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Janis Joplin and the Sexual Revolution
Janis Joplin and the Sexual Revolution This item contains selected online content. It is for use alongside, not as a replacement for the module website, which is the primary study format and contains activities and resources that cannot be replicated in the printed versions. About this free course This free course is an adapted extract from the Open University course A113 Revolutions http://www.open.ac.uk/courses/modules/a113. This version of the content may include video, images and interactive content that may not be optimised for your device. You can experience this free course as it was originally designed on OpenLearn, the home of free learning from The Open University – https://www.open.edu/openlearn/history-the-arts/the-american-civil-rights-movement/content-section-0 There you’ll also be able to track your progress via your activity record, which you can use to demonstrate your learning. Copyright © 2020 The Open University Intellectual property Unless otherwise stated, this resource is released under the terms of the Creative Commons Licence v4.0 http://creativecommons.org/licenses/by-nc-sa/4.0/deed.en_GB. Within that The Open University interprets this licence in the following way: www.open.edu/openlearn/about-openlearn/frequently-asked-questions-on-openlearn. Copyright and rights falling outside the terms of the Creative Commons Licence are retained or controlled by The Open University. Please read the full text before using any of the content. We believe the primary barrier to accessing high-quality educational experiences is cost, which is why we aim to publish as much free content as possible under an open licence. -
California I.8Eh Copyright 1972 by the Associated Students of the California Institute of Technology, Inc
Tb m CAlIFORNIA I.8eh Copyright 1972 by the Associated Students of the California Institute of Technology, Inc. Volume LXXIII Pasadena, California, Thursday, June 1, 1972 Number 31 That Was The Year That Was Or Was It? by millikan j troll war for the independence of Bangia who set Lake and Del Mar ablaze right Another year lurches to a close, Desh. And Virgil Fox stormed Beckman on cue. Although the Tech growled, and just to prove that it wasn't all that for two nights of show-stopping Bach "Cal Poly, You're Next," the football bad, we herewith present our third [Beckman has promised three nights of team's winning streak terminated at two. ann~al summary of the year's events. Fox for the coming fall]. Huttenback This Is Serious Hold onto your collective hat and turn threw the n!th beer and pizza blast, and A long-range study caIling for all the clock back to first term and here we the Art Program got into full swing. sorts of expensive, but Vital, programs to go. Then it happened. At an away deal with earthquake hazards ip the city After an experimental on-campus game that virtually nobody saw, the came out, with Caltech's president, Dr. orientation which produced a rare unity Beavers zotted LaVerne 27 to O. The Harold Brown, heading the committee. amongst the student population (every plans for the appropriate celebration .. , The next week, two Caltech grad one disliked it] , Freshman Camp found suffered from haste, and the sought-for students crashed in the Flying Club a new home-away-from-home on Cata bonfire in the intersection of Lake and plane. -
The 1970'S Counter-Culture Through the Lyrics of Janis Joplin Chelsey Hess Ouachita Baptist University
Ouachita Baptist University Scholarly Commons @ Ouachita History Class Publications Department of History 4-2-2015 The 1970's Counter-Culture through the Lyrics of Janis Joplin Chelsey Hess Ouachita Baptist University Follow this and additional works at: https://scholarlycommons.obu.edu/history Part of the History Commons Recommended Citation Hess, Chelsey, "The 1970's Counter-Culture through the Lyrics of Janis Joplin" (2015). History Class Publications. 28. https://scholarlycommons.obu.edu/history/28 This Class Paper is brought to you for free and open access by the Department of History at Scholarly Commons @ Ouachita. It has been accepted for inclusion in History Class Publications by an authorized administrator of Scholarly Commons @ Ouachita. For more information, please contact [email protected]. Chelsey Hess Research Seminar 2 April 2015 The 1970s Counter-Culture through the Lyrics of Janis Joplin Today’s music tends to have the main goal of entertaining instead of spreading a message; the music created, performed, and shared during the 1970s carried with it ideas and new ways of thinking. People could not only “jam” to the beats created by singers such as Jimmi Hendrix, The Beatles, and Janis Joplin, but they could also connect and identify with the words that they sang; Songs such as “Let It Be” by the Beatles is a prime example of this type of music. The 1970s brought a decade of national malaise in the United States, as well as a young adult backlash to the teachings of their parents. Young Americans were not only consumed with their own life in high school but also with protesting against the Vietnam War, the Civil Rights Movement, and rejecting the lifestyles that their parents had imbedded in them since birth. -
Mill Valley Oral History Program a Collaboration Between the Mill Valley Historical Society and the Mill Valley Public Library
Mill Valley Oral History Program A collaboration between the Mill Valley Historical Society and the Mill Valley Public Library David Getz An Oral History Interview Conducted by Debra Schwartz in 2020 © 2020 by the Mill Valley Public Library TITLE: Oral History of David Getz INTERVIEWER: Debra Schwartz DESCRIPTION: Transcript, 60 pages INTERVIEW DATE: January 9, 2020 In this oral history, musician and artist David Getz discusses his life and musical career. Born in New York City in 1940, David grew up in a Jewish family in Brooklyn. David recounts how an interest in Native American cultures originally brought him to the drums and tells the story of how he acquired his first drum kit at the age of 15. David explains that as an adolescent he aspired to be an artist and consequently attended Cooper Union after graduating from high school. David recounts his decision to leave New York in 1960 and drive out to California, where he immediately enrolled at the San Francisco Art Institute and soon after started playing music with fellow artists. David explains how he became the drummer for Big Brother and the Holding Company in 1966 and reminisces about the legendary Monterey Pop Festival they performed at the following year. He shares numerous stories about Janis Joplin and speaks movingly about his grief upon hearing the news of her death. David discusses the various bands he played in after the dissolution of Big Brother and the Holding Company, as well as the many places he performed over the years in Marin County. He concludes his oral history with a discussion of his family: his daughters Alarza and Liz, both of whom are singer- songwriters, and his wife Joan Payne, an actress and singer. -
88-Page Mega Version 2016 2015 2014 2013 2012 2011 2010
The Gift Guide YEAR-LONG, ALL OCCCASION GIFT IDEAS! 88-PAGE MEGA VERSION 2017 2016 2015 2014 2013 2012 2011 2010 COMBINED jazz & blues report jazz-blues.com The Gift Guide YEAR-LONG, ALL OCCCASION GIFT IDEAS! INDEX 2017 Gift Guide •••••• 3 2016 Gift Guide •••••• 9 2015 Gift Guide •••••• 25 2014 Gift Guide •••••• 44 2013 Gift Guide •••••• 54 2012 Gift Guide •••••• 60 2011 Gift Guide •••••• 68 2010 Gift Guide •••••• 83 jazz &blues report jazz & blues report jazz-blues.com 2017 Gift Guide While our annual Gift Guide appears every year at this time, the gift ideas covered are in no way just to be thought of as holiday gifts only. Obviously, these items would be a good gift idea for any occasion year-round, as well as a gift for yourself! We do not include many, if any at all, single CDs in the guide. Most everything contained will be multiple CD sets, DVDs, CD/DVD sets, books and the like. Of course, you can always look though our back issues to see what came out in 2017 (and prior years), but none of us would want to attempt to decide which CDs would be a fitting ad- dition to this guide. As with 2016, the year 2017 was a bit on the lean side as far as reviews go of box sets, books and DVDs - it appears tht the days of mass quantities of boxed sets are over - but we do have some to check out. These are in no particular order in terms of importance or release dates. -
Nr Kat Artysta Tytuł Title Supplement Nośnik Liczba Nośników Data
nr kat artysta tytuł title nośnik liczba data supplement nośników premiery 9985841 '77 Nothing's Gonna Stop Us black LP+CD LP / Longplay 2 2015-10-30 9985848 '77 Nothing's Gonna Stop Us Ltd. Edition CD / Longplay 1 2015-10-30 88697636262 *NSYNC The Collection CD / Longplay 1 2010-02-01 88875025882 *NSYNC The Essential *NSYNC Essential Rebrand CD / Longplay 2 2014-11-11 88875143462 12 Cellisten der Hora Cero CD / Longplay 1 2016-06-10 88697919802 2CELLOSBerliner Phil 2CELLOS Three Language CD / Longplay 1 2011-07-04 88843087812 2CELLOS Celloverse Booklet Version CD / Longplay 1 2015-01-27 88875052342 2CELLOS Celloverse Deluxe Version CD / Longplay 2 2015-01-27 88725409442 2CELLOS In2ition CD / Longplay 1 2013-01-08 88883745419 2CELLOS Live at Arena Zagreb DVD-V / Video 1 2013-11-05 88985349122 2CELLOS Score CD / Longplay 1 2017-03-17 0506582 65daysofstatic Wild Light CD / Longplay 1 2013-09-13 0506588 65daysofstatic Wild Light Ltd. Edition CD / Longplay 1 2013-09-13 88985330932 9ELECTRIC The Damaged Ones CD Digipak CD / Longplay 1 2016-07-15 82876535732 A Flock Of Seagulls The Best Of CD / Longplay 1 2003-08-18 88883770552 A Great Big World Is There Anybody Out There? CD / Longplay 1 2014-01-28 88875138782 A Great Big World When the Morning Comes CD / Longplay 1 2015-11-13 82876535502 A Tribe Called Quest Midnight Marauders CD / Longplay 1 2003-08-18 82876535512 A Tribe Called Quest People's Instinctive Travels And CD / Longplay 1 2003-08-18 88875157852 A Tribe Called Quest People'sThe Paths Instinctive Of Rhythm Travels and the CD / Longplay 1 2015-11-20 82876535492 A Tribe Called Quest ThePaths Low of RhythmEnd Theory (25th Anniversary CD / Longplay 1 2003-08-18 88985377872 A Tribe Called Quest We got it from Here.. -
Jan. 24, 1970 – Mike Bloomfield & Nick Gravenites
Jan. 24, 1970 – Mike Bloomfield & Nick Gravenites – 750 Vallejo In North Beach, SF “The Jam” Mike Bloomfield and friends at Fillmore West - January 30-31-Feb. 1-2, 1970? Feb. 11, 1970 -- Fillmore West -- Benefit for Magic Sam featuring: Butterfield Blues Band / Mike Bloomfield & Friends / Elvin Bishop Group / Charlie Musselwhite / Nick Gravenites Feb. 28, 1970 – Mike Bloomfield, Keystone Korner, SF March 19, 1970 – Elvin Bishop Group plays Keystone Korner , SF Bloomfield was supposed to show for a jam. Did he? March 27,28, 1970 – Mike Bloomfield and Nick Gravenites, Keystone Korner ***** MICHAEL BLOOMFIELD AND FRIENDS 1970. Feb. 27. Eagles Auditorium, Seattle 1. “Wine” (8.00) This is the encore from Seattle added on the bootleg as a “filler”! The rest is from Long Beach Auditorium Apr. 8, 1971. 1970 1 – CDR “JAMES COTTON W/MIKE BLOOMFIELD AND FRIENDS” Bootleg 578 ***** JANIS JOPLIN AND THE BUTTERFIELD BLUES BAND 1970. Mar. 28. Columbia Studio D, Hollywood, CA Janis Joplin, vocals - Paul Butterfield, hca - Mike Bloomfield, guitar - Mark Naftalin, organ - Rod Hicks, bass - George Davidson, drums - Gene Dinwiddle, soprano sax, tenor sax - Trevor Lawrence, baritone sax - Steve Madaio, trumpet 1. “One Night Stand” (Version 1) (3.01) 2. “One Night Stand” (Version 2) wrong speed 1982 1 – LP “FAREWELL SONG” CBS 32793 (NL) 1992 1 – CD “FAREWELL SONG” COLUMBIA 484458 2 (US) ?? 2 – CD-3 BOX SET CBS ***** SAM LAY 1970 Producer Nick Gravenites (and Michael Bloomfield) Sam Lay, dr, vocals - Michael Bloomfield, guitar - Bob Jones, dr – bass ? – hca ? – piano ? – organ ? Probably all of The Butterfield Blues Band is playing. Mark Naftalin, Barry Goldberg, Paul Butterfield 1. -
Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967
Trinity College Trinity College Digital Repository Senior Theses and Projects Student Scholarship Spring 2012 Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967 James M. Maynard Trinity College, [email protected] Follow this and additional works at: https://digitalrepository.trincoll.edu/theses Part of the American Film Studies Commons, American Literature Commons, and the American Popular Culture Commons Recommended Citation Maynard, James M., "Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967". Senior Theses, Trinity College, Hartford, CT 2012. Trinity College Digital Repository, https://digitalrepository.trincoll.edu/theses/170 Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967 Jamie Maynard American Studies Program Senior Thesis Advisor: Louis P. Masur Spring 2012 1 Table of Contents Introduction..…………………………………………………………………………………4 Chapter One: Developing the niche for rock culture & Monterey as a “savior” of Avant- Garde ideals…………………………………………………………………………………...7 Chapter Two: Building the rock “umbrella” & the “Hippie Aesthetic”……………………24 Chapter Three: The Yin & Yang of early hippie rock & culture—developing the San Francisco rock scene…………………………………………………………………………53 Chapter Four: The British sound, acid rock “unpacked” & the countercultural Mecca of Haight-Ashbury………………………………………………………………………………71 Chapter Five: From whisperings of a revolution to a revolution of 100,000 strong— Monterey Pop………………………………………………………………………………...97 Conclusion: The legacy of rock-culture in 1967 and onward……………………………...123 Bibliography……………………………………………………………………………….128 Acknowledgements………………………………………………………………………..131 2 For Louis P. Masur and Scott Gac- The best music is essentially there to provide you something to face the world with -The Boss 3 Introduction: “Music is prophetic. It has always been in its essence a herald of times to come. Music is more than an object of study: it is a way of perceiving the world. -
Janis Joplin, Mit Christina Jaccard
Jazz Collection: Janis Joplin, mit Christina Jaccard Dienstag, 23. Januar, 2018, 20.00 – 21.00 Uhr Samstag, 27. Januar, 2018, 17.06 – 18.30 Uhr (mit Bonustracks) Wuchtige Stimme und ein Leben auf der Achterbahn: Janis Joplin Janis Joplin? Das ist doch diese Hippie-Rock-Göre, die am Monterey Festival 1967 ihr Publikum umhaute mit ihrer ekstatischen Performance – und ein paar Jahre später als Junkie unterging? Das stimmt. Und ist doch lange nicht alles. Nur schon musikalisch gesprochen: Janis Joplin konnte viel mehr als nur Ekstase auf der Bühne. Und sie schaffte es immer wieder, ihr schwieriges und unruhiges Leben nicht einfach mit Drogen zu betäuben, sondern in umwerfende Kunst zu giessen. Die Zürcher Blues-Sängerin Christina Jaccard ist Gast von Jodok Hess in der Jazz Collection. Gast: Christina Jaccard Redaktion & Moderation: Jodok Hess Janis Joplin and Big Brother & the Holding Company: The Monterey International Pop Festival Label: Essential Track 13: Down On Me Janis Joplin and Big Brother & the Holding Company: Cheap thrills Label: Columbia Track 03: Summertime Janis Joplin: Janis (Original Soundtrack) Label: Sony Track 02: Ball and Chain Janis Joplin: The TV Collection plus NEWPORT 1968 Label: Sonic Boom Track 07: Get It While You Can Janis Joplin: Anthology. Disc Three Label: Columbia Track 04: Try (Just a little bit harder) Janis Joplin: Pearl Label: Columbia Track 07: Me and Bobby McGee Janis Joplin: The Woodstock Experience Label: Columbia Track 08: Work Me Lord Bonustracks (nur in der Samstagausgabe vom 27. Januar 2018) Janis Joplin: Pearl Label: Columbia Track 08: Mercedes Benz Track 01: Move Over Track 09: Trust Me Track 10: Get It While You Can Janis Joplin: 18 essential songs Label: Columbia Track 04: Me and Bobby McGee Janis Joplin: I Got Dem Ol' Kozmic Blues Again Mama! Label: Columbia Track 06: Kozmic Blues Track 07: Little Girl Blue . -
Monomania: the Life and Death of a Psychiatric Idea in Nineteenth-Century Fiction 1836-1860
Open Research Online The Open University’s repository of research publications and other research outputs Monomania: The Life and Death of a Psychiatric Idea in Nineteenth-Century Fiction 1836-1860 Thesis How to cite: Stewart, Lindsey (2018). Monomania: The Life and Death of a Psychiatric Idea in Nineteenth-Century Fiction 1836-1860. PhD thesis The Open University. For guidance on citations see FAQs. c 2017 The Author https://creativecommons.org/licenses/by-nc-nd/4.0/ Version: Version of Record Link(s) to article on publisher’s website: http://dx.doi.org/doi:10.21954/ou.ro.0000d93a Copyright and Moral Rights for the articles on this site are retained by the individual authors and/or other copyright owners. For more information on Open Research Online’s data policy on reuse of materials please consult the policies page. oro.open.ac.uk MONOMANIA: THE LIFE AND DEATH OF A PSYCHIATRIC IDEA IN NINETEENTH- CENTURY FICTION 1836-1860 A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy by Lindsey Stewart Department of English, The Open University October 2017 i Abstract This thesis is about the nineteenth-century psychiatric idea, monomania, in medical, literary and popular discourse from 1836-1860. I examine patient case-notes from the Bethlem, York Retreat and Surrey County Pauper Asylum to establish that the experiential or ‘real’ narratives of monomaniacs confirm the category’s initial confusion with melancholia, and then its conflation with social commentary. Used sparingly in clinical practice, physicians account for a range of anti-social behaviour with its deployment as a diagnosis. -
Plattenbörsen 2007
2 Oldie-Markt 3/07 Schallplattenbörsen Plattenbörsen 2007 Schallplattenbörsen sind seit einigen Jahren fester Bestandteil der europäischen Musikszene. Steigende Besucherzahlen zeigen, dass sie längst nicht mehr nur Tummelplatz für Insider sind. Neben teuren Raritäten bieten die Händler günstige Second-Hand-Platten, Fachzeitschriften, Bücher Lexika, Poster und Zubehör an. Rund 250 Börsen finden pro Jahr allein in der Bundesrepublik statt. Oldie-Markt veröffentlicht als einzige deutsche Zeitschrift monatlich den aktuellen Börsenkalender. Folgende Termine wurden von den Veranstaltern bekannt gegeben: Datum Stadt/Land Veranstaltungs-Ort Veranstalter / Telefon 1. März Berlin Parkcenter Treptow Kurt Wehrs (030) 87 77 62 42 4. März Leipzig Werk II First & Last (03 41) 699 56 80 10. März Wels/Österreich Pfarrsaal Vogelweide Werner Stoschek (086 09) 25 09 11. März Braunschweig Mensa 2 Jürgen Schwarz (05 31) 35 18 92 11. März Mainz Legienhof Wolfgang W. Korte (061 01) 12 86 62 11. März Lindau Inselhalle Robert Menzel (07 31) 605 65 17. März Kiel Legienhof Aftermath (04 31) 80 19 31 17. März Salzburg/Österreich Kleingmainer Hof Werner Stoschek (086 09) 25 09 18. März Aschaffenburg Unterfrankenhalle Wolfgang W. Korte (061 01) 12 86 62 18. März Berlin TU-Mensa Michael Kohls (030) 341 10 35 24. März München Max-Emanuel-Halle Werner Stoschek (086 09) 25 09 25. März München Elserhalle Skull Concerts (089) 25. März Neusäß Stadthalle Robert Menzel (07 31) 605 65 25. März Oberhausen Revierpark Vonderort Agentur Lauber (02 11) 955 92 50 31. März Gießen Kongreßhalle Kai Engel (01 73) 470 79 06 31. März Erfurt Thüringerhalle Iris Lange (056 59) 73 24 1. -
Adyslipper Music by Women Table of Contents
.....••_•____________•. • adyslipper Music by Women Table of Contents Ordering Information 2 Arabic * Middle Eastern 51 Order Blank 3 Jewish 52 About Ladyslipper 4 Alternative 53 Donor Discount Club * Musical Month Club 5 Rock * Pop 56 Readers' Comments 6 Folk * Traditional 58 Mailing List Info * Be A Slipper Supporter! 7 Country 65 Holiday 8 R&B * Rap * Dance 67 Calendars * Cards 11 Gospel 67 Classical 12 Jazz 68 Drumming * Percussion 14 Blues 69 Women's Spirituality * New Age 15 Spoken 70 Native American 26 Babyslipper Catalog 71 Women's Music * Feminist Music 27 "Mehn's Music" 73 Comedy 38 Videos 77 African Heritage 39 T-Shirts * Grab-Bags 82 Celtic * British Isles 41 Songbooks * Sheet Music 83 European 46 Books * Posters 84 Latin American . 47 Gift Order Blank * Gift Certificates 85 African 49 Free Gifts * Ladyslipper's Top 40 86 Asian * Pacific 50 Artist Index 87 MAIL: Ladyslipper, PO Box 3124, Durham, NC 27715 ORDERS: 800-634-6044 (Mon-Fri 9-8, Sat'11-5) Ordering Information INFORMATION: 919-683-1570 (same as above) FAX: 919-682-5601 (24 hours'7 days a week) PAYMENT: Orders can be prepaid or charged (we BACK-ORDERS AND ALTERNATIVES: If we are FORMAT: Each description states which formats are don't bill or ship C.O.D. except to stores, libraries and temporarily out of stock on a title, we will automati available. LP = record, CS = cassette, CD = com schools). Make check or money order payable to cally back-order it unless you include alternatives pact disc. Some recordings are available only on LP Ladyslipper, Inc.