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Teaching and Learning About the Holocaust
RECOMMENDATIONS FOR TEACHING AND LEARNING ABOUT THE HOLOCAUST INTERNATIONAL HOLOCAUST REMEMBRANCE ALLIANCE RECOMANDĂRI PRIVIND PREDAREA ŞI ÎNVĂȚAREA DESPRE HOLOCAUST Cover image: Participants at Salzburg Global Seminar’s Holocaust Education and Genocide Prevention Session discuss IHRA teaching guidelines in 2015. Credit: Salzburg Global Seminar. Copertă: Participanţi la sesiunea referitoare la educaţia privind Holocaustul şi prevenirea genocidului, a Seminarului Global de la Salzburg, discută liniile directoare ale IHRA în 2015. Sursa: Salzburg Global Seminar RECOMMENDATIONS FOR TEACHING AND LEARNING ABOUT THE HOLOCAUST INTERNATIONAL HOLOCAUST REMEMBRANCE ALLIANCE RECOMANDĂRI PRIVIND PREDAREA ŞI ÎNVĂȚAREA DESPRE HOLOCAUST First edition published in 2019 by the International Holocaust Remembrance Alliance (IHRA) © 2019 IHRA All rights reserved. The contents of this publication may be freely used and copied for educational and other non-commercial purposes, provided that any such reproduction is accompanied by an acknowledgement of the IHRA as the source. Prima ediție a fost publicată în 2019 de către Alianța Internațională pentru Memoria Holocaustului (IHRA) © 2019 IHRA Toate drepturile rezervate. Conținutul acestei publicații poate fi utilizat în mod liber și multiplicat/copiat în scopuri educaționale și alte scopuri ne-comerciale, cu condiția ca orice astfel de multiplicări să fie însoțite de indicarea IHRA ca sursă. ABOUT THE IHRA The International Holocaust Remembrance Alliance (IHRA) unites governments and experts to strengthen, advance and promote Holocaust education, research and remembrance and to uphold the commitments of the 2000 Stockholm Declaration. The IHRA (formerly the Task Force for International Cooperation on Holocaust Education, Remembrance and Research, or ITF) was initiated in 1998 by former Swedish Prime Minister Göran Persson. Today the IHRA network consists of over 40 countries as well as key international partner organizations with a mandate to deal with Holocaust-related issues. -
Theatre in England Journal 2
Kate Scally ENG 252 12/29/06 Theatre in England Journal 2 Wicked By Stephen Schwartz 12/29/06 As soon as you step onto the street where the musical Wicked is playing, you start to experience the stunning visual effects of the show. The sparkling lights are the first things that catch your eye. The large, neon green sign on the building casts a garish glow on everyone’s face, literally turning each person green. Before audience members even enter the theater, they are exposed to the idea of green people; this makes it easier to sympathize with a non-traditional, green heroine. This effect is just the first in a long line of effects which help to create the visually stunning experience that is Wicked. This “razzle dazzle” aspect begins with the lights outside and continues as you enter the lobby. On one side, a wall of green and pink t-shirts and souvenirs looms, while on the other side the bar sells neon green and pink drinks. I found it amazing that the show’s visual effects begin before the actual show. This seemingly exaggerated use of glitz and glamour fits in with a major theme of the musical—the use of and conceptions surrounding appearances. This theme, a major one for fairy tales, is skillfully employed. Elphaba, also known as the “Wicked Witch of the West” is a green woman whose color foreshadows her eventual rebellion and expulsion from society, while Glinda, known as “Glinda the Good Witch,” appears beautiful, nice, and popular, but in reality is shallow and cowardly. -
Henry Jenkins Convergence Culture Where Old and New Media
Henry Jenkins Convergence Culture Where Old and New Media Collide n New York University Press • NewYork and London Skenovano pro studijni ucely NEW YORK UNIVERSITY PRESS New York and London www.nyupress. org © 2006 by New York University All rights reserved Library of Congress Cataloging-in-Publication Data Jenkins, Henry, 1958- Convergence culture : where old and new media collide / Henry Jenkins, p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8147-4281-5 (cloth : alk. paper) ISBN-10: 0-8147-4281-5 (cloth : alk. paper) 1. Mass media and culture—United States. 2. Popular culture—United States. I. Title. P94.65.U6J46 2006 302.230973—dc22 2006007358 New York University Press books are printed on acid-free paper, and their binding materials are chosen for strength and durability. Manufactured in the United States of America c 15 14 13 12 11 p 10 987654321 Skenovano pro studijni ucely Contents Acknowledgments vii Introduction: "Worship at the Altar of Convergence": A New Paradigm for Understanding Media Change 1 1 Spoiling Survivor: The Anatomy of a Knowledge Community 25 2 Buying into American Idol: How We are Being Sold on Reality TV 59 3 Searching for the Origami Unicorn: The Matrix and Transmedia Storytelling 93 4 Quentin Tarantino's Star Wars? Grassroots Creativity Meets the Media Industry 131 5 Why Heather Can Write: Media Literacy and the Harry Potter Wars 169 6 Photoshop for Democracy: The New Relationship between Politics and Popular Culture 206 Conclusion: Democratizing Television? The Politics of Participation 240 Notes 261 Glossary 279 Index 295 About the Author 308 V Skenovano pro studijni ucely Acknowledgments Writing this book has been an epic journey, helped along by many hands. -
English 252: Theatre in England 2006-2007 * [Optional Events
English 252: Theatre in England 2006-2007 * [Optional events — seen by some] Wednesday December 27 *2:30 p.m. Guys and Dolls (1950). Dir. Michael Grandage. Music & lyrics by Frank Loesser, Book by Jo Swerling and Abe Burrows. Based on a story and characters of Damon Runyon. Designer: Christopher Oram. Choreographer: Rob Ashford. Cast: Alex Ferns (Nathan Detroit), Samantha Janus (Miss Adelaide), Amy Nuttal (Sarah Brown), Norman Bowman (Sky Masterson), Steve Elias (Nicely Nicely Johnson), Nick Cavaliere (Big Julie), John Conroy (Arvide Abernathy), Gaye Brown (General Cartwright), Jo Servi (Lt. Brannigan), Sebastien Torkia (Benny Southstreet), Andrew Playfoot (Rusty Charlie/ Joey Biltmore), Denise Pitter (Agatha), Richard Costello (Calvin/The Greek), Keisha Atwell (Martha/Waitress), Robbie Scotcher (Harry the Horse), Dominic Watson (Angie the Ox/MC), Matt Flint (Society Max), Spencer Stafford (Brandy Bottle Bates), Darren Carnall (Scranton Slim), Taylor James (Liverlips Louis/Havana Boy), Louise Albright (Hot Box Girl Mary-Lou Albright), Louise Bearman (Hot Box Girl Mimi), Anna Woodside (Hot Box Girl Tallulha Bloom), Verity Bentham (Hotbox Girl Dolly Devine), Ashley Hale (Hotbox Girl Cutie Singleton/Havana Girl), Claire Taylor (Hot Box Girl Ruby Simmons). Dance Captain: Darren Carnall. Swing: Kate Alexander, Christopher Bennett, Vivien Carter, Rory Locke, Wayne Fitzsimmons. Thursday December 28 *2:30 p.m. George Gershwin. Porgy and Bess (1935). Lyrics by DuBose Heyward and Ira Gershwin. Book by Dubose and Dorothy Heyward. Dir. Trevor Nunn. Design by John Gunter. New Orchestrations by Gareth Valentine. Choreography by Kate Champion. Lighting by David Hersey. Costumes by Sue Blane. Cast: Clarke Peters (Porgy), Nicola Hughes (Bess), Cornell S. John (Crown), Dawn Hope (Serena), O-T Fagbenie (Sporting Life), Melanie E. -
Http Www Cissusa Com Ciss Instruction Html
Http Www Cissusa Com Ciss Instruction Html Solute and argus-eyed Mika fullers her horehounds bunt invidiously or sterilised cutely, is Herrick Irazodiacal? is chartless Fruiting and Felipe overflies sometimes wit as toreutic rehearsing Niccolo his formularisingelectrum convexedly piratically and and damaged relaying sowherever. homiletically! But also affect urban wildlife This issue is really hard to pin do military struggles with this on many levels. To access the Web, you need a connection to the Internet. It is the President exemptions to his rich buddies. However, it has not been analysed yet in a systematic way in the context of urban biotope mapping. Nd whole rock isochron yielded Paleoproterozoic ages. Avoid injury to lower trunk as this can create an entrance for borers. The NCTE site presents information of value to classroom language arts teachers. The effects of climate change on the vegetation of Central European cites. Indian subcontinent, the Himalayas, and portions of Southeast Asia including Thailand, Vietnam, and Myanmar. Already you can find the ifj. Urban agriculture utilizing the ecocircle approach in disadvantaged communities in Potchefstroom, South Africa. Battleship, which is based on coordinate geometry. The statement of Deutschewitz et al. The two airlines argue that their merger would increase competition by creating another big competitor to Uni and Delta Air Lines, which grew through recent mergers. Spieth, who won his maiden PGA Tour title at the John Deere Classic in July to membership status. What is most commonly used to control insect pests? These days my head is full of curious information. Tajuria isaeus is a butterfly in the family Lycaenidae. -
October 2014 a Monthly Guide to Living in Basel
Spielzeug Welten Museum’s Food, Fun and Fast Rides Lace Up as the Temperature Baloise Session ‘Got Sole’ with their at the Famous Basel Drops! Ice Skating Starts Brings the Best of Focus on Footwear Herbstmesse! in October the Best to Basel Volume 3 Issue 2 CHF 5/€4 A Monthly Guide to Living in Basel October 2014 Good Gourd! With Fall Festivals, Autumn-Themed Markets, and Halloween Events, it’s Easy to “Fall for Fall” in Basel LETTER FROM THE EDITOR Dear Readers, Glorious fall days are upon us, bringing with them an incredible bounty of fairs—from the amazing two-week Herbstmesse (fall fair) filled with rides, October 2014 Volume 3 Issue 2 foods, stands, over 500 years of tradition, and fun for the whole family to the fabulous Basel wine fair, the delectable gourmet fair, and the Warenmesse TABLE OF CONTENTS (goods fair). Want more ideas for autumn fun? Read our fall special and learn about Events in Basel: October 2014 4-6 autumn festivals; pumpkin and squash festivals; Halloween events, activities, and parties; roasting chestnuts; and some truly horrifying excitement for the adventurous minded. You can also partake in the lovely Basel tradition of the Feature Event: Baloise Session 7conker collection day at Lange Erlen, enjoy the season’s bounty in the Black Forest, or take the family fossil hunting in the Jurassic region of Switzerland. There are also flea markets galore, including the annual “must”—the Rudolf Fun Outings: Beyond Basel 8Steiner Schule flea market. The month of October also brings with it numerous great new museum exhibits focusing on everything from a realist painter and a Finnish architect Markets and Fairs 9-11 to the history of shoes, Switzerland and the Great War, and the secret world of parasites. -
Helen Christinson Caroline Craig Kate Jenkinson Katrina Milosevic Jacki
A A Helen Christinson CastKatrina Milosevic The Bride Bridesmaid Helen graduated from QUT’s Acting program in 2004. While at QUT A graduate of NIDA, Katrina has appeared in JULIUS CAESAR and she was fortunate enough to work with such directors as Michael ANToNY & CLEoPATRA for the Bell Shakespeare Co, MACBETH and Gow, Jennifer Flowers, Karen Crone and Sean Mee on shows in- FAT PIG for the STC, WoYZECK for the MTC, THE MAIDS for 20/20 cluding Live Acts on Stage, The Winter’s Tale, Roberto Zucco andThe Theatre, ALIvE AT WILLIAMSToWN PIER for Griffin Theatre and the Rocky Horror Picture Show. Ensemble’s premier production of David Williamson’s oPERAToR. After graduating from QUT Helen played the dual role of Ellen and Sarmitte in LaBoite’s The Drowning Bride, directed by Michael Her television credits include BIG SKY, THE GAMES, BLUE HEELERS Futcher. Helen has also worked at QTC, again under the direction and regular role, Sophie Novak in STINGERS for which she received of Michael Gow, playing Amanda in Private Lives, a co- production a 2004 Logie Award Nomination, and as victoria in the telemovie with STCSA, and the seductive widow- next- door, Fanny Wilton in Little oberon. Ibsen’s John Gabriel Borkman. She has also delved into her darker side playing Lena in the Stablemates’ production of Marius von Mayenberg’s The Cold Child, directed by Anthony Skuse. Helen’s film credits include Rapid Fear, Endurance Island, The Underdog’s Tale and Harrisville. She has also appeared in the short film The Pitch. Helen was thrilled last year to be cast in MTC’s The 39 Steps under the direction of Maria Aitken. -
Eleanor Wyld
www.hamiltonhodell.co.uk Eleanor Wyld Talent Representation Telephone Christopher Farrar +44 (0) 20 7636 1221 [email protected] Address Joshua Woodford Hamilton Hodell, [email protected] 20 Golden Square London, W1F 9JL, United Kingdom Theatre Title Role Director Theatre/Producer THE BALLAD OF CORONA V Arabella Maggie Norris The Big House LEOPOLDSTADT Nellie Patrick Marber Wyndham's Theatre RSC Stratford/Garrick Theatre, DON QUIXOTE Marcela Angus Jackson West End HAMLET Guildenstern Simon Godwin RSC (UK and USA Tour 2018) Lucy/Amelia/Mrs THE INVISIBLE MAN Ryan McBride Queens Theatre, Hornchurch Pike/Ensemble DON JUAN IN SOHO Dalia Patrick Marber Wyndham’s Theatre THE ALCHEMIST Various Polly Findlay RSC DR FAUSTUS Lucifer/Scholar Maria Aberg RSC Theatre Royal AFTER ELECTRA Miranda Samuel West Plymouth/Tricycle Theatre BEDROOM FARCE/SEPARATE TABLES Kate/Joan Gareth Machin Salisbury Playhouse Arcola Theatre/National VISITORS Kate Alice Hamilton Tour/Bush Theatre UNSCORCHED Emily Justin Audibert Finborough Theatre DANCES OF DEATH Judith Tom Littler Gate Theatre THE ASTRONAUT'S CHAIR Jo Green Simon Stokes Theatre Royal Plymouth SHIVERMAN Terri Tom Littler Theare 503 HIS TEETH Sarah Maggie Norris Only Connect Theatre RIGOR MORTIS Layla Kate Budgen Finborough Theatre ANTIGONE Antigone Tom Littler Southwark Playhouse THE DEEP BLUE SEA Anne Sarah Esdaile West Yorkshire Playhouse Brighton Dome/InService ROMEO AND JULIET Juliet Penelope Cobold Productions Television Title Role Director Production Company TRIGONOMETRY Lori Stella -
Basel Life Magazine Staff: Year Round
Räbeliechtli-Umzug Discover the World of Wine The Kunstmuseum: Their Get Up and ‘Glow’ at the Lights Up the Night at the 2014 Weinmesse Past, Present, and Future Basler Stadtlauf Volume 3 Issue 3 CHF 5/€4 A Monthly Guide to Living in Basel November 2014 FOREIGNER KROKUS LEONA LEWIS PEGASUS LA TRAVIATA ROCKY HORROR SHOW AL DI MEOLA LENNY KRAVITZ LADY GAGA PETER GABRIEL From Leona to Lenny, November’s Concert Schedule Will Have You Going GAGA... LETTER FROM THE EDITOR Dear Readers, With the disappearance of the leaves, the shorter days, and the recent end to the gorgeous summer-like weather, it appears that fall is finally upon us. In Basel, this is always met with the whirring sounds and flashing lights of November 2014 Volume 3 Issue 3 the rides, not to mention the screams of thrill-seeking ride-goers, as Basel’s Herbstmesse (Fall Fair) graces our city’s squares. TABLE OF CONTENTS If frightening rides and noisy crowds are not your cup of tea, you can nour- ish your soul this month with an overwhelming number of concerts in all Events in Basel: November 2014 4-7 music genres, from the fabulous Baloise Session to jazz, pop, blues, fusion, swing, flamenco, classical guitar, rock, gospel, symphony, electronic dance music, the Martinu classical music festival, and the sexy saxophone of Candy Fun Outings: Beyond Basel 8Dulfer. In addition to these concerts, you can enjoy a number of tastings of food, wine, whisky, champagne, and sweet wine, as well as comedy, opera, circuses, dance nights, musicals, ballet, and theater. -
5. El Mito De Don Juan En La Literatura Universal
Equipo de coordinación pedagógica 5. EL MITO DE DON JUAN EN LA LITERATURA UNIVERSAL TÍTULO DE LA El mito de Don Juan en la literatura universal ACTIVIDAD Nivel educativo sugerido 5º 6º Primaria ESO Bachillerato Responsable CARÁCTER DE LA TAREA El profesor de una materia organiza la actividad, el proyecto o la tarea. Ese profesor es el encargado de diseñar las MATERIA actividades, las estrategias, la metodología y la difusión de las actividades realizadas. Tiene libertad para abordar la actividad asociada a su materia, sea cual sea su naturaleza. Participan distintas materias con diversas INTERDISCIPLINAR actividades por lo que es proclive a usar una metodología basada en el trabajo por TRABAJO POR PROYECTOS proyectos o tareas. Cada materia propondrá una tarea a los alumnos que, sumada, a la del resto de participantes, conformarán un proyecto conjunto. El mito de Don Jaun-Propuestas estratégicas para el desarrollo del programa Clásicos Escolares 15/16 Equipo de coordinación pedagógica En esta actividad, podrían participar profesores de CCSS (el contexto socio- histórico y cultural del Romanticismo), Lengua y Literatura (estudio de la literatura que ha desarrollado el mito, desde el Barroco hasta la actualidad), Música (la música Romántica pasando por el Don Giovanni de Mozart), Filosofía (el concepto del mito en el Romanticismo), EPV (representaciones plásticas de la figura de Don Juan), por ejemplo. Si el centro es bilingüe y desarrolla el CURRÍCULUM INTEGRADO Currículum Integrado de las Lenguas, esos DE LAS LENGUAS profesores pueden tomar este asunto como tópico o foco de atención y desarrollar actividades, desde las materias y lenguas implicadas, para acercar la dimensión de un mito nacido en la literatura española que ha traspasado fronteras artísticas y nacionales. -
Activity Report 2001 Télévision Française 1
Couv Activité.qxd 27/05/02 9:57 Page 1 Annual report May 2002 Activity report 2001 Télévision Française 1 A public limited company (“Société Anonyme”) with a share capital of €42,399,216 RCS Nanterre B 326 300 159 TF1 1, quai du Point du Jour 92656 Boulogne Cedex / France Tel: (33) 1 41 41 12 34 e-mail: [email protected] Internet: http://www.tf1.fr RA - ANGLAIS (1) 27/05/02 8:25 Page 1 Table of contents Activity report 1 Chairman’s statement 2 2001 highlights 4 Group activity 6 Board of directors, auditors 22 Directors’ report 24 Five year financial record 40 RA - ANGLAIS (1) 27/05/02 8:25 Page 2 Chairman’s statement 2 Activity report Dear Shareholders, 2001 has been a transition year for the TF1 During this period, TF1 Group reinforced its From now on, our website builds on a three- Group. In spite of the slow down of the asset portfolio through: fold business plan based on the sale of content, French economy, the decrease of household paying access and advertising. consumption, the bursting of the “Internet bubble”, as well as a disturbed international Broadcasting Moreover, at the end of December 2001, TF1 context, TF1 Group strengthened its increased its stake in Télévision Par Satellite positions: At the European level, TF1 completed the (TPS) from 25% to 50% through the acquisition and restructuring of Eurosport, a acquisition of the shares of France Télévision • the decrease in turnover has been offset by a real driver of development for the Group, in and France Télécom. -
By Patrick Marber After Molière
Don Juan in Soho By Patrick Marber After Molière Study Guide Written by Sophie Watkiss Edited by Hannah Clifford Photographs by Hugo Glendenning This programme has been made possible by the generous support of Universal Consolidated Group 1 Contents Section 1: Cast list and creative team 3 Section 2 The authors: Patrick Marber and Molière 5 Section 3 The character of Don Juan in dramatic literature 7 The Trickster of Seville and His Guest of Stone by Tirso de Molina Don Juan or The Stone Feast by Molière Section 4 The Donmar’s production of DON JUAN IN SOHO 9 Patrick Marber‘s response to Molière’s play for a modern audience Approaching the characters in performance Comparing Scenes Soho as a setting Section 5 Further reading, footnotes and bibliography 32 2 section 1 Cast list and creative team Cast: in order of speaking STEPHEN WIGHT – Stan DJ (Don Juan) describes Stan as his ‘accomplice’. He is DJ’s paid employer, whose job it is to ‘enable and facilitate’ DJ’s immoral lifestyle. RICHARD FLOOD - Colm Elvira’s brother, whose mission in the play is to protect the interests of his sister, whom he believes to be ‘a person of great purity, of quality…a colossal human being!’ RHYS IFANS - DJ Is from a very old English family and is set to inherit his father’s Earldom. Is described by Stan as ‘a savage’, ‘a slag’ and ‘a cheating, betraying, lying dog.’ LAURA PYPER - Elvira At the start of the action, Elvira has been married to DJ for just two weeks.