Osher Spring 2019 Course Catalog
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Page 1 of 19 Summer Preview: Museum Shows and Biennials Around the World | Artnews 6/14/2017
Summer Preview: Museum Shows and Biennials Around the World | ARTnews Page 1 of 19 PREVIEWS (HTTP://WWW.ARTNEWS.COM/CATEGORY/PREVIEWS/) SUMMER 2017 (HTTP://WWW.ARTNEWS.COM/ISSUE/SUMMER-2017/) Summer Preview: Museum Shows and Biennials Around the World BY The Editors of ARTnews (http://www.artnews.com/author/the_editors_of_artnews/) POSTED 05/10/17 1:15 PM 0 0 0 New Julio César Morales, Boy in Suitcase, 2013, HD animation video with sound. “Home—So Different, So Appealing” at LACMA. ©JULIO CÉSAR MORALES/COURTESY THE ARTIST AND GALLERY WENDI NORRIS, SAN FRANCISCO With summer just around the corner, it’s time to start looking forward to the season’s museum shows and biennials. Below is a guide to upcoming offerings, from Documenta 14 to Skulptur Projekte Münster, and from Bill Viola and Markus Lüpertz retrospectives to major new commissions by Martine Syms, Yan Xing, and more. National International May May June June July July August August NATIONAL http://www.artnews.com/2017/05/10/summer-preview-museum-shows-and-biennials-arou... 6/14/2017 Summer Preview: Museum Shows and Biennials Around the World | ARTnews Page 2 of 19 Markus Lüpertz, Arkadien – Der hohe Berg (Arcadia—The High Mountain), 2013, mixed media on canvas. PRIVATE COLLECTION May Markus Lüpertz Hirshhorn Museum and Sculpture Garden and the Phillips Collection, Washington, D.C. May 24–September 10; May 27–September 20 German Neo-Expressionist painter, sculptor, writer, teacher, and jazz pianist Markus Lüpertz is the subject of these two simultaneous exhibitions. The 75-year-old flamboyant, tattoo-emblazoned artist’s intense painterly output appears in the Hirshhorn show, curated by Evelyn Hankins, which concentrates on Lüpertz’s formative years, from 1962 to 1975, when he reflected the turmoil of postwar Germany with a series of semi-figurative military paintings. -
Tese De Charles Ponte
UNIVERSIDADE ESTADUAL DE CAMPINAS INSTITUTO DE ESTUDOS DA LINGUAGEM CHARLES ALBUQUERQUE PONTE INDÚSTRIA CULTURAL, REPETIÇÃO E TOTALIZAÇÃO NA TRILOGIA PÂNICO Tese apresentada ao Instituto de Estudos da Linguagem, da Universidade Estadual de Campinas, para obtenção do Título de Doutor em Teoria e História Literária, na área de concentração de Literatura e Outras Produções Culturais. Orientador: Prof. Dr. Fabio Akcelrud Durão CAMPINAS 2011 i FICHA CATALOGRÁFICA ELABORADA POR CRISLLENE QUEIROZ CUSTODIO – CRB8/8624 - BIBLIOTECA DO INSTITUTO DE ESTUDOS DA LINGUAGEM - UNICAMP Ponte, Charles, 1976- P777i Indústria cultural, repetição e totalização na trilogia Pânico / Charles Albuquerque Ponte. -- Campinas, SP : [s.n.], 2011. Orientador : Fabio Akcelrud Durão. Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem. 1. Craven, Wes. Pânico - Crítica e interpretação. 2. Indústria cultural. 3. Repetição no cinema. 4. Filmes de horror. I. Durão, Fábio Akcelrud, 1969-. II. Universidade Estadual de Campinas. Instituto de Estudos da Linguagem. III. Título. Informações para Biblioteca Digital Título em inglês: Culture industry, repetition and totalization in the Scream trilogy. Palavras-chave em inglês: Craven, Wes. Scream - Criticism and interpretation Culture industry Repetition in motion pictures Horror films Área de concentração: Literatura e Outras Produções Culturais. Titulação: Doutor em Teoria e História Literária. Banca examinadora: Fabio Akcelrud Durão [Orientador] Lourdes Bernardes Gonçalves Marcio Renato Pinheiro -
ABSTRACT Sunshower a Symphonic Poem for Wind Ensemble Jordan R
ABSTRACT Sunshower A Symphonic Poem for Wind Ensemble Jordan R. Tucker, M.M. Mentor: Scott McAllister, D.M.A. Composed in the programmatic spirit of standard wind ensemble works such as H. Owen Reed’s La Fiesta Mexicana, Winds of Nagual by Michael Colgrass, and Alfred Reed’s Armenian Dances, Sunshower is an exploration in sonoristic composition and a tribute to the classic wind ensemble. Utilizing a large ensemble, this four-movement symphonic poem was begun in June of 2016 and was completed in February of 2017. With the intention of creating the aural and sensational atmosphere of a sun-shower, my ultimate goal was to share a work that is both programmatic in its connection to the listeners, and depicts a unique, modern, and human experience. By establishing an aural connection between the wind ensemble and this fascinating weather pattern, the music is able to unify audience members in an acoustic environment, allow them to embrace new sensations of expression, and demonstrate the textural possibilities within the world of wind ensemble composition. Sunshower by Jordan R. Tucker, B.M. A Thesis Approved by the School of Music Gary C. Mortenson, D.M.A., Dean Laurel E. Zeiss, Ph.D., Graduate Program Director Submitted to the Graduate Faculty of Baylor University in Partial Fulfillment of the Requirements for the Degree of Master of Music Approved by the Thesis Committee Scott McAllister, D.M.A., Chairperson Jeffrey Powers, M.M. Horace J. Maxile, Jr., Ph.D. Accepted by the Graduate School May 2017 J. Larry Lyon, Ph.D., Dean Page bearing signatures is kept on file in the Graduate School. -
San Diego Public Library New Additions September 2008
San Diego Public Library New Additions September 2008 Adult Materials 000 - Computer Science and Generalities California Room 100 - Philosophy & Psychology CD-ROMs 200 - Religion Compact Discs 300 - Social Sciences DVD Videos/Videocassettes 400 - Language eAudiobooks & eBooks 500 - Science Fiction 600 - Technology Foreign Languages 700 - Art Genealogy Room 800 - Literature Graphic Novels 900 - Geography & History Large Print Audiocassettes Newspaper Room Audiovisual Materials Biographies Fiction Call # Author Title FIC/ABE Abé, Shana. The dream thief FIC/ABRAHAMS Abrahams, Peter, 1947- Delusion [SCI-FI] FIC/ADAMS Adams, Douglas, 1952- Dirk Gently's holistic detective agency FIC/ADAMSON Adamson, Gil, 1961- The outlander : a novel FIC/ADLER Adler, Elizabeth (Elizabeth A.) Meet me in Venice FIC/AHERN Ahern, Cecelia, 1981- There's no place like here FIC/ALAM Alam, Saher, 1973- The groom to have been FIC/ALEXANDER Alexander, Robert, 1952- The Romanov bride FIC/ALI Ali, Tariq. Shadows of the pomegranate tree FIC/ALLEN Allen, Preston L., 1964- All or nothing [SCI-FI] FIC/ALLSTON Allston, Aaron. Star wars : legacy of the force : betrayal [SCI-FI] FIC/ANDERSON Anderson, Kevin J. Darksaber FIC/ARCHER Archer, Jeffrey, 1940- A prisoner of birth FIC/ARCHER Archer, Jeffrey, 1940- A prisoner of birth FIC/ARCHER Archer, Jeffrey, 1940- Cat o'nine tales and other stories FIC/ASARO Asaro, Catherine. The night bird FIC/AUSTEN Austen, Jane, 1775-1817. Emma FIC/AUSTEN Austen, Jane, 1775-1817. Mansfield Park FIC/AUSTEN Austen, Jane, 1775-1817. Minor works FIC/AUSTEN Austen, Jane, 1775-1817. Northanger Abbey and Persuasion FIC/AUSTEN Austen, Jane, 1775-1817. Sense and sensibility FIC/BAHAL Bahal, Aniruddha, 1967- Bunker 13 FIC/BALDACCI Baldacci, David. -
Jazz Quartess Songlist Pop, Motown & Blues
JAZZ QUARTESS SONGLIST POP, MOTOWN & BLUES One Hundred Years A Thousand Years Overjoyed Ain't No Mountain High Enough Runaround Ain’t That Peculiar Same Old Song Ain’t Too Proud To Beg Sexual Healing B.B. King Medley Signed, Sealed, Delivered Boogie On Reggae Woman Soul Man Build Me Up Buttercup Stop In The Name Of Love Chasing Cars Stormy Monday Clocks Summer In The City Could It Be I’m Fallin’ In Love? Superstition Cruisin’ Sweet Home Chicago Dancing In The Streets Tears Of A Clown Everlasting Love (This Will Be) Time After Time Get Ready Saturday in the Park Gimme One Reason Signed, Sealed, Delivered Green Onions The Scientist Groovin' Up On The Roof Heard It Through The Grapevine Under The Boardwalk Hey, Bartender The Way You Do The Things You Do Hold On, I'm Coming Viva La Vida How Sweet It Is Waste Hungry Like the Wolf What's Going On? Count on Me When Love Comes To Town Dancing in the Moonlight Workin’ My Way Back To You Every Breath You Take You’re All I Need . Every Little Thing She Does Is Magic You’ve Got a Friend Everything Fire and Rain CONTEMPORARY BALLADS Get Lucky A Simple Song Hey, Soul Sister After All How Sweet It Is All I Do Human Nature All My Life I Believe All In Love Is Fair I Can’t Help It All The Man I Need I Can't Help Myself Always & Forever I Feel Good Amazed I Was Made To Love Her And I Love Her I Saw Her Standing There Baby, Come To Me I Wish Back To One If I Ain’t Got You Beautiful In My Eyes If You Really Love Me Beauty And The Beast I’ll Be Around Because You Love Me I’ll Take You There Betcha By Golly -
March 2021 “SEZ ME” Elaine Berger, President
San Diego Feets Vol. 44, No. 3 Est. 1977 in San Diego WALKABOUT INTERNATIONAL is a non-profit educational group that promotes neighborhood walking in urban, Pace miles minutes suburban, and rural environments throughout the world. Yourself per hour per mile Walkabout publishes a monthly schedule of events; for one complimentary issue call the Walkabout office, located at Very Casual* 2.0 30 2650 Truxtun Road, Suite 110, San Diego, CA 92106-6007, (619) 231-SHOE (7463), FAX (619) 231-9246. Office hours Casual 2.5 25 by appointent. Internet: walkabout-int.org, email: info@ walkabout-int.org. Moderate 3.0 20 Unless otherwise specified, walks start at the time * Used in lieu of “Walk at your own pace” indicated. Walk leaders should arrive at least 10 + Used to indicate a possible slightly brisker pace minutes prior to the start time. THE WALKS LISTED ARE NOW AUTHORIZED DEPENDING ON STATE AND LOCAL GUIDELINES. WE ALL KNOW THAT THE GUIDELINES CHANGE FREQUENTLY. IT IS ADVISABLE TO CALL THE WALK LEADER TO CONFIRM THE WALK IS ON FOR THAT DAY. March 2021 “SEZ ME” Elaine Berger, President Already March and we continue to deal with the on their various walks. To honor old traditions, coronavirus pandemic and all the changes it Walkabout will resume offering patches for those has produced in our lives. While we are seeing who achieve 100 miles in their walks. As of April, marked decreases in the number of positive we ask those who are interested to track their cases, the case numbers are still significantly miles as they complete walks. -
Annex A: Bios of Creative Directors - Clara Yee and Randy Chan
Annex A: Bios of Creative Directors - Clara Yee and Randy Chan Clara Yee Creative Director Singapore: Inside Out Tokyo Clara Yee is the creative director of nomadic creative house, in the wild. After graduating from Central Saint Martins College of Art and Design London, Yee has been actively developing her creative practice, creating and collaborating across disciplines from fashion to spatial interventions. To date, Yee has worked with many prolific private and public clients, including Alexander McQueen, Barbican London and Warner Music. Her work has brought her on cross-country cultural adventures to Beijing, London, Mexico City, New York, Taiwan and Japan, where she collaborated with international talents. She has exhibited her works as part of London Design Festival, Taiwan Design Expo, Singapore Design Week and Archifest, showing at galleries in London, Singapore and USA such as Blackall Studios, Sculpture Square, Berkeley Foundation and Singapore Art Museum’s 8Q @ SAM. Yee is part of The Straits Times’ 30 rising stars of Singapore under 30 and is also a Forbes Asia’s inaugural 30 under 30 honouree. Randy Chan Creative Director Singapore: Inside Out Sydney One of Singapore's leading young architects, Randy's architectural and design experience includes work on projects as diverse as stage design, private housing, cluster housing and master-planning – all of which are guided by the simple philosophy that architecture and the aesthetics originate from the same impulse. Randy takes a multidisciplinary architectural approach to his projects and specializes in the convergence between Art and Architecture. His works have been published in numerous local architecture magazines and international publications, including Robert Powell’s Singapore Houses. -
The Journal of San Diego History Vol 53, 2007, Nos 1 & 2
The Jour na l of San Diego History Publication of The Journal of San Diego History has been partially funded by generous grants from the Joseph W. Sefton Foundation; Quest for Truth Foundation of Seattle, Washington, established by the late James G. Scripps; and an anonymous friend and supporter of the Journal. Publication of this issue of The Journal of San Diego History has also been supported by a grant from “The Journal of San Diego History Fund” of the San Diego Foundation. The San Diego Historical Society is able to share the resources of four museums and its extensive collections with the community through the generous support of the following: City of San Diego Commission for Art and Culture; County of San Diego; foundation and government grants; individual and corporate memberships; corporate sponsorship and donation bequests; sales from museum stores and reproduction prints from the Booth Historical Photograph Archives; admissions; and proceeds from fund-raising events. Articles appearing in The Journal of San Diego History are abstracted and indexed in Historical Abstracts and America: History and Life. The paper in the publication meets the minimum requirements of American National Standard for Information Science-Permanence of Paper for Printed Library Materials, ANSI Z39.48-1984. Front Cover: Robinson-Rose House built in Old Town San Diego in 1874; presently the Old Town San Diego State Historic Park Visitors Center. Back Cover: Thomas Sefton with his collection of toy trains, September 4, 1958. ©SDHS UT #85:7793, Union-Tribune Collection. Cover Design: Allen Wynar The Journal of San Diego History Volume 53 Winter/Spring 2007 numbers 1 & 2 IRIS H. -
Liste De Films Autour De La Nourriture Ou De La Cuisine
Liste de films autour de la nourriture ou de la cuisine Il y a un intérêt au cinéma pour des films s’intéressant en grande partie à la nourriture, à la cuisine, à la gastronomie, à la restauration et/ou à l’industrie agroalimentaire ou l’on y retrouve une scène marquante. En voici une liste : Année Titre du film Réalisateur Principaux acteurs / actrices 1895 La charcuterie Louis Lumière - mécanique 1899 Au cabaret Alice Guy - 1900 Chapellerie et Alice Guy - charcuterie mécaniques 1900 Le repas fantastique Georges Méliès - 1905 La charité du Alice Guy - prestidigitateur 1906 Madame a des envies Alice Guy - 1907 La course à la saucisse Alice Guy - 1907 Le billet de banque Alice Guy - 1914 Charlot et les saucisses Mack Sennett Charlie Chaplin, Mabel (Mabel’s Busy Day) Normand, Chester Conklin 1914 Charlot mitron Charlie Chaplin Charlie Chaplin, Chester (Dough and Dynamite / Conklin The Doughnut Designers) 8 2 janvier 2019, François Brouard [Liste de films autour de la nourriture ou de la cuisine] 1 Année Titre du film Réalisateur Principaux acteurs / actrices 1916 Karzy Kat & Ignatz Frank Moser et - Mouse Discuss the Leon Searl Letter ‘G’ 1928 A la soupe Edgar Kennedy Stan Laurel, Oliver Hardy (From Soup to Nuts) 1929 Piccadilly Ewald André Gilda Gray, Anna May Wong, Dupont Jameson Thomas 1932 The Whoopee Party Wilfred Jackson (Mickey Mouse) 1933 Ham and Eggs Walter Lantz et (Oswald and the girl beagle) Bill Nolan 1934 The Hot Chocolate Walt Disney - Soldiers 1935 Carnaval des gateaux Ben - (The Cookie Carnival) Sharpsteen 1938 La femme -
Summer 2019 COURSE CATALOG
Summer 2019 COURSE CATALOG never stop learning Osher Institute at SDSU offers intellectually stimulating, university-quality courses for students age 50 and better. There are no tests or grades, just the thrill of learning with like-minded peers. Parking is included. WELCOME | OSHER INSTITUTE AT SDSU | SUMMER 2019 Welcome to SUMMER 2019 Table of Contents utonomous vehicles, the Beatles, radioactive love poems, Aand man-made earthquakes are just some of the topics About Osher | 1 on deck for intellectual fun this summer at the Osher Lifelong Learning Institute at SDSU. There’s also furniture-making, sword Schedule at a Glance | 2 fighting, and a trip to the USS Midway. Every semester, we offer Courses | 4 our more than 700 members exciting new ways to learn, grow, Book Club | 6 and explore, all while having an exceptionally good time. Learn more about the benefits of Osher at SDSU on page 1, and see the Lectures | 7 Schedule at a Glance on page 2. All are welcome to join the fun. Workshops | 13 neverstoplearning.net/osher Edventures | 14 Special Events | 15 Instructor Bios | 16 Index | 21 Important Summer Dates Membership | 22 Registration Opens | Monday, May 13 Summer 2019 Session | June 4–August 12 Registration | 22 Parking | 24 Map | 25 Registration Form | Center Radio in the Digital Era How to Contact Us xplore the enduring pull of storytelling by learning Eabout the history of radio, then getting a behind- Registration Office the-scenes look at how KPBS ● Register or change schedule: manages content across multiple platforms. Phone: (619) 594-5152 Website & Live Chat: See page 15 for details. -
COMMISSION STAFF WORKING DOCUMENT EVALUATION of the Low Voltage Directive 2014/35/EU
Council of the European Union Brussels, 23 August 2021 (OR. en) 11318/21 MI 614 ENT 134 COMPET 595 CONSOM 178 COVER NOTE From: Secretary-General of the European Commission, signed by Ms Martine DEPREZ, Director date of receipt: 14 August 2021 To: Mr Jeppe TRANHOLM-MIKKELSEN, Secretary-General of the Council of the European Union No. Cion doc.: SWD(2021) 202 final Subject: COMMISSION STAFF WORKING DOCUMENT EVALUATION of the Low Voltage Directive 2014/35/EU Delegations will find attached document SWD(2021) 202 final. Encl.: SWD(2021) 202 final 11318/21 AP/nm ECOMP.3.A EN EUROPEAN COMMISSION Brussels, 14.7.2021 SWD(2021) 202 final COMMISSION STAFF WORKING DOCUMENT EVALUATION of the Low Voltage Directive 2014/35/EU {SWD(2021) 203 final} EN EN Table of contents 1 INTRODUCTION ................................................................................................................................ 1 Purpose of the evaluation ............................................................................................................ 1 Scope of the evaluation ............................................................................................................... 2 2 BACKGROUND TO THE INTERVENTION ..................................................................................... 2 Description of the Low Voltage Directive and its objectives ...................................................... 2 Previous Low Voltage Directives and changes introduced by the current Directive (LVD) ...... 3 3 IMPLEMENTATION / STATE OF PLAY ......................................................................................... -
American Dialects Extended Version of the Article Published in Let's Go
American Dialects1 Extended version of the article published in Let’s Go USA 2004 Bert Vaux, Harvard University July 2003 Many people believe that that regional variation in the United States is disappearing, thanks to the insidiously pervasive influence of television and mainstream American culture. There is hope for those of us who relish linguistic and cultural diversity, though: recent research by Penn’s William Labov and by Scott Golder and myself at Harvard has found that regional variation is alive and well, and along some dimensions is even increasing between the major urban centers. Consider for instance the preferred cover term for sweetened carbonated beverages. As can be seen in the map below, Southerners generally refer to them as coke, regardless of whether or not the beverages in question are actually made by the Coca Cola company; West and East coasters (including coastal Florida, which consists largely of transplanted New Yorkers) and individuals in Hawaii and the St. Louis, Milwaukee, and Green Bay spheres of influence predominantly employ soda, and the remainder of the country prefers pop. National television ads and shows generally employ soda, presumably thanks to the concentration of media outlets in soda areas New York and California, but this has had no effect on the robust regional patterns. (The three primary terms do appear to be undermining traditional local expressions such as tonic (Boston) and cocola (the South).) Another deeply entrenched regionally-conditioned food product is the long sandwich made with cold cuts, whose unmarked form in the U.S. is submarine sandwich or just sub.