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Kevin Burke and Cal Scott
WWhhaatt TThheeyy’’rree SSaayyiinngg aabboouutt KKeevviinn BBuurrkkee THE NEW YORK TIMES THE WASHINGTON POST A Big Wide World KEVIN BURKE & CAL SCOTT of Music "Across the Black River" Loftus Friday, May 11, 2007; Page WE09 By JON PARELES Published: June 29, KEVIN BURKE IS ONE of the greatest Irish 2007 fiddlers of the past half-century, but he has lived in Jack Vartoogian/ FrontRowPhotos Ireland for only five of his 57 years. He was raised in London by parents from County Sligo, and he has What follows is a lived in Portland, Ore., since 1979. He is thus a selection of some of the perfect exemplar for the far-flung Irish diaspora and most notable world weaves the multinational strands of today's "Irish" music CDs released over music into his impressive new album, "Across the the last year. Black River," a collaboration with Portland film composer Cal Scott. KEVIN BURKE AND CAL SCOTT "Across the Black River" (Loftus) Scott composed three of the instrumental album's tunes, including the spellbinding "The Lighthouse Born in England to Irish parents and now living in Keeper's Waltz," and plays graceful guitar, mandolin Portland, Ore., Kevin Burke is one of the great and bouzouki throughout. But the dominant voice is living Celtic fiddlers. His first album on his own that of Burke's violin, which never wavers in pitch or label is a collaboration with the self-effacing guitarist timbre but sings out with a confidence that allows the Cal Scott and various guests that's cozy and mature, listener to relax. -
2014 Festival Programme All Results Will Be Uploaded to Youtube Award for Outstanding Performance and the UCC Composition Cup
Geraldine O’Callaghan is a STOP MOTION ANIMATION WORKSHOP WITH highly regarded exponent of the Sliabh DIRECTOR JANE LEE Luachra style of fiddle playing. From Freemount in the Duhallow region of north Stop Motion Animation is the art of making things come to life, by moving them a Co. Cork, she learned her music from west picture at a time. Limerick native, Con Herbert. Her style is heavily influenced by From models to movies - learn how to make a plasticine character come to life in the seminal recordings of Pádraig O’Keeffe, Julia Clifford and this fully hands on workshop with Jane Lee. Denis Murphy. Further afield, influence was derived from fiddlers such as Kathleen Collins and brothers MacDara and On the workshop participants will try their hand at paper cut out animation, pixilation Félim Ó Raghallaigh. Geraldine has a first class honours B. and claymation creating short animation pieces with sound effects. Mus degree from UCC, where she received the Donal Gleeson 2014 Festival Programme All results will be uploaded to Youtube award for outstanding performance and the UCC composition cup. She also has a Masters degree in Ethnomusicology from Jane Lee is an animation director with Paper Plane Creations the University of Limerick, where she undertook research on the http://www.paperplanecreations.com EXHIBITIONS life and music of Julia Clifford from a gender perspective. She Open 10.00AM-5.00PM, Sat. 15th, is currently undertaking Ph.D. research in the School of Music The Kanturk Credit Union 1.00PM-5.00PM Sun 16th, 11.00AM- and Theatre at UCC. -
Patrick Street Patrick Street Mp3, Flac, Wma
Patrick Street Patrick Street mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Patrick Street Country: US Released: 1988 Style: Folk, Celtic MP3 version RAR size: 1260 mb FLAC version RAR size: 1266 mb WMA version RAR size: 1193 mb Rating: 4.3 Votes: 736 Other Formats: MIDI AA MMF VOC APE TTA AAC Tracklist Hide Credits 1 Patrick Street / The Carraroe Jig 2 Walter Sammon's Grandmother / Concertina Reel / Brenda McMahon's The Holy Ground 3 Written-By – Gerry O'Beirne 4 The Shores Of Lough Gowna / Contentment Is Wealth / Have A Drink With Me 5 French Canadian Set "La Cardeuse" 6 Loftus Jones The Dream 7a Written By – Andy Irvine Indiana 7b Written-By – Andy Mitchell 8 Martin Rochford's Reel / Roll Out The Barrel / The Earl's Chair 9 Mrs. O'Sullivan's Jig / Caliope House The Man With The Cap 10 Written-By – Colum Sands Credits Accordion – Jackie Daly Engineer, Producer – Donal Lunny Fiddle – Kevin Burke Guitar – Arty McGlynn Keyboards, Bodhrán – Donal Lunny Photography By – Colm Henry Vocals, Bouzouki, Mandolin, Harmonica – Andy Irvine Notes Lyrics included. Barcode and Other Identifiers Barcode: 048248107129 Other versions Category Artist Title (Format) Label Category Country Year Green SIF 1071 Patrick Street Patrick Street (LP, Album) SIF 1071 US 1987 Linnet Kevin Burke , Kevin Burke , Jackie Daly, Jackie Daly, Andy Green CSIF 1071 Andy Irvine, Arty McGlynn CSIF 1071 Ireland 1987 Irvine, Arty Linnet - Patrick Street (Cass) McGlynn Green SIF 1071 Patrick Street Patrick Street (LP, Album) SIF 1071 Ireland 1987 Linnet Green GLCD 1071 Patrick Street Patrick Street (CD, Album) GLCD 1071 US 1988 Linnet Related Music albums to Patrick Street by Patrick Street Capercaillie - Dusk Till Dawn - The Best Of Capercaillie Andy Irvine & Donal Lunny's Mozaik - Changing Trains Patrick Street - No. -
January / February
CELTIC MUSIC • KENNY HALL • WORLD MUSIC • KIDS MUSIC • MEXICAN PAPER MAKING • CD REVIEWS FREE Volume 3 Number 1 January-February 2003 THE BI-MONTHLY NEWSPAPER ABOUT THE HAPPENINGS IN & AROUND THE GREATER LOS ANGELES FOLK COMMUNITY A Little“Don’t you know that Folk Music Ukulele is illegal in Los Angeles?” — WARREN C ASEYof theWicket Tinkers is A Lot of Fun – a Beginner’s Tale BY MARY PAT COONEY t all started three workshop at UKE-topia hosted by Jim Beloff at years ago when I McCabe’s Guitar Shop in Santa Monica. I was met Joel Eckhaus over my head in about 15 minutes, but I did at the Augusta learn stuff during the rest of the hour – I Heritage Festival just couldn’t execute any of it! But in Elkins, West my fear of chords in any key but I Virginia. The C was conquered. Augusta Heritage The concert that Festival is has been in existence evening was a for over 25 years, and produces delight with an annual 5-week festival of traditional music almost every uke and dance. Each week of the Festival specialist in the explores different styles, including Cajun, SoCal area on the bill. Irish, Old-Time, Blues, Bluegrass. The pro- The theme was old gram also features folk arts and crafts, espe- time gospel, in line with cially those of West Virginia. Fourteen years the subject of Jim’s latest ago Swing Week was instigated by Western book, and the performers that evening had Swing performers Liz Masterson and Sean quite a romp – some playing respectful Blackburn of Denver, CO as a program of gospel, and others playing whatever they music. -
Listing Showing Events from 10/11/2016 to 20/11/2016 and Within 12 Miles of Ashbourne
Listing showing events from 10/11/2016 to 20/11/2016 and within 12 miles of Ashbourne Time to....... www.visitpeakdistrict.com A Concert of Remembrance at Cheadle Discovery and Visitor Centre Cheadle Discovery and Visitor Centre, Lulworth House, 51 High Street, Cheadle, Staffordshire, ST10 1AR 12th Nov 2016 19:30-22:00 Contact: Alan Wigley Tel: 01538 753519 Tickets are £6.00 and available in advance from the Discovery Centre and Crafty Urchins (76, High Street) Tickets will also be available on the door. A Concert of Remembrance at the Cheadle Community Theatre, featuring the Florence Brass Band and the Wetley Rocks Male Voice Choir. NEW Craft and Gift Fair at Ashbourne Town Hall Ashbourne Town Hall, Market Place, Ashbourne, Derbyshire, DE6 1ES 12th Nov 2016 10:00-16:00 19th Nov 2016 10:00-16:00 Contact: Chrisian Email: [email protected] . Remembrance Church Concert at St Oswald's Church St Oswald's Church, Church Street, Ashbourne, Derbyshire, DE6 1AJ 12th Nov 2016 19:30 Contact: St Oswalds Admission free Remembrance Concert a collaboration of The Ashbourne Singers with Ashbourne Town Band hosted by British Legion in the fine setting of St Oswald's Church. Pool Inflatable Fun Session at Ashbourne Leisure Centre Ashbourne Leisure Centre, Clifton Road, Ashbourne, Derbyshire, DE6 1AA 12th Nov 2016 14:15-15:30 19th Nov 2016 14:15-15:30 Contact: Ashbourne Leisure Centre Tel: 01335 343712 Email: [email protected] Children & Concessions £2.50 Adults £3.70 Additional 50p for non-members Can you conquer our inflatable obstacle course or will you end up slip sliding your way into the pool. -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
UNIVERSAL MUSIC • Rammstein – Videos 1995 – 2012 (DVD) • The
Rammstein – Videos 1995 – 2012 (DVD) The Rolling Stones – Grrr (Album Vinyl Box) Insane Clown Posse – Insane Clown Posse & Twiztid's American Psycho Tour Documentary (DVD) New Releases From Classics And Jazz Inside!! And more… UNI13-03 “Our assets on-line” UNIVERSAL MUSIC 2450 Victoria Park Ave., Suite 1, Willowdale, Ontario M2J 5H3 Phone: (416) 718.4000 Artwork shown may not be final UNIVERSAL MUSIC CANADA NEW RELEASE Artist/Title: Hollywood Undead – Notes From The Underground Bar Code: Cat. #: B001797702 Price Code: SP Order Due: December 20, 2012 Release Date: January 8, 2013 File: Hip Hop /Rock Genre Code: 34/37 Box Lot: 25 SHORT SELL CYCLE Key Tracks: We Are KEY POINTS: 14 BRAND NEW TRACKS Hollywood Undead have sold over 83,000 albums in Canada HEAVY outdoor, radio and online campaign First single “We Are” video is expected mid December 2013 Tour in the works 2.8 million Facebook friends and 166,000 Twitter followers Also Available American Tragedy (2011) ‐ B001527502 Swan Song (2008) ‐ B001133102 INTERNAL USE Label Name: Territory: Choose Release Type: Choose For additional artist information please contact JP Boucher at 416‐718‐4113 or [email protected]. UNIVERSAL MUSIC 2450 Victoria Park Avenue, Suite 1, Toronto, ON M2J 5H3 Phone: (416) 718‐4000 Fax: (416) 718‐4218 UNIVERSAL MUSIC CANADA NEW RELEASE Artist/Title: Black Veil Brides / Wretched And Divine: The Story Of Bar Code: The Wild Ones (Regular CD) Cat. #: B001781702 Price Code: SP 02537 22095 Order Due: Dec. 20, 2012 Release Date: Jan. 8, 2013 6 3 File: Rock Genre Code: 37 Box Lot: 25 Short Sell Cycle Key Tracks: Artist/Title: Black Veil Brides / Wretched And Divine: The Story Of Bar Code: The Wild Ones (Deluxe CD/DVD) Cat. -
A Cappella Vocals As Exciting As Any Complex
APRIL 21 – THE TEACUPS ■ “A cappella vocals as exciting as any complex instrumental fusion” An exhilarating evening of high-energy harmonies is guaranteed as this unaccompanied foursome blast their way through a set made up of traditional and contemporary songs. The Guardian says they are “a reminder that a cappella vocals can be as exciting as any complex instrumental fusion” and they have been wowing festival audiences. Alex Cumming, Kate Locksley, Rosie Calvert and Will Finn will be bringing with them their fun approach to singing, as well as their acclaimed debut album “One For The Pot”. £10 members/£11 non-members www.theteacups.co.uk APRIL 28 – OCOTILLO ■ Delightful fusion of Kirsty McGee and Robert Garson's special talents Ocotillo is the perfect transatlantic fusion of Kirsty McGee's dusty, soulful vocals and Robert Garson's bluesy, gravelly tones performing songs they describe as “from the city and the desert”. Leaning towards an American “smoke-filled room” atmosphere, their voices evoke the textures of 1930s jazz, treading a line between Americana and jazz swing balladry with a nod to Cole Porter and Tom Waits. £10 members/£11 non-members www.kirstymcgee.com MAY 5 – DAN WALSH ■ “The real deal”, “an inspiration”, “consistently brilliant”, “breathtaking” Virtuoso playing, a lovely singing voice and inspired songwriting make Dan one of the hottest acts around. He was nominated for the Best Musician prize at last year's BBC folk awards and is acknowledged as one of the country's – perhaps the world's – finest exponents of the banjo. He has been called “the real deal”, “an inspiration”, “ consistently brilliant” and “breathtaking”. -
Dypdykk I Musikkhistorien - Del 27: Folkrock (25.11.2019 - TFB) Oppdatert 03.03.2020
Dypdykk i musikkhistorien - Del 27: Folkrock (25.11.2019 - TFB) Oppdatert 03.03.2020 Spilleliste pluss noen ekstra lyttetips: [Bakgrunnsmusikk: Resor och näsor (Under solen lyser solen (2001) / Grovjobb)] Starten Beatles og British invasion The house of the rising sun (The house of the rising sun (1964, singel) / Animals) Mr. Tambourine Man (Mr. Tambourine Man (1965) / Byrds) Candy man ; The Devil's got my woman (Candy man (1966, singel) / Rising Sons) Maggies farm Bob Dylan Live at the Newport Folk Festival USA One-way ticket ; The falcon ; Reno Nevada Celebrations For A Grey Day (1965) / Mimi & Richard Fariña From a Buick 6 (Highway 61 revisited (1965) / Bob Dylan) Sounds of silence (Sounds of silence (1966) / Simon & Garfunkel) Hard lovin’ looser (In my life (1966) / Judy Collins) Like a rolling stone (Live 1966 (1998) / Bob Dylan) 1 Eight miles high (Fifth Dimension (1966) / The Byrds) It’s not time now ; There she is (Daydream (1966) / The Lovin’ Spoonful) Jefferson Airplane takes off (1966) / Jefferson Airplane Carnival song ; Pleasant Street Goodbye And Hello (1967) / Tim Buckley Pleasures Of The Harbor (1967) I Phil Ochs Virgin Fugs (1967) / The Fugs Alone again or (Forever changes (1967) / Love) Morning song (One nation underground (1967) / Pearls Before Swine) Images of april (Balaklava (1968) / Pearls Before Swine) Rainy day ; Paint a lady (Paint a lady (1970) / Susan Christie) Country rock Buffalo Springfield Taxim (A beacon from Mars (1968) / Kaleidoscope) Little hands (Oar (1969) / Skip Spence) Carry on Deja vu (1970) / Crosby, Stills, Nash & Young 2 Britisk Donovan Sunshine superman (1966) The river song ; Jennifer Juniper The Hurdy Gurdy Man (1968) You know what you could be (The 5000 spirits or the layers of the onion (1967) / The Incredible String Band) Astral weeks (1968) / Van Morrison Child star (My People Were Fair And Had Sky In Their Hair.. -
A Folkrocker's Guide
A FOLKROCKER’S GUIDE – FOLKROCKENS FRAMVEKST 1965–1975 «The eletricifcation of all this stuf was A FOLKROCKER’S GUIDE some thing that was waiting to happen» TO THE UNIVERSE •1965–1975 – Martin Carthy «Folkrock» ble først brukt i 1965 som betegnelse på på Framveksten av folkrock i USA I Storbritania, i motsetning til i USA, kom «folkrock» til amerikanske musikere som The Byrds, den elektrifserte Bob og UK i tiåret 65–75 skapte Dylan, Simon & Garfunkel og – pussig nok – Sonny & Cher. mye av inspirasjonen for den å betegne elektrisk musikk basert på tradisjonell folke- Likevel er det i større grad møtet mellom rock og folkemusikk moderne visebølgen i Norden. musikk. i Storbritannia ca 1969–70 som ble bestemmende for hva vi Vi har bedt Morten Bing om å skrive om dette. Han er kon- på 1970-tallet kom til å legge i begrepet her hjemme. servator ved Norsk Folkemu- som hadde bakgrunn i folkrevivalen, en sanger og en felespiller – Sandy seum og var initiativtaker til men som allerede hadde forlatt Denny og Dave Swarbrick – som MORTEN BING Norges første folkrock gruppe tradisjonell folkemusikk til fordel for begge hadde bakgrunn i den Folque i 1973. egenskrevne låter. britiske folkrevivalen. Det var denne rdet «folke-rock» kombinasjonen, og resultatet, LP’n ble brukt første gang Dylan og Byrds Gruppa har sin kanskje siste På mange måter kan en si at den konsert på Rockefeller i Oslo Liege & Lief (1969), som var begyn- i Billboard 12.06.1965, engelske utviklingen gikk mot- nelsen på den britiske folkrocken. i en artikkel om Bob En viktig katalysator for framveksten 18. -
The Looking-Glass World: Mirrors in Pre-Raphaelite Painting 1850-1915
THE LOOKING-GLASS WORLD Mirrors in Pre-Raphaelite Painting, 1850-1915 TWO VOLUMES VOLUME I Claire Elizabeth Yearwood Ph.D. University of York History of Art October 2014 Abstract This dissertation examines the role of mirrors in Pre-Raphaelite painting as a significant motif that ultimately contributes to the on-going discussion surrounding the problematic PRB label. With varying stylistic objectives that often appear contradictory, as well as the disbandment of the original Brotherhood a few short years after it formed, defining ‘Pre-Raphaelite’ as a style remains an intriguing puzzle. In spite of recurring frequently in the works of the Pre-Raphaelites, particularly in those by Dante Gabriel Rossetti and William Holman Hunt, the mirror has not been thoroughly investigated before. Instead, the use of the mirror is typically mentioned briefly within the larger structure of analysis and most often referred to as a quotation of Jan van Eyck’s Arnolfini Portrait (1434) or as a symbol of vanity without giving further thought to the connotations of the mirror as a distinguishing mark of the movement. I argue for an analysis of the mirror both within the context of iconographic exchange between the original leaders and their later associates and followers, and also that of nineteenth- century glass production. The Pre-Raphaelite use of the mirror establishes a complex iconography that effectively remytholgises an industrial object, conflates contradictory elements of past and present, spiritual and physical, and contributes to a specific artistic dialogue between the disparate strands of the movement that anchors the problematic PRB label within a context of iconographic exchange. -
A History of Cotswold Morris Dancing in the Twentieth Century
“It’s street theatre really!” A history of Cotswold Morris Dancing in the twentieth century. A Thesis submitted for the degree of Doctor of Philosophy, Department of History, University of Essex. M.A.Garland June 2017 ABSTRACT. This study investigates the history of Morris Dancing in the twentieth century through written sources detailing the development of the dance, but more importantly, through the oral testimony of some of those dancers who began their dancing careers after the second world war. Three particular questions were identified, firstly concerning the way in which ancient dance forms are generally linked, perhaps incorrectly, with place; secondly, the way in which the part that women played in the development of the dance has been written out of the popular modern view of the Morris; and finally, the part that Morris Dancing has played in the production of an invented myth of English history and English tradition. These, and further questions raised during the interviews, forced the study to take a wider view of the history of the dance. Looking back towards the earliest records became important because of the apparent changes that have affected Morris Dancing throughout the centuries, a dance form that is assumed to have been firmly established as an unchanging ritual, but in fact, it would seem, has always been prepared to follow whatever alterations have been demanded by society. Looking forward also became important, because as the dance has clearly changed dramatically during its history, interviewees were keen to explore the ways in which the dance could continue to develop. To follow this final area interviews were conducted with a few of those young dancers who are taking the dance forward.