NEWSLETTER No. 93 December 18Th, 2008
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RESISTANCE MADE in HOLLYWOOD: American Movies on Nazi Germany, 1939-1945
1 RESISTANCE MADE IN HOLLYWOOD: American Movies on Nazi Germany, 1939-1945 Mercer Brady Senior Honors Thesis in History University of North Carolina at Chapel Hill Department of History Advisor: Prof. Karen Hagemann Co-Reader: Prof. Fitz Brundage Date: March 16, 2020 2 Acknowledgements I want to thank Dr. Karen Hagemann. I had not worked with Dr. Hagemann before this process; she took a chance on me by becoming my advisor. I thought that I would be unable to pursue an honors thesis. By being my advisor, she made this experience possible. Her interest and dedication to my work exceeded my expectations. My thesis greatly benefited from her input. Thank you, Dr. Hagemann, for your generosity with your time and genuine interest in this thesis and its success. Thank you to Dr. Fitz Brundage for his helpful comments and willingness to be my second reader. I would also like to thank Dr. Michelle King for her valuable suggestions and support throughout this process. I am very grateful for Dr. Hagemann and Dr. King. Thank you both for keeping me motivated and believing in my work. Thank you to my roommates, Julia Wunder, Waverly Leonard, and Jamie Antinori, for being so supportive. They understood when I could not be social and continued to be there for me. They saw more of the actual writing of this thesis than anyone else. Thank you for being great listeners and wonderful friends. Thank you also to my parents, Joe and Krista Brady, for their unwavering encouragement and trust in my judgment. I would also like to thank my sister, Mahlon Brady, for being willing to hear about subjects that are out of her sphere of interest. -
Die Stadt Ohne
HAUS KINO KULTUR MÄRZ 2018 DIE STADT OHNE Eine Ausstellung zum Republiksjubiläum Die NS-Zeit im neuen NACHBILDER österreichischen Kino WELTPREMIERE: DIE STADT OHNE JUDEN Foto: Hertha Hurnaus Foto: AYSE ERKMAN, questions and suggestions, Erweiterungsbau der AK Wien kultur.arbeiterkammer.at 180201_Kunstprojekt_Erkman_110x155.indd 1 01.02.18 09:58 METRO KINOKULTURHAUS PROGRAMM VON 1. MÄRZ BIS 4. APRIL ach einer beispiellosen Filmrettungsaktion und der damit finanzierten Restaurie- N rung feiert der »utopische« Stummfilm DIE STADT OHNE JUDEN nun seine Welt- premiere. Der Film bildet auch die Basis für eine neue große Ausstellung zum Repub- liksjubiläum: DIE STADT OHNE – rund um die neu rekonstruierten Filmbilder spannt die Schau große Bögen von der Geschichte der Ersten Republik bis zur Gegenwart, wo sich Muster der gesellschaftlichen Polarisierung zu wiederholen scheinen. Wie sehr das Thema NS-Zeit das neue österreichische Kino geprägt hat, zeigt die Retro- spektive Nachbilder in 27 Beispielen. Und wie Archivarbeit das audiovisuelle Gedächt- nis erweitern kann, demonstrieren die beiden Programme von Augenblicke der Geschichte: neu entdeckte, noch nie gezeigte Amateuraufnahmen, entstanden rund um den 12. März 1938. Mit seiner Pionierproduktion FILMEMIGRATION AUS NAZI- DEUTSCHLAND legt Günter Peter Straschek den Finger in immer noch offene Wun- den. Vom Überleben tiefer Verletzungen erzählen die beiden Kinostarts UGLY und THE WOMAN WHO LEFT. Kino, das reflektiert, berührt – und feiert: dafür stehen auch die Festivals im März, Tricky Women, die Diagonale und das Jüdische Filmfestival. Ernst Kieninger und das Filmarchiv-Team AUSSTELLUNG DIE STADT OHNE | 2.3.–30.12. 02 RETROSPEKTIVEN NACHBILDER | 2.3.–4.4. 12 AUGENBLICKE DER GESCHICHTE | 12.–16.3. 34 FILMEMIGRATION AUS NAZIDEUTSCHLAND | 3.–4.4. -
Films Fantastic 5
FILMS FANTASTIC 5 The Original CAPTAIN MARVEL Films Fantastic 5, published by Eric Jamborsky for the NFFF Film Bureau. [email protected] Captain Marvel was originally a character in Fawcett Comics, their entry into the super hero comic market. In the origin story newsboy Billy Batson encounters the wizard Shazam who tells Billy that by speaking the wizard’s name he will become Captain Marvel. In the form of Captain Marvel he will have the wisdom of Soloman, the strength of Hercules, the stamina of Atlas, the power of Zeus, the courage of Achilles, and the speed of Mercury (thereby hopeless scrambling Greek/Roman mythology). The character quickly caught on, due in part to the often tongue-in-cheek approach. In 1940 Republic Pictures was interested in bringing a super hero to the screen and approached DC Comics about licensing Superman, but DC had already made a deal with Max Fleischer to produce a series of animated cartoons. Republic then approached Fawcett and got the rights to make a serial of the ADVENTURES OF CAPTAIN MARVEL. Now Republic made the best serials at the time, but was not necessarily known for its fidelity to the source material. Billy Batson was no longer selling newspapers, but was broadcasting on radio. Captain Marvel became a bit more gritty, casually tossing bad guys from the roofs of tall buildings and not bothering to catch them. But the Saturday morning audiences ate it up and the ADVENTURES OF CAPTAIN MARVEL became one of the most popular serials of all time, right on the heels of Universal’s FLASH GORDON. -
Daily Iowan (Iowa City, Iowa), 1940-06-18
i, 1040 - Lcftgltc Race Pardy Cloudy Reds WIn, Reraln Lead AI II IOWA - Partb eJoedJ, • .few Dodrer. LON .. , I aeaUerecl &bllAderailowers , h II ,7 See Swrll!. on Pa,e 4 alterDooD er ",111 &lid tomorrow. -, , l -- Iowa City'. Mornin, New.paper rs FIVE CENTS IOWA CITY, lOW A TUESDAY, JUNE 18, 1940 VOLUME XL NUMBER 221 ly4 I, =====~ --bUilding The Olc\ ) med lhe ,yilh this ,ther ob- d by the on's lin- 1, a pro- n to lhe )ld Cap_ s of this ew days,-- *** *** *** *** *** * * *** e Soviet Union Takes Military-Occupation of 3 Nations * * * * * * Tlte Soviet Union Acts Rushes Troops Tanks to New rGroup of Leaders Meets to Discuss -Armistice Plea Unan. wered., • '. , "Cartel Systern" to Handle Exports HEAVY LI,..E MARKS NI!W NA'ZI-SOVIItT BaltIC Bases After UltImatum WASHINGTON, June 17 (AP).port;-of Central and South Am- German Onslaught Continue FRONTIEICS -A vast "cartel sys m" to handle erica, ond perhaps Canada, and exports of Latin-American pro- resell them to Europe, The 21 Move Gives Russians Unchallenged Cornrpand ducts and block nazi economic Amer'ican r publics thus would 'Honorable Peace' IB Condition 01 urrender Of Eastern End of Baltic Sea; Pnts j:!omination in this heniliphere was delll with the corporation rather As Exhausted Troops Baul Again f under consideration, officials aid than becom subject to th nazi Armies on Nazi Frontiers today, as a group of government barter sy:'iem with its accompany He~vy Odds on All Fronts leader& held an hour-and-a-halt itlg political penetration, BY THOMAS F. -
Autograph Albums - ITEM 936
Autograph Albums - ITEM 936 A Jess Barker Jocelyn Brando Lex Barker Marlon Brando Walter Abel Binnie Barnes Keefe Brasselle Ronald Adam Lita Baron Rossano Brazzi Julie Adams Gene Barry Teresa Brewer (2) Nick Adams John Barrymore, Jr. (2) Lloyd Bridges Dawn Addams James Barton Don Briggs Brian Aherne Count Basie Barbara Britton Eddie Albert Tony Bavaar Geraldine Brooks Frank Albertson Ann Baxter Joe E. Brown Lola Albright John Beal Johnny Mack Brown Ben Alexander Ed Begley, Sr. Les Brown John Alexander Barbara Bel Geddes Vanessa Brown Richard Allan Harry Belafonte Carol Bruce Louise Allbritton Ralph Bellamy Yul Brynner Bob “Tex” Allen Constance Bennett Billie Burke June Allyson Joan Bennett George Burns and Gracie Allen Kirk Alyn Gertrude Berg Richard Burton Don Ameche Polly Bergen Spring Byington Laurie Anders Jacques Bergerac Judith Anderson Yogi Berra C Mary Anderson Edna Best Susan Cabot Warner Anderson (2) Valerie Bettis Sid Caesar Keith Andes Vivian Blaine James Cagney Dana Andrews Betsy Blair Rory Calhoun (2) Glenn Andrews Janet Blair Corinne Calvet Pier Angeli Joan Blondell William Campbell Eve Arden Claire Bloom Judy Canova Desi Arnaz Ben Blue Macdonald Carey Edward Arnold Ann Blyth Kitty Carlisle Mary Astor Humphrey Bogart Richard Carlson Jean-Pierre Aumont Ray Bolger Hoagy Carmichael Lew Ayres Ward Bond Leslie Caron B Beulah Bondi John Carradine Richard Boone Madeleine Carroll Lauren Bacall Shirley Booth Nancy Carroll Buddy Baer Ernest Borgnine Jack Carson (2) Fay Bainter Lucia Bose Jeannie Carson Suzan Ball Long Lee Bowman -
Film Noir Database
www.kingofthepeds.com © P.S. Marshall (2021) Film Noir Database This database has been created by author, P.S. Marshall, who has watched every single one of the movies below. The latest update of the database will be available on my website: www.kingofthepeds.com The following abbreviations are added after the titles and year of some movies: AFN – Alternative/Associated to/Noirish Film Noir BFN – British Film Noir COL – Film Noir in colour FFN – French Film Noir NN – Neo Noir PFN – Polish Film Noir www.kingofthepeds.com © P.S. Marshall (2021) TITLE DIRECTOR Actor 1 Actor 2 Actor 3 Actor 4 13 East Street (1952) AFN ROBERT S. BAKER Patrick Holt, Sandra Dorne Sonia Holm Robert Ayres 13 Rue Madeleine (1947) HENRY HATHAWAY James Cagney Annabella Richard Conte Frank Latimore 36 Hours (1953) BFN MONTGOMERY TULLY Dan Duryea Elsie Albiin Gudrun Ure Eric Pohlmann 5 Against the House (1955) PHIL KARLSON Guy Madison Kim Novak Brian Keith Alvy Moore 5 Steps to Danger (1957) HENRY S. KESLER Ruth Ronan Sterling Hayden Werner Kemperer Richard Gaines 711 Ocean Drive (1950) JOSEPH M. NEWMAN Edmond O'Brien Joanne Dru Otto Kruger Barry Kelley 99 River Street (1953) PHIL KARLSON John Payne Evelyn Keyes Brad Dexter Frank Faylen A Blueprint for Murder (1953) ANDREW L. STONE Joseph Cotten Jean Peters Gary Merrill Catherine McLeod A Bullet for Joey (1955) LEWIS ALLEN Edward G. Robinson George Raft Audrey Totter George Dolenz A Bullet is Waiting (1954) COL JOHN FARROW Rory Calhoun Jean Simmons Stephen McNally Brian Aherne A Cry in the Night (1956) FRANK TUTTLE Edmond O'Brien Brian Donlevy Natalie Wood Raymond Burr A Dangerous Profession (1949) TED TETZLAFF George Raft Ella Raines Pat O'Brien Bill Williams A Double Life (1947) GEORGE CUKOR Ronald Colman Edmond O'Brien Signe Hasso Shelley Winters A Kiss Before Dying (1956) COL GERD OSWALD Robert Wagner Jeffrey Hunter Virginia Leith Joanne Woodward A Lady Without Passport (1950) JOSEPH H. -
Comparing Hitler and Stalin: Certain Cultural Considerations
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 6-2014 Comparing Hitler and Stalin: Certain Cultural Considerations Phillip W. Weiss Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/303 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Comparing Hitler and Stalin: Certain Cultural Considerations by Phillip W. Weiss A master’s thesis submitted to the Graduate Faculty in Liberal Studies in partial fulfillment of the requirements for the degree of Master of Arts, The City University of New York 2014 ii Copyright © 2014 Phillip W. Weiss All Rights Reserved iii This manuscript has been read and accepted for the Graduate Faculty in Liberal Studies in satisfaction of the dissertation requirement for the degree of Master of Arts. (typed name) David M. Gordon __________________________________________________ (required signature) __________________________ __________________________________________________ Date Thesis Advisor (typed name) Matthew K. Gold __________________________________________________ (required signature) __________________________ __________________________________________________ Date Executive Officer THE CITY UNIVERSITY OF NEW YORK iv Acknowledgment I want to thank Professor David M. Gordon for agreeing to become my thesis advisor. His guidance and support were major factors in enabling me to achieve the goal of producing an interesting and informative scholarly work. As my mentor and project facilitator, he provided the feedback that kept me on the right track so as to ensure the successful completion of this project. -
El Cine Según Hitchcock Sección: Arte François Truffant: (Con La Colaboración De Helen Scott) El Cine Según Hitchcock
El cine según Hitchcock Sección: Arte François Truffant: (con la colaboración de Helen Scott) El cine según Hitchcock El Libre de Bolsillo Alianza Editorial Madrid Título original: Le Cinéma selon Hitchcock Traductor: Ramón G. Redondo (Con la colaboración de Miguel Rubio y Jos Oliver) © Éditions Robert Laffont, Paris, 1966 © Ed. cast.: Alianza Editorial, S. A., Madrid, 1974 CaUe Milán, 38; « 200 00 45 ISBN 84-206-1554-4 Depósito legal: M. 39.769 -1974 Papel fabricado por Torras Hostench, S. A. Impreso en Breogán, I.G., S.A. - Torrejón de Ardoz (Madrid) Printed in Spain Introducción Todo comenzó con una caída al agua. Durante el invierno de 1955, Alfred Hitchcock vino a trabajar a Joinville, en el Studio Saint-Maurice, para la post-sincronización de To Catch a Thief (Atrapa a un ladrón), cuyos exteriores había rodado en la Costa Azul. Mi amigo Claude Chabrol y yo decidimos entrevistarle para les Cahiers au cinéma. Nos habían prestado un mag netófono a fin de grabar esa entrevista, que deseábamos extensa, precisa y fiel. Estaba bastante oscuro en el auditorio donde trabajaba Hitchcock, mientras sobre la pantalla desfilaban sin ce sar, en bucle, las imágenes de una corta escena del film mostrando a Cary Grant y Brigitte Auber, que pilotaban una canoa automóvil. En la oscuridad, Chabrol y yo nos presentamos a Alfred Hitchcock, quién nos rogó que le esperásemos en el bar del estudio, al otro extremo del patio. Salimos, cegados por la luz del día y comentando con entusiasmo de verdaderos fanáticos del cine las imá genes hitchcockianas cuyas primicias acabábamos de con templar, y nos dirigimos, todo recto, hacia el bar, que se 8 François Tniffaut encontraba a unos quince metros enfrente de nosotros. -
Revista Der Querschnitt
REVISTA DER QUERSCHNITT 1924 Der Querschnitt, a. 4, no 2/3, Verão. Berlim: Galeria Simon e Flechtheim Capa: litografia por Picasso. 1o encarte entre pp. 100-101 – Fotografia, retrato, s.d. Legenda: “Raymond Radiguet”. Necrológio 1903-1923. – Reprodução de obra, pintura, 1897. Legenda: “Henri Rousseau. La bohémienne endormie [A cigana adormecida]”. Foto: Galeria Simon (seleção e clichê), Antuérpia. – Reprodução de obra, pintura, 1897. Legenda: “Pierre-Auguste Renoir. Am Meer [No mar]”. Foto: Barnes Foundation, Filadélfia (clichê de Paul Guillaume). – Fotografia, mobília, s.d. Legenda: “Pierre Roussel. [Pequena cômoda à Luís XV]”. 1723-178 Foto: Flatow & Priemer, Berlim. – Reprodução de obra, pintura, s.d. Legenda: “WandbiLd in der ViLLa Item bei Pompei. [MuraL na Villa Item em Pompeia]”, (helênico). Foto: Extraída de Ernst Pfhul. MaLerei und Zeichnung der Griechen [‟Pintura e desenho dos gregosˮ], s.d, F. Bruckmann A. G., Munique. – Fotografia, teatro, s.d. Legenda: “Marc Chagall. BühnenbiLd zu Agenten im jüdischen Kammertheater SchoLom Aleichum in Moskau. [Cenografia para Agenten [Agentes] no teatro de câmara judaico SchoLom Aleichum, Moscou]”. Foto: – – Fotografia, teatro, s.d. Legenda: “Bühnenbild zu Carl Sternheim Nebbich, Kammerspiele Rosen, Berlin. [Cenografia para Nebbich [Que pena], conhecida como Mops, de Carl Sternheim, Kammerspiele Rosen, Berlim]”. Foto: Zander & Labisch. 2o encarte entre pp. 116-117 2 – Reprodução de obra, pintura, s.d. Legenda: “Édouard Manet. Le père Lathuile [O pai Lathuile]”. Pastel. Foto: Galeria Flechtheim, Berlim. – Fotografia, automóvel, s.d. Legenda: “Sechssitziger Reise Phaëton. [Phäton de seis Lugares]”. Foto: Clichê Szawe. – Reprodução de obra, fototipia, s.d. Legenda: “Egon Schiele. StiLLeben [Natureza morta]”. Aquarela. Foto: Associação Wurble, Viena. – Fotografia, cinema, s.d. -
U.S. Will Recognize Peking As Sole China
PAGE TWENTY-EIGHT - MANCHESTER EVENING HERALD. Manchester, Conn.. Fri.. Dec. Ifi. ICT 7o!>a.oco Co. P.O. Box 1347 Z-l Legislators Favor Tough Sentences Hai'tfo.'-d, cr OClOl By ANDREW NIBLEY cure for Connecticut's education funding they weren't interested in passing another moratorium on the construction of new ^.......... .... problems was given a higher priority. nuclear power plants — an issue that has HARTFORD (UPI) - The 1979 "blue” law. Only 38 percent said they were Wage Guidelines Governors Ask On a related issue, 81 percent of the ready to adopt a new Sunday closing law surfaced repeatedly in past Legislatures. Building Additions Legislature would like to get tough with Toys for Joy legislators felt the state should pick to replace the one that was recently Thirty-eight percent favored the criminals and legalized gambling, but ap May Hurt Computers About Oil Prices Is Popular Now judges on the basis of merit, rather than moratorium. Needs More parently isn't interested in some issues declared unconstitutional. through the traditional political patronage Gun control, another old issue, was op Page 10 Page 9 Page 10 that have haunted the Capitol for years, a The survey also showed that 50 percent Page 10 process. Only 12 percent opposed merit of the lawmakers opposed putting a posed by 48 percent. Only 36 percent L------------------------------------------------------------------- UPI survey shows. selection. wanted stricter state regulation of guns. 4 UPI recently gave newly elected The 1979 Legislature also appears ready legislators a list of 20 potential issues and to take a closer look at legalized gambling asked them to rate their significance. -
Hans J. Salter Papers PASC-M.0137
http://oac.cdlib.org/findaid/ark:/13030/ft1v19n4t9 No online items Finding Aid for the Hans J. Salter Papers PASC-M.0137 Finding aid prepared by Rachel Curtis, 2009. UCLA Library Special Collections Online finding aid last updated 2021 March 12. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections Finding Aid for the Hans J. Salter PASC-M.0137 1 Papers PASC-M.0137 Contributing Institution: UCLA Library Special Collections Title: Hans J. Salter papers Creator: Salter, Hans J. Identifier/Call Number: PASC-M.0137 Physical Description: 90 Linear Feet(180 boxes) Date (inclusive): 1935-1982 Abstract: The collection consists of music, personal papers, correspondence, photographs, production materials, business papers and periodical clippings of one of Universal Pictures' film composers, Hans J. Salter. The various kinds of music are manuscript and published music including conductor's scores, orchestral parts, sheet music, published music books, and sound recordings on 7", 10", and 12" sound discs, 7" and 10" open reel analog tapes, and sound cassettes. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: Materials are in English. Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Physical Characteristics and Technical Requirements CONTAINS AUDIO MATERIALS: This collection contains both processed and unprocessed audio materials. For information about the access status of the material that you are looking for, refer to the Physical Characteristics and Technical Requirements note at the series and file levels. -
Light & Noir: Exiles & Émigrés in Hollywood, 1933-1950
FOR IMMEDIATE RELEASE: April 25. 2017 “Light & Noir: Exiles & Émigrés in Hollywood, 1933-1950” to make exclusive Northern California stop at the California Museum May 16-Oct. 15 Traveling exhibit explores refugees’ influence on the Golden Age of cinema through rare artifacts from “Casablanca” (1942), “Double Indemnity” (1944), “Sunset Boulevard” (1950) and 13 other classic films SACRAMENTO, CALIF. — April 25, 2017: “Light & Noir: Exiles & Émigrés in Hollywood, 1933-1950” will make its only Northern California stop on its national tour May 16 through Oct. 15, 2017 at the California Museum. Organized by the Skirball Cultural Center in association with the Academy of Motion Picture Arts and Sciences, the exhibit explores how the experiences of German-speaking exiles—many of them Jewish—shaped the classic films of Hollywood’s Golden Age. Rare artifacts from iconic films such as “Casablanca” (1942), “Double Indemnity” (1944), “Sunset Boulevard” (1950) and 13 others reveal the history of Hollywood’s studio era through the lens of the émigré experience, and demonstrate a legacy of innovation that continues to shape the industry today. “Learning the stories of the people behind these movie classics that we all know and love reveals the films in a fascinating new light,” said Museum Executive Director Amanda Meeker. “It is a perennially relevant story that shows how exiled outsiders became Hollywood insiders, bringing a sensibility to filmmaking at once tragic and comic.” Although the role of Jewish immigrants in Hollywood’s formative years is widely known, the stories of Jewish refugees who shaped American filmmaking during World War II are less commonly explored.