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Moonshot | IT Case Study | Istreamplanet
Case study iStreamPlanet transforms live video streaming with HP Moonshot Accelerates video transcoding to handle more high- definition broadcast channels at lower cost per channel Industry Live video streaming “The HP Moonshot System clearly Objective Improve performance, efficiency, and agility for represented a non-linear jump in our delivering high-definition live video streaming from multiple broadcast channels to a wide range of end- ability to provide high-quality live user devices Approach video streaming and lower power Deploy HP Moonshot System with HP ProLiant m710 Servers in the HP Moonshot 1500 Chassis to run consumption in our cloud.” cloud-based live video streaming software as a service – Mark VanAntwerp, Vice President of Engineering, IT matters iStreamPlanet • Achieved a three to five times reduction in power consumption • Reduced data center footprint to 1/10th the As an industry leader in live video streaming, iStreamPlanet is physical space of traditional blades constantly looking for technology innovations to enhance • Performed complete channel transcoding on a portion of one ProLiant m710 instead of multiple performance and efficiency. By moving video transcoding server blades processes from traditional blades to the HP Moonshot System, Business matters iStreamPlanet can now encode live video streams in 1/10th the • Handles more high-definition channels at a lower total cost per channel compared to traditional data center space with a three to five times reduction in power blades consumption. This enables the company to handle more high- • Scales capacity quickly and easily to support more definition broadcast channels at lower cost per channel. customers and video content without large capital expenditure • Delivers always-up services to meet customer reliability and quality expectations Case study | iStreamPlanet iStreamPlanet entered the live video customers. -
TV Channel Distribution in Europe: Table of Contents
TV Channel Distribution in Europe: Table of Contents This report covers 238 international channels/networks across 152 major operators in 34 EMEA countries. From the total, 67 channels (28%) transmit in high definition (HD). The report shows the reader which international channels are carried by which operator – and which tier or package the channel appears on. The report allows for easy comparison between operators, revealing the gaps and showing the different tiers on different operators that a channel appears on. Published in September 2012, this 168-page electronically-delivered report comes in two parts: A 128-page PDF giving an executive summary, comparison tables and country-by-country detail. A 40-page excel workbook allowing you to manipulate the data between countries and by channel. Countries and operators covered: Country Operator Albania Digitalb DTT; Digitalb Satellite; Tring TV DTT; Tring TV Satellite Austria A1/Telekom Austria; Austriasat; Liwest; Salzburg; UPC; Sky Belgium Belgacom; Numericable; Telenet; VOO; Telesat; TV Vlaanderen Bulgaria Blizoo; Bulsatcom; Satellite BG; Vivacom Croatia Bnet Cable; Bnet Satellite Total TV; Digi TV; Max TV/T-HT Czech Rep CS Link; Digi TV; freeSAT (formerly UPC Direct); O2; Skylink; UPC Cable Denmark Boxer; Canal Digital; Stofa; TDC; Viasat; You See Estonia Elion nutitv; Starman; ZUUMtv; Viasat Finland Canal Digital; DNA Welho; Elisa; Plus TV; Sonera; Viasat Satellite France Bouygues Telecom; CanalSat; Numericable; Orange DSL & fiber; SFR; TNT Sat Germany Deutsche Telekom; HD+; Kabel -
Line-Up 2018 Guns Akimbo in Production In
LINE-UP 2018 GUNS AKIMBO IN PRODUCTION IN DIRECTOR: Jason Lei Howden CAST: Daniel Radcliffe, Samara Weaving PRODUCERS: Occupant Entertainment, Hyperion Entertainment, Altitude Film Entertainment, Four Knights Films, Maze Pictures, Umedia Miles, a nobody who just got dumped by his girlfriend, wakes up with guns bolted onto his hands and a crazy bounty hunter out to get him. MY BRILLIANT FRIEND IN PRODUCTION IN DIRECTOR: Saverio Costanzo SCREENPLAY: Elena Ferrante, Francesco Piccolo, Laura Paolucci, Saverio Costanzo FORMAT: 8x50’ PRODUCERS: HBO, Rai Fiction, Timvision, Wildside, Fandango, Umedia When the most important friend in her life seems to have disappeared without a trace, Elena Greco, a now elderly woman immersed in a house full of books, turns on her computer and starts writing the story of their friendship. A GIRL FROM MOGADISHU IN POST-PRODUCTION IN DIRECTOR: Mary McGuckian CAST: Aja Naomi King, Barkhad Abdi, Martha Canga Antonio PRODUCERS: Pembridge Pictures, Umedia Based on the testimony of Ifrah Ahmed, who - having made the extraordinary journey to escape war-torn Somalia - emerged as one of the world’s foremost international activists against Gender Based Violence and Female Genital Mutilation. THE BOUNCER IN POST-PRODUCTION IN DIRECTOR: Julien Leclercq SCREENPLAY: Jérémie Guez CAST: Jean-Claude Van Damme, Kevin Janssens Sam Louwyck, Sveva Alviti, Sami Bouajila, Kaaris PRODUCERS: Atchafalaya Fims, Labyrinthe Films, Umedia, 10.80 Films A nightclub bouncer in his fifties who has taken punches, literally and figuratively, struggles to raise his 8-year-old daughter. CONSPIRACY OF SILENCE IN POST-PRODUCTION IN DIRECTOR: Charlotte Brändström CAST: Jens Hultén, Vera Vitali, Josefin Asplund FORMAT: 8x45’ PRODUCERS: Brain Academy, Viaplay, Pinewood Television, Umedia A former member of the Swedish illegal weapons trade returns from the dead to wreak vengeance on enemies from his past. -
I CHINESE INVESTMENT in the UNITED STATES: IMPACTS AND
i CHINESE INVESTMENT IN THE UNITED STATES: IMPACTS AND ISSUES FOR POLICYMAKERS HEARING BEFORE THE U.S.-CHINA ECONOMIC AND SECURITY REVIEW COMMISSION ONE HUNDRED FIFTEENTH CONGRESS FIRST SESSION THURSDAY, JANUARY 26, 2017 Printed for use of the United States-China Economic and Security Review Commission Available via the World Wide Web: www.uscc.gov UNITED STATES-CHINA ECONOMIC AND SECURITY REVIEW COMMISSION WASHINGTON: 2017 ii U.S.-CHINA ECONOMIC AND SECURITY REVIEW COMMISSION CAROLYN BARTHOLOMEW, CHAIRMAN HON. DENNIS C. SHEA, VICE CHAIRMAN Commissioners: ROBIN CLEVELAND HON. JONATHAN STIVERS HON. BYRON L. DORGAN HON. JAMES TALENT HON. CARTE P. GOODWIN DR. KATHERINE C. TOBIN DANIEL M. SLANE MICHAEL R. WESSEL MICHAEL R. DANIS, Executive Director The Commission was created on October 30, 2000 by the Floyd D. Spence National Defense Authorization Act for 2001 § 1238, Public Law No. 106-398, 114 STAT. 1654A-334 (2000) (codified at 22 U.S.C. § 7002 (2001), as amended by the Treasury and General Government Appropriations Act for 2002 § 645 (regarding employment status of staff) & § 648 (regarding changing annual report due date from March to June), Public Law No. 107-67, 115 STAT. 514 (Nov. 12, 2001); as amended by Division P of the “Consolidated Appropriations Resolution, 2003,” Pub L. No. 108-7 (Feb. 20, 2003) (regarding Commission name change, terms of Commissioners, and responsibilities of the Commission); as amended by Public Law No. 109- 108 (H.R. 2862) (Nov. 22, 2005) (regarding responsibilities of Commission and applicability of FACA); as amended by Division J of the “Consolidated Appropriations Act, 2008,” Public Law Nol. -
Global Acquisition and Distribution Powered by Istreamplanet
WHITEPAPER: Global Acquisition and Distribution Powered by iStreamPlanet Summary The first step in powering a live, online streaming broadcast is acquiring content sources from the event location to be The strategic co-location of processed for delivery to a variety of connected devices. iStreamPlanet’s Broadcast Acquiring content can be a challenge: dedicated fiber Operations Centers within the largest networks to event locations aren’t ubiquitous, and satellite data centers in the US and Europe uplink and satellite time can be expensive. iStreamPlanet in partnership with Interxion in London and Switch in Las provides content owners a flexible Vegas, provides a unique and cost-effective alternative for solution for IP backhaul, enabling acquiring live content via IP backhaul, due to the co-location high quality, live streaming from of iStreamPlanet’s Broadcast Operations Centers and the practically any corner of the globe. multitude of carriers within these large data centers. By co-locating their BOCs within these data centers, iStreamPlanet can cross-connect with over 70 leading carriers to enable IP backhauling of content from nearly any venue in the world, the venue only needs access to just one of these carriers. Once the feeds are acquired they are pushed to iStreamPlanet’s BOC for media processing, publishing and distribution via one or multiple CDNs, also located within the data centers. This solution provides the ability to process more feeds, often with time and cost savings, ultimately driving a high quality, live, video experience from practically any corner of the US and Europe. Strategic Partnerships Provide Global Connections Content owners are connecting to their audiences with live content in record numbers. -
Broadcast Bulletin Issue Number 229 07/05/13
Ofcom Broadcast Bulletin Issue number 229 7 May 2013 1 Ofcom Broadcast Bulletin, Issue 229 7 May 2013 Contents Introduction 3 Standards cases In Breach Phones 4U’s sponsorship of network films on Channel 4 Channel 4, 26 December 2012, 23:32 6 Kobots Federation: Kobots Dual Action Game sponsorship credits Cartoon Network, Cartoon Network Too, Boomerang, 18 February 2013 to 17 March 2013, various times 9 The Daily Show Comedy Central Extra, 5 March 2013, 20:00 13 Cross promotion for Sky Sports Sky News, 13 February 2013, 23:47 15 Resolved Viewer competitions Channel 5 and 5*, September to November 2012, various times 17 Viewer competitions ITV1 and ITV2 channels, September to November 2012, various times 19 Advertising Scheduling cases In Breach Advertising scheduling Bloomberg Television, various dates and times 21 Breach findings table Code on the Scheduling of Television Advertising compliance reports 25 Fairness and Privacy cases Upheld Complaint by Mr C Panorama: Gambling Nation, BBC 1, 5 November 2012 26 2 Ofcom Broadcast Bulletin, Issue 229 7 May 2013 Other Programmes Not in Breach 31 Complaints Assessed, Not Investigated 32 Investigations List 40 3 Ofcom Broadcast Bulletin, Issue 229 7 May 2013 Introduction Under the Communications Act 2003 (“the Act”), Ofcom has a duty to set standards for broadcast content as appear to it best calculated to secure the standards objectives1. Ofcom must include these standards in a code or codes. These are listed below. Ofcom also has a duty to secure that every provider of a notifiable On Demand Programme Services (“ODPS”) complies with certain standards requirements as set out in the Act2. -
Paving the Way Forward: Intelsat, Istreamplanet, Newtec and PSSI Global Services Demonstrate the Future of 4K UHDTV, HEVC Encoding and Multiscreen Distribution at NAB
Paving the Way Forward: Intelsat, iStreamPlanet, Newtec and PSSI Global Services Demonstrate the Future of 4K UHDTV, HEVC Encoding and MultiScreen Distribution at NAB April 10, 2015 LAS VEGAS & LUXEMBOURG--(BUSINESS WIRE)--Apr. 10, 2015-- Intelsat S.A. (NYSE: I), the world’s leading provider of satellite services, along with iStreamPlanet, Newtec, and PSSI Global Services, LLC will demonstrate the evolution of true 4K UHDTV using HEVC compression and Content Distribution Networks (CDNs) with end-to-end video transmissions via satellite and the internet at the Las Vegas Convention Center in Las Vegas, Nevada during the 2015 NAB show. The demonstrations will take place at Intelsat’s booth located in the South Upper Hall, Booth SU3110. At NAB, Intelsat will introduce IntelsatOne® Prism services, a new paradigm in media networking and content distribution, allowing customers to easily upgrade a legacy satellite-based network to a next generation, automated, hybrid, converged IP network. The team will demonstrate how media customers can manage multiple types of video content delivery and other IP applications in a single platform to optimize bandwidth and deliver high quality media content in a cost efficient, seamless manner, regardless of location. The Evolution of True 4K UHDTV Distribution 4K UHDTV content provided by Discovery Communications will be transmitted from PSSI’s production vehicle located in Las Vegas. Using a playout server, a reference UHD HEVC Encoder and Newtec MDM6000 Satellite modem, the video feed will be uplinked in Ku-band to Galaxy 17, Intelsat’s premier sports and news contribution neighborhood, at 25 Mbps in a DVB-S2X modulated stream. -
Disney Channel’S That’S So Raven Is Classified in BARB As ‘Entertainment Situation Comedy US’
Children’s television output analysis 2003-2006 Publication date: 2nd October 2007 ©Ofcom Contents • Introduction • Executive summary • Children’s subgenre range • Children’s subgenre range by channel • Children’s subgenre range by daypart: PSB main channels • Appendix ©Ofcom Introduction • This annex is published as a supplement to Section 2 ‘Broadcaster Output’ of Ofcom’s report The future of children’s television programming. • It provides detail on individual channel output by children’s sub-genre for the PSB main channels, the BBC’s dedicated children’s channels, CBBC and CBeebies, and the commercial children’s channels, as well as detail on genre output by day-part for the PSB main channels. (It does not include any children’s output on other commercial generalist non-terrestrial channels, such as GMTV,ABC1, Sky One.) • This output analysis examines the genre range within children’s programming and looks at how this range has changed since 2003. It is based on the BARB Children’s genre classification only and uses the BARB subgenres of Children’s Drama, Factual, Cartoons, Light entertainment/quizzes, Pre-school and Miscellaneous. • It is important to note that the BARB genre classifications have some drawbacks: – All programme output that is targeted at children is not classified as Children’s within BARB. Some shows targeted at younger viewers, either within children’s slots on the PSB main channels or on the dedicated children’s channels are not classified as Children’s. For example, Disney Channel’s That’s so raven is classified in BARB as ‘Entertainment Situation Comedy US’. This output analysis is not based on the total output of each specific children’s channel, e.g. -
MCPS TV Fpvs
MCPS Broadcast Blanket Distribution - TV FPV Rates paid October 2012 Non Peak Non Peak P(ence) P(ence) Peak FPV Non Peak Programmes Programme Rate (per Rate (per (per FPV (per (covered by s (covered Source/Sho Manufactur Link weighted weighted weighted weighted blanket by blanket Licensee Channel Name rt Code udc er Number code second) second) minute) minute) licence) licence) BBC BBC 1 BBCTVD Z0003 5258 jyd 69.334 34.667 41.6004 20.8002 Y Y BBC BBC 2 BBC2 Z0004 316168 jye 20.908 10.454 12.5448 6.2724 Y Y BBC BBC ALBA BBCALB Z0008 232662 jyi 5.432 2.716 3.2592 1.6296 Y Y BBC BBC HD BBCHD Z0010 232654 jyk 6.095 3.047 3.657 1.8282 Y Y BBC BBC News BBC NE Z0007 127284 jyh 8.725 4.362 5.235 2.6172 Y Y BBC BBC Parliament BBCPAR Z0009 316176 jyj 2.934 1.467 1.7604 0.8802 Y Y BBC BBC Side Agreement for S4C BBCS4C Z0222 316184 jdc 0 4.188 0 2.5128 Y Y BBC BBC3 BBC3 Z0001 126187 jyb 16.128 8.064 9.6768 4.8384 Y Y BBC BBC4 BBC4 Z0002 158776 jyc 7.946 3.973 4.7676 2.3838 Y Y BBC CBBC CBBC Z0005 165235 jyf 11.218 5.609 6.7308 3.3654 Y Y BBC Cbeebies CBEEBI Z0006 285496 jyg 11.837 5.918 7.1022 3.5508 Y Y BBC WorldwideBBC Entertainment Africa BBCENA Z0296 286601 jex 1.291 0.645 0.7746 0.387 N Y BBC WorldwideBBC Entertainment Nordic BBCENN Z0300 286619 jf2 0.543 0.271 0.3258 0.1626 N Y BBC WorldwideBBC Entertainment Poland BBCEPO Z0292 286627 jet 2.244 1.122 1.3464 0.6732 N Y BBC WorldwideBBC HD Pan Europe/Nordic BBCHNO Z0303 286635 jf5 4.484 2.242 2.6904 1.3452 N Y BBC WorldwideBBC Knowledge Africa BBCKAF Z0297 286643 jey 0.672 0.336 0.4032 0.2016 N -
The London School of Economics and Political Science a Neoliberalizing
The London School of Economics and Political Science A neoliberalizing Chinese cinema: political economy of the Chinese film industry in post-WTO China Xiaoxi Zhu A thesis submitted to the Department of Media and Communications of the London School of Economics for the degree of Doctor of Philosophy London, March 2019 1 Declaration I certify that the thesis I have presented for examination for the MPhil/PhD degree of the London School of Economics and Political Science is solely my own work other than where I have clearly indicated that it is the work of others (in which case the extent of any work carried out jointly by me and any other person is clearly identified in it). The copyright of this thesis rests with the author. Quotation from it is permitted, provided that full acknowledgement is made. This thesis may not be reproduced without my prior written consent. I warrant that this authorisation does not, to the best of my belief, infringe the rights of any third party. I declare that my thesis consists of 71012 words. 2 Abstract This thesis aims to investigate the industry restructuration of the Chinese film industry in the context of China integrating into the global neoliberal capitalist system since its WTO entry in 2002. By interrogating the power dynamics between the Party-state, domestic capital and transnational media capital, this thesis explores respective roles each of the three stakeholders have played in shaping the commercialization and marketization of the Chinese film industry. Methodically, this thesis primarily relies on elite interviews with industry professionals, together with critical discourse analysis of one key policy document, and secondary data collected from news outlets, trade publications, industry reports, etc. -
Cartoon Network and Palace Entertainment Develop Premier Hotel Experience
OCT. 30, 2018 CARTOON NETWORK AND PALACE ENTERTAINMENT DEVELOP PREMIER HOTEL EXPERIENCE The Network’s First Hotel Will Open Summer 2019 October 30, 2018 – Some of the world’s most well-loved cartoon characters will be coming to life through a partnership announced today by Cartoon Network and Palace Entertainment. The Cartoon Network Hotel will be the premier family lodging experience in Central Pennsylvania. Joining a global portfolio of great Cartoon Network family experiences, the Network’s first hotel will feature 165 rooms and immerse guests in the animation and antics of characters from shows like Adventure Time, We Bare Bears, and The Powerpuff Girls. Through a combination of character animation and creative technology, the entire property will offer fun and unexpected ways to experience the animated worlds of Cartoon Network from the moment of arrival. The nine-acre destination will feature an interactive lobby with surprises around every corner, a brand-new resort-style pool and water play zone, an outdoor amphitheater with an oversized movie screen, lawn games, fire pits and more! The experience continues inside, where each guest room and suite will feature interchangeable show theming that can be customized around children’s preferences to make each visit a new adventure. An indoor pool, game room, kids play area, and Cartoon Network store will keep the fun going regardless of the season. The Cartoon Network Hotel is centrally located along the Route 30 commercial stretch in the heart of Lancaster County and is just steps from the castle doors of Dutch Wonderland Family Amusement Park. Palace Entertainment currently owns and operates more than 20 amusement parks, water parks, and family entertainment centers across the United States and Australia. -
Istreamplanet Press Release
iStreamPlanet Secures Series A Investment Led by Intel Capital Top digital media video workflow services and applications company to drive growth and leadership position with capital investment Las Vegas, NV-May 23, 2011 – iStreamPlanet, a leader in live internet broadcast services and automated video workflow solutions and applications, announced today that Intel Capital is leading a planned $11 million Series A financing round by funding $7 Million in a first closing. The funding will be used to further accelerate product development, expand the company’s U.S. operations, and for continued growth into European markets. iStreamPlanet develops and operates live and on-demand content creation, management, security, monetization and delivery products and services that bring media experiences to life across multiple screens. The new financing comes after a successful 2010 during which iStreamPlanet more than doubled its customer base and further drove innovation in the live web broadcast space. iStreamPlanet and Intel worked closely together to build out the Olympic Cloud Origin Services for the 2010 Vancouver Olympic Games. And for the second straight year, iStreamPlanet worked with NBC Sports to manage the complete season of Sunday Night Football and the Championships at Wimbledon, along with the US Open Golf, Notre Dame College Football, Ryder Cup and most recently the Kentucky Derby. iStreamPlanet also managed the live web broadcast of a first-of-its-kind 1080p live web broadcast of Imogen Heap out of London and the world’s first live 3D stereoscopic web broadcast, 2010 NASCAR Sprint Cup Series Coke Zero 400 race from Daytona. “We had the opportunity to witness Intel’s commitment to high performance video technologies and their cloud vision first-hand during our companies’ successful collaboration on the 2010 Vancouver Olympic Games Internet Broadcast,” said Mio Babic, CEO of iStreamPlanet.