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Stockholm Concert Hall Management of a Project in the 1920S
STOCKHOLM UNIVERSITY Department of Economic History and International Relations Master's Thesis in Economic History Fall Term 2020 Student: Kjell Rodenstedt Supervisor: Elin Åström Rudberg Stockholm Concert Hall Management of a project in the 1920s Abstract The beginning of the 20th century was an epoch when new industries were established, migration to the cities were increasing, the service sector was growing, and with an increased middle class. Many of the new developments were endeavors, which we today would call projects. The purpose of this thesis is to extend our knowledge about projects during the 1920s, particularly how they were managed and how different persons took on roles and responsibilities to accomplish something they believed in. One such project was Stockholm Concert Hall (1923–1926). The project was managed by the architect Ivar Tengbom, who was the project manager. There have not been any previous studies of the concert hall as a project. Previous research of projects in the past are few and then mostly from the 1940s and 50s. The thesis covers the management of the project and the different roles and associated responsibilities. The main theories are Bourdieu’s Theory of Fields and current project management theories. One of the findings is that just four men with economic, social, and cultural capital dominated the total project process. The project is considered a success; the concert hall is still appreciated. Keywords: Project management, historic project, roles and responsibilities, Concert Hall, Bourdieu, construction, -
Sven Markelius and Uno Åhrén
A Tribute to the Memory of Sven Markelius and Uno Åhrén by Eva Rudberg, PhD. Dr. Tech. architect, associate professor and former researcher at Arkitekturmuseet (museum of architecture) Royal Swedish Academy of Engineering Sciences (IVA) 1 2 A Tribute to the Memory of Sven Markelius and Uno Åhrén Presented at the 2017 Annual Meeting of the Royal Swedish Academy of Engineering Sciences by Eva Rudberg, PhD. Dr. Tech. architect, associate professor and former researcher at Arkitekturmuseet (museum of architecture) 3 The Royal Swedish Academy of Engineering Sciences (IVA) is an independent, learned society that promotes the engineering and economic sciences and the development of industry for the benefit of Swedish society. In cooperation with the business and academic communities, the Academy initiates and proposes measures designed to strengthen Sweden’s industrial skills base and competitiveness. For further information, please visit IVA’s website at www.iva.se. Published by the Royal Swedish Academy of Engineering Sciences (IVA), Eva Rudberg, Phd. Dr., architect, associate professor and former researcher at Arkitekturmuseet (museum of architecture) IVA, P.O. Box 5073, SE-102 42 Stockholm, Sweden Phone: +46 8 791 29 00 E-mail: [email protected] Website: www.iva.se IVA-M 490 • ISSN 1102-8254 • ISBN 978-91-7082-964-2 Editor: Anna Lindberg, IVA Translation: Diane Hogsta Layout and production: Hans Melcherson, Grafisk Form, Stockholm, Sweden Photos: ArkDes, Lennart Nilsson, Lennart Olsson, Bo Törngren, Karl Schultz, Barbro Soller Printed by Pipline, Stockholm, Sweden, 2017 4 Foreword Each year the Royal at Kungsträdgården park in Stockholm. Swedish Academy of He planned suburbs such as Björkhagen, Engineering Sciences Högdalen and Vällingby while serving as (IVA) produces a book urban planning director in Stockholm. -
A Study of Swedish Building Plans, 1750–2010
$UFKLWHFWXUDO Kärrholm, M. 2019. The Life and Death of Residential +LVWRULHV Room Types: A Study of Swedish Building Plans, 1750–2010. Architectural Histories, 8(1): 1, pp. 1–18. DOI: https://doi.org/10.5334/ah.343 RESEARCH ARTICLE The Life and Death of Residential Room Types: A Study of Swedish Building Plans, 1750–2010 Mattias Kärrholm While the study of building types is a well-known and relatively active research field, the topic of room types is less explored. This article takes a broad approach to spatial categorization, enabling the examina- tion of different types of spaces over longer periods. How do different room types evolve and die? How do the different residential room types relate to each other? Do they act alone or do they follow each other over time? The article looks at the particular evolution and development of Swedish residential room types and is based on the study of plans of 2,340 Swedish buildings from about 1750 to 2010. Six themes emerged from this study: thresholds of birth and extinction, abruptive change, the relation between absent and present room types, contagious types, different temporal scales and the stabilization of prototypical sets. Introduction apartments in Stockholm during the 19th century (Gejvall Spatial entities can be classified into different types 1988); Victorian homes (Girouard 1979; Flanders 2004); of rooms. These types are often used in building pro- or the room types of specific rural contexts (Erixon 1947; grammes and briefs (Markus and Cameron 2002), and to Barley 1963; Hansson 1999). set the plan of buildings, buildings that subsequently are I look at the evolution and development of residential aggregated into urban areas, and urban areas into cities. -
Stockholm Architecture Guide PDF 2020
WHAT Architect WHERE Notes Zone 1: Gamla Stan The Palace was largely built during the eighteenth century in the Italian Baroque style, on the spot where the “Tre Kronor” castle burned down in 1697. Visit the reception rooms with splendid interiors from the eighteenth and nineteenth centuries, Rikssalen (the Hall of Nicodemus Tessin the State) with Queen Kristina’s silver throne, and Ordenssalarna (Halls ***** The Royal Palace Younger and Carl of the Orders of Chivalry). You can also see Gustav III’s Museum of 107 70 Stockholm Hårleman Antiquities, the Tre Kronor Museum, and the Treasury. The Royal Palace also contains the Armory, with royal costumes and armor, as well as coronation carriages and magnificent coaches from the Royal Stable. Make sure not to miss the parade of soldiers and the daily changing of the guard. Admission 160,00 SEK. Mon-Sun (9am-5pm) The museum holds the collection of classical sculptures purchased by King Gustav III during his journey to Italy (1783–84). This is Sweden’s Gustav III's Museum Kungliga slottet, 116 **** oldest public art museum, recently renovated and housed in its original of Antiquities 45 Stockholm location in the Royal Palace. The Museum of Antiquities is open during the summer season May-September. Mon-Sun (10am-5pm) Stockholm’s medieval Cathedral, built in 1279, houses unique objects such as the St George and the Dragon sculpture (1489), the legendary Vädersoltavlan (1535) and Lena Lervik’s sculpture ”Joseph and Mary” Storkyrkan Nicodemus Tessin the **** Trångsund 1, 111 29 (2002). Since 1527, the Cathedral has been a Lutheran church. -
The Construction of Construction the Construction of Construction
The Construction of Construction The Construction of Construction The Wenner-Gren Center and the possibility of steel building in postwar Sweden Frida Rosenberg KTH Royal Institute of Technology Architecture School of Architecture and the Built Environment SE-100 44 Stockholm, Sweden The Construction of Construction The Wenner-Gren Center and the possibility of steel building in postwar Sweden FRIDA ROSENBERG KTH Royal Institute of Technology Architecture School of Architecture and the Built Environment SE-100 44 Stockholm, Sweden © Frida Rosenberg 2018 Doctoral Thesis in Architecture KTH Royal Institute of Technology Architecture School of Architecture and the Built Environment SE-100 44 Stockholm, Sweden TRITA-ABE-DLT-1832 ISSN 1402-7461 ISBN: 978-91-7729-897-7 Graphic design in collaboration with Andrejs Ljunggren (Ateljé Andrejs Ljunggren). Printed in b/w on Cyclus 80/300 gsm. Effort has been made to identify and acknowledge all copyright owners of visual material. Should in spite of this any copyright owner be overlooked, please contact the author, so that material can be amended for further editions. Doctoral thesis submitted at KTH Royal Institute of Technology in Stockholm for public examination and defence of the Doctor of Philosophy degree on Friday 21st of September 2018, 14:00, lecture room F3, Lindstedtsvägen 26, Stockholm. TABLE OF CONTENTS 208 CHAPTER 4: CONSTRUCTION SITES 10 PROLOGUE Component-based systems: the notion of prefabrication, from concrete to steel The architecture The influence of steel-bridge construction -
Nordic Classicism
Nordic Classicism Scandinavian Architecture 1910-1930 JOHN STEWART BLOOMSBURY VISUAL ARTS LONDON • NEW YORK • OXFORD • NEW DELHI • SYDNEY Contents List of Figures vm Acknowledgements xi Introduction 1 1 From National Romanticism to Modernism 3 2 Carl Petersen and the Faaborg Art Museum 21 3 Ivar Tengbom and the Swedish Match Company Headquarters 33 4 Gunnar Asplund and Stockholm City Library 47 5 JS Siren and the Finnish Parliament House 63 6 Hack Kampmann and the Copenhagen Police Headquarters 11 7 Sigurd Lewerentz and the Chapel of the Resurrection 93 8 Oiva Kallio and the Villa Oivala 105 9 Alvar Aalto and the Jyvaskyla Workers Club 117 10 Edvard Thomsen and the 0regard Gymnasium 129 11 Martti Valikangas and the Puu Kapyla Garden Town 141 12 The Woodland Cemetery and the Woodland Chapel 153 Epilogue 167 Notes 175 Bibliography 183 Index 186 List of Figures 1 Villa Hvittrask, Helsinki, Credit - Addison Godel 5 - Stewart 8 2 Vor Frue Kirk in Copenhagen by CF Hansen, Credit John - John Stewart 11 3 The Enskilda Bank Headquarters in Stockholm by IvarTengbom, Credit 4 Stockholm Concert Hall by IvarTengbom, Credit - John Stewart 15 5 Carl Petersen, Credit -The Royal Danish Library 22 6 Faaborg Museum Plan, Credit-John Stewart 26 7 Faaborg Museum Section, Credit - John Stewart 26 8 Faaborg Museum Entrance, Credit - martin8th/Flickr 27 9 Faaborg Gallery, Credit - martin8th/Flickr 28 10 Mads Rasmussen, Credit - martin8th/Flickr 29 11 IvarTengbom, Credit-ARKDES 33 12 Tandstickspalatset Plan, Credit-John Stewart 39 13 Tandstickspalatset Section, -
Westminsterresearch Nordic Visions of A
WestminsterResearch http://www.westminster.ac.uk/westminsterresearch Nordic Visions of a Classical World (1901 – 1966) Charrington, H. This is an accepted manuscript of a book chapter published by Routledge in The Routledge Handbook on the Reception of Classical Architecture on 1 October 2019, available online: http://www.routledge.com/ 9781138047112 The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] Routledge Handbook on the Reception of Classical Architecture 25. Nordic Visions of a Classical World (1901 – 1966) Harry Charrington TEXT An Emancipated Tradition Steen Eiler Rasmussen’s remark, “On the whole, art should not be explained; it must be experienced”, befits what has come to be called Nordic Classicism, and the determinedly non-doctrinaire approach of its practitioners.1 At the same time, the ambiguity inherent in this comment frustrates those critics for whom the classical world is something less mutable and more certain. Francesco dal Co berated, “…the many clichés utilized […] to explain the architecture of Aalto, […] vague and disappointing expressions, as generic as they are void of meaning: ‘northern classicism’, ‘Italy’, ‘Mediterranean’, ‘Greece’, ‘classical architecture’, ‘Renaissance palazzo’, ‘architettura minore’, ‘the holy land of Tuscany’ etc.?”2 Nordic Classicism is, arguably, just such a vague term, covering everything from the unrelenting repetitiveness of Kay Fisker’s Borups Allé flats in Copenhagen (1922–23) to the festive decorativeness of Hakon Ahlberg’s Pavilion for the Gothenburg Jubilee (1923). -
ARKITEKTEN ERNST TORULF Ett Västsvenskt Perspektiv På Det Tidiga 1900-Talets Svenska Arkitektur
INSTITUTIONEN FÖR KULTURVÅRD ARKITEKTEN ERNST TORULF Ett västsvenskt perspektiv på det tidiga 1900-talets svenska arkitektur Simon Wærn Uppsats för avläggande av filosofie masterexamen med huvudområdet kulturvård 2019, 60 hp Avancerad nivå 2019:32 ARKITEKTEN ERNST TORULF Ett västsvenskt perspektiv på det tidiga 1900-talets svenska arkitektur Simon Wærn Handledare: Henrik Ranby Examensarbete för Masterexamen, 60 hp Kulturvård GÖTEBORGS UNIVERSITET ISSN 1101-3303 Institutionen för kulturvård ISRN GU/KUV—19/32—SE UNIVERSITY OF GOTHENBURG http://www.conservation.gu.se Department of Conservation Fax +46 31 7864703 P.O. Box 130 Tel +46 31 7864700 SE-405 30 Gothenburg, Sweden Master’s Program in Conservation, 120 ects Author: Simon Wærn Supervisor: Henrik Ranby Title: Ernst Torulf: architect – a west Swedish perspective on early 20th century Swedish architecture ABSTRACT The aim of this thesis is to explore and analyse the life and work of the Swedish architect Ernst Torulf (1872-1936). The study attempts to answer questions related to Torulf’s architecture, his ideology and sources of inspiration, analyse the connection between his professional career and personal life, and place his work into a wider historical context. All in all, the study seeks to create a broad and nuanced portrait of an architect and his architecture. Ernst Torulf was one of the most prominent Swedish architects of his time. His architectural production was broad in character in extensive in scope. His work spanned over a long time period as well as over a relatively large geographical area. His main base of work was Western Sweden and the city of Gothenburg, where he for over three decades in many ways played a dominant role. -
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2 START 1 3 4 12 13 11 5 9 6 8 10 17 7 16 14 18 15 22 19 21 20 23 24 29 28 25 27 26 30 END H:\JonasMapp090505\draft_citytour_090609.doc 1 STOCKHOLM AND ARCHITECTURE ARCHITECTURAL COMPETITIONS Departing from the campus area of the Royal Institute of Technology, the tour uses the architecture architectural competition as an instrument to zig-zag through the built environment in the inner city of Stockholm. During approximately 1.5 hour, the urban qualities of Stockholm and its architectural high-lights are investigated. The tour ends at the Kornhamnstorg, and will especially be accompanied by encounters with architecture resulting from a architectural competition. A short guide in English (map and short information) will be handed out. Transportation: Walking from KTH Programme. 1. Royal Institute of Technology, KTH, Valhallavägen – architectural competition 1911-12, 2. New building for School of Architecture, (not yet built) architectural competition 2008 3. Engelbrekt’s School, Engelbrektsskolan architectural competition 1897-98 4. Engelbrekt’s Church, Engelbrektskyrkan, architectural competition 1906 via nearby quarters, Lärkstaden, Arkitekturskolan and Danderydsgatan 5. Carpenter’s Order, Ordenstrappan, Timmermansorden, architectural competition 1915 via nearby quarters, Eriksbergsgatan. 6. Royal Library, Humlegården 7. Square Stureplan, urban-design architectural competition in 1989 8. Finnish Cultural Institute, architectural competition in 1995 9. John’s Church, architectural competition 1782-83, and in 1881 10. Square Tegnérlunden, Swedish authors. 11. Kv Spelbomskan 9 and 12, the Doctors’ building, urban-design, 2006 12. Square Odenplan, urband-design, 2006 13. Stockholm City Library, architectural competitionen 2007 14. Stockholm Concert Hall, architectural competition 1920 15.