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Architecture NA
The Oxford Companion to Architecture NA Volume 1: A-J Aalto, Hugo Alvar Henrik C/lalto. Hugo Alvar HenrilT^i 898-1976) Finnish architect, the youngest by ten years of the masters of the Modern Movement (see MODERNISM). He set up his practice in 1922, and contributed briefly but with distinction to the body of work known as Nordic Classicism, of which his Swedish neighbours, *Asplund and *Lewerentz, were the dominant figures. Saynatsalo Town Hall, Finland (Alvar Aalto, 1949-52) This was just when Scandinavia was engaging with the ambitions of the Modern Movement, which were striking originality, which won for him accolades from to be brilliantly celebrated in Asplund's Stockholm both Le Corbusier and (rare indeed) Frank Lloyd exhibition of 1930. Wright. The outstanding buildings were the office In 1927 Aalto won the competition for a public headquarters for Turun Sanomat newspaper in Turku, library in Viipuri with a project that evolved quickly the Sanatorium at Paimio (1932), the Viipuri Library from Nordic classicist precedent into an inspired (1934), his own home and office in Helsinki (1937), the interpretation of the new values. His approach was Villa Mairea (1939), and two major Exhibition pavilions, fundamentally functionalist, but was unique in its at Paris (1937) and New York (1939). This group of attention to the personal experience and participation buildings was accompanied by an equally original by the users of the building. Thus the conditions of range of furniture and light-fittings, sensitively adapted study (and in particular the incidence of both natural to the user's perception and sense of touch. -
Nordic Classicism : Scandinavian Architecture 1910-1930 Pdf, Epub, Ebook
NORDIC CLASSICISM : SCANDINAVIAN ARCHITECTURE 1910-1930 PDF, EPUB, EBOOK John Stewart | 208 pages | 06 Feb 2020 | Bloomsbury Publishing PLC | 9781350154445 | English | London, United Kingdom Nordic Classicism : Scandinavian Architecture 1910-1930 PDF Book Visit the Australia site Continue on UK site. Engagement: Town Hall in Denmark. The only applied decoration is a relief of the Swedish coat of arms above the main entrance. About this product. Aalto was married twice. In the Nordic countries the lighting conditions and the weather are constantly changing. Finally, the best way to contemplate on Scandinavian architecture is to take a look at the examples. For the farmers and fishermen things need only be simple, basic, useful and essential. Alvar Aalto is remembered with the likes of Gropius, Le Corbusier, and van der Rohe as a major influence on 20th century modernism. Show More Show Less. But as time went on, they got more complex. See all in World Architecture. Packaging should be the same as what is found in a retail store, unless the item is handmade or was packaged by the manufacturer in non-retail packaging, such as an unprinted box or plastic bag. Yet what was conceived before tended to get overshadowed, such that socalled Swedish Grace with its classical resonances appeared alien to avant-gardism. Yet this brief classsical movement was quickly eclipsed by the rise of international modernism, and has often been overlooked in architectural studies. Go To Basket. Learn more…. The original occupant, also known in English as the Social Security Administration, remained until They were built of wood, and had stone walls around the base. -
Architectural Research in Sweden After Le Corbusier's Projects
DOI: http://dx.doi.org/10.4995/LC2015.2015.893 Experimenting with prototypes: architectural research in Sweden after Le Corbusier’s projects I. Campo-Ruiz Escuela Técnica Superior de Arquitectura de Madrid, Universidad Politécnica de Madrid Abstract: Le Corbusier’s architectural production throughout the twentieth century served as a reference for subsequent developments in architecture and urban planning in Sweden. Some of the buildings and urban plans subsequently developed in Sweden and influenced by Le Corbusier’s ideas and projects also impacted on the international architectural scene. This research analyses how the study of Le Corbusier’s works affected projects in Sweden from the 1920s to the 1970s and how they also became an international standard. Le Corbusier’s works provided a kind of prototype, with which Swedish architects experimented in alternative ways. During the 1920s, Le Corbusier’s Pavilion de l’Esprit Nouveau and the Stuttgart Weissenhofsiedlung impressed influential Swedish architect, including Uno Åhrén, Gunnar Asplund and Sven Markelius, who later became proponents of modernism in Sweden. The 1930 Stockholm Exhibition marked a breakthrough for functionalism in Sweden. After 1930, urban plans for Stockholm and its suburbs reflected some of Le Corbusier’s ideas, such as the urban plan by Sven Markelius, and Vällingby’s town centre by Leif Reinius and Sven Backström. After 1950, Léonie Geisendorf , Ralph Erskine, Sigurd Lewerentz and Peter Celsing placed considerable emphasis on rough texture in poured concrete. Lewerentz, who admired the works of Le Corbusier, designed the churches of Markuskyrkan in 1956 and St Peter’s in Klippan in 1966, with a wider international impact. -
Lecture Handouts, 2013
Arch. 48-350 -- Postwar Modern Architecture, S’13 Prof. Gutschow, Classs #1 INTRODUCTION & OVERVIEW Introductions Expectations Textbooks Assignments Electronic reserves Research Project Sources History-Theory-Criticism Methods & questions of Architectural History Assignments: Initial Paper Topic form Arch. 48-350 -- Postwar Modern Architecture, S’13 Prof. Gutschow, Classs #2 ARCHITECTURE OF WWII The World at War (1939-45) Nazi War Machine - Rearming Germany after WWI Albert Speer, Hitler’s architect & responsible for Nazi armaments Autobahn & Volkswagen Air-raid Bunkers, the “Atlantic Wall”, “Sigfried Line”, by Fritz Todt, 1941ff Concentration Camps, Labor Camps, POW Camps Luftwaffe Industrial Research London Blitz, 1940-41 by Germany Bombing of Japan, 1944-45 by US Bombing of Germany, 1941-45 by Allies Europe after WWII: Reconstruction, Memory, the “Blank Slate” The American Scene: Pearl Harbor, Dec. 7, 1941 Pentagon, by Berman, DC, 1941-43 “German Village,” Utah, planned by US Army & Erich Mendelsohn Military production in Los Angeles, Pittsburgh, Detroit, Akron, Cleveland, Gary, KC, etc. Albert Kahn, Detroit, “Producer of Production Lines” * Willow Run B-24 Bomber Plant (Ford; then Kaiser Autos, now GM), Ypsilanti, MI, 1941 Oak Ridge, TN, K-25 uranium enrichment factory; town by S.O.M., 1943 Midwest City, OK, near Midwest Airfield, laid out by Seward Mott, Fed. Housing Authortiy, 1942ff Wartime Housing by Vernon Demars, Louis Kahn, Oscar Stonorov, William Wurster, Richard Neutra, Walter Gropius, Skidmore-Owings-Merrill, et al * Aluminum Terrace, Gropius, Natrona Heights, PA, 1941 Women’s role in the war production, “Rosie the Riverter” War time production transitions to peacetime: new materials, new design, new products Plywod Splint, Charles Eames, 1941 / Saran Wrap / Fiberglass, etc. -
Dronningegården En Het Continuüm Van Kay Fisker Dronningegården
Job Floris Job Floris a plant is a machine to bear flowers and seeds, and a heart is a pump. Does that thrill you? The Het Nederlandse architectuurdiscours lijkt in de During the post-war reconstruction years mod- least any of these things only may be is just that.2 wederopbouwjaren vooral gedomineerd te zijn ernism appears to have dominated the Dutch archi- door het modernisme, waardoor tegengeluiden tecture discourse, thereby effectively marginalising Het platform voor publicatie van Fiskers artikel is en nuanceringen werden gemarginaliseerd. De all other developments and perspectives. Danish zorgvuldig gekozen. Op het moment van publicatie Deense architect Kay Fisker (1893-1965) kan tot architect Kay Fisker (1893-1965) can be seen as heeft Forum de intentie een dialoog tot stand te een van die kritische stemmen gerekend worden, one of the few critical voices, which is why he remains brengen tussen modernisten en traditionalisten. waardoor hij een relatief onbekende figuur in de a relatively unknown figure within the Dutch con- De publicatie maakt duidelijk dat Fisker op zoek was Nederlandse context is gebleven. Ten onrechte, text. This is unfortunate, because there is a lot of naar geestverwanten, oude en nieuwe. Het werk want Fisker volgde een agenda die aanknopings- common ground between Fisker’s agenda and both van Fisker wordt door historicus Stanford Anderson punten had met zowel het Nederlandse als een the Dutch and wider European discourses. In 1948 gecategoriseerd als Nieuw Empiricisme3 en door breder Europees discours. In 1948 wordt hij he garnered attention in the Netherlands with ‘Louis hem in een Europees discours geplaatst, met zichtbaar in Nederland met het artikel ‘Louis Henry Henry Sullivan’, an article about the architect’s life geestverwanten in Groot-Brittannië en Zwitserland. -
Aino Aalto: “A Quietly Flowing Stream” Eva Brydson
Aino Aalto: “A quietly flowing stream” Eva Brydson Finnish designer Aino Aalto (née Marsio, 1894-1949) is often a footnote in her husband, icon of modern architecture, Alvar Aalto’s biography. An article from the Finnish Design Shop states that Aino’s “...life’s work has been easy to ignore, for example, by naming her merely the muse of her husband, Alvar Aalto.”1 This unfortunate lack of attention to Aino’s individual career discounts the significant contributions that she made to modern Scandinavian design. Collaborative work played a major role during Aino’s relatively short career (ca.1920 until her untimely death in 1949), whether with Alvar or their collaborative design firm, Artek. The early, formative years of Aino’s life and education led to her prominent contributions with Alvar and Artek. A critical inspection of Aino’s notable pieces, along with comparisons of some works that have been attributed to her, Alvar, or them both, reveal the undeniable influences between the two partners. Finally, Aino’s place in history in light of Alvar’s status as a genius of Scandinavian design analyzes the couple’s personal professional partnerships. Aino was born in 1894 in Helsinki, Finland, where she lived throughout her primary and secondary education. Aino was educated at the Helsingin Suomalainen Tyttökoulu (Helsinki Finnish Girls' School), and graduated in 1913. In 1920, at the age of 26, Aino was qualified as an architect after studying at the Helsinki University of Technology with Gustaf Nyström, 1 Kari-Otso Nevaluoma, “Aino Aalto - the strict functionalist,” Avotakka, July 28, 2018, https://www.finnishdesignshop.com/design-stories/classic/aino-aalto-the-strict-functionalist?. -
Architecture As Human Interface 2012 the 4Th Symposium of Architectural Research in Finland – the 4Th International Conference on Architectural Competitions
ARCHITECTURE 1 AS HUMAN INTERFACE 2012 The 4th Symposium of Architectural Research in Finland – The 4th International Conference on Architectural Competitions Mina Di Marino and Helena Teräväinen (eds.) ARCHITECTURE AS HUMAN INTERFACE 2012 The 4th Symposium of Architectural Research in Finland – The 4th International Conference on Architectural Competitions All published papers belonging to the tracks have been gone through a double blind peer review. Editors Mina Di Marino, Post-Doc Researcher, Department of Architecture, Aalto University School of Arts, Design and Architecture, [email protected] Helena Teräväinen, Senior Researcher, Department of Architecture, Aalto University School of Arts, Design and Architecture, [email protected] Department of Architecture Aalto University Publication series ART+DESIGN+ARCHITECTURE 7/2014 © Aalto University, Department of Architecture and authors ISBN 978-952-60-5833-7 ISSN-L 1799-4861 ISSN 1799-4861 ISSN 1799-4853 Photos: The photos on cover book and pages no.5-14-36-56-113-158-179 are kindly provided by Anne Kinnunen, Photographer, Department of Architecture, Aalto University School of Arts, Design and Architecture. The pictures show the exteriors and interiors of the former Department of Architecture (until 2012) which is located in Otaniemi Main Building designed by Alvar Aalto in 1964. Graphic Design: Inka Kosonen (www.cargocollective.com/inkakosonen) Copyrighted Materials can be used only for educational and research purposes and not for commercial use. TaBLE OF CONTENTS 6 Introduction -
A Pavilion in the Danish Forest by Vilhelm Wohlert, Tradition and Modernity
Ge-conservación Conservação | Conservation A Pavilion in the Danish forest by Vilhelm Wohlert, Tradition and Modernity Carmen García Sánchez Abstract: Danish architect Vilhelm Wohlert (1920-2007), after a stay as a guest teacher at Berkeley University, designs his first building. Created in a period of flourishing architectural, it achieves a balance between Danish tradition and modernity, where international references -American architecture and Japanese tradition- will be significant. Its ability to fit to the circumstances, makes it a model for the buildings of the future. There is a dialogue with the surrounding nature, her careful observation; establishing a great connection, where the Danish attitude towards her is not a domination. The architect knows the material, and uses it in harmony with its essence. The study suggests that the vernacular may be a process that evolves and transforms over time, involving a significant level of modernity, and that a look at it could be an answer to prevent the loss of architecture identity. Key words: Vilhelm Wohlert, Danish tradition, Japanese tradition, nature, material, vernacular. ”Un Pabellón en el bosque danés por Vilhelm Wohlert, Tradición y Modernidad” Resumen: El arquitecto danés Vilhelm Wohlert (1920-2007), tras una estancia como profesor invitado en la Universidad de Berkeley, proyecta su primer edificio. Construido en un periodo de florecimiento arquitectónico, logra el equilibrio entre la tradición danesa y la modernidad, donde las referencias internacionales -la arquitectura americana y tradición japonesa- serán trascendentales. Su capacidad para adaptarse a las circunstancias, lo convierte en un modelo para los edificios del futuro. Hay un diálogo con la naturaleza circundante, su atenta observación; estableciéndose una gran conexión, donde la actitud danesa hacia ella no es de dominación. -
Survey II Schedule F17
Arch. 48-241 -- Modern Architecture, Fall 2017 Prof. Gutschow, p. 6 ASSIGNMENT SCHEDULE (subject to revisions) 8/27/17 A comprehensive calendar of work of deadlines & reading assignments to be completed BEFORE each class. Most readings other than the textbook appear on the Canvas website, or www.andrew.cmu.edu/course/48-241 Abbreviations: Curtis = Curtis, Wm. Modern Architecture Since 1900 3rd ed. (1996) P&M = Conrads, U. Programs & Manifestoes on 20th Century Architecture (1960) Rifkind/Haddad = Rifkind/Haddad, A Critical History of Contemporary Arch., 1960-2010 (2014) Date Lec.# - Topic, Assignments, Due Dates, and Reading: Mo. Aug. 28 #1 - Intro. / Overview - Davies, “History,” in Thinking about Architecture (2011) pp.124-137 - Skim: Trachtenberg, Architecture: From Prehistory to Postmodernity (2002) Chs. 12-13. We. Aug. 30 #2 - Modernity, Theory, Causes Lecture on modernization and industrialization in western societies 1750-1900 and its effects on architecture. Includes discussion of growth and reform of cities and the restructuring of society and economy in the Industrial Revolution. The split between architecture & engineering, the advancement and proliferation of technology & materials such as steel, concrete and glass, and the resulting dichotomy to historicist ornament. What was 19th-century architecture like? Why did it slowly change at the end of the century? What was the "intellectual and cultural revolution" around the turn of the century? What ideas and theories helped spurn the development of modern architecture? - Curtis textbook: pp.7-39 - Biddiss, M. "Intellectual & Cultural Revolution, 1890-1914," in Themes in Modern European History, 1890-1945, ed. P. Hayes (1992) pp. 83-105. Thu. Aug. 31 (7:00pm, MM303) OR Fri. -
Helsinki Art Nouveau to Post Modernism
Helsinki Art Nouveau to Post Modernism Baggage allowance We advise you to check the baggage allowances Travel carefully as you are likely to be charged the excess if you exceed the weight limit. Maximum weights Passports for single bags apply. You may need to renew your British Passport if you With Finnair your ticket includes one hold bag of up are travelling to an EU country. Please ensure your to 23kg plus. passport is less than 10 years old (even if it has 6 Cabin luggage is as follows: months or more left on it) and has at least 6 *One piece of carry-on baggage, maximum months validity remaining from the date of travel. dimensions (length x width x height) 55 cm x 40 cm EU, Andorra, Liechtenstein, Monaco, San Marino x 23 cm (22 in x 16 in x 9 in). and Swiss valid national identification cards are also *One personal item such as a small handbag, a acceptable for travel. For more information, please small laptop bag or a small backpack, maximum visit: passport checker dimensions (length x width x height) 40 cm x 30 cm x15 cm (16 in x 12 in x 6 in). Visas A maximum combined weight of 8 kg (17.5 lb.). As a tourist visiting from the UK, you do not need a Please contact the airline for further information. visa for short trips to most EU countries, Iceland, https://www.finnair.com/gb-en/baggage-on-finnair- Liechtenstein, Norway and Switzerland. You’ll be flights able to stay for up to 90 days in any 180-day period. -
Antikvariat ANTIQUA Kommendörsgatan 22 S-114 48 Stockholm Sweden
Antikvariat ANTIQUA Kommendörsgatan 22 S-114 48 Stockholm Sweden Telefon Telephone 08 – 10 09 96 46 - 8 - 10 09 96 Öppettider Open Hours Måndag – fredag Monday – Friday 13.00 – 18.00 13.00 – 18.00 email: [email protected] www. antiqua.se VAT reg. no. SE 451124051901 Postgiro: 4 65 44 – 3 Bankgiro: 420 – 8500 SWIFT: HANDSESS IBAN: SE06 6000 0000 0002 4550 8112 Medlem i Svenska Antikvariatföreningen Member of ILAB The measures of books are given in cm Prices are net in Swedish Kronor Shipping charges are extra Antiqua 20 Monographs on Architects Summer 2015 Catalogued by Johan Dahlberg I. Monographs on Architects 3 II. Partnerships, Firms and other Joint Monographs 120 4 2 I. Monographs on Architects AALTO (1898-1976) 1 Aalto, Alvar / ed. by Göran Schildt. ALVAR AALTO IN HIS OWN WORDS. Helsinki 1997. 26x21. 288 pp. Ca 100 drawings, sketches and plans including 50 full-page. Publisher's boards, dust jacket. Lectures, speeches, articles and other writings by Aalto with annotations by his close friend and biographer. 350 2 Aalto, Alvar / ed. by Göran Schildt. SKISSER. Helsingfors 1973. 21x21. 104 pp. + 40 leaves with 82 reproductions. Publisher's printed cloth. 32 essays, articles and lectures from 1922‐1968 with drawings and sketches mainly from the 1950s. 200 3 Aalto, Alvar / ed. by Göran Schildt. SKETCHES. Cambridge, Mass. & London 1985. 21x21. X+174 pp. 80 full-page reproductions. Pictorial wrappers. SKISSER (previous item) translated by Stuart Wrede. 200 4 AALTO. ARCHITECTURE AND FURNITURE. New York, The Museum of Modern Art, 1938. 26x19. II+50 pp. 25 photos and plans of buildings and interiors and 10 photos (6 full page) of furniture. -
Nordic 100331-Low.Pdf
Il viaggio come tropo della modernità: i “Nordici” spostamenti dislocamenti conoscenza e memoria Per quanto concerne la specifica tradizione nordica del viaggio di formazione, essa viene a concretizzarsi con chiarezza e struttura per la prima volta nei primi anni dell’Ottocento, con l’avvento della moda del viaggio in Italia come momento di perfezionamento della propria formazione e come momento di immersione diretta nella Storia per esperirla di persona (secondo una schietta tradizione nordica: quello dell’esperienza diretta appunto). Il tratto più originale di questa caratteristica nordica, che fa propria una tradizione di antica origine negli altri paesi europei (quella del Grand Tour appunto), consiste nella originale capacità - una volta rientrati in patria - di negoziare tra locale e internazionale; nel modo di vivere la Storia e di misurarsi e confrontarsi col Passato, quello grande, quello Collettivo. Cioè con la capacità di relazionarsi ai diversi Canoni interpretati e incarnati dalle Pompei, interior decoration opere e dai luoghi meta dei viaggi. Gustaf Dahl, 1866 Viaggi dedicati sicuramente all’esperienza diretta della Classicità ma, come testimoniano i resoconti (appunti, schizzi, foto, ecc.), anche dedicati ad interessi ben più ampi di quelli coincidenti con la classicità rinascimentale. In primo luogo, emergono dai racconti i Paesaggi (intesi come sistema complesso di Natura + Intervento antropico), poi Taormina, the Theatre Piazza Pio II Orvieto, landscape con egual interesse e attenzione la classicità Ragnar Ostberg, 1897 Hilding Ekelund, 1922 Armas Lindgren, 1902 rinascimentale e la tradizione medioevale. The Anglo-Indian writer and critic Salman Rushdie suggests that ‘newness enters the world’ through mimicry, imitation and repetition. In the repetition of a style, a language, there occurs the release of something more, of something that exceeds a previous location.