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Kultūros ir meno mėnesinis žurnalas. Eina nuo 1965 m. KULTŪROS BARAI Vyriausioji redaktorė Rūpesčiai ir lūkesčiai Laima KANOPKIENĖ 2 62 38 61 Žibartas JackūNAS. Viešojo intereso gynimas ar profanacija? / 2 Antanas Šileika. Seniai seniai, toli toli – mažų šalių didelės istorijos. Kodėl Rengia esame „žinomi nežinomieji“ / 9 Problemos ir idėjos Almantas SAMALAVIČIUS (kultūrologija, architektūra) 2 62 38 61 Algis MICKūNAS. Apie skurdo ašį ir žmonijos perspektyvas / 14 Rūta GAIDamavičiūtĖ Pažinti naujaip (muzika) 2 62 38 61 Monika MeiluTYTĖ Edvardas ČIULDĖ. Žemės prasmėvaizdis ir „pasiklydusio valstiečio“ kolizija / 18 (teatras) 8 614 12855 Nuomonės apie nuomones Kęstutis Šapoka Rimantas GUČAS. Atitiko kirvis kotą. Šokiruojančių provokacijų viešojoje (dailė) 8 684 83115 Asta DEKSNYTĖ erdvėje projektai / 22 (dizainerė) 2 61 05 38 Kūryba ir kūrėjai Kristina SABUKIENĖ (kompiuterininkė) 2 61 05 38 Tomas TRANSTRÖMER. Eilėraščiai / 24 Dalia MEČKAUSKAITĖ Audronė GIRDZIJauskaiTĖ. Kam skamba aidas? „Eugenijus Oneginas“ (korektorė) pagal Rimą Tuminą / 26 Irena Žaganevičienė (buhalterė) 2 62 31 04 Kęstutis Šapoka. Pasaka ne pasaka apie „Vilniaus pavėsinę“. Vilniaus ŠMC paroda Maskvos ŠMC / 30 Redakcinė kolegija Agnė BILIūNAITĖ. Ar skristi iš tikrųjų lengva? Šiuolaikinis Prancūzijos cirkas / 33 Tomas Genevičius. Pasaulio atradimas, pasitelkus kino išugdytą vaizduotę. Marko Vytautas BERENIS Cousinso kino eseistika / 41 Endre BOJTÁR (Vengrija) Alfredas Bumblauskas Audronė ŽIūRAITYTĖ. Baletas Lietuvoje – tarp žemės ir dangaus / 45 Pietro U. DINI (Italija) Praeities dabartis Carl Henrik FREDRIKSSON (eurozine) Vita GRUODYTĖ (Prancūzija) Arūnas VYŽINTAS. Neblėstantys Kremliaus kino apžavai, arba Sena propaganda su Algis MICKūNAS nauju padažu. Kaip sovietinis filmas „Niekas nenorėjo mirti“ iki šiol plauna visuomenės Liana RUOKYtĖ smegenis / 50 Antanas Šileika (Kanada) Vygantas VAREIKIS Kaimynystė Kazys VARNELIS jr. (JAV) Edita DEGUTIENĖ. -
Verdi Week on Operavore Program Details
Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr. -
TURANDOT Cast Biographies
TURANDOT Cast Biographies Soprano Martina Serafin (Turandot) made her San Francisco Opera debut as the Marshallin in Der Rosenkavalier in 2007. Born in Vienna, she studied at the Vienna Conservatory and between 1995 and 2000 she was a member of the ensemble at Graz Opera. Guest appearances soon led her to the world´s premier opera stages, including at the Vienna State Opera where she has been a regular performer since 2005. Serafin´s repertoire includes the role of Lisa in Pique Dame, Sieglinde in Die Walküre, Elisabeth in Tannhäuser, the title role of Manon Lescaut, Lady Macbeth in Macbeth, Maddalena in Andrea Chénier, and Donna Elvira in Don Giovanni. Upcoming engagements include Elsa von Brabant in Lohengrin at the Opéra National de Paris and Abigaille in Nabucco at Milan’s Teatro alla Scala. Dramatic soprano Nina Stemme (Turandot) made her San Francisco Opera debut in 2004 as Senta in Der Fliegende Holländer, and has since returned to the Company in acclaimed performances as Brünnhilde in 2010’s Die Walküre and in 2011’s Ring cycle. Since her 1989 professional debut as Cherubino in Cortona, Italy, Stemme’s repertoire has included Rosalinde in Die Fledermaus, Mimi in La Bohème, Cio-Cio-San in Madama Butterfly, the title role of Manon Lescaut, Tatiana in Eugene Onegin, the title role of Suor Angelica, Euridice in Orfeo ed Euridice, Katerina in Lady Macbeth of Mtsensk, the Countess in Le Nozze di Figaro, Marguerite in Faust, Agathe in Der Freischütz, Marie in Wozzeck, the title role of Jenůfa, Eva in Die Meistersinger von Nürnberg, Elsa in Lohengrin, Amelia in Un Ballo in Machera, Leonora in La Forza del Destino, and the title role of Aida. -
Elisa Citterio Discography 2009 Handel Between Heaven and Earth
Elisa Citterio Discography 2009 Handel Between Heaven And Earth CD Stefano Montanari, conductor Accademia Bizantina Soloists Sandrine Piau,Topi Lehtipuu 2008 Handel The Musick For The Royal Fireworks, Concerti A Due Cori CD Alfredo Bernardini Zefiro Fiorenza Concerti & Sonate CD Stefano Demicheli Dolce & Tempesta 2003 Various Storia Del Sonar A Quattro - Volume III CD Joseph Joachim Quartet 2001 Schuster 6 Quartetti Padovani CD Joseph Joachim Quartet 2000 Vivaldi La Tempesta di Mare CD Fabio Biondi Europa Galante 1998 Monteverdi Settimo Libro Dei Madrigali CD Claudio Cavina La Venexiana Recordings with L’orchestra del Teatro alla Scala di Milano 2015 Mozart Don Giovanni DVD Daniel Barenboim, conductor Orchestra & Chorus of Teatro alla Scala Peter Mattei, Bryn Terfel, Anna Netrebko, Barbara Frittoli, Giuseppe Filianoti, Anna Prohaska 2014 Jarre Notre-Dame De Paris DVD Paul Connelly, conductor Ballet Company & Orchestra of Teatro alla Scala Natalia Osipova, Roberto Bolle, Mick Zeni, Eris Nezha Wagner Goetterdammerung DVD Daniel Barenboim, conductor Orchestra & Chorus of Teatro alla Scala Maria Gortsevskaya, Lance Ryan, Iréne Theorin, Mikhail Petrenko Wagner Siegfried DVD Daniel Barenboim, conductor Orchestra & Chorus of Teatro alla Scala Lance Ryan, Peter Bronder, Terje Stensvold, Johannes Martin Kränzle, Alexander Tsymbalyuk, Anna Larsson, Nina Stemme, Rinnat Moriah Beethoven Fidelio VC Daniel Barenboim, conductor Orchestra & Chorus of Teatro alla Scala Peter Mattei, Falk Struckmann, Klaus Florian Vogt, Jonas Kaufmann, Anja Kampe, Kwangchul -
WAGNER / Рихард Вагнер DISC 3 45’41” (1813–1883) Zweiter Aufzug – Act Two (Conclusion) 1 Xii
lk a Waü GN r W , joNas k e e pe kY au r m iNs or f e ri C m i a a Val H k er e a m Y s N a t D j N G r N e , a r a r e G N i e é V p a p e , N i N a s t e e m m 2 Die Walküre Mariinsky Richard WAGNER / Рихард ВагнеР DISC 3 45’41” (1813–1883) Zweiter Aufzug – Act Two (conclusion) 1 xii. Schwer wiegt mir der Waffen Wucht / My load of armour weighs heavy on me p18 2’28” DiE WAlkÜRE 2 xiii. Dritte Szene: Raste nun hier, gönne dir Ruh’! / Scene Three: Do stop here, and take a rest p18 8’56” (ThE VAlkyRiE / ВалькиРия) 3 xiv. Wo bist du, Siegmund? / Where are you, Siegmund? p19 3’49” 4 xv. Vierte Szene: Siegmund! Sieh auf mich! / Scene Four: Siegmund, look at me p19 10’55” Siegmund / Зигмунд...................................................................................................................................Jonas KAUFMANN / Йонас Кауфман 5 xvi. Du sahst der Walküre sehrenden Blick / you have seen the Valkyrie’s searing glance p20 4’27” hunding / Хундинг................................. ..............................................................................................Mikhail PETRENKO / михаил ПетренКо 6 xvii. So jung un schön erschimmerst du mir / So young and fair and dazzling you look p20 4’58” Wotan / Вотан..........................................................................................................................................................................René Pape / рене ПаПе 7 xviii. Funfte Szene: Zauberfest bezähmt ein Schlaf / Scene Five: Deep as a spell sleep subdues p21 3’01” Sieglinde / Зиглинда........................................................................................................................................................Anja -
My Fifty Years with Wagner
MY FIFTY YEARS WITH RICHARD WAGNER I don't for a moment profess to be an expert on the subject of the German composer Wilhelm Richard Wagner and have not made detailed comments on performances, leaving opinions to those far more enlightened than I. However having listened to Wagnerian works on radio and record from the late 1960s, and after a chance experience in 1973, I have been fascinated by the world and works of Wagner ever since. I have been fortunate to enjoy three separate cycles of Der Ring des Nibelungen, in Bayreuth 2008, San Francisco in 2011 and Melbourne in 2013 and will see a fourth, being the world's first fully digitally staged Ring cycle in Brisbane in 2020 under the auspices of Opera Australia. I also completed three years of the degree course in Architecture at the University of Quensland from 1962 and have always been interested in the monumental buildings of Europe, old and new, including the opera houses I have visited for performance of Wagner's works. It all started in earnest on September 29, 1973 when I was 28 yrs old, when, with friend and music mentor Harold King of ABC radio fame, together we attended the inaugural orchestral concert given at the Sydney Opera House, in which the legendary Swedish soprano Birgit Nilsson opened the world renowned building singing an all Wagner programme including the Immolation scene from Götterdämmerung, accompanied by the Sydney Symphony Orchestra conducted by a young Charles Mackerras. This event fully opened my eyes to the Ring Cycle - and I have managed to keep the historic souvenir programme. -
British Roots
Thursday 12 December 2019 7.30–9.30pm Barbican LSO SEASON CONCERT BRITISH ROOTS Tippett Concerto for Double String Orchestra Elgar Sea Pictures Interval PAPPANO Vaughan Williams Symphony No 4 Sir Antonio Pappano conductor Karen Cargill mezzo-soprano Supported by LSO Friends Broadcast live on BBC Radio 3 6pm Barbican LSO Platforms: Guildhall Artists Vaughan Williams Phantasy Quintet Howells Rhapsodic Quintet Portorius Quartet Welcome News On Our Blog Thank you to our media partners: BBC Radio 3, LSO STRING EXPERIENCE SCHEME BELA BARTÓK AND who broadcast the performance live, and THE MIRACULOUS MANDARIN Classic FM, who have recommended the We are delighted to appoint 14 players to concert to their listeners. We also extend this year’s LSO String Experience cohort. Against a turbulent political background, sincere thanks to the LSO Friends for their Since 1992, the scheme has been enabling Bartók wrote his pantomime-ballet The important support of this concert; we are young string players from London’s music Miraculous Mandarin, which a German delighted to have so many Friends and conservatoires to gain experience playing in music journal reported caused ‘waves of supporters in the audience tonight. rehearsals and concerts with the LSO. They moral outrage’ to ‘engulf the city’ when it will join the Orchestra on stage for concerts premiered in Cologne. Ahead of tonight’s performance, the in the New Year. Guildhall School’s Portorius Quartet gave elcome to this evening’s LSO a recital of music by Vaughan Williams WHAT’S NEXT FOR OUR 2018/19 concert at the Barbican. It is a and Howells on the Barbican stage. -
Season Premiere of Tosca Glitters
2019–20 Season Repertory and Casting Casting as of November 12, 2019 *Met debut The Gershwins’ Porgy and Bess By George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin New Production Sep 23, 27, 30, Oct 5mat, 10, 13mat, 16, Jan 8, 11, 15, 18, 24, 28, Feb 1mat Conductor: David Robertson Bess: Angel Blue/Elizabeth Llewellyn* Clara: Golda Schultz/Janai Brugger Serena: Latonia Moore Maria: Denyce Graves Sportin’ Life: Frederick Ballentine* Porgy: Eric Owens/Kevin Short Crown: Alfred Walker Jake: Ryan Speedo Green/Donovan Singletary Production: James Robinson* Set Designer: Michael Yeargan Costume Designer: Catherine Zuber Lighting Designer: Donald Holder Projection Designer: Luke Halls The worldwide copyrights in the works of George Gershwin and Ira Gershwin for this presentation are licensed by the Gershwin family. GERSHWIN is a registered trademark of Gershwin Enterprises. Porgy and Bess is a registered trademark of Porgy and Bess Enterprises. A co-production of the Metropolitan Opera; Dutch National Opera, Amsterdam; and English National Opera Production a gift of The Sybil B. Harrington Endowment Fund Additional funding from Douglas Dockery Thomas Manon Jules Massenet Sep 24, 28mat, Oct 2, 5, 19, 22, 26mat ____________________________________________________________________________________________________________ PRESS DEPARTMENT The Metropolitan Opera Press: 212.870.7457 [email protected] 30 Lincoln Center Plaza General: 212.799.3100 metopera.org New York, NY 10023 Fax: 212.870.7606 Conductor: Maurizio Benini Manon: Lisette Oropesa Chevalier des Grieux: Michael Fabiano Guillot de Morfontaine: Carlo Bosi Lescaut: Artur Ruciński de Brétigny: Brett Polegato* Comte des Grieux: Kwangchul Youn Production: Laurent Pelly Set Designer: Chantal Thomas Costume Designer: Laurent Pelly Lighting Designer: Joël Adam Choreographer: Lionel Hoche Associate Director: Christian Räth A co-production of the Metropolitan Opera; Royal Opera House, Covent Garden, London; Teatro alla Scala, Milan; and Théâtre du Capitole de Toulouse Production a gift of The Sybil B. -
THE METROPOLITAN OPERA Subject to Change 2016-17 TOLL BROTHERS-METROPOLITAN OPERA INTERNATIONAL RADIO NETWORK SEASON Last Update: 11/18/2016
THE METROPOLITAN OPERA Subject to change 2016-17 TOLL BROTHERS-METROPOLITAN OPERA INTERNATIONAL RADIO NETWORK SEASON Last update: 11/18/2016 Date Opera On-Air Last Broadcast 2016 Central Time December 3 MANON LESCAUT (Puccini) First SatMat Marco Armiliato; Anna Netrebko (Manon Lescaut), Marcelo Álvarez (des Grieux), Christopher Maltman 12:00 noon 3/5/2016 (Lescaut), Brindley Sherratt (Geronte de Ravoir) December 10 L'AMOUR DE LOIN (Saariaho) — New Production/Met Premiere 12:00 noon Met/Network Premiere HD** Susanna Mälkki; Susanna Phillips (Clémence), Tamara Mumford (The Pilgrim), Eric Owens (Jaufré Rudel) December 17 SALOME (R. Strauss) Johannes Debus; Patricia Racette (Salome), Nancy Fabiola Herrera (Herodias), Gerhard Siegel (Herod), Kang 12:00 noon 3/27/2004 Wang (Narraboth), Željko Lučić (Jochanaan) December 24 HANSEL AND GRETEL (Humperdinck) — in English Performance from January 1, 2008 12:00 noon 1/3/2015 Vladimir Jurowski; Christine Schäfer (Gretel), Alice Coote (Hansel), Rosalind Plowright (Gertrude), Philip Langridge (The Witch), Alan Held (Peter) December 31 L'ITALIANA IN ALGERI (Rossini) Performance from Fall 2016 12:00 noon 2/28/2004 James Levine; Marianna Pizzolato (Isabella), René Barbera (Lindoro), Nicola Alaimo (Taddeo), Ildar Abdrazakov (Mustafà) 2017 January 7 NABUCCO (Verdi) James Levine; Liudmyla Monastyrska (Abigaille), Jamie Barton (Fenena), Russell Thomas (Ismaele), 12:00 noon 2/26/2005 HD** Plácido Domingo (Nabucco), Dmitry Belosselskiy (Zaccaria) January 14 LA BOHÈME (Puccini) Carlo Rizzi; Ailyn Pérez (Mimì), -
The Magic Flute in San Francisco
HOME COMMENTARY FEATURED OPERAS Glimmerglass: Butterfly Leads the Pack NEWS Every so often an opera fan is treated to a minor REPERTOIRE miracle, a revelatory performance of a familiar REVIEWS favorite that immediately sweeps all other ABOUT versions before it. CONTACT LINKS Operalia, the World Opera Competition, Showcases 2014 Winners SEARCH SITE On August 30, Los Angeles Opera presented the finals concert of Plácido Domingo’s Operalia, the world opera competition. Founded in 1993, the contest endeavors to discover and help launch the careers of the most promising young Enter Keywords opera singers of today. Thousands of applicants Search send in recordings from which forty singers are chosen to perform live in the city where the contest is being held. Last year it was Verona, Italy, this year Los Angeles, next year London. Subscribe to Opera Today Elektra at Prom 59 Receive articles and The second day of the Richard Strauss weekend news via RSS feeds or at the BBC Proms saw Richard Strauss's Elektra email subscription. performed at the Royal Albert Hall on 31 August Feature Articles 2014 by the BBC Symphony Orchestra, conducted by Semyon Bychkov, with Christine Email Address Goerke in the title role. Subscribe Powerful Mahler Symphony no 2 Harding, BBC Proms London Triumphant! An exceptionally stimulating 15 Jun 2012 Mahler Symphony No 2 from Daniel Harding and the Swedish Radio Symphony Orchestra, BBC Prom 57 at the Royal Albert Hall. Harding's The Magic Flute in San Francisco Mahler Tenth performances (especially with the Berliner Philharmoniker) are pretty much the A feast for the eyes, a feast for the ears, a Flute from benchmark by which all other performances are assessed. -
Begalinės Harmonijos Dvelksmas
Vilniaus kultûros savaitraðtis „7 meno dienos“ | www.7md.lt 2013 m. birþelio 7 d., penktadienis7d Nr. 23 (1037) | Kaina 2,50 Lt D ailë | M uzika | T eatrasm | Kinas | F otografija 2 Baleto „Kûrybinis impulsas II“ 4 „Paskutinë Krepo juosta“ OKT studijoje 5 Gintaro Zinkevièiaus meno projektas Violeta Urmana ir Modestas Pitrënas D. MATVEJEVO NUOTR. Begalinës harmonijos dvelksmas Vilniaus festivalio pradþios koncertas su Violeta Urmana Laimutë Ligeikaitë Mathildos Wesendonck dainos, ir ir, nors koncertà pradëjo Èiurlionis, Izoldos mirties scena ið operos pirmiausiai paþvelgti á Wagnerá. Ðiemet jau tokie metai, kad be „Tristanas ir Izolda“, ir dar Zyglin- Poetës Mathildos Wesendonck Wagnerio Lietuvoje ir pasaulyje – dos pasakojimas ið „Valkirijos“, gre- sutuoktinio, Wagnerio muzikos ger- në þingsnio. Neseniai nacionalinio ta kuriø prasmingai ákomponuotos bëjo, ðilko pirklio Otto Wesendon- operos ir baleto teatro scenà drebi- simfoninës poemos: Richardo cko kvietimu Wagneris apsigyveno no Wagnerio savaitë, kurioje buvo Strausso „Mirtis ir pragiedrëjimas“ jø dvare Ðveicarijoje, Ciuriche. Èia, Wim Botha, „Apibendrintas tremtinio autoportretas“. Wim Botha, „Apibendrintas tremtinio 2008 m. Pietø Afrikos paviljonas pateiktas ir baletas pagal Wagnerio ir ðio þanro pradininko Lietuvoje – sakoma, kompozitorius beprotiðkai „Tristanà ir Izoldà“. Á ðá choreo- Mikalojaus Konstantino Èiurlionio ásimylëjo Mathildà. Manoma, jog Áspûdþiai ið 55-osios Venecijos bienalës grafiná pastatymà áterptos penkios „Miðke“. Ði programa bus atlikta meilës polëkis inspiravo -
Giuseppe Verdi Logos to Add to Marketing Materials Please Make
AIDA Giuseppe Verdi Logos to add to marketing materials Please make sure you incorporate the necessary partner logos on any printed or digital communications from your venue. This includes: website listings, flyers, posters, printed schedules, email blasts, banners, brochures and any other materials that you distribute. Logos for this production: Rising Alternative + Teatro Real + Theatrum Mundi + TVE Libretto by Antonio Ghislanzoni, based on the play Camille du Locle by Auguste Mariette. Opera in 4 acts Sung in Italian. Recorded March 2018 From Teatro Real, Madrid Approximately 2h35 CREATIVE TEAM Conductor Nicola Luisotti Director Hugo de Ana Sets and costumes Hugo de Ana Lightning Vinicio Cheli Choreography Leda Lojodice Chorus Master Andrés Máspero ARTISTIC TEAM The King Soloman Howard Amneris Violeta Urmana Aida Liudmyla Monastyrska Radamès Gregory Kunde Ramfis Roberto Tagliavini Amonasro George Gagnidze High Priestess Sandra Pastrana A messenger Fabián Lara Produced by Teatro Real, in co-production with the Opera Lyric of Chicago and the Municipal Theater of Santiago de Chile. Chorus and Orchestra of Teatro Real. PRESENTATION In Aida, the grandiose and the intimate converge as in few other operas: the bloody confrontation between Ethiopians and Egyptians is juxtaposed by the love of Radamès, Captain of the Egyptian Guard, for Aida, a slave of the Ethiopians. Their love is more powerful than the hatred between the two peoples, their social differences and incompatible perspectives. This love was as solid as the wall which blocked its consummation. Verdi chose this story after rejecting several alternatives with comical or thematic plots to which he could have composed a grand opera.