Art & Finance Report 2017
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Page 1 of 19 Summer Preview: Museum Shows and Biennials Around the World | Artnews 6/14/2017
Summer Preview: Museum Shows and Biennials Around the World | ARTnews Page 1 of 19 PREVIEWS (HTTP://WWW.ARTNEWS.COM/CATEGORY/PREVIEWS/) SUMMER 2017 (HTTP://WWW.ARTNEWS.COM/ISSUE/SUMMER-2017/) Summer Preview: Museum Shows and Biennials Around the World BY The Editors of ARTnews (http://www.artnews.com/author/the_editors_of_artnews/) POSTED 05/10/17 1:15 PM 0 0 0 New Julio César Morales, Boy in Suitcase, 2013, HD animation video with sound. “Home—So Different, So Appealing” at LACMA. ©JULIO CÉSAR MORALES/COURTESY THE ARTIST AND GALLERY WENDI NORRIS, SAN FRANCISCO With summer just around the corner, it’s time to start looking forward to the season’s museum shows and biennials. Below is a guide to upcoming offerings, from Documenta 14 to Skulptur Projekte Münster, and from Bill Viola and Markus Lüpertz retrospectives to major new commissions by Martine Syms, Yan Xing, and more. National International May May June June July July August August NATIONAL http://www.artnews.com/2017/05/10/summer-preview-museum-shows-and-biennials-arou... 6/14/2017 Summer Preview: Museum Shows and Biennials Around the World | ARTnews Page 2 of 19 Markus Lüpertz, Arkadien – Der hohe Berg (Arcadia—The High Mountain), 2013, mixed media on canvas. PRIVATE COLLECTION May Markus Lüpertz Hirshhorn Museum and Sculpture Garden and the Phillips Collection, Washington, D.C. May 24–September 10; May 27–September 20 German Neo-Expressionist painter, sculptor, writer, teacher, and jazz pianist Markus Lüpertz is the subject of these two simultaneous exhibitions. The 75-year-old flamboyant, tattoo-emblazoned artist’s intense painterly output appears in the Hirshhorn show, curated by Evelyn Hankins, which concentrates on Lüpertz’s formative years, from 1962 to 1975, when he reflected the turmoil of postwar Germany with a series of semi-figurative military paintings. -
ABSTRACT Sunshower a Symphonic Poem for Wind Ensemble Jordan R
ABSTRACT Sunshower A Symphonic Poem for Wind Ensemble Jordan R. Tucker, M.M. Mentor: Scott McAllister, D.M.A. Composed in the programmatic spirit of standard wind ensemble works such as H. Owen Reed’s La Fiesta Mexicana, Winds of Nagual by Michael Colgrass, and Alfred Reed’s Armenian Dances, Sunshower is an exploration in sonoristic composition and a tribute to the classic wind ensemble. Utilizing a large ensemble, this four-movement symphonic poem was begun in June of 2016 and was completed in February of 2017. With the intention of creating the aural and sensational atmosphere of a sun-shower, my ultimate goal was to share a work that is both programmatic in its connection to the listeners, and depicts a unique, modern, and human experience. By establishing an aural connection between the wind ensemble and this fascinating weather pattern, the music is able to unify audience members in an acoustic environment, allow them to embrace new sensations of expression, and demonstrate the textural possibilities within the world of wind ensemble composition. Sunshower by Jordan R. Tucker, B.M. A Thesis Approved by the School of Music Gary C. Mortenson, D.M.A., Dean Laurel E. Zeiss, Ph.D., Graduate Program Director Submitted to the Graduate Faculty of Baylor University in Partial Fulfillment of the Requirements for the Degree of Master of Music Approved by the Thesis Committee Scott McAllister, D.M.A., Chairperson Jeffrey Powers, M.M. Horace J. Maxile, Jr., Ph.D. Accepted by the Graduate School May 2017 J. Larry Lyon, Ph.D., Dean Page bearing signatures is kept on file in the Graduate School. -
San Diego Public Library New Additions September 2008
San Diego Public Library New Additions September 2008 Adult Materials 000 - Computer Science and Generalities California Room 100 - Philosophy & Psychology CD-ROMs 200 - Religion Compact Discs 300 - Social Sciences DVD Videos/Videocassettes 400 - Language eAudiobooks & eBooks 500 - Science Fiction 600 - Technology Foreign Languages 700 - Art Genealogy Room 800 - Literature Graphic Novels 900 - Geography & History Large Print Audiocassettes Newspaper Room Audiovisual Materials Biographies Fiction Call # Author Title FIC/ABE Abé, Shana. The dream thief FIC/ABRAHAMS Abrahams, Peter, 1947- Delusion [SCI-FI] FIC/ADAMS Adams, Douglas, 1952- Dirk Gently's holistic detective agency FIC/ADAMSON Adamson, Gil, 1961- The outlander : a novel FIC/ADLER Adler, Elizabeth (Elizabeth A.) Meet me in Venice FIC/AHERN Ahern, Cecelia, 1981- There's no place like here FIC/ALAM Alam, Saher, 1973- The groom to have been FIC/ALEXANDER Alexander, Robert, 1952- The Romanov bride FIC/ALI Ali, Tariq. Shadows of the pomegranate tree FIC/ALLEN Allen, Preston L., 1964- All or nothing [SCI-FI] FIC/ALLSTON Allston, Aaron. Star wars : legacy of the force : betrayal [SCI-FI] FIC/ANDERSON Anderson, Kevin J. Darksaber FIC/ARCHER Archer, Jeffrey, 1940- A prisoner of birth FIC/ARCHER Archer, Jeffrey, 1940- A prisoner of birth FIC/ARCHER Archer, Jeffrey, 1940- Cat o'nine tales and other stories FIC/ASARO Asaro, Catherine. The night bird FIC/AUSTEN Austen, Jane, 1775-1817. Emma FIC/AUSTEN Austen, Jane, 1775-1817. Mansfield Park FIC/AUSTEN Austen, Jane, 1775-1817. Minor works FIC/AUSTEN Austen, Jane, 1775-1817. Northanger Abbey and Persuasion FIC/AUSTEN Austen, Jane, 1775-1817. Sense and sensibility FIC/BAHAL Bahal, Aniruddha, 1967- Bunker 13 FIC/BALDACCI Baldacci, David. -
Jazz Quartess Songlist Pop, Motown & Blues
JAZZ QUARTESS SONGLIST POP, MOTOWN & BLUES One Hundred Years A Thousand Years Overjoyed Ain't No Mountain High Enough Runaround Ain’t That Peculiar Same Old Song Ain’t Too Proud To Beg Sexual Healing B.B. King Medley Signed, Sealed, Delivered Boogie On Reggae Woman Soul Man Build Me Up Buttercup Stop In The Name Of Love Chasing Cars Stormy Monday Clocks Summer In The City Could It Be I’m Fallin’ In Love? Superstition Cruisin’ Sweet Home Chicago Dancing In The Streets Tears Of A Clown Everlasting Love (This Will Be) Time After Time Get Ready Saturday in the Park Gimme One Reason Signed, Sealed, Delivered Green Onions The Scientist Groovin' Up On The Roof Heard It Through The Grapevine Under The Boardwalk Hey, Bartender The Way You Do The Things You Do Hold On, I'm Coming Viva La Vida How Sweet It Is Waste Hungry Like the Wolf What's Going On? Count on Me When Love Comes To Town Dancing in the Moonlight Workin’ My Way Back To You Every Breath You Take You’re All I Need . Every Little Thing She Does Is Magic You’ve Got a Friend Everything Fire and Rain CONTEMPORARY BALLADS Get Lucky A Simple Song Hey, Soul Sister After All How Sweet It Is All I Do Human Nature All My Life I Believe All In Love Is Fair I Can’t Help It All The Man I Need I Can't Help Myself Always & Forever I Feel Good Amazed I Was Made To Love Her And I Love Her I Saw Her Standing There Baby, Come To Me I Wish Back To One If I Ain’t Got You Beautiful In My Eyes If You Really Love Me Beauty And The Beast I’ll Be Around Because You Love Me I’ll Take You There Betcha By Golly -
Annex A: Bios of Creative Directors - Clara Yee and Randy Chan
Annex A: Bios of Creative Directors - Clara Yee and Randy Chan Clara Yee Creative Director Singapore: Inside Out Tokyo Clara Yee is the creative director of nomadic creative house, in the wild. After graduating from Central Saint Martins College of Art and Design London, Yee has been actively developing her creative practice, creating and collaborating across disciplines from fashion to spatial interventions. To date, Yee has worked with many prolific private and public clients, including Alexander McQueen, Barbican London and Warner Music. Her work has brought her on cross-country cultural adventures to Beijing, London, Mexico City, New York, Taiwan and Japan, where she collaborated with international talents. She has exhibited her works as part of London Design Festival, Taiwan Design Expo, Singapore Design Week and Archifest, showing at galleries in London, Singapore and USA such as Blackall Studios, Sculpture Square, Berkeley Foundation and Singapore Art Museum’s 8Q @ SAM. Yee is part of The Straits Times’ 30 rising stars of Singapore under 30 and is also a Forbes Asia’s inaugural 30 under 30 honouree. Randy Chan Creative Director Singapore: Inside Out Sydney One of Singapore's leading young architects, Randy's architectural and design experience includes work on projects as diverse as stage design, private housing, cluster housing and master-planning – all of which are guided by the simple philosophy that architecture and the aesthetics originate from the same impulse. Randy takes a multidisciplinary architectural approach to his projects and specializes in the convergence between Art and Architecture. His works have been published in numerous local architecture magazines and international publications, including Robert Powell’s Singapore Houses. -
Interview with Yves Bouvier
arts Editorial y Interview with Yves Bouvier John Zarobell Department of International Studies, University of San Francisco, San Francisco, CA 94117, USA; [email protected] Responses translated from the French by John Zarobell with support from Samuel Weeks. Thanks are due to y Alexandra Dubourg for her invaluable assistance and to Johanna Grawunder. Received: 19 August 2020; Accepted: 13 September 2020; Published: 21 September 2020 1. Introduction Yves Charles Edgar Bouvier is a founder and/or shareholder of the following firms: Expositions Natural le Coultre SA (Geneva), Fine Art Transports Natural le Coultre SA (Geneva), Le Freeport Management Pte Ltd (Singapore), The Singapore Freeport Real Estate Pte Ltd, The Luxembourg Freeport Management Company SA, The Luxembourg Freeport Real Estate SA, and Art Culture Studio SA (Geneva). He is a recipient of the Order of Merit from the Ministry of Culture of the Federation of Russia and serves as Governor of the Board of the National Cultural Heritage of Russia, and has previously served as a Board Member of ARIF (2000–2003), a self-regulatory organization approved by the financial market supervision authority (FINMA) to enforce anti-money laundering legislation. John Zarobell, Associate Professor of International Studies at the University of San Francisco, author of Art and the Global Economy. Knowing that this Special Issue of Arts on the Contemporary Art Market would include a series of articles on freeports, I requested an interview with Yves Bouvier, the man who has been central to the development of this business model, and an art dealer for more than thirty years. While I had originally hoped to visit Luxembourg and to speak with M. -
Freeports and the Hidden Value of Art
The University of San Francisco USF Scholarship: a digital repository @ Gleeson Library | Geschke Center International Studies Faculty Publications International Studies 11-12-2020 Freeports and the Hidden Value of Art John Zarobell Follow this and additional works at: https://repository.usfca.edu/international_fac Part of the International and Area Studies Commons arts Article Freeports and the Hidden Value of Art John Zarobell Department of International Studies, University of San Francisco, San Francisco, CA 94117, USA; [email protected] Received: 25 August 2020; Accepted: 12 November 2020; Published: 18 November 2020 Abstract: At first glance, the global art trade—currently valued around $60 billion—is a miniscule piece of global economic production. But due to the unregulated nature of the art market, it serves a key function within the larger network of the accumulation and distribution of capital worldwide. This deregulated market intersects with the offshore domain in freeports, an archipelago of tax-free storage facilities that stretch from Singapore to Geneva to Delaware. The burgeoning of freeports globally suggests that speculation has become a more prominent pattern of art investment, but it also demonstrates that tax avoidance is a goal of such speculators and the result is that more art works are being taken out of circulation and deposited in vaults beyond the view of regulatory authorities. Despite its size, the art trade can demonstrate broader trends in international finance and, by examining offshore art storage that occurs in freeports, it will be possible to locate some of the hidden mechanisms that allow the global art market to flourish on the margins of the economy as well as to perceive a shift in which the economic value of art works predominates over their cultural value. -
Summer 2019 COURSE CATALOG
Summer 2019 COURSE CATALOG never stop learning Osher Institute at SDSU offers intellectually stimulating, university-quality courses for students age 50 and better. There are no tests or grades, just the thrill of learning with like-minded peers. Parking is included. WELCOME | OSHER INSTITUTE AT SDSU | SUMMER 2019 Welcome to SUMMER 2019 Table of Contents utonomous vehicles, the Beatles, radioactive love poems, Aand man-made earthquakes are just some of the topics About Osher | 1 on deck for intellectual fun this summer at the Osher Lifelong Learning Institute at SDSU. There’s also furniture-making, sword Schedule at a Glance | 2 fighting, and a trip to the USS Midway. Every semester, we offer Courses | 4 our more than 700 members exciting new ways to learn, grow, Book Club | 6 and explore, all while having an exceptionally good time. Learn more about the benefits of Osher at SDSU on page 1, and see the Lectures | 7 Schedule at a Glance on page 2. All are welcome to join the fun. Workshops | 13 neverstoplearning.net/osher Edventures | 14 Special Events | 15 Instructor Bios | 16 Index | 21 Important Summer Dates Membership | 22 Registration Opens | Monday, May 13 Summer 2019 Session | June 4–August 12 Registration | 22 Parking | 24 Map | 25 Registration Form | Center Radio in the Digital Era How to Contact Us xplore the enduring pull of storytelling by learning Eabout the history of radio, then getting a behind- Registration Office the-scenes look at how KPBS ● Register or change schedule: manages content across multiple platforms. Phone: (619) 594-5152 Website & Live Chat: See page 15 for details. -
COMMISSION STAFF WORKING DOCUMENT EVALUATION of the Low Voltage Directive 2014/35/EU
Council of the European Union Brussels, 23 August 2021 (OR. en) 11318/21 MI 614 ENT 134 COMPET 595 CONSOM 178 COVER NOTE From: Secretary-General of the European Commission, signed by Ms Martine DEPREZ, Director date of receipt: 14 August 2021 To: Mr Jeppe TRANHOLM-MIKKELSEN, Secretary-General of the Council of the European Union No. Cion doc.: SWD(2021) 202 final Subject: COMMISSION STAFF WORKING DOCUMENT EVALUATION of the Low Voltage Directive 2014/35/EU Delegations will find attached document SWD(2021) 202 final. Encl.: SWD(2021) 202 final 11318/21 AP/nm ECOMP.3.A EN EUROPEAN COMMISSION Brussels, 14.7.2021 SWD(2021) 202 final COMMISSION STAFF WORKING DOCUMENT EVALUATION of the Low Voltage Directive 2014/35/EU {SWD(2021) 203 final} EN EN Table of contents 1 INTRODUCTION ................................................................................................................................ 1 Purpose of the evaluation ............................................................................................................ 1 Scope of the evaluation ............................................................................................................... 2 2 BACKGROUND TO THE INTERVENTION ..................................................................................... 2 Description of the Low Voltage Directive and its objectives ...................................................... 2 Previous Low Voltage Directives and changes introduced by the current Directive (LVD) ...... 3 3 IMPLEMENTATION / STATE OF PLAY ......................................................................................... -
Free Ports, Offshore Capitalism, and Art Capital
arts Article Mythical Islands of Value: Free Ports, Offshore Capitalism, and Art Capital Erik Post 1,* and Filipe Calvão 2,* 1 Department of Geography, The University of British Columbia, Vancouver, BC V6T 1Z2, Canada 2 Department of Anthropology and Sociology, The Graduate Institute of International and Development Studies, 1202 Genève, Switzerland * Correspondence: [email protected] (E.P.); fi[email protected] (F.C.) Received: 17 August 2020; Accepted: 25 September 2020; Published: 28 September 2020 Abstract: The Geneva Free Port in Switzerland has paved the way for a new generation of art and luxury free ports. These are critical spatial pivots for the management of art assets, including storage and transactions of artworks, and serve as proxy to examine mechanisms for the capture and generation of value, integral but also outside the global art market. Drawing from the trajectory of the Geneva Free Port and an interdisciplinary body of scholarship on “offshore” and other special zones of production, and value circulation in human geography, anthropology, history, and sociology, this article frames free ports in a longer genealogy of offshore capitalism. First, we claim that the emergence of the Geneva Free Port prefigures and helps illuminate contemporary transformations in offshore capitalism; second, these spaces are more deeply imbricated with public and state authorities than previously suggested. Finally, a holistic understanding of art capital—works of art for investment and asset management—requires an encompassing view of free ports not as accidental and exceptional features in the world of high art but as spaces deeply implicated in the creation and operation of the art market more generally. -
American Dialects Extended Version of the Article Published in Let's Go
American Dialects1 Extended version of the article published in Let’s Go USA 2004 Bert Vaux, Harvard University July 2003 Many people believe that that regional variation in the United States is disappearing, thanks to the insidiously pervasive influence of television and mainstream American culture. There is hope for those of us who relish linguistic and cultural diversity, though: recent research by Penn’s William Labov and by Scott Golder and myself at Harvard has found that regional variation is alive and well, and along some dimensions is even increasing between the major urban centers. Consider for instance the preferred cover term for sweetened carbonated beverages. As can be seen in the map below, Southerners generally refer to them as coke, regardless of whether or not the beverages in question are actually made by the Coca Cola company; West and East coasters (including coastal Florida, which consists largely of transplanted New Yorkers) and individuals in Hawaii and the St. Louis, Milwaukee, and Green Bay spheres of influence predominantly employ soda, and the remainder of the country prefers pop. National television ads and shows generally employ soda, presumably thanks to the concentration of media outlets in soda areas New York and California, but this has had no effect on the robust regional patterns. (The three primary terms do appear to be undermining traditional local expressions such as tonic (Boston) and cocola (the South).) Another deeply entrenched regionally-conditioned food product is the long sandwich made with cold cuts, whose unmarked form in the U.S. is submarine sandwich or just sub. -
Art & Finance Report 2019
Art & Finance Report 2019 6th edition Se me Movió el Piso © Lina Sinisterra (2014) Collect on your Collection YOUR PARTNER IN ART FINANCING westendartbank.com RZ_WAB_Deloitte_print.indd 1 23.07.19 12:26 Power on your peace of mind D.KYC — Operational compliance delivered in managed services to the art and finance industry D.KYC (Deloitte Know Your Customer) is an integrated managed service that combines numerous KYC/AML/CTF* services, expertise, and workflow management. The service is supported by a multi-channel web-based platform and allows you to delegate the execution of predefined KYC/AML/CTF activities to Deloitte (Deloitte Solutions SàRL PSF, ISO27001 certified). www2.deloitte.com/lu/dkyc * KYC: Know Your Customer - AML/CTF: Anti-Money Laundering and Counter-Terrorism Financing Empower your art activities Deloitte’s services within the Art & Finance ecosystem Deloitte Art & Finance assists financial institutions, art businesses, collectors and cultural stakeholders with their art-related activities. The Deloitte Art & Finance team has a passion for art and brings expertise in consulting, tax, audit and business intelligence to the global art market. www.deloitte-artandfinance.com © 2019 Deloitte Tax & Consulting dlawmember of the Deloitte Legal network The Art of Law DLaw – a law firm for the Art and Finance Industry At DLaw, a dedicated team of lawyers supports art collectors, dealers, auctioneers, museums, private banks and art investment funds at each stage of their project. www.dlaw.lu © 2019 dlaw Art & Finance Report 2019 | Table of contents Table of contents Foreword 14 Introduction 16 Methodology and limitations 17 External contributions 18 Deloitte CIS 21 Key report findings 2019 27 Priorities 31 The big picture: Art & Finance is an emerging industry 36 The role of Art & Finance within the cultural and creative sectors 40 Section 1.