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Theatre in England Journal 2
Kate Scally ENG 252 12/29/06 Theatre in England Journal 2 Wicked By Stephen Schwartz 12/29/06 As soon as you step onto the street where the musical Wicked is playing, you start to experience the stunning visual effects of the show. The sparkling lights are the first things that catch your eye. The large, neon green sign on the building casts a garish glow on everyone’s face, literally turning each person green. Before audience members even enter the theater, they are exposed to the idea of green people; this makes it easier to sympathize with a non-traditional, green heroine. This effect is just the first in a long line of effects which help to create the visually stunning experience that is Wicked. This “razzle dazzle” aspect begins with the lights outside and continues as you enter the lobby. On one side, a wall of green and pink t-shirts and souvenirs looms, while on the other side the bar sells neon green and pink drinks. I found it amazing that the show’s visual effects begin before the actual show. This seemingly exaggerated use of glitz and glamour fits in with a major theme of the musical—the use of and conceptions surrounding appearances. This theme, a major one for fairy tales, is skillfully employed. Elphaba, also known as the “Wicked Witch of the West” is a green woman whose color foreshadows her eventual rebellion and expulsion from society, while Glinda, known as “Glinda the Good Witch,” appears beautiful, nice, and popular, but in reality is shallow and cowardly.
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Download a Program
Headlong Theatre, Birmingham Repertory Theatre, Liverpool Everyman and Playhouse, Lyric Hammersmith and West Yorkshire Playhouse present by Simon Schama Adapted for the stage by Caryl Phillips First performed on 14 September 2007 at Birmingham Repertory Theatre. Headlong Theatre, Birmingham Repertory Theatre, Liverpool Everyman and Playhouse, Lyric Hammersmith and West Yorkshire Playhouse present ROUGH CROSSINGS by Simon Schama Adapted for the stage by Caryl Phillips Isaac Peter Bankole Eliza Sharp Miranda Colchester David George Peter De Jersey Johnson / Sergeant Davy / American Officer Ian Drysdale Henry De Mane Dave Fishley Thomas Clarkson Andy Frame William Sharp / Redcoat / Lieutenant Rob Hastie Phyllis George Dawn Hope John Clarkson Ed Hughes Captain / Cornwallis / Falconbridge Mark Jax Ship’s Boy / Anna Maria Falconbridge Jessica Lloyd Granville Sharp Michael Matus Sally Peters Wunmi Mosaku James Somerset Ben Okafor Thomas Peters Patrick Robinson Buck Slave / Sierra Leone Settler Daniel Williams All other parts played by members of the company. Director Rupert Goold Designer Laura Hopkins Lighting Designer Paul Pyant Composer & Sound Designer Adam Cork Video & Projection Design Lorna Heavey Movement Director Liz Ranken Casting Consultant Kirsty Kinnear Assistant Director Vik Sivalingam Assistant Designer Simon Kenny Production Manager Spencer New Company Stage Manager Julia Reid Deputy Stage Manager Lucy McMahon Assistant Stage Manager Sarah Jane Davies Costume Supervisor Hilary Lewis Re-Lighter & Production Electrician Tom Snell
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Autumn/Winter 2009
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