Diversity Resources for Psychology Courses Updated: January 2009
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Page 1 of 19 Summer Preview: Museum Shows and Biennials Around the World | Artnews 6/14/2017
Summer Preview: Museum Shows and Biennials Around the World | ARTnews Page 1 of 19 PREVIEWS (HTTP://WWW.ARTNEWS.COM/CATEGORY/PREVIEWS/) SUMMER 2017 (HTTP://WWW.ARTNEWS.COM/ISSUE/SUMMER-2017/) Summer Preview: Museum Shows and Biennials Around the World BY The Editors of ARTnews (http://www.artnews.com/author/the_editors_of_artnews/) POSTED 05/10/17 1:15 PM 0 0 0 New Julio César Morales, Boy in Suitcase, 2013, HD animation video with sound. “Home—So Different, So Appealing” at LACMA. ©JULIO CÉSAR MORALES/COURTESY THE ARTIST AND GALLERY WENDI NORRIS, SAN FRANCISCO With summer just around the corner, it’s time to start looking forward to the season’s museum shows and biennials. Below is a guide to upcoming offerings, from Documenta 14 to Skulptur Projekte Münster, and from Bill Viola and Markus Lüpertz retrospectives to major new commissions by Martine Syms, Yan Xing, and more. National International May May June June July July August August NATIONAL http://www.artnews.com/2017/05/10/summer-preview-museum-shows-and-biennials-arou... 6/14/2017 Summer Preview: Museum Shows and Biennials Around the World | ARTnews Page 2 of 19 Markus Lüpertz, Arkadien – Der hohe Berg (Arcadia—The High Mountain), 2013, mixed media on canvas. PRIVATE COLLECTION May Markus Lüpertz Hirshhorn Museum and Sculpture Garden and the Phillips Collection, Washington, D.C. May 24–September 10; May 27–September 20 German Neo-Expressionist painter, sculptor, writer, teacher, and jazz pianist Markus Lüpertz is the subject of these two simultaneous exhibitions. The 75-year-old flamboyant, tattoo-emblazoned artist’s intense painterly output appears in the Hirshhorn show, curated by Evelyn Hankins, which concentrates on Lüpertz’s formative years, from 1962 to 1975, when he reflected the turmoil of postwar Germany with a series of semi-figurative military paintings. -
ABSTRACT Sunshower a Symphonic Poem for Wind Ensemble Jordan R
ABSTRACT Sunshower A Symphonic Poem for Wind Ensemble Jordan R. Tucker, M.M. Mentor: Scott McAllister, D.M.A. Composed in the programmatic spirit of standard wind ensemble works such as H. Owen Reed’s La Fiesta Mexicana, Winds of Nagual by Michael Colgrass, and Alfred Reed’s Armenian Dances, Sunshower is an exploration in sonoristic composition and a tribute to the classic wind ensemble. Utilizing a large ensemble, this four-movement symphonic poem was begun in June of 2016 and was completed in February of 2017. With the intention of creating the aural and sensational atmosphere of a sun-shower, my ultimate goal was to share a work that is both programmatic in its connection to the listeners, and depicts a unique, modern, and human experience. By establishing an aural connection between the wind ensemble and this fascinating weather pattern, the music is able to unify audience members in an acoustic environment, allow them to embrace new sensations of expression, and demonstrate the textural possibilities within the world of wind ensemble composition. Sunshower by Jordan R. Tucker, B.M. A Thesis Approved by the School of Music Gary C. Mortenson, D.M.A., Dean Laurel E. Zeiss, Ph.D., Graduate Program Director Submitted to the Graduate Faculty of Baylor University in Partial Fulfillment of the Requirements for the Degree of Master of Music Approved by the Thesis Committee Scott McAllister, D.M.A., Chairperson Jeffrey Powers, M.M. Horace J. Maxile, Jr., Ph.D. Accepted by the Graduate School May 2017 J. Larry Lyon, Ph.D., Dean Page bearing signatures is kept on file in the Graduate School. -
San Diego Public Library New Additions September 2008
San Diego Public Library New Additions September 2008 Adult Materials 000 - Computer Science and Generalities California Room 100 - Philosophy & Psychology CD-ROMs 200 - Religion Compact Discs 300 - Social Sciences DVD Videos/Videocassettes 400 - Language eAudiobooks & eBooks 500 - Science Fiction 600 - Technology Foreign Languages 700 - Art Genealogy Room 800 - Literature Graphic Novels 900 - Geography & History Large Print Audiocassettes Newspaper Room Audiovisual Materials Biographies Fiction Call # Author Title FIC/ABE Abé, Shana. The dream thief FIC/ABRAHAMS Abrahams, Peter, 1947- Delusion [SCI-FI] FIC/ADAMS Adams, Douglas, 1952- Dirk Gently's holistic detective agency FIC/ADAMSON Adamson, Gil, 1961- The outlander : a novel FIC/ADLER Adler, Elizabeth (Elizabeth A.) Meet me in Venice FIC/AHERN Ahern, Cecelia, 1981- There's no place like here FIC/ALAM Alam, Saher, 1973- The groom to have been FIC/ALEXANDER Alexander, Robert, 1952- The Romanov bride FIC/ALI Ali, Tariq. Shadows of the pomegranate tree FIC/ALLEN Allen, Preston L., 1964- All or nothing [SCI-FI] FIC/ALLSTON Allston, Aaron. Star wars : legacy of the force : betrayal [SCI-FI] FIC/ANDERSON Anderson, Kevin J. Darksaber FIC/ARCHER Archer, Jeffrey, 1940- A prisoner of birth FIC/ARCHER Archer, Jeffrey, 1940- A prisoner of birth FIC/ARCHER Archer, Jeffrey, 1940- Cat o'nine tales and other stories FIC/ASARO Asaro, Catherine. The night bird FIC/AUSTEN Austen, Jane, 1775-1817. Emma FIC/AUSTEN Austen, Jane, 1775-1817. Mansfield Park FIC/AUSTEN Austen, Jane, 1775-1817. Minor works FIC/AUSTEN Austen, Jane, 1775-1817. Northanger Abbey and Persuasion FIC/AUSTEN Austen, Jane, 1775-1817. Sense and sensibility FIC/BAHAL Bahal, Aniruddha, 1967- Bunker 13 FIC/BALDACCI Baldacci, David. -
Jazz Quartess Songlist Pop, Motown & Blues
JAZZ QUARTESS SONGLIST POP, MOTOWN & BLUES One Hundred Years A Thousand Years Overjoyed Ain't No Mountain High Enough Runaround Ain’t That Peculiar Same Old Song Ain’t Too Proud To Beg Sexual Healing B.B. King Medley Signed, Sealed, Delivered Boogie On Reggae Woman Soul Man Build Me Up Buttercup Stop In The Name Of Love Chasing Cars Stormy Monday Clocks Summer In The City Could It Be I’m Fallin’ In Love? Superstition Cruisin’ Sweet Home Chicago Dancing In The Streets Tears Of A Clown Everlasting Love (This Will Be) Time After Time Get Ready Saturday in the Park Gimme One Reason Signed, Sealed, Delivered Green Onions The Scientist Groovin' Up On The Roof Heard It Through The Grapevine Under The Boardwalk Hey, Bartender The Way You Do The Things You Do Hold On, I'm Coming Viva La Vida How Sweet It Is Waste Hungry Like the Wolf What's Going On? Count on Me When Love Comes To Town Dancing in the Moonlight Workin’ My Way Back To You Every Breath You Take You’re All I Need . Every Little Thing She Does Is Magic You’ve Got a Friend Everything Fire and Rain CONTEMPORARY BALLADS Get Lucky A Simple Song Hey, Soul Sister After All How Sweet It Is All I Do Human Nature All My Life I Believe All In Love Is Fair I Can’t Help It All The Man I Need I Can't Help Myself Always & Forever I Feel Good Amazed I Was Made To Love Her And I Love Her I Saw Her Standing There Baby, Come To Me I Wish Back To One If I Ain’t Got You Beautiful In My Eyes If You Really Love Me Beauty And The Beast I’ll Be Around Because You Love Me I’ll Take You There Betcha By Golly -
Annex A: Bios of Creative Directors - Clara Yee and Randy Chan
Annex A: Bios of Creative Directors - Clara Yee and Randy Chan Clara Yee Creative Director Singapore: Inside Out Tokyo Clara Yee is the creative director of nomadic creative house, in the wild. After graduating from Central Saint Martins College of Art and Design London, Yee has been actively developing her creative practice, creating and collaborating across disciplines from fashion to spatial interventions. To date, Yee has worked with many prolific private and public clients, including Alexander McQueen, Barbican London and Warner Music. Her work has brought her on cross-country cultural adventures to Beijing, London, Mexico City, New York, Taiwan and Japan, where she collaborated with international talents. She has exhibited her works as part of London Design Festival, Taiwan Design Expo, Singapore Design Week and Archifest, showing at galleries in London, Singapore and USA such as Blackall Studios, Sculpture Square, Berkeley Foundation and Singapore Art Museum’s 8Q @ SAM. Yee is part of The Straits Times’ 30 rising stars of Singapore under 30 and is also a Forbes Asia’s inaugural 30 under 30 honouree. Randy Chan Creative Director Singapore: Inside Out Sydney One of Singapore's leading young architects, Randy's architectural and design experience includes work on projects as diverse as stage design, private housing, cluster housing and master-planning – all of which are guided by the simple philosophy that architecture and the aesthetics originate from the same impulse. Randy takes a multidisciplinary architectural approach to his projects and specializes in the convergence between Art and Architecture. His works have been published in numerous local architecture magazines and international publications, including Robert Powell’s Singapore Houses. -
Dignity Takings and Dehumanization: a Social Neuroscience Perspective
Chicago-Kent Law Review Volume 92 Issue 3 Dignity Takings and Dignity Restoration Article 4 3-6-2018 Dignity Takings and Dehumanization: A Social Neuroscience Perspective Lasana T. Harris University College London Follow this and additional works at: https://scholarship.kentlaw.iit.edu/cklawreview Part of the Law and Psychology Commons Recommended Citation Lasana T. Harris, Dignity Takings and Dehumanization: A Social Neuroscience Perspective, 92 Chi.-Kent L. Rev. 725 (2018). Available at: https://scholarship.kentlaw.iit.edu/cklawreview/vol92/iss3/4 This Article is brought to you for free and open access by Scholarly Commons @ IIT Chicago-Kent College of Law. It has been accepted for inclusion in Chicago-Kent Law Review by an authorized editor of Scholarly Commons @ IIT Chicago-Kent College of Law. For more information, please contact [email protected], [email protected]. DIGNITY TAKINGS AND DEHUMANIZATION: A SOCIAL NEUROSCIENCE PERSPECTIVE LASANA T. HARRIS* I. INTRODUCTION Legal systems blend social cognition—inferences about the minds of others—with the social context.1 This is accomplished primarily through defining group boundaries. Specifically, legal systems dictate which people are governed within their jurisdiction. These people can all be considered part of the ingroup that the legal system represents. In fact, legal systems were created to facilitate people living together in large groups.2 This social contract requires people to be subject to the laws of their respective local, state, national, and international groups. Therefore, despite Rousseau’s theorizing of legal systems being created for all humanity, people governed by legal systems are assumed to belong to the relevant ingroup, however such a group is defined. -
Illusion and Well-Being: a Social Psychological Perspective on Mental Health
Psyehologlcal Bulletin Copyright 1988 by the American Psychological Association, Inc. 1988, Vol. 103, No. 2, 193-210 0033-2909/88/$00.75 Illusion and Well-Being: A Social Psychological Perspective on Mental Health Shelley E. Taylor Jonathon D. Brown University of California, Los Angeles Southern Methodist University Many prominenttheorists have argued that accurate perceptions of the self, the world, and the future are essential for mental health. Yet considerable research evidence suggests that overly positive self- evaluations, exaggerated perceptions of control or mastery, and unrealistic optimism are characteris- tic of normal human thought. Moreover, these illusions appear to promote other criteria of mental health, including the ability to care about others, the ability to be happy or contented, and the ability to engage in productive and creative work. These strategies may succeed, in large part, because both the social world and cognitive-processingmechanisms impose filters on incoming information that distort it in a positive direction; negativeinformation may be isolated and represented in as unthreat- ening a manner as possible. These positive illusions may be especially useful when an individual receives negative feedback or is otherwise threatened and may be especially adaptive under these circumstances. Decades of psychological wisdom have established contact dox: How can positive misperceptions of one's self and the envi- with reality as a hallmark of mental health. In this view, the ronment be adaptive when accurate information processing wcU-adjusted person is thought to engage in accurate reality seems to be essential for learning and successful functioning in testing,whereas the individual whose vision is clouded by illu- the world? Our primary goal is to weave a theoretical context sion is regarded as vulnerable to, ifnot already a victim of, men- for thinking about mental health. -
Profile of Shelley E. Taylor
PROFILE Profile of Shelley E. Taylor he first psychology experiment the feedback was completely discrepant Shelley Taylor conducted as an to reality, study participants rejected it undergraduate at Connecticut out of hand. However, if the feedback was T — College in New London, Con- close say that they were most attracted necticut, turned her on to the thrill that to the second or third person on their comes from collecting and analyzing data. list—they accepted the information and “I was transported,” says the University reevaluated their assessment. of California Los Angeles distinguished After completing her doctorate in 1972, professor of social psychology. That re- Taylor moved to Harvard University search experience led her to graduate (Cambridge, MA) to be part of the de- school at Yale University’s (New Haven, partment of social relations, which was an CT) psychology department and eventu- interdisciplinary collaboration between ally to an illustrious career in research psychology, sociology, and anthropology. psychology, highlighted by her role as one “I liked the broad scope of the depart- of the founders of social cognition, health ment and the interdisciplinary focus,” psychology, and social neuroscience. she says. Elected to the Institute of Medicine in Her first student at Harvard was an 2003 and the National Academy of Sci- undergraduate named Susan Fiske, with ences in 2009 and awarded the American whom Taylor has collaborated since that Psychological Association’s Lifetime time. “I’ve had lasting relationships with ” Achievement Award in 2010, Taylor is a number of students, says Taylor. “ well known for her work showing that With Susan, we became close friends, people tend to hold positive illusions of and she always brought something to the research other than what I brought, which themselves and that it can be healthy to ” do so, the mechanisms by which stress af- made collaboration very fruitful. -
Summer 2019 COURSE CATALOG
Summer 2019 COURSE CATALOG never stop learning Osher Institute at SDSU offers intellectually stimulating, university-quality courses for students age 50 and better. There are no tests or grades, just the thrill of learning with like-minded peers. Parking is included. WELCOME | OSHER INSTITUTE AT SDSU | SUMMER 2019 Welcome to SUMMER 2019 Table of Contents utonomous vehicles, the Beatles, radioactive love poems, Aand man-made earthquakes are just some of the topics About Osher | 1 on deck for intellectual fun this summer at the Osher Lifelong Learning Institute at SDSU. There’s also furniture-making, sword Schedule at a Glance | 2 fighting, and a trip to the USS Midway. Every semester, we offer Courses | 4 our more than 700 members exciting new ways to learn, grow, Book Club | 6 and explore, all while having an exceptionally good time. Learn more about the benefits of Osher at SDSU on page 1, and see the Lectures | 7 Schedule at a Glance on page 2. All are welcome to join the fun. Workshops | 13 neverstoplearning.net/osher Edventures | 14 Special Events | 15 Instructor Bios | 16 Index | 21 Important Summer Dates Membership | 22 Registration Opens | Monday, May 13 Summer 2019 Session | June 4–August 12 Registration | 22 Parking | 24 Map | 25 Registration Form | Center Radio in the Digital Era How to Contact Us xplore the enduring pull of storytelling by learning Eabout the history of radio, then getting a behind- Registration Office the-scenes look at how KPBS ● Register or change schedule: manages content across multiple platforms. Phone: (619) 594-5152 Website & Live Chat: See page 15 for details. -
Fiske Vita2014
SUSAN TUFTS FISKE March, 2014 Eugene Higgins Professor, phone: 609-258-0655 Psychology and Public Affairs fax: 609-258-1113 Department of Psychology and e-mail: [email protected] Woodrow Wilson School of web: http://www.fiskelab.org Public and International Affairs office: Peretsman-Scully Hall 331 Princeton University Princeton, NJ 08544 Degrees Docteur Honoris Causa: 2013, Universität Basel, Switzerland; 2009, Universiteit Leiden, Netherlands; 1995 Université catholique de Louvain, Louvain-la-Neuve, Belgium Ph.D. 1978, Social Psychology, Department of Psychology and Social Relations, Harvard University A.B. 1973, magna cum laude, Social Relations, Radcliffe College, Harvard University Academic Honors 2015 McGovern Award Lecture in the Behavioral Sciences, American Association for the Advancement of Sciences 2014 Kurt Lewin Award, Society for the Psychological Study of Social Issues 2013 Elected Member, National Academy of Sciences 2012-2017 President-Elect, President, and Past-President, Federation of Associations in Behavioral and Brain Sciences 2012 Leadership in Diversity Science Award, University of California at Los Angeles 2011 Corresponding Fellow, British Academy 2011 Gordon W. Allport Fellow, American Academy of Political and Social Sciences 2011 Honorary President, Canadian Psychological Association 2010 Distinguished Scientific Contribution Award, American Psychological Association 2010 Fellow, American Association for the Advancement of Science 2009 Donald Campbell Award, Society for Personality and Social Psychology 2009-2010 -
COMMISSION STAFF WORKING DOCUMENT EVALUATION of the Low Voltage Directive 2014/35/EU
Council of the European Union Brussels, 23 August 2021 (OR. en) 11318/21 MI 614 ENT 134 COMPET 595 CONSOM 178 COVER NOTE From: Secretary-General of the European Commission, signed by Ms Martine DEPREZ, Director date of receipt: 14 August 2021 To: Mr Jeppe TRANHOLM-MIKKELSEN, Secretary-General of the Council of the European Union No. Cion doc.: SWD(2021) 202 final Subject: COMMISSION STAFF WORKING DOCUMENT EVALUATION of the Low Voltage Directive 2014/35/EU Delegations will find attached document SWD(2021) 202 final. Encl.: SWD(2021) 202 final 11318/21 AP/nm ECOMP.3.A EN EUROPEAN COMMISSION Brussels, 14.7.2021 SWD(2021) 202 final COMMISSION STAFF WORKING DOCUMENT EVALUATION of the Low Voltage Directive 2014/35/EU {SWD(2021) 203 final} EN EN Table of contents 1 INTRODUCTION ................................................................................................................................ 1 Purpose of the evaluation ............................................................................................................ 1 Scope of the evaluation ............................................................................................................... 2 2 BACKGROUND TO THE INTERVENTION ..................................................................................... 2 Description of the Low Voltage Directive and its objectives ...................................................... 2 Previous Low Voltage Directives and changes introduced by the current Directive (LVD) ...... 3 3 IMPLEMENTATION / STATE OF PLAY ......................................................................................... -
American Dialects Extended Version of the Article Published in Let's Go
American Dialects1 Extended version of the article published in Let’s Go USA 2004 Bert Vaux, Harvard University July 2003 Many people believe that that regional variation in the United States is disappearing, thanks to the insidiously pervasive influence of television and mainstream American culture. There is hope for those of us who relish linguistic and cultural diversity, though: recent research by Penn’s William Labov and by Scott Golder and myself at Harvard has found that regional variation is alive and well, and along some dimensions is even increasing between the major urban centers. Consider for instance the preferred cover term for sweetened carbonated beverages. As can be seen in the map below, Southerners generally refer to them as coke, regardless of whether or not the beverages in question are actually made by the Coca Cola company; West and East coasters (including coastal Florida, which consists largely of transplanted New Yorkers) and individuals in Hawaii and the St. Louis, Milwaukee, and Green Bay spheres of influence predominantly employ soda, and the remainder of the country prefers pop. National television ads and shows generally employ soda, presumably thanks to the concentration of media outlets in soda areas New York and California, but this has had no effect on the robust regional patterns. (The three primary terms do appear to be undermining traditional local expressions such as tonic (Boston) and cocola (the South).) Another deeply entrenched regionally-conditioned food product is the long sandwich made with cold cuts, whose unmarked form in the U.S. is submarine sandwich or just sub.