Guest List 1983 - 2006
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Chart Book Template
Real Chart Page 1 become a problem, since each track can sometimes be released as a separate download. CHART LOG - F However if it is known that a track is being released on 'hard copy' as a AA side, then the tracks will be grouped as one, or as soon as known. Symbol Explanations s j For the above reasons many remixed songs are listed as re-entries, however if the title is Top Ten Hit Number One hit. altered to reflect the remix it will be listed as would a new song by the act. This does not apply ± Indicates that the record probably sold more than 250K. Only used on unsorted charts. to records still in the chart and the sales of the mix would be added to the track in the chart. Unsorted chart hits will have no position, but if they are black in colour than the record made the Real Chart. Green coloured records might not This may push singles back up the chart or keep them around for longer, nevertheless the have made the Real Chart. The same applies to the red coulered hits, these are known to have made the USA charts, so could have been chart is a sales chart and NOT a popularity chart on people’s favourite songs or acts. Due to released in the UK, or imported here. encryption decoding errors some artists/titles may be spelt wrong, I apologise for any inconvenience this may cause. The chart statistics were compiled only from sales of SINGLES each week. Not only that but Date of Entry every single sale no matter where it occurred! Format rules, used by other charts, where unnecessary and therefore ignored, so you will see EP’s that charted and other strange The Charts were produced on a Sunday and the sales were from the previous seven days, with records selling more than other charts. -
Download PDF Booklet
“I am one of the last of a small tribe of troubadours who still believe that life is a beautiful and exciting journey with a purpose and grace well worth singing about.” E Y Harburg Purpose + Grace started as a list of songs and a list of possible guests. It is a wide mixture of material, from a traditional song I first heard 50 years ago, other songs that have been with me for decades, waiting to be arranged, to new original songs. You stand in a long line when you perform songs like this, you honour the ancestors, but hopefully the songs become, if only briefly your own, or a part of you. To call on my friends and peers to make this recording has been a great pleasure. Turning the two lists into a coherent whole was joyous. On previous recordings I’ve invited guest musicians to play their instruments, here, I asked singers for their unique contributions to these songs. Accompanying song has always been my favourite occupation, so it made perfect sense to have vocal and instrumental collaborations. In 1976 I had just released my first album and had been picked up by a heavy, old school music business manager whose avowed intent was to make me a star. I was not averse to the concept, and went straight from small folk clubs to opening shows for Steeleye Span at the biggest halls in the country. Early the next year June Tabor asked me if I would accompany her on tour. I was ecstatic and duly reported to my manager, who told me I was a star and didn’t play for other people. -
Listing Showing Events from 10/11/2016 to 20/11/2016 and Within 12 Miles of Ashbourne
Listing showing events from 10/11/2016 to 20/11/2016 and within 12 miles of Ashbourne Time to....... www.visitpeakdistrict.com A Concert of Remembrance at Cheadle Discovery and Visitor Centre Cheadle Discovery and Visitor Centre, Lulworth House, 51 High Street, Cheadle, Staffordshire, ST10 1AR 12th Nov 2016 19:30-22:00 Contact: Alan Wigley Tel: 01538 753519 Tickets are £6.00 and available in advance from the Discovery Centre and Crafty Urchins (76, High Street) Tickets will also be available on the door. A Concert of Remembrance at the Cheadle Community Theatre, featuring the Florence Brass Band and the Wetley Rocks Male Voice Choir. NEW Craft and Gift Fair at Ashbourne Town Hall Ashbourne Town Hall, Market Place, Ashbourne, Derbyshire, DE6 1ES 12th Nov 2016 10:00-16:00 19th Nov 2016 10:00-16:00 Contact: Chrisian Email: [email protected] . Remembrance Church Concert at St Oswald's Church St Oswald's Church, Church Street, Ashbourne, Derbyshire, DE6 1AJ 12th Nov 2016 19:30 Contact: St Oswalds Admission free Remembrance Concert a collaboration of The Ashbourne Singers with Ashbourne Town Band hosted by British Legion in the fine setting of St Oswald's Church. Pool Inflatable Fun Session at Ashbourne Leisure Centre Ashbourne Leisure Centre, Clifton Road, Ashbourne, Derbyshire, DE6 1AA 12th Nov 2016 14:15-15:30 19th Nov 2016 14:15-15:30 Contact: Ashbourne Leisure Centre Tel: 01335 343712 Email: [email protected] Children & Concessions £2.50 Adults £3.70 Additional 50p for non-members Can you conquer our inflatable obstacle course or will you end up slip sliding your way into the pool. -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious. -
UNIVERSAL MUSIC • Rammstein – Videos 1995 – 2012 (DVD) • The
Rammstein – Videos 1995 – 2012 (DVD) The Rolling Stones – Grrr (Album Vinyl Box) Insane Clown Posse – Insane Clown Posse & Twiztid's American Psycho Tour Documentary (DVD) New Releases From Classics And Jazz Inside!! And more… UNI13-03 “Our assets on-line” UNIVERSAL MUSIC 2450 Victoria Park Ave., Suite 1, Willowdale, Ontario M2J 5H3 Phone: (416) 718.4000 Artwork shown may not be final UNIVERSAL MUSIC CANADA NEW RELEASE Artist/Title: Hollywood Undead – Notes From The Underground Bar Code: Cat. #: B001797702 Price Code: SP Order Due: December 20, 2012 Release Date: January 8, 2013 File: Hip Hop /Rock Genre Code: 34/37 Box Lot: 25 SHORT SELL CYCLE Key Tracks: We Are KEY POINTS: 14 BRAND NEW TRACKS Hollywood Undead have sold over 83,000 albums in Canada HEAVY outdoor, radio and online campaign First single “We Are” video is expected mid December 2013 Tour in the works 2.8 million Facebook friends and 166,000 Twitter followers Also Available American Tragedy (2011) ‐ B001527502 Swan Song (2008) ‐ B001133102 INTERNAL USE Label Name: Territory: Choose Release Type: Choose For additional artist information please contact JP Boucher at 416‐718‐4113 or [email protected]. UNIVERSAL MUSIC 2450 Victoria Park Avenue, Suite 1, Toronto, ON M2J 5H3 Phone: (416) 718‐4000 Fax: (416) 718‐4218 UNIVERSAL MUSIC CANADA NEW RELEASE Artist/Title: Black Veil Brides / Wretched And Divine: The Story Of Bar Code: The Wild Ones (Regular CD) Cat. #: B001781702 Price Code: SP 02537 22095 Order Due: Dec. 20, 2012 Release Date: Jan. 8, 2013 6 3 File: Rock Genre Code: 37 Box Lot: 25 Short Sell Cycle Key Tracks: Artist/Title: Black Veil Brides / Wretched And Divine: The Story Of Bar Code: The Wild Ones (Deluxe CD/DVD) Cat. -
A Cappella Vocals As Exciting As Any Complex
APRIL 21 – THE TEACUPS ■ “A cappella vocals as exciting as any complex instrumental fusion” An exhilarating evening of high-energy harmonies is guaranteed as this unaccompanied foursome blast their way through a set made up of traditional and contemporary songs. The Guardian says they are “a reminder that a cappella vocals can be as exciting as any complex instrumental fusion” and they have been wowing festival audiences. Alex Cumming, Kate Locksley, Rosie Calvert and Will Finn will be bringing with them their fun approach to singing, as well as their acclaimed debut album “One For The Pot”. £10 members/£11 non-members www.theteacups.co.uk APRIL 28 – OCOTILLO ■ Delightful fusion of Kirsty McGee and Robert Garson's special talents Ocotillo is the perfect transatlantic fusion of Kirsty McGee's dusty, soulful vocals and Robert Garson's bluesy, gravelly tones performing songs they describe as “from the city and the desert”. Leaning towards an American “smoke-filled room” atmosphere, their voices evoke the textures of 1930s jazz, treading a line between Americana and jazz swing balladry with a nod to Cole Porter and Tom Waits. £10 members/£11 non-members www.kirstymcgee.com MAY 5 – DAN WALSH ■ “The real deal”, “an inspiration”, “consistently brilliant”, “breathtaking” Virtuoso playing, a lovely singing voice and inspired songwriting make Dan one of the hottest acts around. He was nominated for the Best Musician prize at last year's BBC folk awards and is acknowledged as one of the country's – perhaps the world's – finest exponents of the banjo. He has been called “the real deal”, “an inspiration”, “ consistently brilliant” and “breathtaking”. -
Acoustic Guitar Songs by Title 11Th Street Waltz Sean Mcgowan Sean
Acoustic Guitar Songs by Title Title Creator(s) Arranger Performer Month Year 101 South Peter Finger Peter Finger Mar 2000 11th Street Waltz Sean McGowan Sean McGowan Aug 2012 1952 Vincent Black Lightning Richard Thompson Richard Thompson Nov/Dec 1993 39 Brian May Queen May 2015 50 Ways to Leave Your Lover Paul Simon Paul Simon Jan 2019 500 Miles Traditional Mar/Apr 1992 5927 California Street Teja Gerken Jan 2013 A Blacksmith Courted Me Traditional Martin Simpson Martin Simpson May 2004 A Daughter in Denver Tom Paxton Tom Paxton Aug 2017 A Day at the Races Preston Reed Preston Reed Jul/Aug 1992 A Grandmother's Wish Keola Beamer, Auntie Alice Namakelua Keola Beamer Sep 2001 A Hard Rain's A-Gonna Fall Bob Dylan Bob Dylan Dec 2000 A Little Love, A Little Kiss Adrian Ross, Lao Silesu Eddie Lang Apr 2018 A Natural Man Jack Williams Jack Williams Mar 2017 A Night in Frontenac Beppe Gambetta Beppe Gambetta Jun 2004 A Tribute to Peador O'Donnell Donal Lunny Jerry Douglas Sep 1998 A Whiter Shade of Pale Keith Reed, Gary Brooker Martin Tallstrom Procul Harum Jun 2011 About a Girl Kurt Cobain Nirvana Nov 2009 Act Naturally Vonie Morrison, Johnny Russel The Beatles Nov 2011 Addison's Walk (excerpts) Phil Keaggy Phil Keaggy May/Jun 1992 Adelita Francisco Tarrega Sep 2018 Africa David Paich, Jeff Porcaro Andy McKee Andy McKee Nov 2009 After the Rain Chuck Prophet, Kurt Lipschutz Chuck Prophet Sep 2003 After You've Gone Henry Creamer, Turner Layton Sep 2005 Ain't It Enough Ketch Secor, Willie Watson Old Crow Medicine Show Jan 2013 Ain't Life a Brook -
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11> 0514302 76969 establishment,” he hastened to clarify. “I wish it were called the Legion of Honour, but it’s not.” Still in all, he thinks it’s good for govern- M artin C arthy ments to give cultural awards and is suitably honored by this one, which has previously gone to such outstanding folk performers as Jeannie Robertson. To decline under such circum- stances, he said, would have been “snotty.” Don’t More importantly, he conceives of his MBE as recognition he shares with the whole Call Me folk scene. “I’ve been put at the front of a very, very long queue of people who work hard to make a folk revival and a folk scene,” he said. Sir! “All those people who organized clubs for nothing and paid you out of their own pocket, and fed you and put you on the train the next morning, and put you to bed when you were drunk! What [the government is] doing, is taking notice of the fact that something’s going on for the last more than 40 years. It’s called the folk revival. They’ve ignored it for that long. And someone has suddenly taken notice, and that’s okay. A bit of profile isn’t gonna hurt us — and I say us, the plural, for the folk scene — isn’t gonna hurt us at all.” In the same year as Carthy’s moment of recognition, something happened that did hurt the folk scene. Lal Waterson, Carthy’s sister-in- law, bandmate, near neighbor and close friend, died of cancer. -
Topic Records 80Th Anniversary Start Time: 8Pm Running Time: 2 Hours 40 Minutes with Interval
Topic Records 80th Anniversary Start time: 8pm Running time: 2 hours 40 minutes with interval Please note all timings are approximate and subject to change Martin Aston discusses the history behind the world’s oldest independent label ahead of this collaborative performance. When Topic Records made its debut in 1939 with Paddy Ryan’s ‘The Man That Waters The Workers’ Beer’, an accordion-backed diatribe against capitalist businessmen who underpay their employees, it’s unlikely that anyone involved was thinking of the future – certainly not to 2019, when the label celebrates its 80th birthday. In any case, the future would have seemed very precarious in 1939, given the outbreak of World War II, during which Topic ceased most activity (shellac was particularly hard to source). But post-1945, the label made good on its original brief: ‘To use popular music to educate and inform and improve the lot of the working man,’ explains David Suff, the current spearhead of the world’s oldest independent label – and the undisputed home of British folk music. Tonight at the Barbican (where Topic held their 60th birthday concerts), musical director Eliza Carthy – part of the Topic recording family since 1997, though her parents Norma Waterson and Martin Carthy have been members since the sixties and seventies respectively - has marshalled a line-up to reflect the passing decades, which hasn’t been without its problems. ‘We have far too much material, given it’s meant to be a two-hour show!’ she says. ‘It’s impossible to represent 80 years – you’re talking about the left-wing leg, the archival leg, the many different facets of society - not just communists but farmers and factory workers - and the folk scene in the Fifties, the Sixties, the Seventies.. -
Morris Matters Vol 19 Issue 1
Volume19. Number 1. M0RRiS MAJTERS Vol UME l 9 UMbrn l JANUARY 2000 r/l/.l/l/l/.l/l/l/l/.l/.l/l/.l/l/l/l/l/.ll/l'/l/.l/.l/l/l/l/l/l/,l/l/l/l/l/l/l/l/l/l/l/.1111'/I/I/I/I/I/IW/I/I/.IY,l//t,W/I/I/.I/.I/.IY.I/I/.IYI/I/.I/I/I/.IY.IYI/.I/.IY.IY-'/""'/l/l/2'-/-l'YI/.IY~ i ~ ~ ~ j, Contents I ~ ,, l p ~ ~ age I I j Editorial ~I 2 ~I i ~ i ! I The End of Morris? 3 I i ~ i by Roy Dommett f l ~ i ! ~ ~ I Where Appalachian meets Morris 6 I i ~ i By AnthonyJohn Allen ~ ~ ~ ~ l = f~ "The Straw Bear and others " - 9 I I being an index of performers participating in Cambridgeshire 's I j Molly Dance and Straw Bear customs up till 1939 I ¾ ~ I by George Frampton i ~ ~ i ~ i l I Noticeboard 21 I ~ , i l ~ ~ I Flashback - a Celebration of English Dance 23 I I by Shirley Dixon I ~ ~ ~ ~ ~ ~ I Book Reviews 28 I l ~ ~ by Fiz Markham I ~ ~ ~ ~ 'J'l/l/l/i/T/,IIIVl/.ill/T/l/l/.l/l/l/l/#/l/l/l/l/#/l/.l/l/l/l/l'/I/.IT/l/l/l/l/l/l/l/,llr/l/l/.llT/l/.l/l/l/l/l/l/l/l'/l/#/I/.I/I/I/I/I/I/I/IYl/l/l/l/l/l/l/l/l/i/T/l/l/l/l/l/l/1'/I/I/~ l"/.l/l/l/l/l/l/l/l/.l/l/l/l'/l/l/l/l/l/l/l/l/l/#/l/l/l/#/l/l/l/l/l/l/l/l/l/l/.l/l/l/l/l/l/l/l/l/l/l/l/l/l/l/l/l/l/l/l/l/l/211'/I/I/I/I/I/I/I/I/I/I/I/I/I/I/I/I/I/I~ l l i I j Morris Matters is published twice a year by Beth Neill I I 27 Nortoft Road , Chalfont St Peter , Bucks SL9 OLA; phone 01494 871465 I ,,I Ii l ~ I Subscriptions are £5 for two issues (EU countries; or £7 outside these areas) published in j i ,, i January and July . -
May 2016 FREE
Issue 58 May 2016 FREE upporting ocal rts & erformers Last month ended on yet another sad musical note as Prince left this plane, if indeed he ever inhabited the same one as us mere mortals. Certainly not everyone's cup of Darjeeling but few could deny his supranatural talents whether in writing, playing, performing or inspiring; he was often cited as one of the most underrated guitarists, probably only though because he was so good at almost everything else. Tis a cliché but his like will certainly not be seen again: Sometimes It Snows In April indeed. MAY2016 On a brighter note April also saw a record-breaking (not literally hopefully) Record Store Day as local shops outdid themselves, despite some unfortunates queueing outside Rise in Worcester having to contend with snow flurries. The tills were SLAP MAGAZINE red hot though so we are told and business was more than brisk with no sign of the record (not 'vinyl' please) boom Unit 3a, Lowesmoor Wharf, slowing down any time soon. You can read and see much more Worcester WR1 2RS about what was an absolutely storming day, in Duncan Graves' Telephone: 01905 26660 review and photo spread on page 23. [email protected] And so we march into May (or it may still be March for all I know) somewhat trepidatiously: "Ne'er cast a clout til May is For advertising enquiries, please contact: out" goes the old farmers' saying; clout being yer coat not a [email protected] wallop! But the grass is ever growing as the festival season begins in earnest with The Beltane Bash, Cheltenham Jazz, EDITORIAL Mark Hogan - Editor Beat it!, Mello, Out To Grass, Wychwood, Breaking Bands, Winchcombe, Lechade, Tenbury and Lunar all imminent.