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The Sixties Counterculture and Public Space, 1964--1967
University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Spring 2003 "Everybody get together": The sixties counterculture and public space, 1964--1967 Jill Katherine Silos University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation Silos, Jill Katherine, ""Everybody get together": The sixties counterculture and public space, 1964--1967" (2003). Doctoral Dissertations. 170. https://scholars.unh.edu/dissertation/170 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
Quintet/String Orchestra Repertoire
Millington Strings Quintet Repertoire 2019 Title Composer A Chloris Reynaldo Hahn A Summer Place Percy Faith/Max Steiner A Thousand Years Hodges/Perri Adagietto fr Symphony # 5 Gustav Mahler Adagio Tomaso Albinoni Adagio Cantabile Ludwig van Beethoven Agnus Dei Johann Sebastian Bach Air (fr 2nd French Suite) Johann Sebastian Bach Air (fr Water Music) Georg Friedrich Handel Air (On The G String) Johann Sebastian Bach All Hail to Thee Ingemar Braennstroem All I Ask Of You Andrew Lloyd-Webber All I Want Is You Bono All You Need Is Love John Lennon/Paul McCartney Amazing Grace English/American Traditional Americana Suite, Mvt 1: 400 HP, Heavy Foot Stephen H Millington Americana Suite, Mvt 2: Foxy Stephen H Millington Americana Suite, Mvt 3: Starry Night, Starry Eyes Stephen H Millington Americana Suite, Mvt 4: Aretha Stephen H Millington And I Love Her John Lennon/Paul McCartney And So It Goes Billy Joel Andante (fr Water Music) Georg Friedrich Handel Andante Festivo Jean Sibelius Ang Tangi Kong Pag-Ibig Constancio de Guzman Anitra's Dance Edvard Grieg Aniversary Waltz Dave Franklin/Al Dubin April In Portugal Raul Ferrao Aria sopra la Bergamasca Marco Uccellini Tuesday, August 6, 2019 Page 1 of 14 Title Composer Arioso Johann Sebastian Bach Asher Bara Israeli Traditional Asher Boro Israeli Traditional Ashokan Farewell Jay Ungar At Last Mack Gordon/Harry Warren Ave Maria Johann Sebastian Bach/Charles Gounod Ave Maria Franz Schubert Bachianas # 5 Heitor Villa-Lobos Badinerie Johann Sebastian Bach Ballade Ciprian Porumbescu Be Thou My Vision -
The Enemy Is Among Us Pg3a
7 --------------^ The Enemy Is Among Us Pg3A THE ARTS AND ENTERTAINMENT SECTION OF THE DAILY NEXUS F o ir T h e W e : o f M a r c h 5 , ]L 9 9 2 HILLARY KAPLOWJTZ/Dtily N m Why Are These Guys Smiling? Because Their Acoustic Guitar Band is the Hottest Act at Local Clubs. As Los Guys, Jeremy Donaldson (left) and Harold Lee, Are Finding Success With a Stripped-Down Sound. Interview, pg:..fiA — 2A Thursday, March 5,1992 ■icore Generation Rap Burn This Examines Societal Angst he Dramatic Arts Department pre sents a searing T look at contempor- ary society tonight with the SAT • IvlAFf • premiere o f Lanford W il son’s controversial play A celebration of AIDS and B u m This. Directed by graduate stu Sexual Awareness dent Victoria Gilbert, B u m in Isla Vista This is a confrontational A piece dealing with the com plex issues of sex, ho mosexuality, violence, rela tionships and the stresses of the thirtysomething genera tion. According to Gilbert, the unique production fea tures something which will affect everyone in the audience. N “The play has to do with the inability o f the charac ters to maintain intimate re lationships,” as a result of the alienating society in which they live, she said. Each o f the characters is forced to deal with aliena ROGUE CHEDDAR tion on some level during the course o f the play. Because the play deals Miranda Holmes as Anna (left) and with adult themes and con Michael Sulprizio as Pale in B u rn This. -
Jacknife Lee
Jacknife Lee It is fair to say that Jacknife Lee has become one of the most sought after and highly influential producers currently at work. Lee’s career has encompassed work with some of the biggest and most influential artists on both sides of the Atlantic in the shape of Taylor Swift, U2, R.E.M., Kasabian, Robbie Williams and Neil Diamond. His work on U2’s “How To Dismantle An Atom Bomb” saw him collect two Grammy Awards in 2006 as well as Producer of the Year at the UK MMF Awards. He was also again Grammy nominated in 2013 for his work on Swift’s multi-million selling album “Red.” Currently working on what looks set to be the biggest album from Scottish alt-rock heroes Twin Atlantic and the debut album from The Gossip’s Beth Ditto, Lee has also produced a handful of tracks on Jake Bugg’s upcoming third album and is just about to commence work with Two Door Cinema Club after their successful collaboration on Beacon two years previously. In 2014, Lee was honoured to be asked to co-produce Neil Diamond’s “Melody Road” album alongside the tremendously talented Don Was. “Melody Road” debuted at #3 in America and #4 in the UK as it received universal critical acclaim. Lee has gained much recognition as a writer producer over the last five years. In 2014 also Lee co write and produced various singles for Kodaline’s second album “Coming Up For Air” which peaked at #2, while he also produced and co-wrote Twin Atlantic’s Radio 1 A-listed singles “Heart and Soul” and “Brothers and Sisters.” In addition, Lee spent some of the year writing and producing track for alternative urban artist Raury. -
Music Globally Protected Marks List (GPML) Music Brands & Music Artists
Music Globally Protected Marks List (GPML) Music Brands & Music Artists © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document cannot be distributed, modified or reproduced in whole or in part without the prior expressed permission of DotMusic. 1 Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. Brands are eligible if they are globally-recognized and have been mentioned in established music trade publications. Please provide DotMusic with evidence that such criteria is met at [email protected] if you would like your artist name of brand name to be included in the DotMusic GPML. GLOBALLY PROTECTED MARKS LIST (GPML) - MUSIC ARTISTS DOTMUSIC (.MUSIC) ? and the Mysterians 10 Years 10,000 Maniacs © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document 10cc can not be distributed, modified or reproduced in whole or in part 12 Stones without the prior expressed permission of DotMusic. Visit 13th Floor Elevators www.music.us 1910 Fruitgum Co. 2 Unlimited Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. 3 Doors Down Brands are eligible if they are globally-recognized and have been mentioned in 30 Seconds to Mars established music trade publications. Please -
Wavelength (September 1986)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 9-1986 Wavelength (September 1986) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (September 1986) 71 https://scholarworks.uno.edu/wavelength/62 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. NS SIC MAGA u........s......... ..AID lteniiH .... ., • ' lw•~.MI-- "I'm not sure, but I'm almost positive, that all music came from New Orleans." -Ernie K-Doe, 1979 Features The Party ... .... .. .. ... 21 The Faith . .... .. ....... 23 The Saints . .... .... .. 24 Departments September News ... ... .. 4 Latin ... ... .. ..... .. 8 Chomp Report ...... .. .. 10 Caribbean . .. .. ......... 12 Rock ........ ... ........ 14 Comedy ... ... .... .. ... 16 U.S. Indies .. .. ... .. ... 18 September Listings ... ... 29 Classifieds ..... ..... 33 Last Page . .. .. .... .... 34 Cover Art by Bunny MaHhews A1mlbzrot NetWCSfk Pubaidwr ~ N.. un~.,~n S ~·ou F:ditor. Cnnn~ /..c;rn.ih Atk 1 n~ Assonat• FAI1lor. (it.:n..: S4.at.&mU/It) Art Dindor. Thom~... Oul.an Ad,mL-Jn •. Fht.ah.:th hlf1l.J•~ - 1>1.:.tn.a N.M.l~'-' COft· tributon, Sl(\\.' Armf,ru,tcr. St (M.."tlfl!C Hry.&n. 0..-t> C.n.Jh4:llll, R1d. Culcnun. Carul Gn1ad) . (iu'U GUl'uuo('. Lynn H.arty. P.-t Jully. J.mlC' l.k:n, Bunny M .anhc~'· M. 11.k Oltvter. H.1mmnnd ~·,teL IAlm: Sll'l"t:l. -
The Complete Poetry of James Hearst
The Complete Poetry of James Hearst THE COMPLETE POETRY OF JAMES HEARST Edited by Scott Cawelti Foreword by Nancy Price university of iowa press iowa city University of Iowa Press, Iowa City 52242 Copyright ᭧ 2001 by the University of Iowa Press All rights reserved Printed in the United States of America Design by Sara T. Sauers http://www.uiowa.edu/ϳuipress No part of this book may be reproduced or used in any form or by any means without permission in writing from the publisher. All reasonable steps have been taken to contact copyright holders of material used in this book. The publisher would be pleased to make suitable arrangements with any whom it has not been possible to reach. The publication of this book was generously supported by the University of Iowa Foundation, the College of Humanities and Fine Arts at the University of Northern Iowa, Dr. and Mrs. James McCutcheon, Norman Swanson, and the family of Dr. Robert J. Ward. Permission to print James Hearst’s poetry has been granted by the University of Northern Iowa Foundation, which owns the copyrights to Hearst’s work. Art on page iii by Gary Kelley Printed on acid-free paper Library of Congress Cataloging-in-Publication Data Hearst, James, 1900–1983. [Poems] The complete poetry of James Hearst / edited by Scott Cawelti; foreword by Nancy Price. p. cm. Includes index. isbn 0-87745-756-5 (cloth), isbn 0-87745-757-3 (pbk.) I. Cawelti, G. Scott. II. Title. ps3515.e146 a17 2001 811Ј.52—dc21 00-066997 01 02 03 04 05 c 54321 01 02 03 04 05 p 54321 CONTENTS An Introduction to James Hearst by Nancy Price xxix Editor’s Preface xxxiii A journeyman takes what the journey will bring. -
Read Ebook {PDF EPUB} up by R.E.M. up by R.E.M
Read Ebook {PDF EPUB} Up by R.E.M. Up by R.E.M. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 660c7973f8a24e2c • Your IP : 116.202.236.252 • Performance & security by Cloudflare. The Real Reason R.E.M. Broke Up. Regardless of what your opinion about R.E.M. is, there's no denying that they shaped the face of alternative rock for years. Heck, they've basically been every kind of alternative rock band themselves. They spent their formative years as cult favorite college rockers. Then, they started attracting more and more attention until they were making music with genuine mainstream appeal. Between 1991 and 1992 alone, they released the folk- inspired Out of Time and the baroque Automatic For The People, making them easily the most successful band to attack the audiences of the early grunge era with both mandolins ("Losing My Religion") and string arrangements (A good chunk of Automatic ). -
November 21, 1991
James Macfeon University THURSDAY NOVEMBER 21,1991 VOL 69, NO. 25 JMU may cut current budget 3 percent of finance, announced Monday that hard to find." So he said yesterday the growth in revenue of about 3 percent, by Christy Mumford state agencies would have to prepare a stale's announcement was totally Rose said., But the outlook for that news editor contingency plan that would cut 3 unexpected. amount of growth is grim. JMU may have to cut this year's percent out.-of "I talked to some Consumer spending and budget 3 percent if stale revenue their 1991-92 people in Richmond investments have continued to be doesn't improve. fiscal year recently who are close sluggish, and although income tax Dr. Linwood Rose, JMU senior budgets. BUDGET to the situation, and collection has been good, it hasn't vice president, said the cuts are Rose had said they didn't know. been enough. "probable." in the Nov. 14 BLUES They kept it pretty Rose said he hasn't had time to $ But "it's a little too early to say Breeze, "There close to the vest," he meet with JMU's vice presidents and how we'll react," he said. will be no more said. "It was a complete surprise." Paul W. Timmreck, state secretary reductions, but new money . will be The state expected an annual BUDGET page 2 A campus turns to ESPN, Dukes Students congregate for first tipoff of the season by Rob Kaiser staffwriter Outside was cool and quiet, but in dorm rooms and TV lounges the air was warmed with electricity. -
Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967
Trinity College Trinity College Digital Repository Senior Theses and Projects Student Scholarship Spring 2012 Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967 James M. Maynard Trinity College, [email protected] Follow this and additional works at: https://digitalrepository.trincoll.edu/theses Part of the American Film Studies Commons, American Literature Commons, and the American Popular Culture Commons Recommended Citation Maynard, James M., "Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967". Senior Theses, Trinity College, Hartford, CT 2012. Trinity College Digital Repository, https://digitalrepository.trincoll.edu/theses/170 Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967 Jamie Maynard American Studies Program Senior Thesis Advisor: Louis P. Masur Spring 2012 1 Table of Contents Introduction..…………………………………………………………………………………4 Chapter One: Developing the niche for rock culture & Monterey as a “savior” of Avant- Garde ideals…………………………………………………………………………………...7 Chapter Two: Building the rock “umbrella” & the “Hippie Aesthetic”……………………24 Chapter Three: The Yin & Yang of early hippie rock & culture—developing the San Francisco rock scene…………………………………………………………………………53 Chapter Four: The British sound, acid rock “unpacked” & the countercultural Mecca of Haight-Ashbury………………………………………………………………………………71 Chapter Five: From whisperings of a revolution to a revolution of 100,000 strong— Monterey Pop………………………………………………………………………………...97 Conclusion: The legacy of rock-culture in 1967 and onward……………………………...123 Bibliography……………………………………………………………………………….128 Acknowledgements………………………………………………………………………..131 2 For Louis P. Masur and Scott Gac- The best music is essentially there to provide you something to face the world with -The Boss 3 Introduction: “Music is prophetic. It has always been in its essence a herald of times to come. Music is more than an object of study: it is a way of perceiving the world. -
In Which Yet Another Pompous Blowhard Purports to Possess the True Meaning of Punk Rock
11 In Which Yet Another Pompous Blowhard Purports to Possess the True Meaning of Punk Rock Lester Bangs All the shit they play on the radio today-it lacks the true meaning of rock, which is sex, subversion, and style. Rock 'n' roll is pagan and primitive and very jungle, and that's how it should be. The moment it stops being those things, it's dead. -Sex Pistols manager Malcolm McClaren (Kohut and Kohut 1994, 18) The kids want misery and death. They want threatening noises because that shakes you out of your apathy. -John Lydon of the Sex Pistols (Kohut and Kohut 1994, 101) Lester Bangs is the most celebrated critic in the history of rock. A wild man and visionary armed with a pugnacious attitude and original writing style, which he claimed was based on the sound and language of rock and roll itself (Bangs 1987, ix), he was an early champion of punk rock. According to Bangs, punk means rock "in its most basic, primitive form," and it has thus been around from the beginnings of rock 'n' roll. Here he expounds upon what he sees as the true meaning of not only punk, but of rock itself, delivering a manifesto for both: the essence is passion. Rock must be first and foremost "a raw wail from the bottom of the guts." Punk rock was hardly invented by the Ramones in Qyeens, NY, in 1974-5, any more than it was by the Sex Pistols in London a year or so later. You have to go back to the New York Dolls. -
Taking a Look Back at SA's Successful Year by Chad Sirovina a Project That Stapleton Has Achievements," Stapleton Said
Volume 37. Number 55 Page 2 HS May 6, 1993 Taking a look back at SA's successful year By Chad Sirovina A project that Stapleton has achievements," Stapleton said. "The top administration put been working on is child care "I think we've restored the "Her whole focus is the re a kabosh on [the proposal] be Since hindsight is 20/20, within the University of Wis credibility of student source center." cause things were not being some of that perfect vision consin System. government with the An item which was worked done by the rules and regula should be used to look at the Stapleton said a draft of a administration." on but never came to fruition tions," said Stapleton. performance of the University child care proposal is due out -Lisa Meyer, SA president was the proposed bus pass plan, "We wish the best of luck to of Wisconsin-Milwaukee Stu of a UW System committee in which would have given stu the new administration," said dent Association over the past Madison May 13. breaking in the new director dents an unlimited pass for the Meyer. year. "It very clearly defines the and improving communication Milwaukee County Transit **§*i "We've been busy," said real purpose and necessity of with students through the de System with an increase in stu Lisa Meyer, SA president. what we are now going to call velopment of a written policy. dent fees. The new University The achievements of the SA children's centers on UW cam Meyer said one of the big According to Meyer, the which Meyer pointed to in puses because they are more gest accomplishments of the program got tied up because clude the creation of the than just child-care facilities," past year was the reorganiza administrative staff people for women's center, the rewriting said Stapleton.