Repeat Patterns

Total Page:16

File Type:pdf, Size:1020Kb

Repeat Patterns Brain into gear activity: Lesson 4 Why is recycling clothes important to the environment? Give two reasons why? * * Brain into gear activity: Lesson 4 Why is recycling clothes important to the environment? Give two reasons why? * * Brain into gear activity: Lesson 5 Can you circle the 6 R’s of recycling? Recycle Reproduce Repair Refuse Rethink Redo Reuse Reduce Give a definition of one of the key words? Repeat Pattern Design Literacy By the end of project you will understand what the following words mean: Seam .......................................................................................................... Bunting ....................................................................................................... Bias binding .................................................................................................... Cotton ............................................................................................................ Decoration ..................................................................................................... Tie dye ........................................................................................................... Batik ............................................................................................................... Embroidery .................................................................................................... Printing .......................................................................................................... POP ART ......................................................................................................... You will also by the end of the project know famous POP ART Artists. Task: • Highlight the key words in the text • Write down any initial thoughts about the project. Learning Focus: Develop your knowledge of different methods to create repeat patterns. Use the image you developed last lesson and create a repeat pattern with that image. “Pop art is . Learning Outcomes Task: 1-2 Create a simple straight repeat pattern To make a repeated pattern based on your pop art design. 3-5 Create a drop print or brick repeat pattern This can then be coloured in the same colour scheme and outlined in black. 6-7 Create a rotational or mirrored image repeat pattern Explain which design you like and why? How could you develop this 8-9 Use technology to repeat your image idea? (publisher, Powerpoint, photoshop, 2D design etc) Key words: repeat, pattern, drop print, mirror, image, stylised, cartoon, colourful, bold, vibrant , shape, design, art. Cath Kidston Cath Kidston MBE (born 6 November 1958) is an English fashion designer, businesswoman and author whose company, Cath Kidston Limited sells home furnishings and related goods through shops, online and by mail order. She is particularly known for her nostalgic floral patterns and has also published a number of books. William Morris William Morris was the celebrated figure of nineteenth century in the world of decorative art and textile designing. He made a remarkable contribution to the revival of traditional textile arts and was actively involved in the English Arts and Crafts Movement. He was also famous for his literary input as an English novelist, poet and a translator. His literary works were instrumental in the introduction of modern fantasy genre in literature. Orla Kiely Orla Kiely, OBE is an Irish fashion designer based in London. She began her career designing hats, and moved on to design work on handbags and a variety of other items including kitchenware and cars. She received a master's degree from the Royal College of Art. Marimekko Marimekko Oyj is a Finnish home furnishings, textiles, and fashion company based in Helsinki. It made important contributions to fashion in the 1960s. It is particularly noted for its brightly coloured printed fabrics and simple styles, used both in women's garments and in home furnishings. Two designers in particular, Vuokko Nurmesniemi, with bold stripes, and Maija Isola, with large simple flowered prints such as the Unikko poppy, created hundreds of distinctive patterns and helped to make Marimekko a household name across the world. Jen Hewett Jen Hewett is a printmaker, surface designer, textile artist and teacher. A lifelong Californian, Jen combines her love of loud prints and saturated colors with the textures and light of the California landscapes to create highly- tactile, visually- layered, printed textiles. Lucienne Day Lucienne Day's career in design spans 60 years and the freshness and originality of her work ensures that it is still relevant to contemporary interiors. A versatile and influential designer, Lucienne was commissioned by a wide range of companies and extended her very particular vision to carpets, wallpapers, tea towels and ceramics as well as textiles. With her husband Robin she pioneered the post-war revival of design and manufacture and extended the boundaries of modern design, enjoying international recognition. Her best known textile design 'Calyx' was launched at the Festival of Britain in 1951 and subsequently received the coveted International Design Award of the American Institute of Decorators. Creating repeat patterns How to make a tile repeat pattern https://www.yout ube.com/watch?v =ufpo3bZziX4 Other ways of creating repeat patterns • Trace, flip, rotate (https://www.youtube.com/watch?v=tiMaBBWKqG0) • Computer programs such as photoshop and illustrator (publisher works too). (https://www.youtube.com/watch?v=XR8Q6mE9V_o) • Lino, safety print or block printing (https://www.youtube.com/watch?v=qQTdzlCz5k4) Screen printing using an • https://www.youtube.com/watch?v=bGrisPxu6Hk • https://www.youtube.com/watch?v=uTQmejI2ICg embroidery hoop • https://www.youtube.com/watch?v=jKDMeRZoLJE and tights FYI – Mod podge is a type of PVA glue • Slide 6 – Create a research page on different types of printing. • Slide 7 – Create 3 different repeat patterns using the tile technique, scan or photograph and paste on this slide. • If you have a scanner and are able to play around with computer designs then add this onto your PowerPoint too. • Slide 8 – Repeat pattern in textiles. Research famous patterns used for fashion and interiors. Creating a seamless repeat pattern by hand You will need: Paper (you can use coloured paper!) Your chosen images Scissors Tape Pencil Fold the paper to make a square. Cut off the excess. (If your paper is square already, you can skip this step!) Open up your square. Now you need to create your pattern block! Use your images to fill in the square. Use your mood board to help to design your pattern block. This works best if they are coloured in. You could also use coloured paper. Now fold your paper in half As ACCURATELY as possible cut your vertically. block as shown above. This needs to be as neat and straight as possible! Unfold and fold in half horizontally. Okay, now the tricky bit…. I have labelled my squares with numbers to show you what to do.. You need to swap the squares on the right (2 and 4) with the squares on the left (1 and 3). So you will see on the second image that our ice cream is on the edges and no longer in the middle. Now you need to swap the squares at the top (2 and 1) with the squares at the bottom (4 and 3). You will see on the second image that the pieces of the ice cream are all on the edges now. On the back using tape stick the pieces back together as accurately as you can. Make sure there are no gaps as this will show up in your design. You will be left with a pattern block. Now go back and fill in any white gaps with more icons. You can see I have added my highlighter and a watering can! Your design is now ready to repeat! Now you need to get your design into the computer, I used the app ‘Adobe scan’. However you could take a picture but you need to make sure it’s completely flat on a flat surface. Use the crop tool to make your design a perfect square or as close as possible! Paste your design into a google slides document (or powerpoint). Now you need to copy and paste your design. (Ctrl + C to copy, Ctrl +V to paste). Place it next to your first ‘tile’ keep copying and pasting until you have made a repeat pattern! This was my first ‘test pattern’ - you can see I wasn’t as accurate when I took a picture so you can see my table in the background. If yours looks like this, try using the cropping tool! But as long as you have demonstrated the technique - well done you! Look at Andy Warhol’s repeat pattern of Marilyn Monroe. Consider the other ways he could have created a repeat pattern. Your task on the other side of this page is to experiment with block print layouts by completing the following tasks: 1. Rotate image at a 90° angle. 2. Rotate image at a 180° angle. 3. Flip to create a mirror image. 90° 90° 90° 90° angle ° Rotate 90 at Rotate 180° 180° angle ° Rotate 180 at Rotate Flip Mirror image Look at Andy Warhol’s repeat pattern of Marilyn Monroe. Consider the other ways he could have created a repeat pattern. Your task is to experiment with block print layouts by completing the following tasks: 1. Turn an image at a 90° angle. 2. Turn at a 180° angle. 3. Flip to create a mirror image. Mirror image Rotate at 180° angle Rotate at 90° angle Pop Art Pop – Repeat Patterns Repeat Name: Class: Homework Design TEACHER HOMEWORK DATE DUE: Technology SCR …. Extension task draw from your images. WWW/EBI Evaluation of design ideas WWW and EBI Which design are you going to develop further into samples and why? Extension • Create a PowerPoint for all of your work. • Slide 1 – title, name and class • Slide 2 – mood board on patterns (https://www.pinterest.co.uk/jcalbery/repeat-patterns/) • Slides 3-5 – Choose three of the artists selected on the following pages and create research pages on each of them. You need to create some form of sample or art piece of your own for each of these and attach them to your research pages. You can use more than 1 slide per artist if you prefer..
Recommended publications
  • Acquisitions
    Acquisitions as of June 30, 2009 African and David Soltker and Irving Dobkin Feldstein Endowment Fund for endowments (2008.206). Decorative Arts (2008.558). Amerindian Art North American Furniture African Mexico Artist unknown, Tea Table, Bwa, Dossi, Burkina Faso, Teotihuacan, Figurine, c. 1750/90, mahogany: Roger and Butterfly Mask, early/mid-20th a.d. 400, greenstone: gift of J. Peter McCormick endow- cen., wood and pigment: Charles Ethel F. and Julian R. Goldsmith ments; restricted gift of Jamee J. H. and Mary F. S. Worcester (2008.675). Tlatilco, Female and Marshall Field, and Carol Collection Fund (2008.190). Edo, Figurines, c. 500 b.c., ceramic W. Wardlaw (2009.58); Stand, Benin City, Nigeria, Container and pigment: gift of Ethel F. and 1790/1810, birch: gift of Jamee J. in the Form of a Leopard Head, Julian R. Goldsmith (2008.676–78). and Marshall Field (2008.679). early 21st cen., brass: gift of Omo Vladimir Kagan, Occasional N’Oba N’Edo Uku Akpolokpolo, United States Table, c. 1952, walnut and brass: Oba of Benin (2008.674). The Orbit Fund (2009.232). Navajo, northern Arizona or Mahdiyya State, Sudan, Tunic Walter von Nessen, manufactured New Mexico, Concho Belt, (Jibbeh), 1885/99, cotton: African by Nessen Studio, Inc., Occa- 1880/95, silver and leather: and Amerindian Curator’s Discre- sional Table, c. 1931, aluminum, Auxiliary Board of the Art tionary, Holly and David Ross, Bakelite, and iron: Quinn E. Institute of Chicago (2009.572); Arnold H. Crane, African and Delaney Fund (2009.156). Bow Guards (Ketoh), 1900/20, Amerindian Art Purchase, and silver, leather, turquoise, and O.
    [Show full text]
  • Vilniaus Dailės Akademijos Kauno Fakultetas Grafikos Katedra
    VILNIAUS DAILĖS AKADEMIJOS KAUNO FAKULTETAS GRAFIKOS KATEDRA Ugnės Krasauskaitės ORNAMENTO METAMORFOZĖS: AUGALINIŲ MOTYVŲ GRAFIKA Magistro baigiamasis teorinis darbas Taikomosios grafikos studijų programa, valstybinis kodas 621W10007 Magistrantė: Ugnė Krasauskaitė .................................................. (parašas) .................................................. (data) Darbo vadovė: doc. dr. Odeta Žukauskienė .................................................. (parašas) .................................................. (data) Tvirtinu, katedros vedėjas: doc. Vaidas Naginionis .................................................. (parašas) .................................................. (data) Kaunas, 2017 1 AUTENTIŠKUMO DEKLARACIJA Aš, Ugnė Krasauskaitė, kandidatas (-ė) VDA Grafikos katedros magistro laipsniui gauti, patvirtinu, kad šis baigiamasis darbas paremtas mano paties (-čios) tyrimais ir jame naudotasi tik tokia papildoma informacija, kuri nurodyta nuorodose, paaiškinimuose, šaltinių, literatūros bei lentelių ir paveikslų sąrašuose. Patvirtinu, kad baigiamajame darbe nėra naudojamasi kitų darbais to nenurodant ir nė viena baigiamojo darbo dalis nepažeidžia jokių asmens ar institucijos autorinių teisių. Taip pat nė viena baigiamojo darbo dalis nebuvo pateikta jokiai kitai aukštojo mokslo institucijai, kaip akademinis atsiskaitymas ar siekiant gauti mokslo laipsnį. Ugnė Krasauskaitė 2 Turinys SANTRAUKA ......................................................................................................................................
    [Show full text]
  • Human/Garden Relationships Explored in Lithograph Prints
    Outside In: Human/Garden Relationships Explored in Lithograph Prints Author Hoare, Domenica C Published 2020-03-03 Thesis Type Thesis (Masters) School Queensland College of Art DOI https://doi.org/10.25904/1912/2338 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/392390 Griffith Research Online https://research-repository.griffith.edu.au Outside In: Human/Garden Relationships Explored in Lithograph Prints Domenica Hoare Bachelor of Fine Art (Hons) Queensland College of Art Arts, Education and Law Griffith University Submitted in fulfilment of the requirements of the degree of Master of Visual Arts (Fine Art) Supervisors Dr Tim Mosely Dr Bill Platz November 2019 Abstract Outside In is an exhibition of original lithograph prints arising out of a studio-based research project into how print can capture the nuances of contemporary human/garden relationships in the local environment of Brisbane. The lithographs depict various representations of local gardens; gardens created in a range of ways; and human interactions with these. The works displayed result from a process of critical reflection and creative response in action that finds possibilities in printmaking to highlight ways of seeing gardens in prints. This critical exegesis that accompanies the exhibition draws from the work of theorists George Seddon and Val Plumwood, garden designer William Robinson, author Penelope Lively and philosopher Damon Young. The exegesis also provides discussion of works by four print artists who explore garden themes in their work, namely Virgil Marti, William Morris, Maija Isola, and Édouard Vuillard. Within this framework, the research outcome is in the form of an exhibition of original prints that engage ideas about humans’ relationships with gardens.
    [Show full text]
  • 20. Yüzyildan Günümüze Tekstġl Yüzey Tasariminin Gġyġm Tasarimina Yansimalari
    T.C. MARMARA ÜNİVERSİTESİ GÜZEL SANATLAR ENSTİTÜSÜ TEKSTİL ANASANAT DALI 20. YÜZYILDAN GÜNÜMÜZE TEKSTĠL YÜZEY TASARIMININ GĠYĠM TASARIMINA YANSIMALARI Yüksek Lisans Tezi NESLİHAN ÖPÖZ İstanbul 2018 T.C. MARMARA ÜNİVERSİTESİ GÜZEL SANATLAR ENSTİTÜSÜ TEKSTİL ANASANAT DALI 20. YÜZYILDAN GÜNÜMÜZE TEKSTĠL YÜZEY TASARIMININ GĠYĠM TASARIMINA YANSIMALARI Yüksek Lisans Tezi NESLİHAN ÖPÖZ Danışman: Dr. Öğr. Üyesi SEMRA GÜR ÜSTÜNER İstanbul 2018 GENEL BĠLGĠLER İsim ve Soyadı : Neslihan Öpöz Anasanat Dalı : Tekstil Programı : Tekstil Tez Danışmanı : Dr. Öğr. Üyesi Semra Gür Üstüner Tez Türü ve Tarihi : Yüksek Lisans – Nisan 2018 Anahtar Kelimeler : 20. Yüzyıl, 21. Yüzyıl, Tekstil Yüzey Tasarımı, Giyim Tasarımı ÖZET 20. YÜZYILDAN GÜNÜMÜZE TEKSTĠL YÜZEY TASARIMININ GĠYĠM TASARIMINA YANSIMALARI Tekstil yüzey tasarımı; dokuma tasarımı ile başlayıp, kumaşın desenlendirilmesinden giysiye dönüşmesine kadar geçen geniş bir süreci kapsamaktadır. Tekstil tasarımında desenlendirme ise kumaş yapısının oluşturulmasından sonra, yüzeyin dekore edilmesi amacı ile yapılan bezeme, renklendirme ve dikiş yöntemlerinin tümüdür. Yüzey tasarımı, Endüstri Devrimi’nde yaşanan teknolojik gelişmeler ile değişmeye başlamış, sanat akımlarından, tasarım hareketlerinden, sosyal ve ekonomik koşullardan da etkilenmiştir. Bilgisayar destekli tasarım, bitim işlemleri ve kavramsal sorgulamalar, 20. yüzyılın sonlarında yüzey tasarımlarına yeni kimlikler kazandırmıştır. 21. yüzyıl tasarım dilini biçimlendiren yaklaşımı, tasarımcıların dijital çağın olanakları ile sanal gerçeklik kavramlarını
    [Show full text]
  • Urr~Sl .. ~!Lcjfiy -Cdldjl C!Ljj1lcj! NEWS LETTER
    urr~sl .. ~!lCJfiY -CDlDJl C!lJJ1lCJ! NEWS LETTER NUMBER 182 May-June 1966 ANNUAL MEETING ISSUE REPORT OF THE 35TH ANNUAL MEETING STATLER HILTON HOTEL, NEW YORK, NEW YORK 35TH ANNUAL I don 1 t know whether it was Max Salzman 1 s excellent panel J ISCC MEETING discussion on Instrumental Approaches to Color Formulation or whether it was Midge Wilson's excellent banquet speaker and arrangements or publicity, but something must be credited with bringing out an unusuaJ.ly large number of people to attend the 35th Annual Meeting of the Inter-Society Color Council. One hundred and fifty-six were registered, one hundred and seventy-one attended the banquet. One does not ordinarily expect to be charmed by a lecture on geology. Dr. Paul D. Lowman, Jr. of NASA's Goddard Space Flight Center achieved the unusual by teaching his audience a great deal about the synoptic geology, by arousing enthusiasm for a contribution of space flights to our geologic knowledge, and by showing us a large number of fascinating and beautiful color photographs made from the Gemini II space flight. Although many of us found faults in his photographs, few found fault with his lecture. The program as announced in Newsletter number 180-81 was an error. The panel members should have read as follows: Moderator - Max Saltzman - Allied Chemical 1. Dr. Gunter Wyszecki - National Research Council of Canada "Precision and Accuracy of Color Measurement" 2. Miss Ruth Johnston - Pittsburgh Plate Glass Company "Advances in Instrumentation for Colorant Formulation" 3. Dr. Edwin Stearns - American Cyanamid "Application of Instrumental Colorant Formulation Techniques - Session I" 4.
    [Show full text]
  • Bendigo Art Gallery Curator Requested Additional Garments to Bring the Exhibition Content up to 2018
    Curatorial consideration Exhibition theme Established during the golden age of post-war modernism, Marimekko is the Finnish textile and fashion company that achieved international fame in the 1960s and 70s with its bold screen prints and pop-art style graphics. Coinciding with the emerging liberation of women, the founding of Marimekko, or ‘Mary dress’ as the name literally translates, represented a pure concept; free from rules and constraints. The exhibition traces Marimekko’s meteoric rise from the 1950s to the present, and explores the dualities that define its aesthetic. Its iconic fabric patterns and unconventional ready-to-wear outfits brought colour and informality to an otherwise self-conscious fashion world. With more than 60 outfits, swathes of original fabrics, homewares, sketches and other archival materials, the exhibition focuses on the work of the talented individuals who defined this local textile practice and created its internationally recognisable designs. Who/what is Marimekko? • A Finnish design company based in Helsinki • Textiles, furnishings, homewares – a lifestyle approach • Established during the golden age of post-war modernism in 1951 • Artists and designers invited to create textile designs – a collaborative approach Marimekko’s mission • Armi Ratia envisaged a bold future for textile design • Coincided with the liberation of women in 60s, radical loose fitting designs • Original mission is still relevant – to bring joy to everyday moments Marimekko’s first fashion show was held in restaurant Kalastajatorppa, Helsinki, Finland in May 20th, 1951. The fabrics were designed by several designers including Maija isola, Eelis Muona and Eeva-Inkeri Tilhe. Garments were designed by fashion designer Riitta Immonen, who had her own fashion salon / atelée in Helsinki.
    [Show full text]
  • Marimekko Patterns
    Who/what is Marimekko? • A Finnish design company based in Helsinki • Textiles, furnishings, homewares – a lifestyle approach • Established during the golden age of post-war modernism in 1951 • Artists and designers invited to create textile designs – a collaborative approach Marimekko’s mission • Armi Ratia envisaged a bold future for textile design • Coincided with the liberation of women in 60s, radical loose fitting designs • Original mission is still relevant – to bring joy to everyday moments Marimekko’s first fashion show was held in restaurant Kalastajatorppa, Helsinki, Finland in May 20th, 1951. The fabrics were designed by several designers including Maija isola, Eelis Muona and Eeva-Inkeri Tilhe. Garments were designed by fashion designer Riitta Immonen, who had her own fashion salon / atelée in Helsinki. Photograph by Kolmio. Image courtesy Design Museum, Helsinki CHARACTERISTICS OF MARIMEKKO • Contrasts: urban and rural, restrained and bold, colourful and black and white, traditional and modern. • Founded in the early 1950s, the period known as the golden age of post-war modernism in Finland. • (note: Golden Age of Couture – Paris and London were 1947- 1957) • Emerging liberation of women from the traditional role of housewives. • The change in women’s fashions was particularly evident in Marimekko clothes in the mid-1950s. • Vuokko Nurmesniemi’s designs in 1950s: minimized use of cuttings in clothes was typical of her designs, ensuring the original fabric design was as complete as possible. The clothes represented a pure, new concept; they were free from the rules that constrained dress and dictated how women were supposed to look and what they should represent.
    [Show full text]
  • Marimekko Classics 2019 Sisus 170X245mm FIN ENG.Indd
    MARIMEKKO CLASSICS Designed for life CLASSICS 2 3 MARIMEKKO OUR HERITAGE Art of printmaking Marimekko’s own since 1951 textile printing factory in Helsinki, Finland, is the heart and soul of our pattern design. About one million Finland. Photograph: Matti Saanio, 1968 metres of fabric Factory workers printing fabric by hand in Helsinki, is printed there The printing factory has a crucial role in Marimekko’s design process. every year. Located at the Marimekko headquarters, it allows designers to work closely with the professionals who translate the designs into printed fabric one step at a time. Doing things together feeds creativity and innovation. We believe that being a pioneer in print design goes hand in hand with in-house production. Timelessness has been a key ingredient of Marimekko design since the very beginning. We constantly seek new ways to make our timeless, distinctive designs a lasting part of people’s everyday lives. 4 5 MARIMEKKO OUR HERITAGE Armi Ratia signing a message Japan. to Photograph: Matti Saanio, 1978 “Marimekko started out with printed textiles because that was the option that was available to the company. However, the concept could have been equally well expressed in the form of music, poetry, architecture – or even as a new kind of bread, rugs, furniture, ceramics, glass, jewellery, cars, a florist’s shop, ice cream or toys. It is worthwhile for us to be aware of this and keep it in mind when thinking about tomorrow’s – and today’s – Marimekko.” – ARMI R ATIA Marimekko, a Finnish design house and one of the world’s first real lifestyle brands since 1951, was founded by Armi Ratia (1912–1979) – a visionary woman of exceptional courage and imagination.
    [Show full text]
  • Superbrands Finland 56 Market Marimekko Corporation, Established in 1951, Is a Leading Textile and Clothing Design
    In the 1970s, Marimekko introduced simple ment and the systematic implementation of company’s future. A new state-of-the-art business idea drew on the ideals of this exci- In 2004, Kirsti Paakkanen, President everyday clothing in subtle designs, such as new ideas. printing machine and screen-making equip- ting and impulsive era and combined a strong of Marimekko, was named as the Ernst & the small-patterned shirts, dresses and unisex Marimekko has consistently nurtured and ment were acquired for the company’s textile belief in the future with freedom, joy and Young “Entrepreneur of the Year” in Finland. clothing created by Pentti Rinta. Marimekko’s refined its operations in line with the basic printing factory in Helsinki. By modernising power of creativity. However, the business idea Paakkanen represented Finland in the “World printed textiles division gained a versatile new philosophy of its business idea. The image of its printing production, the company gained was also built from daily realities. Entrepreneur of the Year 2005” competition in designer in 1974 when Fujiwo Ishimoto joined the Marimekko brand is bright. The company’s greatly needed additional capacity. Moreover, Monte Carlo in May. the company. The production of the still-popu- product profile is distinct, strengthening the the new machines and equipment will give achievements lar canvas bags also began in the 1970s. brand’s image. The international respect given Marimekko’s designers more latitude for bring- Marimekko has claimed its place in the History Armi Ratia’s passing in October 1979 her- to the products has increased its brand recog- ing their ideas to life.
    [Show full text]
  • Annual Report 2004 Annual Report 2004
    ANNUAL REPORT 2004 ANNUAL REPORT 2004 Contents Marimekko 3 Financial statements 22 Another name for business could be “life” 4 Report of the Board of Directors 22 Marimekko’s core values 5 Income statement 28 President’s review 7 Statement of changes in financial position 29 2004 in brief 8 Balance sheet 30 Marimekko’s visions, objectives, strategy 8 Notes to the financial statements 32 Shares and share capital 40 Marimekko's business operations 9 Per-share data 43 Formulas for the key figures 44 Net sales by market area and product line 9 Quarterly trends 2003–2004 45 Clothing 11 Five-year review 45 Interior decoration 13 The Board of Directors’ proposal for Bags 14 the distribution of profit 46 Retail sales 15 Auditors’ report 46 Domestic wholesale 15 Administration and auditors 47 Exports and international operations 16 Information for shareholders 48 Licensing 16 Information on Marimekko as an investment 49 Design 17 Stock exchange releases in 2004 49 Production 17 Securities brokers analysing Marimekko 50 Personnel 18 Addresses 51 Risk management 18 Social responsibility 19 Corporate governance 20 Maija Isola – Life, Art, Marimekko Exhibition at the Design Museum in Helsinki, 25 May – 4 Sept. 2005 Maija Isola (1927–2001) designed her first printed textiles in 1949 “Bon soir children. I’m having a wonderful time these days. I’ve started for Printex Oy, Marimekko’s predecessor. She worked as head designer working. Once again, I feel as if I’ll never find the time to do even a fraction of Marimekko’s interior fabrics until 1987. She also had an illustrious of all the things I want to do.
    [Show full text]
  • Yearbook 2012
    YEARBOOK 2012 1 Colour and joy to the world Marimekko is a Finnish textile and clothing design company. The core of its business is the design and manufacture of timeless and individual, CONTENTS practical and beautiful consumer goods. The array of Marimekko design 1 embraces household products ranging Colour and joy from furnishing fabrics to tableware to the world as well as clothing, bags and other accessories for people of all ages. 2 When Marimekko was founded in From the President 1951, the unparalleled patterns and and CEO colours of its printed fabrics gave it a strong and unique identity. A heritage 4 acquired over decades, with its values Armi Ratia and legends, is an inexhaustible 100th birthday treasure from which it is good to draw courage and the strength for 6 renewal, even today. The meaning of The origins of Oiva Marimekko design is to create aesthetic experiences for every moment in life. 8 For Marimekko, 2012 was filled Building a clothing with many unforgettable moments collection with new and old friends. The strongest impression left by the year is one of 10 rapid internationalisation. In the United A Normi for States, the company-owned store all seasons network expanded to the West Coast, and the public at the New York Fashion 12 Week were able to see Marimekko 2012 in figures for the first time in a striking and joyful show. China’s first Marimekko 16 store opened in Hong Kong, and in Highlights of 2012 Shanghai Marimekko provided colourful experiences both in a display at the 22 Museum of Contemporary Art and by Vision, goals holding a fashion show in the People’s and strategy Park.
    [Show full text]
  • Interim Report 1-9/2012
    Interim Report 1-9/2012 Mika Ihamuotila 30 October 2012 Agenda 1) Key events during the period: The trend of the period was in line with the company’s expectations. Eight Marimekko stores were opened in the third quarter. Marimekko was shown first time in New York fashion week. 2) Net sales: Net sales grew by 17% and international sales by no less than 32%. Strongest growth in sales was in North America and in Asia-Pacific. Sales in Finland rose driven by good growth in retail sales. 3) Operating profit: Profitability took a clear turn for the better as forecast. In the July-September period of 2012, operating profit grew by 50%; cumulative growth was 7%. 4) Market outlook and growth targets, and financial guidance The new stores opened during 2011 and other significant investments in the expansion of the distribution network, generate a substantial increase in sales in 2012. 19 new store openings have been confirmed for 2012. One store were opened in the first quarter three in the second and eight in the third. Net sales and operating profit forecasts for the full year 2012 remain unchanged. 5) Events after the review period: Expansion in North America continues. New company-owned store opened in Palo Alto, in the heart of Silicon Valley, at the end of October. New Beverly Hills store will open its doors mid- November. At the end of October, Marimekko held many big events in Shanghai. Key events In the third quarter of the year, Marimekko opened company-owned retail store in Boston and outlet in Manchester.
    [Show full text]