DOCSLIB.ORG

Wavelength (September 1986)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 9-1986 Wavelength (September 1986) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (September 1986) 71 https://scholarworks.uno.edu/wavelength/62 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. NS SIC MAGA u........s......... ..AID lteniiH .... ., • ' lw•~.MI-- "I'm not sure, but I'm almost positive, that all music came from New Orleans." -Ernie K-Doe, 1979 Features The Party ... .... .. .. ... 21 The Faith . .... .. ....... 23 The Saints . .... .... .. 24 Departments September News ... ... .. 4 Latin ... ... .. ..... .. 8 Chomp Report ...... .. .. 10 Caribbean . .. .. ......... 12 Rock ........ ... ........ 14 Comedy ... ... .... .. ... 16 U.S. Indies .. .. ... .. ... 18 September Listings ... ... 29 Classifieds ..... ..... 33 Last Page . .. .. .... .... 34 Cover Art by Bunny MaHhews A1mlbzrot NetWCSfk Pubaidwr ~ N.. un~.,~n S ~·ou F:ditor. Cnnn~ /..c;rn.ih Atk 1 n~ Assonat• FAI1lor. (it.:n..: S4.at.&mU/It) Art Dindor. Thom~... Oul.an Ad,mL-Jn •. Fht.ah.:th hlf1l.J•~ - 1>1.:.tn.a N.M.l~'-' COft· tributon, Sl(\\.' Armf,ru,tcr. St (M.."tlfl!C Hry.&n. 0..-t> C.n.Jh4:llll, R1d. Culcnun. Carul Gn1ad) . (iu'U GUl'uuo('. Lynn H.arty. P.-t Jully. J.mlC' l.k:n, Bunny M .anhc~'· M. 11.k Oltvter. H.1mmnnd ~·,teL IAlm: Sll'l"t:l. Hry.tn Wo~)'"""'· l ~ u ren / ..•u-rmbu Ty ~ra ­ phy. 0.:'11 h n,.Wcn~u:r A,.... ,u.nc' Wmt'lrn~th " puhh,ht.-d munlhly tn New Orlean' Tckphm-.e. (~04) MY~ - 2~42 M.ul 'ub,uiplmn, .•u.l d r~'' l' h Jn~e' 10 W<lltlm~th, P () Bu> 1~1167. New Ork•n,, LA 701H Sub. '4:rtp1 Hm ro~ l c Sl2 ~r yco~r Cwrfac.:<) h"l da·" ... u~·npctun' S2H p..·r )'CJI (dun-.:,llc.' .md c ~ n.kl.t) AO OIUll\oill roll( .II $40 pe-r )!!at ht\ot:Ntl') 'The cnhrc ..:untcnh ur Wuu·lrnxth an cup)'nghlt.-d c"I9M6 Wu•f'loll(lh DOH.k "'ue' .LrC .IV<ill.able by vrniiOJIO Bar.:k 1"""'· P 0 Bm 1~7. N<w Or1can,, LA 70175 ll<uu."' uf • hmllf..-d 'upply • .,... ~ "'IJC."' .are i&Villl.abk rur $4 each. Ple~alktw .. jcy.. Yrf.."t.!k' rur pnk:C"'"' .lnd deh 'f'~ry of onkn Nevr SutN:nb­ C.'" Pk<'-.c<'llttwuplu''" v.e<k' ftlfre«:lptoffiN ~due: to our 'm.lll, nttfH,:umrutcnted "'tN:npunn dep.utmen1 h lf'C'IJ!n t.:U,h11'nCf' nuy p.;t)' hy I M 0 tlf"daa:k dra.wn on 1 U.S h.an ~ Ba:.w"< ~...- e ' t'dttGtnt N.nk pn-.·~,m~: c~. we cannot oa:ccpt ..:ht.•,;k' '" Ct~Aar.h.an dol~ tlf uchcr ftn lgn c:urreftC'y. ot IIUIIC •IIOYIII d11r•d,, ..Jr.. .,.,n un ~o r,n,,_n bank. • Veterans, 1 bl. east of tauseway in Metairie 834-6550 • Chef Menteur, 2 bl. east of Louisa 945·5110 SuNol><""'"'' n.Mofy "' mvnc<h•t<ly of any chonp: o( llddres.• • Magazine St. at Octavia 891-4026 • Vtttrans David ill Metairie 885-4200 If "''"rk.:;ahun ,, "",. I"Ct'e l'f'cd, rn~.~u•nn \Cnt: to •noomxt ad­ at ~ "''"'' wo11 "'"b.: n:pbo:al U.S . <"->lomrt'< oro:1udr zop code. Quantities imited. Sale ends Tuesday, September 30th. Dial Direct S. CARROLLTON & MAPLE to subscribe PHILIP GLASS ' 100% cotton, blecJI T·SHIRTS Daily 2-8 on white only Sl Drafl Beer in frozen mugs, $1.50 HiBalls 504/895-2342 •S, M,I..,XI. • Hand printed to ord111 Sunday All Day/All N~t e to your • $8.50 + $1.50 handling $1.()() Draft in 12 oz. mugs, $1.50 Bloody Marys • Mor1ey baclc guv111t111d and chaf9 tercharge Alternate Sundays. Music by John Rankin Visa or1 ~~~r one year SEND CHECK OR MONEY Mad Mo nday onlY s ORDER TO: Madigan's T-Shirt Night, Sl.OO Draft, Sl.OO HiBalls STEVE BAYNES S 1.50 J uice Dnnks for anyone wearing a Madigan\ T-Shirt P.O. BOX 850573 Wednt>sday NEW ORLEANS, LA fff!J!J!!f!!fififffiik 70185..0573 Ladies Night 9-12 SEPIIM8ER • Wavele11o9H• 3 ~ Regular Features ~ MUSIC CITY GOES '1"0 Mondays LONDON Live Classical Music Jim Gabour must be living right. Tuesdays He's a television producer admired by local and national cri­ Harry Connick, Jr. tics, trusted by New Orleans' skep­ Wednesdays tical musicians and liked by their J. Monque'd union. His work has won awards Thursdays and reached national and now in­ ternational audiences. He's been de­ Laissez-Faire Cajun Band scrbed as a credit to cable televi­ sion, to his city and to the musi­ ~ This Month ~ cians who's work he's preserved in Fri 5 Regatta his Music City series. (Reggae-Progressive Jazz) This week, he is in London to Sat 6 Charmaine Neville &: Real celebrate the upcoming September 9 Feelings premier of New Orleans Now, a Sun 7 Benefit Dance for Save special version of four of the origin­ the Lake - Music by al Music City hours that played in Gabour with Monk Boudreaux, Damn Yankees one of the stars of New Orleans Now. Tues 9 Regatta America on the Arts and Entertain­ Fri 12 TBA ment (A&E) cable network and Sat 13 Beausoleil have been bought to run in a prime government, praise of critics from Sun 14 The Quarter Tones time slot on London's Channel 4. New Orleans to New York and, .lOCK Tues 16 Song Dogs From there, he'll travel to best of all, buyers for the show who GRUNDY'S Fri 19 Midnight Creepers with Copenhagen would spread the word for New Noble 'Thinman" Watts where officials with NIElM LOOK Sat 20 Regatta Danish television have expressed an Orleans music. It would help people SAN FRANCISCo-Walk into the Fri 26 The Radiators interest in the shows. realize that "even though we don't Illusions Room at the Marriott Sat 27 TBA The Music City programs, which have the music industry, we still Hotel in San Francisco's Fisher­ Tues 30 Song Dogs are now considered by just about have the music," Gabour told the man's Wharf and you might recog­ every kind of critic to be perfect Times-Picayune's 7V Focus. nize the bartender behind the 8316 Oak Street video venues for New Orleans The customers looking to buy the groovy blue-tinted shades. It's none 866-9359 musicians, were not planned to gar­ show, A&E, were not going to be other than Jock Grundy, the former ner awards, nor did they im­ paying enough to provide the kind guitarist with that once top of the mediately achieve reknown. They of recutting that Gabour had in New Orleans pop scene band, the were planned as part of the locally mind. So in December 1983, he Look. I saw the Look in 1982, generated programming required by was "banging on doors at the Brit­ braving an intimidatingly artsy Cox's franchise agreement with the ish network." The British, although Warehouse crowd when they op­ city, and according to Gabour, were they professed to like the series, ened for Talking Heads. part of a group of programs consid­ were a long, hard sell and finally Grundy fled New Orleans a few ered by the cable company to be Gabour typed a video letter using a years ago and moved to San Fran­ write-offs. character generator over some Mus­ cisco hoping to coerce his American But Gabour, despite the fact that ic City footage to grab their atten­ he was producer or executive pro­ tion. ducer on seven other Cox cable It worked, and Channel 4 bought series, had a special interest in this four one-hour specials delivered to project. "I had always been into the station in August 1985. It is this music and played music and I was set of shows that will make its Brit­ surprised that nobody had taken up ish debut this September. The same an ongoing music show,'' he re­ shows already ran on A&E in Jan­ called. uary when they brought in more Gabour began with four months than their share of national enthu­ of negotiation with union and local siasm for the city and its music. musicians to work out equitable The series' new British run and contracts. "Ninety percent of local the prospect of a Danish run are musicians performing on television] good news for New Orleans. It will didn't get paid. People would say mean money in the pocket for New 'we're doing you a favor with the Orleans musicians, and the city's exposure. Here, sign away your tot­ publicity crew couldn't buy Express idol into forming the Karl al rights. "' Gabour's style of personal promo­ Malden Experience. True story? Gabour made sure that musicians tion. Gabour hopes to sell nine " Well, mainly I came out here got the compensation the budget more hours of the shows to British because the Look did as much as could carry and provided for proper television. we could in New Orleans and I was residuals to be paid in the event of According to David Weinstein, inspired by the way the Red Rock­ subsequent runs of the show. president of the Musician's Mutual ers drove out here in a station wag­ Enter Henry Waguespack, the Protective Union Local 174-496, on and signed with 415 at Howie man who brought New Orleans the Music City generated more money Klein's doorstep," said Grundy Time Saver and, after a little urging for the musicians of New Orleans in from behind the bar where he from Gabour ("l·just kept dropping the short time that the project has poured me an Anchor Steam draft to my knees"), he helped to make been in operation than all the other and passed me a great big basket of the Music City series possible.
Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate

    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate

    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
  • National Cultural Policy 2012 (Draft)

    National Cultural Policy 2012 (Draft)

    NATIONAL CULTURAL POLICY MONTSERRAT (DRAFT) TABLE OF CONTENTS Pg Executive Summary 1 Philosophical Statement 1 2 Methodology 1 3 Background 2 4 Definition of Culture 4 5 Mapping the Cultural Landscape 5 6 The Cultural Backdrop 6 7 Proposed Policy Positions of the Government of Montserrat 16 8 Aims of the Policy 17 9 Self Worth and National Pride 18 10 The Arts 21 11 Folkways 24 12 Masquerades 27 13 Heritage 29 14 Education 32 15 Tourism 35 16 Economic Development 38 17 Media and Technology 41 18 Infrastructure 44 19 Implementation 47 Appendix 1 Groups & Persons Consulted Appendix 2 Consulting Instruments Select Biography EXECUTIVE SUMMARY This Executive Summary presents a brief philosophical statement, the policy positions of the government and the aims of the policy. It defines culture, outlines the areas of national life considered in the policy and provides a selection of the action to be taken. The policy document emphasizes the importance of the development of a sense of self-worth and national pride, the role of folkways in defining a Montserratian identity and the role of training, research and documentation in cultural development and preservation. Particular emphasis is placed on culture as a means of broadening the frame of economic activity. The co modification of aspects of culture brooks of no debate; it is inevitable in these challenging economic times. The policy is presented against a backdrop of the Montserrat cultural landscape. Philosophical Statement Montserrat’s culture is rooted in its history with all its trials and triumphs. Culture is not only dynamic and subject to influences and changes over time, but it is also dialectical, meaning that while it springs from history and development, culture also impacts and informs development .
  • The Journey of Vodou from Haiti to New Orleans: Catholicism

    The Journey of Vodou from Haiti to New Orleans: Catholicism

    THE JOURNEY OF VODOU FROM HAITI TO NEW ORLEANS: CATHOLICISM, SLAVERY, THE HAITIAN REVOLUTION IN SAINT- DOMINGUE, AND IT’S TRANSITION TO NEW ORLEANS IN THE NEW WORLD HONORS THESIS Presented to the Honors College of Texas State University in Partial Fulfillment of the Requirements for Graduation in the Honors College by Tyler Janae Smith San Marcos, Texas December 2015 THE JOURNEY OF VODOU FROM HAITI TO NEW ORLEANS: CATHOLICISM, SLAVERY, THE HAITIAN REVOLUTION IN SAINT- DOMINGUE, AND ITS TRANSITION TO NEW ORLEANS IN THE NEW WORLD by Tyler Janae Smith Thesis Supervisor: _____________________________ Ronald Angelo Johnson, Ph.D. Department of History Approved: _____________________________ Heather C. Galloway, Ph.D. Dean, Honors College Abstract In my thesis, I am going to delve into the origin of the religion we call Vodou, its influences, and its migration from Haiti to New Orleans from the 1700’s to the early 1800’s with a small focus on the current state of Vodou in New Orleans. I will start with referencing West Africa, and the religion that was brought from West Africa, and combined with Catholicism in order to form Vodou. From there I will discuss the effect a high Catholic population, slavery, and the Haitian Revolution had on the creation of Vodou. I also plan to discuss how Vodou has changed with the change of the state of Catholicism, and slavery in New Orleans. As well as pointing out how Vodou has affected the formation of New Orleans culture, politics, and society. Introduction The term Vodou is derived from the word Vodun which means “spirit/god” in the Fon language spoken by the Fon people of West Africa, and brought to Haiti around the sixteenth century.
  • HARD REPORT' November 21, 1986 Issue # 6 (609) 654-7272 FRONTRUNNERS ERIC CLAPTON BOB GELDOF "AUGUST" "DEEP in the HEART E.C

    HARD REPORT' November 21, 1986 Issue # 6 (609) 654-7272 FRONTRUNNERS ERIC CLAPTON BOB GELDOF "AUGUST" "DEEP in the HEART E.C

    THE HARD REPORT' November 21, 1986 Issue # 6 (609) 654-7272 FRONTRUNNERS ERIC CLAPTON BOB GELDOF "AUGUST" "DEEP IN THE HEART E.C. DELIVERS BIG ON OF NOWHERE" HIS MOST HIGHLY ANTICIPATED ALBUM OF IN TERMS OF WRITING AND ROCKING, WE'D THE EIGHTIES! CALL THIS A WORLD CLASS SURPRISE! ATLANTIC THE KINKS KATE BUSH NINNS . "THINK VISUAL" "EXPERIMENT IV" THINK THE 12" IS A BIT THE HIGH PRIESTESS ROUGH? YOU'LL FLIP OF MIND MUSIC RATES OVER "FACTORY" AND AN "A" FOR THIS "LOST AND FOUND" CEREBRAL CONCOCTION! MCA EMI JN OE HWN PE UD SD Fs RD OA My PLUS! ETTRACKS EDDIE MONEY & TIMBUK3 CHARTSTARS * HEADLINES MOST ADDED HOWARD and the FCC 1 The Kinks "Rock & Roll Cities" (MCA) 61 2 Ann Wilson "Best Man in The World" (CAP) 53 3 Bruce Hornsby "Western Skyline..." (RCA) 40 4 Peter Gabriel "Big Time" (GEFFEN) 35 McNUTT To McWKDF HOT NUMBERS ALBUMS Billy Joel "The Bridge" 46-39 (COL) YATES Back in L.A. World Party "Private. 44-38 (CHRY.) Jason/Scorchers"Still..." 37-33 (EMI) Ben Orr "The Lace" 18-14 (E/A) DEBUTS WNEW's McEWEN Stevie Ray Vaughan "Live Alive" #23(EPIC) tubes out Robert Cray "Strong Persuader" #26 (POLY) TRACKS KBC Band "America" 92-71 JOBNAPPERS Van Halen "Rock & Roll Live" 83-63 Europe "The Final Countdown" 89-78 TEXTBOOK: Smithereens "Behind the Wall..." 57-47 GREG GILLISPIE RECORD OF THE WEEK THE STEVE MILLER BAND --FOR HIS FIRST # 1 SINCE 82's "ABRACADABRA"! INSIDE... %tea' &Mai& &Mal& EtiZiraZ CiairlZif:.-.ZaW. CfMCOLZ &L -Z Cad CcIZ Cad' Ca& &Yet Cif& Ca& Ca& Cge.
  • CARNIVAL and OTHER SEASONAL FESTIVALS in the West Indies, USA and Britain

    CARNIVAL and OTHER SEASONAL FESTIVALS in the West Indies, USA and Britain

    CORE Metadata, citation and similar papers at core.ac.uk Provided by SAS-SPACE CARNIVAL AND OTHER SEASONAL FESTIVALS in the West Indies, U.S.A. and Britain: a selected bibliographical index by John Cowley First published as: Bibliographies in Ethnic Relations No. 10, Centre for Research in Ethnic Relations, September 1991, University of Warwick, Coventry, CV4 7AL John Cowley has published many articles on blues and black music. He produced the Flyright- Matchbox series of LPs and is a contributor to the Blackwell Guide To Blues Records, and Black Music In Britain (both edited by Paul Oliver). He has produced two LPs of black music recorded in Britain in the 1950s, issued by New Cross Records. More recently, with Dick Spottswood, he has compiled and produced two LPs devoted to early recordings of Trinidad Carnival music, issued by Matchbox Records. His ‗West Indian Gramophone Records in Britain: 1927-1950‘ was published by the Centre for Research in Ethnic Relations. ‗Music and Migration,‘ his doctorate thesis at the University of Warwick, explores aspects of black music in the English-speaking Caribbean before the Independence of Jamaica and Trinidad. (This selected bibliographical index was compiled originally as an Appendix to the thesis.) Contents Introduction 4 Acknowledgements 7 How to use this index 8 Bibliographical index 9 Bibliography 24 Introduction The study of the place of festivals in the black diaspora to the New World has received increased attention in recent years. Investigations range from comparative studies to discussions of one particular festival at one particular location. It is generally assumed that there are links between some, if not all, of these events.
  • The Perpetuation of Historical Myths in New Orleans Tourism

    The Perpetuation of Historical Myths in New Orleans Tourism

    University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Spring 5-31-2021 Don’t Be Myth-taken: The Perpetuation of Historical Myths in New Orleans Tourism Madeleine R. Roach University of New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the Oral History Commons, Public History Commons, Social History Commons, and the United States History Commons Recommended Citation Roach, Madeleine R., "Don’t Be Myth-taken: The Perpetuation of Historical Myths in New Orleans Tourism" (2021). University of New Orleans Theses and Dissertations. 2902. https://scholarworks.uno.edu/td/2902 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Don’t Be Myth-taken: The Perpetuation of Historical Myths in New Orleans Tourism A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the in the requirements for the degree of Master of Arts in History Public History By Madeleine Roach B.A.
  • O.S.T./Brother Bear Michael Bublé R.E.M. the Darkness O.S.T./The

    O.S.T./Brother Bear Michael Bublé R.E.M. the Darkness O.S.T./The

    1/2004 O.S.T. Brother Bear CD: 5050-4666877-22 Cen. kód: CF O.S.T./Brother Bear Michael Bublé R.E.M. The Darkness O.S.T./The Last Samurai Sasha & Dick Brave 13. 2. 2004 Gerald Levert The Distillers John Frusciante TITUL MĚSÍCE CD O.S.T. Žánr: Cen. kód: CD: 5050-4666877-22 Brother Bear Pop CF V novém vzrušujícím animovaném filmu Medvědí bratři, Marketingové kampaně: který má u nás premiéru 19. 2. 2004, se vydáme do Očekávejte masivní reklamu na film a soundtrack, která nádherné krajiny v severozápadní Americe, kde se proběhne ve spolupráci s distributorem: TV reklama odehrává příběh chlapce Kenaie. Jeho život se na České televizi, TV Nova a TV Prima, video bude nečekaně změní v okamžiku, kdy jej Velký duch promění nasazeno do Esa a Medúzy, tisková reklama, recenze, v medvěda… V dobrodružném příběhu o statečnosti, články, rádiová reklama, výlohy, outdoor, indoor a další. cti a sebepoznání, ve kterém se objevuje spousta nových a nezapomenutelných postaviček, se mísí dech beroucí animace s city a humorem. K filmu také vychází soundtrack, na kterém najdete 6 zbrusu nových písní od Phila Collinse, ale také jednu skladbu od Tiny Turner. Druhý singl ze soundtracku No Way Out od Phila Collinse bude rozeslán do všech rádií. www.disney.com Již vyšlo 2 NOVINKY MICHAEL BUBLÉ Žánr: Cen. kód: CD: 9362-48376-2 Michael Bublé Pop (swing) CF Úspěchy 28letého Kanaďana Michaela Bublého nás nenechaly chladnými, a tak jsme se podívali tomuto nováčkovi a především jeho debutu na zoubek. Tento mladý nadějný zpěvák není pro nás úplným nováčkem, jelikož se mu podařilo s jeho debutovou deskou, která vyšla před dvěma měsíci, prorazit již v USA, Kanadě, Austrálii, Japonsku, Novém Zélandu, Filipínách, Singapuru, Anglii, Jižní Africe, Polsku a teď právě dobývá Německo.
  • 2011 – Cincinnati, OH

    2011 – Cincinnati, OH

    Society for American Music Thirty-Seventh Annual Conference International Association for the Study of Popular Music, U.S. Branch Time Keeps On Slipping: Popular Music Histories Hosted by the College-Conservatory of Music University of Cincinnati Hilton Cincinnati Netherland Plaza 9–13 March 2011 Cincinnati, Ohio Mission of the Society for American Music he mission of the Society for American Music Tis to stimulate the appreciation, performance, creation, and study of American musics of all eras and in all their diversity, including the full range of activities and institutions associated with these musics throughout the world. ounded and first named in honor of Oscar Sonneck (1873–1928), early Chief of the Library of Congress Music Division and the F pioneer scholar of American music, the Society for American Music is a constituent member of the American Council of Learned Societies. It is designated as a tax-exempt organization, 501(c)(3), by the Internal Revenue Service. Conferences held each year in the early spring give members the opportunity to share information and ideas, to hear performances, and to enjoy the company of others with similar interests. The Society publishes three periodicals. The Journal of the Society for American Music, a quarterly journal, is published for the Society by Cambridge University Press. Contents are chosen through review by a distinguished editorial advisory board representing the many subjects and professions within the field of American music.The Society for American Music Bulletin is published three times yearly and provides a timely and informal means by which members communicate with each other. The annual Directory provides a list of members, their postal and email addresses, and telephone and fax numbers.
  • 2007'S Best Albums in Review

    2007'S Best Albums in Review

    KTRU 91.7 FM SPRING 2008 Houston’s Local Artists: 2007’s Best Albums in Review People often say that there isn’t much good music in Linus Pauling Quartet Bring Back The Guns Houston. They are wrong, and getting wronger by the All Things Are Light Dry Futures minute: 2007 was one of the best years for Houston music Camera Obscura Feow! in recent memory. In no particular order, KTRU runs Linus Pauling Quartet reminds us After changing names and winning down 10 of the year’s most notable releases in this quick that barbarians, aliens, malt liquor, 24- three Houston Press Music Awards guide to a banner year in a burgeoning music scene. hour Mexican food, and motorcycles (Best New Act ‘00, Best Indie Rock all lie at the foundation of rock and roll’s ‘03, Best Indie Rock ‘05), Bring Back Jana Hunter hallowed temple. Don’t call it tongue-in-cheek—every the Guns have finally released a full album, and it was There’s No Home track is backed with dead-serious Jimmy Page-grade easily worth the wait. Their guitar-driven sound is Gnomonsong Marshall-stack ass-kicking. Veterans of Houston’s psych heavy but still quick on its feet, framed by constantly Erstwhile Houstonian Jana Hunter, heyday LP4 mix hard rock imagery with utter electrified shifting time signatures, punctuated with guitar hooks an Arlington native who recently mi- competence, the way unpretentious rock was meant to be. that never end like you’d expect. Vocals are strained, grated to Baltimore, is a key player in overdriven.
  • Punk Aesthetics in Independent "New Folk", 1990-2008

    Punk Aesthetics in Independent "New Folk", 1990-2008

    PUNK AESTHETICS IN INDEPENDENT "NEW FOLK", 1990-2008 John Encarnacao Student No. 10388041 Master of Arts in Humanities and Social Sciences University of Technology, Sydney 2009 ii Acknowledgements I would like to thank my supervisor Tony Mitchell for his suggestions for reading towards this thesis (particularly for pointing me towards Webb) and for his reading of, and feedback on, various drafts and nascent versions presented at conferences. Collin Chua was also very helpful during a period when Tony was on leave; thank you, Collin. Tony Mitchell and Kim Poole read the final draft of the thesis and provided some valuable and timely feedback. Cheers. Ian Collinson, Michelle Phillipov and Diana Springford each recommended readings; Zac Dadic sent some hard to find recordings to me from interstate; Andrew Khedoori offered me a show at 2SER-FM, where I learnt about some of the artists in this study, and where I had the good fortune to interview Dawn McCarthy; and Brendan Smyly and Diana Blom are valued colleagues of mine at University of Western Sydney who have consistently been up for robust discussions of research matters. Many thanks to you all. My friend Stephen Creswell’s amazing record collection has been readily available to me and has proved an invaluable resource. A hearty thanks! And most significant has been the support of my partner Zoë. Thanks and love to you for the many ways you helped to create a space where this research might take place. John Encarnacao 18 March 2009 iii Table of Contents Abstract vi I: Introduction 1 Frames
  • UNIVERSAL MUSIC • Aaron Pritchett – the Score • Thousand Foot

    UNIVERSAL MUSIC • Aaron Pritchett – the Score • Thousand Foot

    Aaron Pritchett – The Score Thousand Foot Krutch - Exhale Jon Bellion – The Human Condition Check out new releases in our Vinyl Section! New Releases From Classics And Jazz Inside!!! And more… UNI16-25 UNIVERSAL MUSIC 2450 Victoria Park Ave., Suite 1, Willowdale, Ontario M2J 5H3 Phone: (416) 718.4000 *Artwork shown may not be final May 16th, 2016 Dear Customer, Effective on the dates outlined below, the Canadian distribution of the attached list of R.E.M. titles will change from Warner Music Canada and be handled by Universal Music Canada on behalf of Concord Music Group. In order to make this transition as easy as possible for all customers, please note the following steps. ORDERS: Effective, June 30, 2016 Warner Music Canada will cancel all back orders for the products listed below. Effective July 01, 2016 Universal Music Canada will begin processing and shipping orders on the attached product listing with corresponding UMC pricing. Please refer to the attached product list for updated catalogue and UPC numbers. RETURNS: Universal Music Canada will accept return requests for this product effective July 01, 2016. Credit will be issued per the Universal Music Canada Terms and Conditions of Sale. ADVERTISING: Universal Music Canada will be responsible for ad claims issued after July 01, 2016. We trust that these procedures will make the transition as smooth as possible and we thank you for your continued support. Please contact your local Universal Music Canada representative should you have any questions. Regards, Adam Abbasakoor Vice President, Commercial Affairs Vice President, Sales Universal Music Canada Warner Music Canada R.E.M.
  • Price Record Store Day 2019 Releases Price Follow Us on Twitter

    Price Record Store Day 2019 Releases Price Follow Us on Twitter

    Follow us on twitter @PiccadillyRecs for Follow us on twitter @PiccadillyRecs for Price ✓ Record Store Day 2019 Releases Price ✓ Price ✓ Record Store Day 2019 Releases Price ✓ updates on items selling out etc. updates on items selling out etc. 7" SINGLES 7" 14.99 Queen : Bohemian Rhapsody/I'm In Love With My Car 12" 22.99 John Grant : Remixes Are Also Magic 12" 9.99 Lonnie Liston Smith : Space Princess 7" 12.99 Anderson .Paak : Bubblin' 7" 13.99 Sharon Ridley : Where Did You Learn To Make Love The 12" Way You 11.99Do Hipnotic : Are You Lonely? 12" 10.99 Soul Mekanik : Go Upstairs/Echo Beach (feat. Isabelle Antena) 7" 16.99 Azymuth : Demos 1973-75: Castelo (Version 1)/Juntos Mais 7" Uma Vez9.99 Saint Etienne : Saturday Boy 12" 9.99 Honeyblood : The Third Degree/She's A Nightmare 12" 11.99 Spirit : Spirit - Original Mix/Zaf & Phil Asher Edit 7" 10.99 Bad Religion : My Sanity/Chaos From Within 7" 12.99 Shit Girlfriend : Dress Like Cher/Socks On The Beach 12" 13.99 Hot 8 Brass Band : Working Together E.P. 12" 9.99 Stalawa : In East Africa 7" 9.99 Erykah Badu & Jame Poyser : Tempted 7" 10.99 Smiles/Astronauts, etc : Just A Star 12" 9.99 Freddie Hubbard : Little Sunflower 12" 10.99 Joe Strummer : The Rockfield Studio Tracks 7" 6.99 Julien Baker : Red Door 7" 15.99 The Specials : 10 Commandments/You're Wondering Now 12" 15.99 iDKHOW : 1981 Extended Play EP 12" 19.99 Suicide : Dream Baby Dream 7" 6.99 Bang Bang Romeo : Cemetry/Creep 7" 10.99 Vivian Stanshall & Gargantuan Chums (John Entwistle & Keith12" Moon)14.99 : SuspicionIdles : Meat EP/Meta EP 10" 13.99 Supergrass : Pumping On Your Stereo/Mary 7" 12.99 Darrell Banks : Open The Door To Your Heart (Vocal & Instrumental) 7" 8.99 The Straight Arrows : Another Day In The City 10" 15.99 Japan : Life In Tokyo/Quiet Life 12" 17.99 Swervedriver : Reflections/Think I'm Gonna Feel Better 7" 8.99 Big Stick : Drag Racing 7" 10.99 Tindersticks : Willow (Feat.