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Bertus in Stock 7-4-2014
No. # Art.Id Artist Title Units Media Price €. Origin Label Genre Release Eancode 1 G98139 A DAY TO REMEMBER 7-ATTACK OF THE KILLER.. 1 12in 6,72 NLD VIC.R PUN 21-6-2010 0746105057012 2 P10046 A DAY TO REMEMBER COMMON COURTESY 2 LP 24,23 NLD CAROL PUN 13-2-2014 0602537638949 FOR THOSE WHO HAVE 3 E87059 A DAY TO REMEMBER 1 LP 16,92 NLD VIC.R PUN 14-11-2008 0746105033719 HEART 4 K78846 A DAY TO REMEMBER OLD RECORD 1 LP 16,92 NLD VIC.R PUN 31-10-2011 0746105049413 5 M42387 A FLOCK OF SEAGULLS A FLOCK OF SEAGULLS 1 LP 20,23 NLD MOV POP 13-6-2013 8718469532964 6 L49081 A FOREST OF STARS A SHADOWPLAY FOR.. 2 LP 38,68 NLD PROPH HM. 20-7-2012 0884388405011 7 J16442 A FRAMES 333 3 LP 38,73 USA S-S ROC 3-8-2010 9991702074424 8 M41807 A GREAT BIG PILE OF LEAVE YOU'RE ALWAYS ON MY MIND 1 LP 24,06 NLD PHD POP 10-6-2013 0616892111641 9 K81313 A HOPE FOR HOME IN ABSTRACTION 1 LP 18,53 NLD PHD HM. 5-1-2012 0803847111119 10 L77989 A LIFE ONCE LOST ECSTATIC TRANCE -LTD- 1 LP 32,47 NLD SEASO HC. 15-11-2012 0822603124316 11 P33696 A NEW LINE A NEW LINE 2 LP 29,92 EU HOMEA ELE 28-2-2014 5060195515593 12 K09100 A PALE HORSE NAMED DEATH AND HELL WILL.. -LP+CD- 3 LP 30,43 NLD SPV HM. 16-6-2011 0693723093819 13 M32962 A PALE HORSE NAMED DEATH LAY MY SOUL TO. -
IATSE and Labor Movement News
FIRST QUARTER, 2012 NUMBER 635 FEATURES Report of the 10 General Executive Board January 30 - February 3, 2012, Atlanta, Georgia Work Connects Us All AFL-CIO Launches New 77 Campaign, New Website New IATSE-PAC Contest 79 for the “Stand up, Fight Back” Campaign INTERNATIONAL ALLIANCE OF THEATRICAL STAGE EMPLOYEES, MOVING PICTURE TECHNICIANS, ARTISTS AND ALLIED CRAFTS OF THE UNITED STATES, ITS TERRITORIES AND CANADA, AFL-CIO, CLC EXECUTIVE OFFICERS Matthew D. Loeb James B. Wood International President General Secretary–Treasurer Thomas C. Short Michael W. Proscia International General Secretary– President Emeritus Treasurer Emeritus Edward C. Powell International Vice President Emeritus Timothy F. Magee Brian J. Lawlor 1st Vice President 7th Vice President 900 Pallister Ave. 1430 Broadway, 20th Floor Detroit, MI 48202 New York, NY 10018 DEPARTMENTS Michael Barnes Michael F. Miller, Jr. 2nd Vice President 8th Vice President 2401 South Swanson Street 10045 Riverside Drive Philadelphia, PA 19148 Toluca Lake, CA 91602 4 President’s 74 Local News & Views J. Walter Cahill John T. Beckman, Jr. 3rd Vice President 9th Vice President Newsletter 5010 Rugby Avenue 1611 S. Broadway, #110 80 On Location Bethesda, MD 20814 St Louis, MO 63104 Thom Davis Daniel DiTolla 5 General Secretary- 4th Vice President 10th Vice President 2520 West Olive Avenue 1430 Broadway, 20th Floor Treasurer’s Message 82 Safety Zone Burbank, CA 91505 New York, NY 10018 Anthony M. DePaulo John Ford 5th Vice President 11th Vice President 6 IATSE and Labor 83 On the Show Floor 1430 Broadway, 20th Floor 326 West 48th Street New York, NY 10018 New York, NY 10036 Movement News Damian Petti John M. -
NCV Issue 7 2018.Indd
Locally Owned and Operated Est. 2000 FREE! Vol. 18 - Issue 7 • July 11, 2018 - August 8, 2018 INSIDE: Winery Guide Vintage Ohio August, 3rd & 4th Great Lakes Medieval Faire! July 14 – Aug. 19th Painesville Party in the Park, July 13th – 15th Interviews - Colin Dussault, Marion Ross & Allen Ravenstine The Amphicar Celina Swim-In Entertainment, Dining & Leisure Connection Read online at www.northcoastvoice.com North Coast Voice OLD FIREHOUSE 5499 Lake RoadWINERY East • Geneva-on-the Lake, Ohio Restaurant & Tasting Room Live Entertainment 7 Days! (See inside back cover for listings) Hours: Sun- urs Noon to 7pm, Entertainment Fri & Sat Noon to 11pm Tasting Rooms 1-800-Uncork-1 all weekend. (see ad on pg. 5) FOR ENTERTAINMENT AND Kitchen Open! EVENTS, SEE OUR AD ON PG. 7 Summer Hours: Mon. - Closed Hours: Mon 12-4 wine sales Tue., Wed. & ur. Noon – 7 Tues. Closed Fri. & Sat. Noon - 11 HUNDLEY Wed 12-7 • Thurs 12-8 • Fri 12 - 9 Sun. Noon - 7 CELLARS Sat 12-10 • Sun 12-5 834 South County Line Road 6451 N. RIVER RD., HARPERSIELD, OHIO 4573 Rt. 307 East, Harpersfi eld, Oh Harpersfi eld, Ohio 44041 WED. 12 - 7, THURS. 12-8 216.973.2711 SAT. 12- 9, SUN. 12-6 440.415.0661 www.laurellovineyards.com www.bennyvinourbanwinery.com WWW.HUNDLEY CELLARS.COM [email protected] [email protected] If you’re in the mood for a palate pleasing wine tasting accompanied by a delectable entree from our restaurant, Ferrante Winery and Ristorante is the place for you! Summer Hours Tasting Room: Mon. - Tues. 10-5 pm One of the newest Wed & Thurs. -
CENTERFOLD • PPINGLIST * , ..., * Paa4' 2' December 4, 1984 December 4, 1984 the Ticker The'deker Page 3
.1932 * The Students' Voice for Over SO Years ·1984· Vol. 52 No.7 Baruch College, CUNY December 4, 1984 StudeBt-TeaeIter WBMB May Lose Funding Evaluations To Unless It Meets Four Conditions Be Held This' Fall Three Have Been Met By Eric J(un By Eric J. Fox According to Anatoly Herman, the chairman of the Communica Student evaluations of teachers WBMB, the college radio sta tions Board, the submission of a will be held this fall but there will tion, may lose its funding unless it written time-frame for full broad be no spring evaluations, although complies with four conditions set casting capabilities "will result in a students say evaluations should be " .. "" -';'.-. --::" by the Baruch College Communica significant improvement in the held both semesters. tions Board, according to Ronald quality of programs." The Com Jeffrey Weiss, chairperson of the' ..; M. Aaron. the associate dean of munications Board is responsible student council, said that evalua The bathroom where the incident is said to have occurred. students. for allocating money to Baruch , tions held "once a year is not "A lot of money has been in College media. r- _.' enough." Weiss explained that a vested into the operation of WBMB has complied with ~e\ student can only voice his or her Three Students Robbed In Bathroom; WBMB," said Aaron, "and ques first condition, according ~ tb" opinions about a teacher once a tions were raised last year by an ar Aaron. "The initial report did year. Since students have different Second Incident In Two Weeks ray of board members as to where come in well before Oct. -
Terrain.Org Issue No. 24 : Fall/Winter 2009 : Borders & Bridges
Terrain.org: A Journal of the Built & Natural Environments : www.terrain.org Issue No. 25 : Spring/Summer 2010 : PDF Version Contents Columns • Guest Editorial : “Virtually Unconscious: Dreams of Escape” by Renee Lertzman, Miller Postdoctoral Fellow in Humanities and Sustainability, Portland State University • The Literal Landscape : “Songbird” by Simmons B. Buntin, Editor/Publisher, Terrain.org • Plein Air : "Sharing the Edge of the Sixth Shore: Artists and Scientists Converge at Lake Clifton" by Deborah Fries, Editorial Board Member, Terrain.org • Bull Hill: "The BluRay Squirrel and the HighDef Squid" by David Rothenberg, Editor, Terra Nova (with online image gallery of northern forests) • A Stone’s Throw : “Winter Leaves” by Lauret Savoy, Editorial Board Member, Terrain.org Interview • “The Essential Values” : Patrick Burns interviews author Padma Viswanathan UnSprawl Case Study • Dockside Green in Victoria, British Columbia by Ken Pirie ARTerrain Gallery • Art Quilts by Jan Rickman Poetry • Sara Talpos : Three Poems with Audio • Karen Schubert : One Poem with Audio • Patricia Clark : Two Poems with Audio and Image Issue No. 25 : Spring/Summer 2010 : Virtually There 1 Terrain.org: A Journal of the Built & Natural Environments : www.terrain.org Poetry, continued • Erin Coughlin Hollowell :Two Poems with Audio • Abe Louise Young : Two Poems with Audio • Linda Umans : One Poem with Audio • Arianne Zwartjes : Four Poems with Audio • Jamison Crabtree : Three Poems with Audio • Sandy Longhorn : Two Poems with Audio • Matthew James Babcock :Three Poems with Audio • Robin Chapman : One Poem with Audio • Tim Bellows : One Poem • C. J. Sage : Three Poems with Audio • Paul Hostovsky : Two Poems • Lyn Lifshin : Two Poems • Deborah Fries : Three Poems with Audio • Carolyn Kreiter-Foronda :Two Poems with Audio and Images • Julie L. -
The Jackson 5
The Jackson 5 Group 1: Elizabeth Nessim, Lydia Sour, Lauren Johnson, Jimmy Schmidt, Madie Domm, Megan Koenig Statement of Interest We selected the Jackson 5 as our topic for this presentation because they were, and continue to be, a significant leader in the evolution of rock music through the decades. Out of this group, the world renowned Michael Jackson emerged as a legend of pop music. Furthermore, the group's vast influences on artists, and culture, paved the way for the exploration of new musical styles through the later half of the twentieth century. We wanted to explore the roots of significant artists to better understand how they influenced the music of today. Overview of the Group (5) • American popular music group • Formed in 1963 under the name: The Jackson Brothers • They entered the professional music scene four years later in 1967 • They were inducted into the Rock and Roll Hall of Fame in 1997, but their music covered numerous other genres including: - R&B - Soul - Disco - Funk - Dance-Pop - Pop Rock Motown (2) • Small record label (originally called Tammie Records, later changed to Tamla Records) started by Berry Gordy Jr., an African American -Preference for sophisticated jazz music, not as much for Rhythm and Blues -Based out of Detroit (because of the large black population) • “Shop Around” by the Miracles in 1960 became a #2 hit against all odds • Motown then became the “Cinderella Story” of the recording industry • Within 7 year, Motown had become an empire The Motown Style The Motown style included: • A professional orchestration and vocals (lead singer with vocal backup) • Catchy rhythms and lyrics that appealed to a wide audience • There is a strong beat with a heavy backbeat reinforced by clapping • Jazz, Rhythm and Blues, and Pop influences • No improvisation, very controlled Early Years and Formation (6) From their young year, Tito, Jermaine and Jackie showed an interest in the guitar and singing, so their father formed their group naming them the Jackson Brothers, with Marlon and Michael playing the tambourine and congas. -
National Endowment for the Arts FY 2017 Spring Grant Announcement
National Endowment for the Arts FY 2017 Spring Grant Announcement Artistic Discipline/Field Listings Project details are accurate as of June 5, 2017. For the most up to date project information, please use the NEA's online grant search system. Click the grant category or artistic discipline/field below to jump to that area of the document. 1. Art Works grants by discipline/field Arts Education Dance Folk & Traditional Arts Literature Local Arts Agencies Media Arts Museums Music Opera Presenting & Multidisciplinary Works Theater & Musical Theater Visual Arts 2. Research: Art Works Grants 3. Our Town Grants 4. Partnerships (State & Regional) Arts Education Number of Grants: 113 Total Dollar Amount: $3,375,000 Abada-Capoeira San Francisco $10,000 San Francisco, CA To support the expansion of a capoeira residency and performance program for students in San Francisco area schools. Students will learn capoeira, a traditional Afro-Brazilian art form that combines ritual, self-defense, acrobatics, and music in a rhythmic dialogue of the body, mind, and spirit. Students will develop their physical and cognitive skills through weekly classes with professional artists, learning the physical elements of the art form, the music, historical and cultural information, and performance concepts. Students will work in partners and as a group, interacting in an atmosphere that encourages creativity and spontaneity. Emphasis will be placed on teamwork, concentration, and the use of movement, rhythm, and song as methods of expression. Actors' Shakespeare Project (aka ASP) $30,000 Somerville, MA To support Shakespeare Inside and Out youth theater programs. Participating youth (many of whom are involved in the court system) develop artistic, literacy, social, and pre-professional skills through the study of Shakespeare and other ensemble-based theater projects. -
Panthers Fall Just Short We're Going Exactly with What Letter to UPB Stated, "Because It Students Want," Pritchett Said
SA wants schedules at UW, UWM to match by Kris Riegert dent Association should form a recommendation on the student's UWM's academic year calendar behalf. will coincide with UW-Madison's ' 'One of our primary concerns is; next year if a recommendation by the relatively low student input," the UWM Student Association Associate Professor Norman gains Faculty Senate approval. Stewart said. Under the SA proposal, the Stewart said he wasn't sure that academic calendar would begin the SA recommendation was truly before a late Labor Day or after representative of student opinion an early Labor Day as needed to due to the low SA election end the fall semester (including turnout. exams) on or before Dec. 20. "At the very least it's an The spring semester would expression of student opinion; it conclude on or before May 20 and should carry some weight," he spring break would fall in the said of SA's recommendation. middle of the semester during Pritchett said that the surveys either the ninth, 10th or 11th week [Turn to p. 3] of the semester. "An overwhelming majority of students agreed with spring break UPB plans in the middle of the (spring) semester," SA President Larry Pritchett said. for better Pritchett said a survey indicated that although a majority of stu Union life dents favored starting after Labor Day, it was more important to by Dan Muckelbauer Stopped short. The 1984 women's volleyball season ended on a sad note for Maureen Pitrof and the them that the fall semester end by rest of the'UWM team Saturday after losses to Hawaii-Hilo and BYU-Hawaii at the NAIA national Dec. -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
Transcript of Interview with Bruce Watson of Big Country, Originally
Transcript of interview with Bruce Watson of Big Country, originally broadcast on Kaleidoscope Ears, Edge Radio 99.3 in Hobart, Tasmania, on Sunday 20th September 2009. DWAYNE BUNNEY: It’s a privilege to have on the line from Dunfermline in Scotland, founding member and guitarist of Big Country, Bruce Watson. Thanks for joining us. BRUCE WATSON: That’s no problem Dwayne, how are you? DB: Yeah very well. Now we’re going to talk about the new music you and your son Jamie are making in a moment, but, I want to talk to you about Big Country. BW: Yeah that’s not a problem. DB: The band, it’s renowned for being a Scottish band, but no of you were born in Scotland were you? BW: No I was born in Timmins, Ontario in Canada. Stuart was born in Manchester, England, and Tony and Mark, well they were also born in England. DB: Well you certainly don’t sound Canadian I can tell you that. BW: No definitely not. I lost that accent a long, long time ago. DB: Tell us about how you first hooked up with Stuart Adamson to form Big Country. BW: Well Stuart was in a band called The Skids as you probably know. He decided after about three and a half years that he wanted to do something different. And he’d also told me while he was in The Skids that he wanted to start a two guitar band and that at some point he’d give me a call in the future. -
The Plow That Broke the Plains: an Application of Functional Americanism in Music
The Plow That Broke the Plains: An Application of Functional Americanism in Music A dissertation presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Jason M. Hartz November 2010 © 2010 Jason M. Hartz. All Rights Reserved 2 This dissertation titled The Plow That Broke the Plains: An Application of Functional Americanism in Music by JASON M. HARTZ has been approved for the School of Interdisciplinary Arts and the College of Fine Arts by Dora J. Wilson Professor of Interdisciplinary Arts Charles A. McWeeny Dean, College of Fine Arts 3 ABSTRACT HARTZ, JASON M., Ph.D., November 2010, Interdisciplinary Arts The Plow That Broke the Plains: An Application of Functional Americanism in Music Director of Dissertation: Dora J. Wilson This dissertation explores the nature of American musical identity in the score from the 1936 documentary film The Plow That Broke the Plains, directed by Pare Lorentz, scored by Virgil Thomson, and created under the auspices of the New Deal‘s Resettlement Administration. While the score offers a study in modernist music and compositional musical Americanism, other approaches may be more suited to positioning this New Deal cultural artifact within its historical context, thus revealing its cultural sources and social intentions. In the spirit of contemporary musicology, this project proposes a new category through which to undertake such studies: functional Americanism. Functional Americanism evaluates American identity in music through the function or utility of music operating in an American setting or for an American purpose. Using this approach to engage with The Plow, this study draws from social history, cultural studies, and musicology in order to understand The Plow within its historical moment as an articulator of American identity. -
Big Country Book of Lyrics Was Originally Offered Online As a PDF File on a Web Site That Later Grew Into the Current Steeltown Site
D e s i g n e d b y R o b e r t O l i v e r Introduction Project History The Big Country Book of Lyrics was originally offered online as a PDF file on a web site that later grew into the current Steeltown site. Since I had not been pleased with the formatting restrictions of HTML, I had decided to create a file in Adobe PageMaker and then convert it into a PDF (Portable Document Format) file. This format allows complete control over layout and typography, but can result in very large files. Although PDF files are relatively small compared to their original documents (all of the original PageMaker files for this book total over 18 megabytes), a project as large and comprehensive as the Big Country Book of Lyrics results in an appropriately hefty PDF file. Even though I have since converted all lyrics to HTML and incorporated them into the Steeltown web site, the PDF version is still a handy and useful resource, especially when printed and bound for reference. As ubiquitous as the world wide web has become, a printed version of the Book of Lyrics is easier on the eyes, quicker to thumb through, and does not require an internet connection. Document Navigation The following methods are available for finding your way around the Big Country Book of Lyrics while using the Adobe Acrobat Reader: 1. Scan down the bookmark list on the left and click on the item of interest. 2. Use the keyboard arrow keys or the PAGE UP and PAGE DOWN keys depending on which version of the Acrobat Reader you are using.