGO. RALPH LaUREN IN NaVY. MadELINE WEINrib IN AZURE BLUE COLLECTION FOR IN BLUE MIX. HOLLAND BY RUBELLI THROUGH & GOffiGON: 203-532-8068. FOUR NYC: 212-475-4414. 212-888-3241. THROUGH BRUNSCHWIG STarK fabriC: 212-355-7186. 800-453-3563. HOME : 888-743-7470. ATELIER: 212-473-3000, X780. AND WarM WHITE. FORTUNY: STarK fabriC: 212-355-7186. & SHErrY: 212-355-6241. BERGAMO: 914-665-0800. & FILS: 914-684-5800. 212-753-7153. 7 MYRSINI 11 SIERRA MADRE 15 TANZANIA IN BLUE. CHarLES 23 CHEVRON BAR 27 VIOLETTA N IN MOONLIGHT. 32 WOOL SATEEN 36 AlTAI IN BLUETTE. 44 HINSON SUEDE 48 BARODA II IN INdiGO ON 2 FIORI IN ATLANTIC ON SEA MIST. -
Aberrant Plumages in Grebes Podicipedidae
André Konter Aberrant plumages in grebes Podicipedidae An analysis of albinism, leucism, brown and other aberrations in all grebe species worldwide Aberrant plumages in grebes Podicipedidae in grebes plumages Aberrant Ferrantia André Konter Travaux scientifiques du Musée national d'histoire naturelle Luxembourg www.mnhn.lu 72 2015 Ferrantia 72 2015 2015 72 Ferrantia est une revue publiée à intervalles non réguliers par le Musée national d’histoire naturelle à Luxembourg. Elle fait suite, avec la même tomaison, aux TRAVAUX SCIENTIFIQUES DU MUSÉE NATIONAL D’HISTOIRE NATURELLE DE LUXEMBOURG parus entre 1981 et 1999. Comité de rédaction: Eric Buttini Guy Colling Edmée Engel Thierry Helminger Mise en page: Romain Bei Design: Thierry Helminger Prix du volume: 15 € Rédaction: Échange: Musée national d’histoire naturelle Exchange MNHN Rédaction Ferrantia c/o Musée national d’histoire naturelle 25, rue Münster 25, rue Münster L-2160 Luxembourg L-2160 Luxembourg Tél +352 46 22 33 - 1 Tél +352 46 22 33 - 1 Fax +352 46 38 48 Fax +352 46 38 48 Internet: http://www.mnhn.lu/ferrantia/ Internet: http://www.mnhn.lu/ferrantia/exchange email: [email protected] email: [email protected] Page de couverture: 1. Great Crested Grebe, Lake IJssel, Netherlands, April 2002 (PCRcr200303303), photo A. Konter. 2. Red-necked Grebe, Tunkwa Lake, British Columbia, Canada, 2006 (PGRho200501022), photo K. T. Karlson. 3. Great Crested Grebe, Rotterdam-IJsselmonde, Netherlands, August 2006 (PCRcr200602012), photo C. van Rijswik. Citation: André Konter 2015. - Aberrant plumages in grebes Podicipedidae - An analysis of albinism, leucism, brown and other aberrations in all grebe species worldwide. Ferrantia 72, Musée national d’histoire naturelle, Luxembourg, 206 p. -
Color Matters
Color Matters Color plays a vitally important role in the world in which we live. Color can sway thinking, change actions, and cause reactions. It can irritate or soothe your eyes, raise your blood pressure or suppress your appetite. When used in the right ways, color can even save on energy consumption. As a powerful form of communication, color is irreplaceable. Red means "stop" and green means "go." Traffic lights send this universal message. Likewise, the colors used for a product, web site, business card, or logo cause powerful reactions. Color Matters! Basic Color Theory Color theory encompasses a multitude of definitions, concepts and design applications. There are enough to fill several encyclopedias. However, there are basic categories of color theory. They are the color wheel and the color harmony. Color theories create a logical structure for color. For example, if we have an assortment of fruits and vegetables, we can organize them by color and place them on a circle that shows the colors in relation to each other. The Color Wheel A color wheel is traditional in the field of art. Sir Isaac Newton developed the first color wheel in 1666. Since then, scientists and artists have studied a number of variations of this concept. Different opinions of one format of color wheel over another sparks debate. In reality, any color wheel which is logically arranged has merit. 1 The definitions of colors are based on the color wheel. There are primary colors, secondary colors, and tertiary colors. Primary Colors: Red, yellow and blue o In traditional color theory, primary colors are the 3 colors that cannot be mixed or formed by any combination of other colors. -
2020 Inventory
2020 INVENTORY Wholesale Pricing at 30% Native Cultivar off Retail Available for Those in the Green Native Species Industry For A Complete Listing of Our Trees and Shrubs, Please Select and Purchase on Our On-Line Shop BLOOM PLANT NAME DESCRIPTION HT BLOOM EXPOSURE COST COLOR PERENNIALS blue green Actaea p. 'Misty Blue' 18" white june shade woodland native white sun/part Actaea racemosa see cimicifuga 6' July-Aug fragrant shade Agastache 'blue great long bloomer violet sun/part 36" July-Aug fortune' bottle brush blue shade bronze foliage violet Agastache 'bolero' 16'' July-Aug sun deer resistant pruple Agastache foeniculum anise hyssop 2-4' blue July-Aug sun Agastache 'Purple long blooming vibrant 3' July-Aug sun haze' native cultivar purple sterile pinwheel sun/part Allium 'Blue Eddy' 8-12" purple Sept rosettes shade lavender June- Allium cernuum nodding onion 1-2' sun pink August beautiful, fine 12- sun/part Amsonia 'Blue Ice' blue May-June foliage 15'' shade neeldle-like foliage sun/part Amsonia hubrichtii 3' blue May-June is golden in fall shade Amsonia 30- sun/part eastern blue star blue June tabernaemontana 36" shade white flowers, early sun/part Anemone canadensis 18'' white may spring shade 12- baby sun or Anemone 'Cinderella' vigorous clump fall 18'' pink shade 12- sun/part Anemone sylvestris spring beauty white April/May 18'' shade Antennaria pussy toes sun/part 6-12" white April/May plantaginifolia excellent ground shade shady woodland 30- shade/part Aquilegia ‘Nora Barlow’ mix April/May hummingbird plant 36'' shade shady rock -
By the Glass / Bottle Champagne and Sparkling 105 Veuve Clicquot, Yellow Label, Reims France NV 25/125 112 La Marca,Vento
By the Glass / Bottle Champagne and Sparkling 105 Veuve Clicquot, Yellow Label, Reims France NV 25/125 112 La Marca,Vento, It., NV 11/40 Chandon Etoile Rose, Ca, NV 18/85 99 Moet & Chandon, Ice Imperial, Epernay, NV 25/125 White 214 Impero, Pinot Grigio, Italy 8/28 201 Domaine De La Pepiere, Muscadet, Fr., 2013 12/45 316 Albaclara, Sauvignon Blanc, Maipo Valley, Chile, 2013 11/40 313 Domaine Girard, La Garenne, Sancerre, FR, 2013 17/56 203 Kung Fu Girl, Charles Smith, Columbia Valley, Wa., 2011,2013 11/40 49 Annabella, Chardonnay, Napa Valley, Ca., 2012 11/40 409 Butter, Jam Cellars, Chardonnay, Ca., 2013 13/46 501500 Domaine Vocoret, Chablis, Fr., 2013 17/60 501 Sauvion Rose d'Anjou, Loire, Fr 9/32 Red 4034 Tikal Natural, Malbec, Mendoza, Ar., 2012 15/59 2001 The Velvet Devil, Merlot, Col Valley, Wa., 2013 10/35 1045 Numanthia Teremes, Spain, 2011 16/62 6029 Tournon, Mathilda, Shiraz, Aus., 2012 13/54 4010 Argyle, Pinot Noir, Willamette Valley, Or., 2013 15/58 4008 Patz & Hall, Pinot Noir, Sonoma Coast, CA, 2012 24/85 1001 Jam, Blend, Napa County, Ca., 2012 13/46 1004 Simi, Cabernet Sauvignon, Alexander Valley, Sonoma, Ca. 17/65 Champagne, Sparkling & Rosé Sparkling Wine 112 La Marca, Prosecco di Conegliano-Valdobbiadene, 40 Veneto, It., NV Chandon Etoile Rose, Ca, NV 85 Raventos i Blanc, Rosado, "de Nit", Catalonia, Es. 2011 60 Champagne 99 Moet & Chandon, Ice Imperial, Epernay, NV 120 98 Ruinart, Blanc De Blanc, Brut, NV 525 102 Ritz, Brut, Reims, NV 110 117 Moet & Chandon, Brut, Imperial, Epernay, NV 105 107 Moet & Chandon, Dom Perignon, Epernay, 2004 335 105 Veuve Clicquot, Brut Yellow label, Reims, NV 120 104 Perrier-Jouet, Grand Brut, Epernay, NV 100 103 Perrier-Jouet, La Fleur de Champagne Epernay 2004 325 108 Krug, Brut Grand Cuvee, Reims NV 575 123 Veuve Clicquot, La Grande Dame, 1998 550 119 Besserat de Bellefon, Cuvée des Moines, Brut, NV 95 115 Louis Roederer, Brut Cristal Rosé, Reims, 2005 975 116 Taittinger, Comtes De Champagne, 2000 336 109 Taittinger, Brut La Francaise 115 Rose Sauvion Rose d'Anjou, Loire, Fr. -
Architectural Liquid & Powder Coatings Color Guide
Lasting Color ARCHITECTURAL LIQUID & POWDER COATINGS COLOR GUIDE Duranar Duranar Duranar Coraflon Duracron Polycron Envirocron 03 Extrusion Coil Extrusion Extrusion Extrusion Extrusion Extrusion Liquid Liquid Powder Powder Liquid Liquid Powder Resin PVDF PVDF PVDF FEVE Acrylic Polyester Polyester AAMA 2605 2605 2605 2605 2603 2603 2603 46. Washington White UC70129BC BN8W103B PD100057 PCNT23107 N/A N/A PCTT23136 47. Manhattan Beige Pearl UC106687F BN8N128B PD100058 PCNT23108 N/A N/A PCTT23137 48. Sunlight Silver UC106681F N/A PD100021 PCNT73129 N/A N/A PCTT73150 49. Moondust Mica UC106688F BN7A108B PD100059 PCNT23109 N/A N/A PCTT23138 50. Champagne UC70104F BN8N129B PD100060 PCNT23110 N/A N/A PCTT23139 51. Natural Suede Mica UC106666F BN8A170B PD100061 PCNT23111 N/A N/A PCTT23140 52. Champagne Bronze UC70202F BN7N111B PD100062 PCNT23112 N/A N/A PCTT23141 53. Cashmere Pearl UC106689F BN8N130B PD100063 PCNT23113 N/A N/A PCTT23142 54. Harvest Gold Pearl UC106690F BN8N131B PD100064 PCNT23114 N/A N/A PCTT23143 55. Driftwood Mica UC106692F BN8N132B PD100040 PCNT23115 N/A N/A PCTT23144 56. Lexus Bronze UC106698F BN8N133B PD100065 PCNT23116 N/A N/A PCTT23145 57. Bistro Bronze UC106693F BN8N134B PD100066 PCNT23117 N/A N/A PCTT23146 58. Dark Bronze UC70149F BN8N135B PD100067 PCNT23118 N/A N/A PCTT23147 59. Dark Briar Mica UC106694F BN8N101B PD100068 PCNT23119 N/A N/A PCTT23148 60. Café Noir Pearl UC106695F BN8N136B PD100035 PCNT93100 N/A N/A PCTT93103 61. Metallic Mist UC106703XL BN9A144B N/A N/A UC118331 UC118403 N/A 62. Platinum UC106704XL BN9A145B N/A N/A UC118332 UC118404 N/A 63. White Ice Metallic UC106706XL N/A N/A N/A UC113845 UC118406 N/A 64.