Pascal MARTI, AFC Director of Photography

Total Page:16

File Type:pdf, Size:1020Kb

Pascal MARTI, AFC Director of Photography Agent : Véronique Lhebrard [email protected] +33 1 56 58 55 80 http://www.agenceapicorp.com Pascal MARTI, AFC Director of Photography Filmography : Feature Films : - Jeune et Jolie Starring Marine Vacth, Géraldine Pailhas & Frédéric Pierrot Directed by François Ozon Produced by Mandarin Cinema Official selection : Cannes 2013 French release date : August 21st, 2013 - Une Vie Meilleure - A Better Life Starring Guillaume Canet & Leïla Bekhti Directed by Cédric Kahn Produced by Les films du Lendemain & Maïa Cinema Official selection : Toronto Festival 2011 French release date : January 4th 2012 - Paris Je t'Aime (2ème Arrondissement) Directed by Nobushiro Suwa Produced by Victoire Productions - Rosario Tijeras Starring Flora Martinez, Unax Ugalde, Manolo Cardona Directed by Emilio Maille Produced by Titan Prod - Le Rôle de sa Vie Starring Agnès Jaoui & Karine Viard Directed by François Favrat Produced by Les Films du Kiosque - Aime Ton Père Starring Gérard Depardieu, Guillaume Depardieu, Sylvie Testud, Julien Boisselier Directed by Jacob Berger Produced by GMT - Roberto Succo Starring Stefano Cassetti & Isild Le Besco Directed by Cédric Kahn Produced by Agat Films - Messiah Starring Lynne Dawson & Nicole Heaston Directed by William Klein Produced by Kuiv Productions - L'Ennui Starring Charles Berling, Sophie Guillemin & Arielle Dombasle Directed by Cédric Kahn Produced by Gemini Productions - Corps Plongés Starring Geo Lechner, Jean-Michel Martial & Bob Meyer Directed by Raoul Peck Produced by J.B.A Productions - Somnia ou le Voyage en Hypnopompia Starring Emilie Woitchik & Georges Guetary Directed by Hélène Guetary Produced by Les Films des Tournelles - Muere Mi vida Starring Chisco Amado, Francisco J. Basilio & Angela Castila Directed by Marc Targarona Produced by Rodar y Rodar - La Matiouette ou l'Arrière-Pays Starring Jacques Nolot & Patrick Fierry Directed by André Techiné Produced by INA Productions - Le Petit Prince A Dit Starring Richard Berry, Anemone Directed by Christine Pascal Produced by Svhumberger Films - Le Diable en Ville Starring Jean Poiret, Bruno Cremer, Bulle Ogier Directed by Christian de Chalonge Produced by Philippe Baraduc - S'En Fout La Mort Starring Isaac De Bankole & Alex Descas Directed by Claire denis Produced by Cinea - Man No Run Starring Les Têtes Brûlées Directed by Claire Denis Produced by Frog Productions - Zanzibar Starring Fabienne Babe & André Marcon Directed by Christine Pascal Produce by Schlumberger Films - Hôtel de France Starring Laurent Grevill, Valéria Bruni Tedeschi, Vincent Perez Directed by Patrice Chéreau Produced by Renn Productions - Double Messieurs Starring Carole Bouquet, Yves Afonso, Jean-François Stevenin Directed by Jean-François Stevenin Produced by Sagamore Films - Le Lieu du Crime Starring Catherine Deneuve & Danielle Darrieux Directed by André Téchiné Produced by alain Sarde - Rive Droite, Rive Gauche Starring Gérard Depardieu, Nathalie Baye, Carole Bouquet Directed by Philippe Labro Produced by Alain Terzian - Le Tartuffe Starring Gérard Depardieu, François Perier Directed by Gérard Depardieu Produced by Les Films du Losange Commercials : - Oasis / Directed by Vincent Lobelle / Produced by Soixante-Quinze - INPES Nutrition / Directed by Vincent Lobelle / Produced by Soixante-Quinze - Free / Directed by Vincent Lobelle / Produced by Soixante-Quinze - VW Russian Dolls / Directed by Thierry Poiraud / Produced by Rods - France.fr / Directed by Patrick Demarchelier / Produced by Soixante-Quinze / Canon 7D - Petit Marseillais / Directed by Eric Guirardo / Produce by Blue Film - Campari Club ''Jessica Alba'' / Directed by Jean-Paul Goude / Produced by Tate USA - Paris ''Milla Jovovich'' / Directed by Claudio Droguett / Produced by Twist Films - Groupama / Directed by Nakache & Toledano / Produced by Quad - Audi A6 / Directed by Matthijs Van Heijningen / Produced by Soixante-Quinze - BMW Flamingo / Directed by Dearin Seale / Produced by Radical Media - Epuron The Wind / Directed by The Vikings / Produced by Paranoid - Pulco / Directed by Martin Bourboulon / Produced by Satellite My Love - Le Jet / Directed by H5 / Produced by Addict - T-Mobile / Directed by Othmar Sweers . Produced by Balsa Films BV - Dolormin / Directed by Thomas Job / Produced by Five-Three-Double-Ninety Production - Atlantic Telecom / Directed by Thierry Poiraud / Produced by Paranoid - Staples ''The Wall'' / Directed by Thierry Poiraud / Produced by Paranoid - Orange / Directed by Gabe Ibanez / Produced by Tesauro SA - VW / Directed by Bram Van Riet / Produced by Blue Film - Azzaro / Directed by Jean-Pierre Roux / Produced by Kys La Prod - Sony / Directed by Louis-Pascal Cauvelaire / Produced by LPCP - Neuf Telecom / Directed by Philippe Pollet-Villard / Produced by U-Turn PH - Vigorsol / Directed by Thierry Poiraud / Produced by Paranoid - Nintendo / Directed by Frères Poiraud / Produced by Paranoid - Mc Donald's / Directed by Gregor Nicholas / Produced by Radical Media - Cepsa Camellos / Directed by Eduardo Mac Lean / Produced by Spika Films - Haagen Dasz / Directed by Jean-Pierre Roux / Produced by LA PAC - Adidas / Directed by Jean-Pierre Roux / Produced by LA PAC - Volskwagen / Directed by Paul Gay / Produced by Outsider Films - Renault / Directed by Javier de la Pena / Produced by Pisaro - Red Cross / Directed by Tarsem / Produced by @Radical Media - Fiat / Directed by Paul Gay / Produced by Outsider Films etc... .
Recommended publications
  • Cedric Jimenez
    THE STRONGHOLD Directed by Cédric Jimenez INTERNATIONAL MARKETING INTERNATIONAL PUBLICITY Alba OHRESSER Margaux AUDOUIN [email protected] [email protected] 1 SYNOPSIS Marseille’s north suburbs hold the record of France’s highest crime rate. Greg, Yass and Antoine’s police brigade faces strong pressure from their bosses to improve their arrest and drug seizure stats. In this high-risk environment, where the law of the jungle reigns, it can often be hard to say who’s the hunter and who’s the prey. When assigned a high-profile operation, the team engages in a mission where moral and professional boundaries are pushed to their breaking point. 2 INTERVIEW WITH CEDRIC JIMENEZ What inspired you to make this film? In 2012, the scandal of the BAC [Anti-Crime Brigade] Nord affair broke out all over the press. It was difficult to escape it, especially for me being from Marseille. I Quickly became interested in it, especially since I know the northern neighbourhoods well having grown up there. There was such a media show that I felt the need to know what had happened. How far had these cops taken the law into their own hands? But for that, it was necessary to have access to the police and to the files. That was obviously impossible. When we decided to work together, me and Hugo [Sélignac], my producer, I always had this affair in mind. It was then that he said to me, “Wait, I know someone in Marseille who could introduce us to the real cops involved.” And that’s what happened.
    [Show full text]
  • Of Gods and Men
    Mongrel Media Presents OF GODS AND MEN A Film by Xavier Beauvois (120 min., France, 2010) Distribution Publicity Bonne Smith 1028 Queen Street West Star PR Toronto, Ontario, Canada, M6J 1H6 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Fax: 416-488-8438 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html SYNOPSIS Eight French Christian monks live in harmony with their Muslim brothers in a monastery perched in the mountains of North Africa in the 1990s. When a crew of foreign workers is massacred by an Islamic fundamentalist group, fear sweeps though the region. The army offers them protection, but the monks refuse. Should they leave? Despite the growing menace in their midst, they slowly realize that they have no choice but to stay… come what may. This film is loosely based on the life of the Cistercian monks of Tibhirine in Algeria, from 1993 until their kidnapping in 1996. PREAMBLE In 1996 the kidnapping and murder of the seven French monks of Tibhirine was one of the culminating points of the violence and atrocities in Algeria resulting from the confrontation between the government and extremist terrorist groups that wanted to overthrow it. The disappearance of the monks – caught in a vice between both sides- had a great and long-lasting effect on the governments, religious communities and international public opinion. The identity of the murderers and the exact circumstances of the monks‟ deaths remain a mystery to this day.
    [Show full text]
  • Dossier De Presse
    Atypik Films Présente Patrick Ridremont François Berléand Virginie Efira DEAD MAN TALKING Un film belge de PATRICK RIDREMONT (Durée : 1h41) Distribution Relations Presse Atypik Films Laurence Falleur Communication 31 rue des Ombraies 57 rue du Faubourg Montmartre 92000 Nanterre 75009 Paris Eric Boquého Laurence Falleur Assisté de Sandrine Becquart Assisté de Vincent Bayol Et Jacques Domergue Tel : 01.83.92.80.51 Tel : 01.77.68.32.16. Port. : 06.48.89.41.29 Port. : 06.62.49.19.87. [email protected] [email protected] [email protected] Matériel de presse téléchargeable sur www.atypikfilms.com SYNOPSIS William Lamers , 40 ans, anonyme criminel condamné au Poison pour meurtre, se prépare à être exécuté. La procédure se passe dans l’indifférence générale et, ni la famille du condamné, ni celle de ses victimes n’a fait le déplacement pour assister à l’exécution. Seul le journaliste d’un minable tabloïd local est venu assister au «spectacle». Pourtant ce qui ne devait être qu’une formalité va rapidement devenir un véritable cauchemar pour Karl Raven, le directeur de la prison. Alors qu’on lui demande s’il a quelque chose à dire avant de mourir, William se met à raconter sa vie, et se lance dans un récit incroyable et bouleversant. Raven s’impatiente et appelle le Gouverneur Brodeck pour obtenir l'autorisation d'exécuter William. Mais comme la loi ne précise rien sur la longueur des dernières paroles et que le Gouverneur Stieg Brodeck, au plus bas dans les sondages, ne peut prendre aucun risque à un mois des élections, on décide de laisser William raconter son histoire jusqu’au bout.
    [Show full text]
  • MY KING (MON ROI) a Film by Maïwenn
    LES PRODUCTIONS DU TRESOR PRESENTS MY KING (MON ROI) A film by Maïwenn “Bercot is heartbreaking, and Cassel has never been better… it’s clear that Maïwenn has something to say — and a clear, strong style with which to express it.” – Peter Debruge, Variety France / 2015 / Drama, Romance / French 125 min / 2.40:1 / Stereo and 5.1 Surround Sound Opens in New York on August 12 at Lincoln Plaza Cinemas Opens in Los Angeles on August 26 at Laemmle Royal New York Press Contacts: Ryan Werner | Cinetic | (212) 204-7951 | [email protected] Emilie Spiegel | Cinetic | (646) 230-6847 | [email protected] Los Angeles Press Contact: Sasha Berman | Shotwell Media | (310) 450-5571 | [email protected] Film Movement Contacts: Genevieve Villaflor | PR & Promotion | (212) 941-7744 x215 | [email protected] Clemence Taillandier | Theatrical | (212) 941-7744 x301 | [email protected] SYNOPSIS Tony (Emmanuelle Bercot) is admitted to a rehabilitation center after a serious ski accident. Dependent on the medical staff and pain relievers, she takes time to look back on the turbulent ten-year relationship she experienced with Georgio (Vincent Cassel). Why did they love each other? Who is this man whom she loved so deeply? How did she allow herself to submit to this suffocating and destructive passion? For Tony, a difficult process of healing is in front of her, physical work which may finally set her free. LOGLINE Acclaimed auteur Maïwenn’s magnum opus about the real and metaphysical pain endured by a woman (Emmanuelle Bercot) who struggles to leave a destructive co-dependent relationship with a charming, yet extremely self-centered lothario (Vincent Cassel).
    [Show full text]
  • Le Programme October – November 2017 02 Contents/Highlights
    Le Programme October – November 2017 02 Contents/Highlights Ciné Lumière 3–17 Performances & Talks 18–20 Projet Lumière(s) 20 61st BFI London Film Festival Tribute to Jeanne Moreau 25th French Film Festival South Ken Kids Festival 22 5 – 15 Oct 19 Oct – 17 Dec 2 – 9 Nov p.6 pp.16-17 pp.9-13 Kids & Families 23 We Support 24 We Recommend 25 French Courses 27 South Ken Kids Festival Impro! Suzy Storck La Médiathèque / Culturethèque 28 13 – 19 Nov 18 Nov 26 Oct – 18 Nov p.22 p.18 Gate Theatre p.24 General Information 29 front cover image: Redoubtable by Michel Hazanavicius Programme design by dothtm Ciné Lumière New Releases Le Correspondant In Between On Body and Soul FRA/BEL | 2016 | 85 mins | dir. Jean-Michel Ben Soussan, Bar Bahar Teströl és lélekröl with Charles Berling, Sylvie Testud, Jimmy Labeeu, Sophie PSE/ISR/FRA | 2016 | 102 mins | dir. Maysaloun Hamoud, with HUN | 2017 | 116 mins | dir. Ildikó Enyedi, with Géza Mousel | cert. tbc | in French with EN subs Mouna Hawa, Sana Jammelieh, Shaden Kanboura | cert. 15 Morcsányi, Alexandra Borbély, Zoltán Schneider | cert. 18 in Hebrew & Arabic with EN subs in Hungarian with EN subs Malo and Stéphane are two students who are kind of losers and have just started high school. Their genious Winner of the Young Talents Award in the Women in Marking a singular return for Hungarian writer-director plan to become popular: to host a German exchange Motion selection in Cannes this year, In Between follows Ildikó Enyedi after an 18-year gap, On Body and Soul tells student with a lot of style, preferably a hot girl.
    [Show full text]
  • Course Catalogue 2016 /2017
    Course Catalogue 2016 /2017 1 Contents Art, Architecture, Music & Cinema page 3 Arabic 19 Business & Economics 19 Chinese 32 Communication, Culture, Media Studies 33 (including Journalism) Computer Science 53 Education 56 English 57 French 71 Geography 79 German 85 History 89 Italian 101 Latin 102 Law 103 Mathematics & Finance 104 Political Science 107 Psychology 120 Russian 126 Sociology & Anthropology 126 Spanish 128 Tourism 138 2 the diversity of its main players. It will thus establish Art, Architecture, the historical context of this production and to identify the protagonists, before defining the movements that Music & Cinema appear in their pulse. If the development of the course is structured around a chronological continuity, their links and how these trends overlap in reality into each IMPORTANT: ALL OUR ART COURSES ARE other will be raised and studied. TAUGHT IN FRENCH UNLESS OTHERWISE INDICATED COURSE CONTENT : Course Outline: AS1/1b : HISTORY OF CLASSIC CINEMA introduction Fall Semester • Impressionism • Project Genesis Lectures: 2 hours ECTS credits: 3 • "Impressionist" • The Post-Impressionism OBJECTIVE: • The néoimpressionnism To discover the great movements in the history of • The synthetism American and European cinema from 1895 to 1942. • The symbolism • Gauguin and the Nabis PontAven COURSE PROGRAM: • Modern and avantgarde The three cinematic eras: • Fauvism and Expressionism Original: • Cubism - The Lumière brothers : realistic art • Futurism - Mélies : the beginnings of illusion • Abstraction Avant-garde : - Expressionism
    [Show full text]
  • Stéphane Braunschweig Théâtre De L'odéon- 6E
    de Molière 17 septembre 25 octobre 2008 mise en scène & scénographie Stéphane Braunschweig Théâtre de l'Odéon- 6e costumes Thibault Vancraenenbroeck lumière Marion Hewlett son Xavier Jacquot collaboration artistique Anne-Françoise Benhamou collaboration à la scénographie Alexandre de Darden production Théâtre national de Strasbourg créé le 29 avril 2008 au Théâtre national de Strasbourg avec Monsieur Loyal : Jean-Pierre Bagot Cléante : Christophe Brault Tartuffe : Clément Bresson Valère : Thomas Condemine Orgon : Claude Duparfait Mariane : Julie Lesgages Elmire : Pauline Lorillard Dorine : Annie Mercier Damis : Sébastien Pouderoux Madame Pernelle : Claire Wauthion et avec la participation de l’exempt : François Loriquet Rencontre Spectacle du mardi au samedi à 20h, le dimanche à 15h, relâche le lundi Au bord de plateau jeudi 2 octobre Prix des places : 30€ - 22€ - 12€ - 7,50€ (séries 1, 2, 3, 4) à l’issue de la représentation, Tarif groupes scolaires : 11€ et 6€ (séries 2 et 3) en présence de l’équipe artistique. Entrée libre. Odéon–Théâtre de l’Europe Théâtre de l’Odéon Renseignements 01 44 85 40 90 e Place de l’Odéon Paris 6 / Métro Odéon - RER B Luxembourg L’équipe des relations avec le public : Scolaires et universitaires, associations d’étudiants Réservation et Actions pédagogiques Christophe Teillout 01 44 85 40 39 - [email protected] Emilie Dauriac 01 44 85 40 33 - [email protected] Dossier également disponible sur www.theatre-odeon.fr Certaines parties de ce dossier sont tirées du dossier pédagogique et du programme réalisés par l’équipe du Théâtre national de Strasbourg. Collaboration d’Arthur Le Stanc Tartuffe / 17 septembre › 25 octobre 2008 1 Oui, je deviens tout autre avec son entretien, Il m'enseigne à n'avoir affection pour rien ; De toutes amitiés il détache mon âme ; Et je verrais mourir frère, enfants, mère, et femme, Que je m'en soucierais autant que de cela.
    [Show full text]
  • Translated by Richard Wilbur Directed by Makaela Pollock
    Translated by Richard Wilbur Directed by Makaela Pollock All original material copyright © Seattle Shakespeare Company 2015 WELCOME Dear Educators, Tartuffe is a wonderful play, and can be great for students. Its major themes of hypocrisy and gullibility provide excellent prompts for good in-class discussions. Who are the “Tartuffes” in our 21st century world? What can you do to avoid being fooled the way Orgon was? Tartuffe also has some challenges that are best to discuss with students ahead of time. Its portrayal of religion as the source of Tartuffe’s hypocrisy angered priests and the deeply religious when it was first written, which led to the play being banned for years. For his part, Molière always said that the purpose of Tartuffe was not to lampoon religion, but to show how hypocrisy comes in many forms, and people should beware of religious hypocrisy among others. There is also a challenging scene between Tartuffe and Elmire at the climax of the play (and the end of Orgon’s acceptance of Tartuffe). When Tartuffe attempts to seduce Elmire, it is up to the director as to how far he gets in his amorous attempts, and in our production he gets pretty far! This can also provide an excellent opportunity to talk with students about staunch “family values” politicians who are revealed to have had affairs, the safety of women in today’s society, and even sexual assault, depending on the age of the students. Molière’s satire still rings true today, and shows how some societal problems have not been solved, but have simply evolved into today’s context.
    [Show full text]
  • Catalogue-2018 Web W Covers.Pdf
    A LOOK TO THE FUTURE 22 years in Hollywood… The COLCOA French Film this year. The French NeWave 2.0 lineup on Saturday is Festival has become a reference for many and a composed of first films written and directed by women. landmark with a non-stop growing popularity year after The Focus on a Filmmaker day will be offered to writer, year. This longevity has several reasons: the continued director, actor Mélanie Laurent and one of our panels will support of its creator, the Franco-American Cultural address the role of women in the French film industry. Fund (a unique partnership between DGA, MPA, SACEM and WGA West); the faithfulness of our audience and The future is also about new talent highlighted at sponsors; the interest of professionals (American and the festival. A large number of filmmakers invited to French filmmakers, distributors, producers, agents, COLCOA this year are newcomers. The popular compe- journalists); our unique location – the Directors Guild of tition dedicated to short films is back with a record 23 America in Hollywood – and, of course, the involvement films selected, and first films represent a significant part of a dedicated team. of the cinema selection. As in 2017, you will also be able to discover the work of new talent through our Television, Now, because of the continuing digital (r)evolution in Digital Series and Virtual Reality selections. the film and television series industry, the life of a film or series depends on people who spread the word and The future is, ultimately, about a new generation of foreign create a buzz.
    [Show full text]
  • Here Was Obviously No Way to Imagine the Event Taking Place Anywhere Else
    New theatre, new dates, new profile, new partners: WELCOME TO THE 23rd AND REVAMPED VERSION OF COLCOA! COLCOA’s first edition took place in April 1997, eight Finally, the high profile and exclusive 23rd program, years after the DGA theaters were inaugurated. For 22 including North American and U.S Premieres of films years we have had the privilege to premiere French from the recent Cannes and Venice Film Festivals, is films in the most prestigious theater complex in proof that COLCOA has become a major event for Hollywood. professionals in France and in Hollywood. When the Directors Guild of America (co-creator This year, our schedule has been improved in order to of COLCOA with the MPA, La Sacem and the WGA see more films during the day and have more choices West) decided to upgrade both sound and projection between different films offered in our three theatres. As systems in their main theater last year, the FACF board an example, evening screenings in the Renoir theater made the logical decision to postpone the event from will start earlier and give you the opportunity to attend April to September. The DGA building has become part screenings in other theatres after 10:00 p.m. of the festival’s DNA and there was obviously no way to imagine the event taking place anywhere else. All our popular series are back (Film Noir Series, French NeWave 2.0, After 10, World Cinema, documentaries Today, your patience is fully rewarded. First, you will and classics, Focus on a filmmaker and on a composer, rediscover your favorite festival in a very unique and TV series) as well as our educational program, exclusive way: You will be the very first audience to supported by ELMA and offered to 3,000 high school enjoy the most optimal theatrical viewing experience in students.
    [Show full text]
  • 12 Big Names from World Cinema in Conversation with Marrakech Audiences
    The 18th edition of the Marrakech International Film Festival runs from 29 November to 7 December 2019 12 BIG NAMES FROM WORLD CINEMA IN CONVERSATION WITH MARRAKECH AUDIENCES Rabat, 14 November 2019. The “Conversation with” section is one of the highlights of the Marrakech International Film Festival and returns during the 18th edition for some fascinating exchanges with some of those who create the magic of cinema around the world. As its name suggests, “Conversation with” is a forum for free-flowing discussion with some of the great names in international filmmaking. These sessions are free and open to all: industry professionals, journalists, and the general public. During last year’s festival, the launch of this new section was a huge hit with Moroccan and internatiojnal film lovers. More than 3,000 people attended seven conversations with some legendary names of the big screen, offering some intense moments with artists, who generously shared their vision and their cinematic techniques and delivered some dazzling demonstrations and fascinating anecdotes to an audience of cinephiles. After the success of the previous edition, the Festival is recreating the experience and expanding from seven to 11 conversations at this year’s event. Once again, some of the biggest names in international filmmaking have confirmed their participation at this major FIFM event. They include US director, actor, producer, and all-around legend Robert Redford, along with Academy Award-winning French actor Marion Cotillard. Multi-award-winning Palestinian director Elia Suleiman will also be in attendance, along with independent British producer Jeremy Thomas (The Last Emperor, Only Lovers Left Alive) and celebrated US actor Harvey Keitel, star of some of the biggest hits in cinema history including Thelma and Louise, The Piano, and Pulp Fiction.
    [Show full text]
  • The Grand Valley Ledger Wny La
    €iNe w TV Magazine Hi1 n00;: In This Issue'* Hi,,, -» ^ n i • k . Complete Listings For 'the - . ai:•' Lowell Cable TV System 4 49204 0 l« Scat ri of The Grand Valley Ledger wny lA Volume 7, Issue 21 Serving Lowell Area jgf Reader* Since 1893March 30. 1983 Teachers and Board come to terms on contract After months of sometimes to them by contract paid in equal payment of from 16 to 30 percent blame already-high taxes and as- would be willing to see the bus- grams they were willing to sup- tense negotiations, the Lowell installments until the last pay of the retiree's regular teaching sessments for the March 14 mil- ing program discontinued for the port with a favorable millage MBS Hducation Association and the date of the 1982-83 school year. salary lage defeat more than anything sake of improved instructional vote. The survey listed busing, a Bill Lowell Board of Education In addition, teachers will re- In a special meeting of the else. Fifty-one percent of the re- programs This figure compares six-hour school day. extra-cur- Wednesday ratified a three-year ceive salary increases of 6 per- board held Wednesday, March spondents said that taxes were with 41 percent for non-parents ncular activities, buildings and contract agreement which gives cent for the 1983-84 school year, 23, High School Assistant Prin- the reason for the millage defeat, These results were significant grounds improvements, and in- teachers the retroactive pay in- and 6-1/2 percent for the year cipal Dick Korb explained the re- compared with 20 percent who to Korb because they seemed to structional improvements.
    [Show full text]