Jürgen Doering Costume Designer
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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
Cedric Jimenez
THE STRONGHOLD Directed by Cédric Jimenez INTERNATIONAL MARKETING INTERNATIONAL PUBLICITY Alba OHRESSER Margaux AUDOUIN [email protected] [email protected] 1 SYNOPSIS Marseille’s north suburbs hold the record of France’s highest crime rate. Greg, Yass and Antoine’s police brigade faces strong pressure from their bosses to improve their arrest and drug seizure stats. In this high-risk environment, where the law of the jungle reigns, it can often be hard to say who’s the hunter and who’s the prey. When assigned a high-profile operation, the team engages in a mission where moral and professional boundaries are pushed to their breaking point. 2 INTERVIEW WITH CEDRIC JIMENEZ What inspired you to make this film? In 2012, the scandal of the BAC [Anti-Crime Brigade] Nord affair broke out all over the press. It was difficult to escape it, especially for me being from Marseille. I Quickly became interested in it, especially since I know the northern neighbourhoods well having grown up there. There was such a media show that I felt the need to know what had happened. How far had these cops taken the law into their own hands? But for that, it was necessary to have access to the police and to the files. That was obviously impossible. When we decided to work together, me and Hugo [Sélignac], my producer, I always had this affair in mind. It was then that he said to me, “Wait, I know someone in Marseille who could introduce us to the real cops involved.” And that’s what happened. -
International Casting Directors Network Index
International Casting Directors Network Index 01 Welcome 02 About the ICDN 04 Index of Profiles 06 Profiles of Casting Directors 76 About European Film Promotion 78 Imprint 79 ICDN Membership Application form Gut instinct and hours of research “A great film can feel a lot like a fantastic dinner party. Actors mingle and clash in the best possible lighting, and conversation is fraught with wit and emotion. The director usually gets the bulk of the credit. But before he or she can play the consummate host, someone must carefully select the right guests, send out the invites, and keep track of the RSVPs”. ‘OSCARS: The Role Of Casting Director’ by Monica Corcoran Harel, The Deadline Team, December 6, 2012 Playing one of the key roles in creating that successful “dinner” is the Casting Director, but someone who is often over-looked in the recognition department. Everyone sees the actor at work, but very few people see the hours of research, the intrinsic skills, the gut instinct that the Casting Director puts into finding just the right person for just the right role. It’s a mix of routine and inspiration which brings the characters we come to love, and sometimes to hate, to the big screen. The Casting Director’s delicate work as liaison between director, actors, their agent/manager and the studio/network figures prominently in decisions which can make or break a project. It’s a job that can't garner an Oscar, but its mighty importance is always felt behind the scenes. In July 2013, the Academy of Motion Pictures of Arts and Sciences (AMPAS) created a new branch for Casting Directors, and we are thrilled that a number of members of the International Casting Directors Network are amongst the first Casting Directors invited into the Academy. -
OLIVIER ASSAYAS CHARLES GILLIBERT Presents
CHARLES GILLIBERT presents KRISTEN STEWART PERSONAL SHOPPER A FILM BY OLIVIER ASSAYAS CHARLES GILLIBERT presents KRISTEN STEWART PERSONAL SHOPPER A FILM BY OLIVIER ASSAYAS With LARS EIDINGER SIGRID BOUAZIZ ANDERS DANIELSEN LIE NORA VON WALDSTÄTTEN France • 2016 • 1h45 • 2.35 • Color • 5.1 aureen is a young American woman in Paris making her living as a personal shopper for a celebrity. Also, Maureen may have M the psychic ability to communicate with spirits, just like her twin brother, Lewis, who recently passed away. She soon starts receiving ambiguous messages coming from an unknown source. Photo © Carole Bethuel INTERVIEW WITH KRISTEN STEWART / Did you think you would work again with in his films. Can you say the same for him? That Olivier Assayas so quickly, only two years after he’s director you’ve always been looking for? Sils Maria ? Yes, hands down. We’ve both worked with a No. But I knew he liked acting with the same lot of people. But we share a non-verbal form of people, actors and technicians. So, deep down, communication that is perfect in our profession. I hoped I would. We got along really well on the We don’t talk a lot, but we understand one another set of Sils Maria and I figured, sooner or later, and share many of the same interests, as well as we’d work again on a creative project. But I had a similar type of curiosity. It’s a lot of fun to work no idea it would be so soon! I’m a good friend of with him. -
Mongrel Media
Mongrel Media Presents I’VE LOVED YOU SO LONG (Il y a longtemps que je t’aime) A Film By Philippe Claudel Starring Kristin Scott Thomas Elsa Zylberstein Official Selection: 2008 Berlin Film Festival Official Selection: 2008 Telluride Film Festival Official Selection: 2008 Toronto International Film Festival (117 mins, France/Germany, 2008) Distribution Publicity Bonne Smith 1028 Queen Street West Star PR Toronto, Ontario, Canada, M6J 1H6 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Fax: 416-488-8438 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html "I'VE LOVED YOU SO LONG" is a film about the strength of women, their capacity to shine forth, reconstruct themselves and be reborn. A story about our secrets, about confinement, about the isolation we all share…." - Philippe Claudel SYNOPSIS Léa (Elsa Zylberstein) and Juliette (Kristin Scott Thomas) are sisters. The film begins with Léa, the younger sister by fifteen years, picking Juliette up at the airport. We soon realize that the two sisters are almost complete strangers to each other. Juliette has just been released from prison after serving a long sentence. Léa was still a teenager when Juliette, a doctor, was convicted of the murder of her six-year-old son. Léa contacted Juliette when she was released and suggested that Juliette come to live with her. Juliette had no particular desire to see her sister again. Luc (Serge Hazanavicius), Léa’s husband, is quite reserved, almost hostile, about Juliette’s presence under their roof. -
TREFOR PROUD Make-Up Artist IATSE 706 Journeyman Member of the Academy of Motion Picture Arts and Sciences
TREFOR PROUD Make-Up Artist IATSE 706 Journeyman Member of the Academy of Motion Picture Arts and Sciences FILM MR. CHURCH Make-Up Department Head Director: Bruce Beresford Cast: Britt Robertson, Xavier Samuel, Christian Madsen SPY Make-Up Department Head Director: Paul Feig Cast: Jason Statham, Rose Byrme, Peter Serafinowicz, Julian Miller THE PURGE 2 - ANARCHY Make-Up Department Head and Mask Design Director: James DeMonaco Cast: Michael K. Williams, Frank Grillo, Carmen Ejogo BONNIE AND CLYDE Make-Up Department Head Director: Bruce Beresford Cast: Emile Hirsch, Holly Hunter, William Hurt, Sarah Hyland Nominee: Emmy – Outstanding Make-Up for a Miniseries or a Movie (Non-Prosthetic) ENDER’S GAME Make-Up Department Head Director: Gavin Hood Cast: Harrison Ford, Asa Butterfield, Sir Ben Kingsley JACK REACHER Make-Up Department Head Director: Christopher McQuarrie Cast: Rosamund Pike, Robert Duvall THE RITE Make-Up and Hair Designer Director: Mikael Håfström Cast: Alice Braga, Anthony Hopkins, Ciarán Hinds A NIGHTMARE ON ELM STREET Department Head Make-Up, Los Angeles Director: Samuel Bayer Cast: Jackie Earle Hayley, Kyle Gallner, Rooney Mara, Katie Cassidy, Thomas Dekker, Kellan Lutz, Clancy Brown LONDON DREAMS Make-Up and Hair Designer Director: Vipul Amrutlal Shah Cast: Salman Khan, Ajay Devgan, Asin, THE COURAGEOUS HEART Make-Up and Hair Department Head OF IRENA SENDLER Director: John Kent Harrison Hallmark Hall of Fame Cast: Anna Paquin, Goran Visnjic, Marcia Gay Harden Winner: Emmy for Outstanding Make-Up for a Miniseries or Movie -
Kenyon Collegian College Archives
Digital Kenyon: Research, Scholarship, and Creative Exchange The Kenyon Collegian College Archives 9-9-2004 Kenyon Collegian - September 9, 2004 Follow this and additional works at: https://digital.kenyon.edu/collegian Recommended Citation "Kenyon Collegian - September 9, 2004" (2004). The Kenyon Collegian. 300. https://digital.kenyon.edu/collegian/300 This News Article is brought to you for free and open access by the College Archives at Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in The Kenyon Collegian by an authorized administrator of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. loQjliN BOOKSTORE OPENS KENYON ESTABLISHED 1856 SWIMS TO GLORY H op- - Volume cxxxii, Number 2 Used bookstore begins Three Kenyon swimmers wjXXjtX collegian.kenyon.edu eration in old art gallery aim for Olympic victory XX Features, p. 6 . Sports, p. 16 The Kenyon Collegian Gambier, Ohio THURSDAY, SEPTEMBER 9, 2004 1 6 Pages Kerry makes historic visit to Mt. Vernon BY WILLOW BELDEN AND Democrats' chant of "Two more Street, pushing their way through deliver a speech, he was the first Friday. major-part- y MIKE LUDDERS months! Two more months!" with the crowd that surrounded Kerry's presidential candidate Many of the pro-Ker- ry crowd Collegian Staff their own chant of "Four more motor coach. Secret Service per- to pass through Mt. Vernon in at assembled on their own, though the years! Four more years!" sonnel had their hands full trying least the last 100 years, and his visit Knox County chapter of Democ- Amidst a sea of political signs As Kerry's bus rolled into to keep the swarms of people aroused much excitement. -
MY KING (MON ROI) a Film by Maïwenn
LES PRODUCTIONS DU TRESOR PRESENTS MY KING (MON ROI) A film by Maïwenn “Bercot is heartbreaking, and Cassel has never been better… it’s clear that Maïwenn has something to say — and a clear, strong style with which to express it.” – Peter Debruge, Variety France / 2015 / Drama, Romance / French 125 min / 2.40:1 / Stereo and 5.1 Surround Sound Opens in New York on August 12 at Lincoln Plaza Cinemas Opens in Los Angeles on August 26 at Laemmle Royal New York Press Contacts: Ryan Werner | Cinetic | (212) 204-7951 | [email protected] Emilie Spiegel | Cinetic | (646) 230-6847 | [email protected] Los Angeles Press Contact: Sasha Berman | Shotwell Media | (310) 450-5571 | [email protected] Film Movement Contacts: Genevieve Villaflor | PR & Promotion | (212) 941-7744 x215 | [email protected] Clemence Taillandier | Theatrical | (212) 941-7744 x301 | [email protected] SYNOPSIS Tony (Emmanuelle Bercot) is admitted to a rehabilitation center after a serious ski accident. Dependent on the medical staff and pain relievers, she takes time to look back on the turbulent ten-year relationship she experienced with Georgio (Vincent Cassel). Why did they love each other? Who is this man whom she loved so deeply? How did she allow herself to submit to this suffocating and destructive passion? For Tony, a difficult process of healing is in front of her, physical work which may finally set her free. LOGLINE Acclaimed auteur Maïwenn’s magnum opus about the real and metaphysical pain endured by a woman (Emmanuelle Bercot) who struggles to leave a destructive co-dependent relationship with a charming, yet extremely self-centered lothario (Vincent Cassel). -
Catalogue-2018 Web W Covers.Pdf
A LOOK TO THE FUTURE 22 years in Hollywood… The COLCOA French Film this year. The French NeWave 2.0 lineup on Saturday is Festival has become a reference for many and a composed of first films written and directed by women. landmark with a non-stop growing popularity year after The Focus on a Filmmaker day will be offered to writer, year. This longevity has several reasons: the continued director, actor Mélanie Laurent and one of our panels will support of its creator, the Franco-American Cultural address the role of women in the French film industry. Fund (a unique partnership between DGA, MPA, SACEM and WGA West); the faithfulness of our audience and The future is also about new talent highlighted at sponsors; the interest of professionals (American and the festival. A large number of filmmakers invited to French filmmakers, distributors, producers, agents, COLCOA this year are newcomers. The popular compe- journalists); our unique location – the Directors Guild of tition dedicated to short films is back with a record 23 America in Hollywood – and, of course, the involvement films selected, and first films represent a significant part of a dedicated team. of the cinema selection. As in 2017, you will also be able to discover the work of new talent through our Television, Now, because of the continuing digital (r)evolution in Digital Series and Virtual Reality selections. the film and television series industry, the life of a film or series depends on people who spread the word and The future is, ultimately, about a new generation of foreign create a buzz. -
This Is a Reproduction of a Library Book That Was Digitized by Google As Part of an Ongoing Effort to Preserve the Information
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com Poems CecilFrancesAlexander,WilliamAlexander POEMS •s I « ». 1 '."...•''* '•' I. «.'.'' ."*.,!• M,i . i V \ . ' ' •• ! •• ' .••. K "•' ••. V POEMS BY CECIL FRANCES ALEXANDER (C. F. AfT^ EDITED, WITH A PREFACE, BY WILLIAM ALEXANDER D.D. OXON, LL.D. DUBLIN, D.C.L. OXON, ARCHBISHOP OP ARMAGH AND PRIMATE OF ALL IRELAND. ftontoou MACMILLAN AND CO., LTD. NEW YORK : MACMILLAN & CO. 1896 The Right of Translation a,ut Reproduction is Reserved RICHARD CLAY AND SONS, LIMITED, LONDON AND BUNGAY. P/e PREFACE I. """THE biographical portion of this Preface must necessarily be brief. Such as it is, how ever, it may tend to convey some notion of the circumstances by which Mrs. Alexander's life was moulded, and of the surroundings by which her poetry was tinged. Cecil Frances Humphreys was the daughter of Major John Humphreys, a Norfolk man by birth. The Major served with distinction in the Royal Marines, and was present at the Battle of Copenhagen. He used to tell with pride how he had seen Nelson move into action and heard him cry to Captain Inman as he passed by, " Well done, Harry ! " Major Humphreys be came a landowner in Wicklow and Tyrone, and an extensive land-agent in the north of Ireland, where he resided for many years at vi PREFACE Miltown House, near Strabane. Whilst he was living at Ballykean, in the county Wicklow, a tender attachment sprang up between the Ladies Howard, daughters of the Earl of Wicklow, and Fanny and her sisters. -
Clouds of Sils Maris: Truth Vs
Home Treatment Assessments Consultation About Me Fees Contact Clouds of Sils Maris: Truth vs. Delusion, Resistance is Futile Posted on December 2, 2017 Betty Kershner, PhD. is a Registered Psychologist specializing in both adults and children, from infancy onward, and recently moved her office to West Toronto. She has worked with and consulted in a wide range of settings and is familiar with many types of concerns and solutions. She is able to offer assessments and treatment. Please Contact her here. The Clouds of Sils Maria portrays one woman’s struggle to deny a universal truth: We age. We get old. We do not stay the same. Written and directed by Olivier Assayas and released in 2014, the film stars Juliette Binoche, Kristen Stewart and Chloe Grace Moretz. Filmed in Germany, Italy and Switzerland, it tells the story of Maria Enders, a famous actress who reluctantly appears in a revival of the play that made her a star decades earlier; her personal assistant Valentin; and the tabloid fodder Hollywood starlet Jo-Anne. Assayas was challenged by Binoche to “write a really great female role”. He created three. Olivier Assayas a generation defined was born in by “painting, politics 1955 in Paris to and rock music” a mother who was a fashion designer, a maternal grandfather who was an acclaimed painter, and a father who was a screenwriter and former assistant to Max Ophuls, whose films often dealt with women coming to terms with their romantic illusions about love. Assayas grew up surrounded by beauty and by members of the French film industry, in a generation defined by “painting, politics and rock music” – the radicalized youth culture in the aftermath of the 1968 revolts. -
Playwright DAVID HARE Receives the Guild's 2017 GIELGUD AWARD
But the culminating moments of a richly varied program Playwright DAVID HARE Receives were devoted to the GIELGUD AWARD FOR EXCELLENCE IN THE DRAMATIC ARTS and to the afternoon’s final presentation, for The Guild’s 2017 GIELGUD AWARD OUTSTANDING CONTRIBUTION TO BRITISH THEATRE.. That trophy went to LYN GARDNER, “a renowned theatre journalist, critic, n Sunday, October 15, at a memorable UK THEATRE author, and champion of the industry, whose invaluable O AWARDS luncheon in London’s historic GUILDHALL, one insights can most often be found in The Guardian and The of today’s most versatile dramatic artists received the 2017 Stage, of which she is an associate editor.” GIELGUD AWARD FOR EXCELLENCE IN THE DRAMATIC ARTS. Not only has DAVID HARE enriched our theatrical repertory resenting this year’s GIELGUD AWARD was FREDDIE FOX, with some of the most resonant and challenging stageplays of P an actor of impeccable pedigree who is admired for our era. He has also produced screenplays that have garnered films such as The Three Musketeers, Victor Frankenstein, The Riot Club, Pride, and Worried About the Boy, as well as for such stage roles as Bosie in The Judas Kiss, a David Hare drama about the tragic fall of Oscar Wilde. Mr. Fox talked about how much he’d enjoyed working not only with Sir David but with artistic director Jonathan Kent while co-starring in this Hampstead Theatre production. As he bestowed the 2017 GIELGUD trophy, he shared two messages from admirers of Sir David who were unable to attend the Guildhall luncheon.