Nordic Classicism
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Stockholm Concert Hall Management of a Project in the 1920S
STOCKHOLM UNIVERSITY Department of Economic History and International Relations Master's Thesis in Economic History Fall Term 2020 Student: Kjell Rodenstedt Supervisor: Elin Åström Rudberg Stockholm Concert Hall Management of a project in the 1920s Abstract The beginning of the 20th century was an epoch when new industries were established, migration to the cities were increasing, the service sector was growing, and with an increased middle class. Many of the new developments were endeavors, which we today would call projects. The purpose of this thesis is to extend our knowledge about projects during the 1920s, particularly how they were managed and how different persons took on roles and responsibilities to accomplish something they believed in. One such project was Stockholm Concert Hall (1923–1926). The project was managed by the architect Ivar Tengbom, who was the project manager. There have not been any previous studies of the concert hall as a project. Previous research of projects in the past are few and then mostly from the 1940s and 50s. The thesis covers the management of the project and the different roles and associated responsibilities. The main theories are Bourdieu’s Theory of Fields and current project management theories. One of the findings is that just four men with economic, social, and cultural capital dominated the total project process. The project is considered a success; the concert hall is still appreciated. Keywords: Project management, historic project, roles and responsibilities, Concert Hall, Bourdieu, construction, -
Architecture NA
The Oxford Companion to Architecture NA Volume 1: A-J Aalto, Hugo Alvar Henrik C/lalto. Hugo Alvar HenrilT^i 898-1976) Finnish architect, the youngest by ten years of the masters of the Modern Movement (see MODERNISM). He set up his practice in 1922, and contributed briefly but with distinction to the body of work known as Nordic Classicism, of which his Swedish neighbours, *Asplund and *Lewerentz, were the dominant figures. Saynatsalo Town Hall, Finland (Alvar Aalto, 1949-52) This was just when Scandinavia was engaging with the ambitions of the Modern Movement, which were striking originality, which won for him accolades from to be brilliantly celebrated in Asplund's Stockholm both Le Corbusier and (rare indeed) Frank Lloyd exhibition of 1930. Wright. The outstanding buildings were the office In 1927 Aalto won the competition for a public headquarters for Turun Sanomat newspaper in Turku, library in Viipuri with a project that evolved quickly the Sanatorium at Paimio (1932), the Viipuri Library from Nordic classicist precedent into an inspired (1934), his own home and office in Helsinki (1937), the interpretation of the new values. His approach was Villa Mairea (1939), and two major Exhibition pavilions, fundamentally functionalist, but was unique in its at Paris (1937) and New York (1939). This group of attention to the personal experience and participation buildings was accompanied by an equally original by the users of the building. Thus the conditions of range of furniture and light-fittings, sensitively adapted study (and in particular the incidence of both natural to the user's perception and sense of touch. -
Nordic Classicism : Scandinavian Architecture 1910-1930 Pdf, Epub, Ebook
NORDIC CLASSICISM : SCANDINAVIAN ARCHITECTURE 1910-1930 PDF, EPUB, EBOOK John Stewart | 208 pages | 06 Feb 2020 | Bloomsbury Publishing PLC | 9781350154445 | English | London, United Kingdom Nordic Classicism : Scandinavian Architecture 1910-1930 PDF Book Visit the Australia site Continue on UK site. Engagement: Town Hall in Denmark. The only applied decoration is a relief of the Swedish coat of arms above the main entrance. About this product. Aalto was married twice. In the Nordic countries the lighting conditions and the weather are constantly changing. Finally, the best way to contemplate on Scandinavian architecture is to take a look at the examples. For the farmers and fishermen things need only be simple, basic, useful and essential. Alvar Aalto is remembered with the likes of Gropius, Le Corbusier, and van der Rohe as a major influence on 20th century modernism. Show More Show Less. But as time went on, they got more complex. See all in World Architecture. Packaging should be the same as what is found in a retail store, unless the item is handmade or was packaged by the manufacturer in non-retail packaging, such as an unprinted box or plastic bag. Yet what was conceived before tended to get overshadowed, such that socalled Swedish Grace with its classical resonances appeared alien to avant-gardism. Yet this brief classsical movement was quickly eclipsed by the rise of international modernism, and has often been overlooked in architectural studies. Go To Basket. Learn more…. The original occupant, also known in English as the Social Security Administration, remained until They were built of wood, and had stone walls around the base. -
Sven Markelius and Uno Åhrén
A Tribute to the Memory of Sven Markelius and Uno Åhrén by Eva Rudberg, PhD. Dr. Tech. architect, associate professor and former researcher at Arkitekturmuseet (museum of architecture) Royal Swedish Academy of Engineering Sciences (IVA) 1 2 A Tribute to the Memory of Sven Markelius and Uno Åhrén Presented at the 2017 Annual Meeting of the Royal Swedish Academy of Engineering Sciences by Eva Rudberg, PhD. Dr. Tech. architect, associate professor and former researcher at Arkitekturmuseet (museum of architecture) 3 The Royal Swedish Academy of Engineering Sciences (IVA) is an independent, learned society that promotes the engineering and economic sciences and the development of industry for the benefit of Swedish society. In cooperation with the business and academic communities, the Academy initiates and proposes measures designed to strengthen Sweden’s industrial skills base and competitiveness. For further information, please visit IVA’s website at www.iva.se. Published by the Royal Swedish Academy of Engineering Sciences (IVA), Eva Rudberg, Phd. Dr., architect, associate professor and former researcher at Arkitekturmuseet (museum of architecture) IVA, P.O. Box 5073, SE-102 42 Stockholm, Sweden Phone: +46 8 791 29 00 E-mail: [email protected] Website: www.iva.se IVA-M 490 • ISSN 1102-8254 • ISBN 978-91-7082-964-2 Editor: Anna Lindberg, IVA Translation: Diane Hogsta Layout and production: Hans Melcherson, Grafisk Form, Stockholm, Sweden Photos: ArkDes, Lennart Nilsson, Lennart Olsson, Bo Törngren, Karl Schultz, Barbro Soller Printed by Pipline, Stockholm, Sweden, 2017 4 Foreword Each year the Royal at Kungsträdgården park in Stockholm. Swedish Academy of He planned suburbs such as Björkhagen, Engineering Sciences Högdalen and Vällingby while serving as (IVA) produces a book urban planning director in Stockholm. -
Dronningegården En Het Continuüm Van Kay Fisker Dronningegården
Job Floris Job Floris a plant is a machine to bear flowers and seeds, and a heart is a pump. Does that thrill you? The Het Nederlandse architectuurdiscours lijkt in de During the post-war reconstruction years mod- least any of these things only may be is just that.2 wederopbouwjaren vooral gedomineerd te zijn ernism appears to have dominated the Dutch archi- door het modernisme, waardoor tegengeluiden tecture discourse, thereby effectively marginalising Het platform voor publicatie van Fiskers artikel is en nuanceringen werden gemarginaliseerd. De all other developments and perspectives. Danish zorgvuldig gekozen. Op het moment van publicatie Deense architect Kay Fisker (1893-1965) kan tot architect Kay Fisker (1893-1965) can be seen as heeft Forum de intentie een dialoog tot stand te een van die kritische stemmen gerekend worden, one of the few critical voices, which is why he remains brengen tussen modernisten en traditionalisten. waardoor hij een relatief onbekende figuur in de a relatively unknown figure within the Dutch con- De publicatie maakt duidelijk dat Fisker op zoek was Nederlandse context is gebleven. Ten onrechte, text. This is unfortunate, because there is a lot of naar geestverwanten, oude en nieuwe. Het werk want Fisker volgde een agenda die aanknopings- common ground between Fisker’s agenda and both van Fisker wordt door historicus Stanford Anderson punten had met zowel het Nederlandse als een the Dutch and wider European discourses. In 1948 gecategoriseerd als Nieuw Empiricisme3 en door breder Europees discours. In 1948 wordt hij he garnered attention in the Netherlands with ‘Louis hem in een Europees discours geplaatst, met zichtbaar in Nederland met het artikel ‘Louis Henry Henry Sullivan’, an article about the architect’s life geestverwanten in Groot-Brittannië en Zwitserland. -
A Study of Swedish Building Plans, 1750–2010
$UFKLWHFWXUDO Kärrholm, M. 2019. The Life and Death of Residential +LVWRULHV Room Types: A Study of Swedish Building Plans, 1750–2010. Architectural Histories, 8(1): 1, pp. 1–18. DOI: https://doi.org/10.5334/ah.343 RESEARCH ARTICLE The Life and Death of Residential Room Types: A Study of Swedish Building Plans, 1750–2010 Mattias Kärrholm While the study of building types is a well-known and relatively active research field, the topic of room types is less explored. This article takes a broad approach to spatial categorization, enabling the examina- tion of different types of spaces over longer periods. How do different room types evolve and die? How do the different residential room types relate to each other? Do they act alone or do they follow each other over time? The article looks at the particular evolution and development of Swedish residential room types and is based on the study of plans of 2,340 Swedish buildings from about 1750 to 2010. Six themes emerged from this study: thresholds of birth and extinction, abruptive change, the relation between absent and present room types, contagious types, different temporal scales and the stabilization of prototypical sets. Introduction apartments in Stockholm during the 19th century (Gejvall Spatial entities can be classified into different types 1988); Victorian homes (Girouard 1979; Flanders 2004); of rooms. These types are often used in building pro- or the room types of specific rural contexts (Erixon 1947; grammes and briefs (Markus and Cameron 2002), and to Barley 1963; Hansson 1999). set the plan of buildings, buildings that subsequently are I look at the evolution and development of residential aggregated into urban areas, and urban areas into cities. -
Aino Aalto: “A Quietly Flowing Stream” Eva Brydson
Aino Aalto: “A quietly flowing stream” Eva Brydson Finnish designer Aino Aalto (née Marsio, 1894-1949) is often a footnote in her husband, icon of modern architecture, Alvar Aalto’s biography. An article from the Finnish Design Shop states that Aino’s “...life’s work has been easy to ignore, for example, by naming her merely the muse of her husband, Alvar Aalto.”1 This unfortunate lack of attention to Aino’s individual career discounts the significant contributions that she made to modern Scandinavian design. Collaborative work played a major role during Aino’s relatively short career (ca.1920 until her untimely death in 1949), whether with Alvar or their collaborative design firm, Artek. The early, formative years of Aino’s life and education led to her prominent contributions with Alvar and Artek. A critical inspection of Aino’s notable pieces, along with comparisons of some works that have been attributed to her, Alvar, or them both, reveal the undeniable influences between the two partners. Finally, Aino’s place in history in light of Alvar’s status as a genius of Scandinavian design analyzes the couple’s personal professional partnerships. Aino was born in 1894 in Helsinki, Finland, where she lived throughout her primary and secondary education. Aino was educated at the Helsingin Suomalainen Tyttökoulu (Helsinki Finnish Girls' School), and graduated in 1913. In 1920, at the age of 26, Aino was qualified as an architect after studying at the Helsinki University of Technology with Gustaf Nyström, 1 Kari-Otso Nevaluoma, “Aino Aalto - the strict functionalist,” Avotakka, July 28, 2018, https://www.finnishdesignshop.com/design-stories/classic/aino-aalto-the-strict-functionalist?. -
Gunnar Asplund Free
FREE GUNNAR ASPLUND PDF Peter Blundell Jones | 240 pages | 13 Feb 2012 | Phaidon Press Ltd | 9780714863153 | English | London, United Kingdom 70+ Best Gunnar Asplund images | gunnar, architect, architecture Vatican City participated in Gunnar Asplund Venice Architecture Biennale for the first time this year, Gunnar Asplund the public to explore a sequence of unique chapels designed by Gunnar Asplund architects including Norman Foster and Eduardo Souto de Moura. As members of the public circulate through the chapels in each shot, the scenes give an impression of how each chapel guides circulation. In a world in which the "happy" architectural image feels all-pervasive, the British architect and academic Dr. Timothy Brittain-Catlin reveals its darker side suggesting why, and how, we might come to celebrate it. You can read Brittain-Catlin's essays on British postmodernism hereand on colorful architecture, here. This is what at my school we call an "announcement", rather than a statement of fact. Indeed, all architects and architecture students hear these words all the time. But are they Gunnar Asplund Should they be? The Nordic nations—Finland, Norway and Sweden—have reached a pivotal point in their collective, and individual, architectural identities. The Grandfathers of the Gunnar Asplund Nordic style—including the likes of Sverre FehnPeter CelsingGunnar AsplundSigurd Lewerentz, Alvar Aaltoand Eero Saarinen—provided a foundation upon which architects and designers since have both thrived on and been confined by. The Nordic Pavilion at the Venice Biennale —directed by Alejandro Aravena —will be the moment to probe: to discuss, argue, debate and challenge what Nordic architecture really is and, perhaps more importantly, what it could be in years to come. -
Architecture As Human Interface 2012 the 4Th Symposium of Architectural Research in Finland – the 4Th International Conference on Architectural Competitions
ARCHITECTURE 1 AS HUMAN INTERFACE 2012 The 4th Symposium of Architectural Research in Finland – The 4th International Conference on Architectural Competitions Mina Di Marino and Helena Teräväinen (eds.) ARCHITECTURE AS HUMAN INTERFACE 2012 The 4th Symposium of Architectural Research in Finland – The 4th International Conference on Architectural Competitions All published papers belonging to the tracks have been gone through a double blind peer review. Editors Mina Di Marino, Post-Doc Researcher, Department of Architecture, Aalto University School of Arts, Design and Architecture, [email protected] Helena Teräväinen, Senior Researcher, Department of Architecture, Aalto University School of Arts, Design and Architecture, [email protected] Department of Architecture Aalto University Publication series ART+DESIGN+ARCHITECTURE 7/2014 © Aalto University, Department of Architecture and authors ISBN 978-952-60-5833-7 ISSN-L 1799-4861 ISSN 1799-4861 ISSN 1799-4853 Photos: The photos on cover book and pages no.5-14-36-56-113-158-179 are kindly provided by Anne Kinnunen, Photographer, Department of Architecture, Aalto University School of Arts, Design and Architecture. The pictures show the exteriors and interiors of the former Department of Architecture (until 2012) which is located in Otaniemi Main Building designed by Alvar Aalto in 1964. Graphic Design: Inka Kosonen (www.cargocollective.com/inkakosonen) Copyrighted Materials can be used only for educational and research purposes and not for commercial use. TaBLE OF CONTENTS 6 Introduction -
A Pavilion in the Danish Forest by Vilhelm Wohlert, Tradition and Modernity
Ge-conservación Conservação | Conservation A Pavilion in the Danish forest by Vilhelm Wohlert, Tradition and Modernity Carmen García Sánchez Abstract: Danish architect Vilhelm Wohlert (1920-2007), after a stay as a guest teacher at Berkeley University, designs his first building. Created in a period of flourishing architectural, it achieves a balance between Danish tradition and modernity, where international references -American architecture and Japanese tradition- will be significant. Its ability to fit to the circumstances, makes it a model for the buildings of the future. There is a dialogue with the surrounding nature, her careful observation; establishing a great connection, where the Danish attitude towards her is not a domination. The architect knows the material, and uses it in harmony with its essence. The study suggests that the vernacular may be a process that evolves and transforms over time, involving a significant level of modernity, and that a look at it could be an answer to prevent the loss of architecture identity. Key words: Vilhelm Wohlert, Danish tradition, Japanese tradition, nature, material, vernacular. ”Un Pabellón en el bosque danés por Vilhelm Wohlert, Tradición y Modernidad” Resumen: El arquitecto danés Vilhelm Wohlert (1920-2007), tras una estancia como profesor invitado en la Universidad de Berkeley, proyecta su primer edificio. Construido en un periodo de florecimiento arquitectónico, logra el equilibrio entre la tradición danesa y la modernidad, donde las referencias internacionales -la arquitectura americana y tradición japonesa- serán trascendentales. Su capacidad para adaptarse a las circunstancias, lo convierte en un modelo para los edificios del futuro. Hay un diálogo con la naturaleza circundante, su atenta observación; estableciéndose una gran conexión, donde la actitud danesa hacia ella no es de dominación. -
Stockholm Architecture Guide PDF 2020
WHAT Architect WHERE Notes Zone 1: Gamla Stan The Palace was largely built during the eighteenth century in the Italian Baroque style, on the spot where the “Tre Kronor” castle burned down in 1697. Visit the reception rooms with splendid interiors from the eighteenth and nineteenth centuries, Rikssalen (the Hall of Nicodemus Tessin the State) with Queen Kristina’s silver throne, and Ordenssalarna (Halls ***** The Royal Palace Younger and Carl of the Orders of Chivalry). You can also see Gustav III’s Museum of 107 70 Stockholm Hårleman Antiquities, the Tre Kronor Museum, and the Treasury. The Royal Palace also contains the Armory, with royal costumes and armor, as well as coronation carriages and magnificent coaches from the Royal Stable. Make sure not to miss the parade of soldiers and the daily changing of the guard. Admission 160,00 SEK. Mon-Sun (9am-5pm) The museum holds the collection of classical sculptures purchased by King Gustav III during his journey to Italy (1783–84). This is Sweden’s Gustav III's Museum Kungliga slottet, 116 **** oldest public art museum, recently renovated and housed in its original of Antiquities 45 Stockholm location in the Royal Palace. The Museum of Antiquities is open during the summer season May-September. Mon-Sun (10am-5pm) Stockholm’s medieval Cathedral, built in 1279, houses unique objects such as the St George and the Dragon sculpture (1489), the legendary Vädersoltavlan (1535) and Lena Lervik’s sculpture ”Joseph and Mary” Storkyrkan Nicodemus Tessin the **** Trångsund 1, 111 29 (2002). Since 1527, the Cathedral has been a Lutheran church. -
Survey II Schedule F17
Arch. 48-241 -- Modern Architecture, Fall 2017 Prof. Gutschow, p. 6 ASSIGNMENT SCHEDULE (subject to revisions) 8/27/17 A comprehensive calendar of work of deadlines & reading assignments to be completed BEFORE each class. Most readings other than the textbook appear on the Canvas website, or www.andrew.cmu.edu/course/48-241 Abbreviations: Curtis = Curtis, Wm. Modern Architecture Since 1900 3rd ed. (1996) P&M = Conrads, U. Programs & Manifestoes on 20th Century Architecture (1960) Rifkind/Haddad = Rifkind/Haddad, A Critical History of Contemporary Arch., 1960-2010 (2014) Date Lec.# - Topic, Assignments, Due Dates, and Reading: Mo. Aug. 28 #1 - Intro. / Overview - Davies, “History,” in Thinking about Architecture (2011) pp.124-137 - Skim: Trachtenberg, Architecture: From Prehistory to Postmodernity (2002) Chs. 12-13. We. Aug. 30 #2 - Modernity, Theory, Causes Lecture on modernization and industrialization in western societies 1750-1900 and its effects on architecture. Includes discussion of growth and reform of cities and the restructuring of society and economy in the Industrial Revolution. The split between architecture & engineering, the advancement and proliferation of technology & materials such as steel, concrete and glass, and the resulting dichotomy to historicist ornament. What was 19th-century architecture like? Why did it slowly change at the end of the century? What was the "intellectual and cultural revolution" around the turn of the century? What ideas and theories helped spurn the development of modern architecture? - Curtis textbook: pp.7-39 - Biddiss, M. "Intellectual & Cultural Revolution, 1890-1914," in Themes in Modern European History, 1890-1945, ed. P. Hayes (1992) pp. 83-105. Thu. Aug. 31 (7:00pm, MM303) OR Fri.