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TCHAIKOVSKY Liturgy of St
TCHAIKOVSKY Liturgy of St. John Chrysostom Nine Sacred Choruses Latvian Radio Choir Sigvards Kļava PYOTR ILYICH TCHAIKOVSKY (1840–1893) Liturgy of St. John Chrysostom, Op. 41 (1878) Liturgiya svyatogo Ioanna Zlatousta 1. After first Antiphon: Glory to the Father | Posle pervovo antifona: Slava Otsu i Sïnu 3:04 2 After the Little Entrance: Come, Let Us Worship | Posle malovo fhoda: Pridiite, poklonimsa 3:43 3. Cherubic Hymn | Heruvimskaya pesn: Izhe Heruvim 6:02 4. The Creed | Simvol verï 4:48 5. After the Creed: A Mercy of Peace | Posle Simvola verï: Milost mira 4:24 6. After the exclamation ‘Thine own of Thine…’: We Hymn to Thee |Posle vozglasheniya ”Tvoya ot Tvoih...”: Tebe poem 2:41 7. After the words ‘Especially for our most holy…’: Hymn to the Mother of God | Posle slov “Izriadno o presviatey...”: Dostoyno yest 3:26 8. The Lord’s Prayer: Our Father | Molitva Gospodnya: Otche nash 3:25 9. The Communion Hymn: Praise the Lord | Prichastnïy stih: Hvalite Gospoda 2:32 10. After the exclamation ‘In the fear of God…’: We have seen the True Light! | Posle vozglasheniya ”So strahom Bozhïim...”: Videhom svet istinï 3:26 Nine Sacred Choruses (1884–85) Devjati duhovno-muzykalnyh sotshinenij 11. Cherubic Hymn I | Heruvimskaya pesn I 6:05 12. Cherubic Hymn II | Heruvimskaya pesn II 5:51 13. Cherubic Hymn III | Heruvimskaya pesn III 6:01 14. We Hymn to Thee |Tebe poem 3:20 15. Hymn to the Mother of God | Dostoyno yest 3:03 16. Our Father | Otche nash 3:16 17. Blessed are They | Blazheni, yazhe ibral 3:23 18. -
15° Festival & Concorso Corale Internazionale Riva Del Garda & Arco
15° Festival & Concorso Corale Internazionale 15th International Choir Festival & Competition 25 - 29 Marzo · March 2018 Riva del Garda & Arco Concorso Corale Musica Eterna Roma Internazionale July 11 - 15, 2018 March 25 - 29, 2018 July 10 - 14, 2019 April 5 - 9, 2020 July 2020 Riva del Garda & Arco | ITALY Rome | ITALY Venezia in Musica Spring Edition Beira Interior April 28 - May 2, 2018 October 3 - 7, 2018 April 28 - May 2, 2019 October 2020 April 29 - May 3, 2020 Fundão | PORTUGAL Caorle & Venice | ITALY 25 - 29 Marzo · March 2018 Riva del Garda & Arco Laurea Mundi Budapest & Venezia in Musica Choral Celebration Autumn Edition May 18 - 22, 2018 October 25 - 28, 2018 May 2020 October 2020 Organizzatore · Organiser Budapest | HUNGARY Sacile & Venice | ITALY PER MUSICAM AD ASTRA Budapest International International Copernicus Choir Choir Competition Festival & Competition April 14 - 18, 2019 June 27 - July 1, 2018 March 28 - April 1, 2021 June 29 - July 3, 2019 Budapest | Hungary Toruń | POLAND Patrocinio · Patronage Salzburg International Choral Comune di Riva del Garda SING BERLIN! Celebration & Competition Federazione Cori del Trentino July 4 - 8, 2018 June 19 - 24, 2019 July 2020 June 2021 Berlin | GERMANY Salzburg | AUSTRIA Direzione artistica · Artistic directors Gábor Hollerung (Ungheria · Hungary) Enrico Miaroma (Italia · Italy) In... Canto sul Garda October 12 - 16, 2019 October 2021 Direttrice del progetto · Project Director Riva del Garda & Arco | ITALY Piroska Horváth (Ungheria · Hungary) Our International in collaborazione con · in cooperation with Choir Festivals & Competitions Indice · Index Cori Partecipanti · Participating Choirs Jitřenka G1 & G2 Männerchorensemble „vocawäller“ B2 Cori Participanti · Participating Choirs .............................................. 5 Südwestpfälzer Kinderchor Münchweiler G1 Vokalkreis des Telemann-Konservatoriums Magdeburg A3 & S3 Saluti · Greetings ................................................................................ -
Outstanding New Arrivals
Winter 2013 The MUSICA RUSSICA CD BUYING GUIDE www.musicarussica.com Vol. 19, No. 2 TOLL-FREE ORDER LINE: 1-800-326-3132 Fax: 1-858-536-9991W Outstanding New Arrivals C122 I-112 FIVE STARS The Sacred Spirit of Russia Panagia: Orthodox Hymns Conspirare to the Mother of God Craig Hella Johnson, cond. Archangel Voices (See page 6) Vladimir Morosan, cond. (See page 10) D186 I-111 I-113 K085 The Don Cossack Choir Hymns of Holy Russia Their Proclamation Tikey Zes (1921–2013) in the New World Vladimir Gorbik The Divine Liturgy of Serge Jaroff, Michael Minsky, St. Tikhon, St. Vladimir & Master Class Chorus St. John Chrysostom and Wanja Hlibka, conds. Holy Trinity Seminary Choirs Vladimir Gorbik, cond. Cappella Romana 3 CD Set Vladimir Gorbik, cond. (See page 10) Alexander Lingas, cond. (See page 8) (See page 10) (See page 11) Vladimir Morosan, editor Special Holiday Section B043b D155 E023 Russian Christmas: Christmas in Russia The Bright Star Arose Vigil of the Nativity of Christ Don Cossacks Choir of Russia St. John Damascene Children’s and Youth Choir Russain Patriarchate Choir; Grindenko $21.98 of St. Petersburg $20.98 Beautiful vocal display and drama $19.98 Russian chant in for which Serge Jaroff’s Don Cossacks Young voices delve into the rich repertoire of all its austere splendor. were famous traditional Slavic (Ukrainian, Belarussian, Slovak, and Russian) songs H053 H060b Ukrainian Christmas Carols An Orthodox Christmas: A New Joy The “Boyan” Ensemble Estonian Philharmonic Chamber Choir $21.98 $15.98 This is, quite simply, THE BEST CD A lovely mix of liturgical hymns of Ukrainian Christmas carols and carols, performed by an released in recent years. -
View/Download Liner Notes
Introduction from Nigel Short Russian Treasures is the twentieth album from Churches, dating back to the 16th century and Tenebrae and this release has further signifi cance evolving more-or-less uninterrupted until the as it sees the launch of the new label, Bene Arte, sudden decline in the Church’s fortunes which established exclusively to record the choir. Russian accompanied the Bolshevik Rebellion in 1917. choral music has been a feature in Tenebrae’s From Kedrov’s intensely spiritual yet delicate setting concert performances since the choir’s inception so of the Lord’s Prayer and Kalinnikov’s comparatively it seemed appropriate for us to record some of this light and lyrical feel, to the more traditional dark, exquisite music, sharing some little-known gems as rich and heavy textures of Rachmaninov, this disc is well as some familiar favourites from this vast area punctuated by those unmistakable Russian forces. of choral repertoire. Over the years we have worked extensively with It was in the early nineties, when I was travelling Russian language coaches whilst nurturing our in Russia, that I became captivated by the intense own characteristics of passion and precision to spirituality of the Russian Orthodox Liturgy and the deliver a special and heartfelt tribute to the powerful and mystical effect it has when combined music of these great composers. Thank you with the gloriously sonorous music sung so to everyone who has been involved in bringing beautifully by the native choirs. I found old music this album to fruition, especially the singers. shops, seeking original manuscripts or anything To you, the listeners, we hope you enjoy this choral I could lay my hands on. -
Culture and Customs of Ukraine Ukraine
Culture and Customs of Ukraine Ukraine. Courtesy of Bookcomp, Inc. Culture and Customs of Ukraine ADRIANA HELBIG, OKSANA BURANBAEVA, AND VANJA MLADINEO Culture and Customs of Europe GREENWOOD PRESS Westport, Connecticut • London Library of Congress Cataloging-in-Publication Data Helbig, Adriana. Culture and customs of Ukraine / Adriana Helbig, Oksana Buranbaeva and Vanja Mladineo. p. cm. — (Culture and customs of Europe) Includes bibliographical references and index. ISBN 978–0–313–34363–6 (alk. paper) 1. Ukraine—Civilization. 2. Ukraine—Social life and customs. I. Buranbaeva, Oksana. II. Mladineo, Vanja. III. Title. IV. Series. DK508.4.H45 2009 947.7—dc22 2008027463 British Library Cataloguing in Publication Data is available. Copyright © 2009 by Adriana Helbig, Oksana Buranbaeva, and Vanja Mladineo All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 2008027463 ISBN: 978–0–313–34363–6 First published in 2009 Greenwood Press, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. www.greenwood.com Printed in the United States of America The paper used in this book complies with the Permanent Paper Standard issued by the National Information Standards Organization (Z39.48–1984). 10 9 8 7 6 5 4 3 2 1 The authors dedicate this book to Marijka Stadnycka Helbig and to the memory of Omelan Helbig; to Rimma Buranbaeva, Christoph Merdes, and Ural Buranbaev; to Marko Pećarević. This page intentionally left blank Contents Series Foreword ix Preface xi Acknowledgments xiii Chronology xv 1 Context 1 2 Religion 30 3 Language 48 4 Gender 59 5 Education 71 6 Customs, Holidays, and Cuisine 90 7 Media 114 8 Literature 127 viii CONTENTS 9 Music 147 10 Theater and Cinema in the Twentieth Century 162 Glossary 173 Selected Bibliography 177 Index 187 Series Foreword The old world and the New World have maintained a fluid exchange of people, ideas, innovations, and styles. -
Cn 059E (Satb)Final.Indd
Praise the Name of the Lord (for mixed chorus) CHESNOKOV, Pavel Grigor’yevich (b. 12 [ 24] October, 1877, near Voskresensk, Moscow region; d. 14 March, 1944, Moscow)—graduated from Moscow Synodal School of Church Singing in 1895; 1895–99, studied composition with Sergei Taneyev; graduated from Moscow Conservatory in 1917 in conducting and composition (student of Mikhail Ippolitov-Ivanov). From 1895, taught church singing (chant) at the Moscow Synodal School; served as precentor in several Moscow churches and taught choral music at various schools. From 1920 to 1944 was professor of choral music at the Moscow Conservatory and conductor of several state choirs in Moscow. Chesnokov is the most prolific composer associated with the Moscow Synodal School: his compositional output includes over 500 choral works, over 400 of which are sacred. His major opera include three complete settings of the Divine Liturgy, two complete settings of the All-Night Vigil, two settings of the Memorial Service, and a setting of the Liturgy of Presanctified Gifts. In addition, he composed numerous settings of individual hymns taken from the ordinary of the Liturgy and Vigil, from feast-day propers, and paraliturgical concertos. “Praise the Name of the Lord” is a setting of the polyeleos, one of the most majestic and solemn elements of the Orthodox All-Night Vigil service. At this point in the service, all the lights in the church are lit and the clergy in full vestments process to the center of the church to stand with the people. As the basis for his arrangement, Chesnokov uses the stately znamenny chant melody, which provides a vehicle for the verses from Psalms 134 [135] and 135 [136]. -
Architecture As Frozen Music: Italy and Russia in the Context of Cultural Relations in the 18Th -19Th Centuries
Athens Journal of Humanities & Arts - Volume 4, Issue 2 – Pages 123-132 Architecture as Frozen Music: Italy and Russia in the Context of Cultural Relations in the 18th -19th Centuries By Tatiana Samsonova This article deals with the two kinds of art, architecture and music, in their stylistic mutual influence on the historical background of St. Petersburgʼs founding and developing as the new capital of the Russian Empire in the early 18th century. The author highlights the importance of Italian architects and musicians in the formation of modern culture in Russia and shows how the main features of Baroque and Classicism are reflected both in the architecture and music thanks to the influence of the Italian masters. For the first time the issue of the "Russian bel canto" formation resulted from the Italian maestros working in Russia in 18–19 centuries is revealed. Russian-Italian relations originated in the 18th century and covered various cultural phenomena. Their impact is vividly seen in architecture and music in St. Petersburg, which was founded in 1703 by the Russian Emperor Peter the Great whose strong desire was to turn Russia into Europe. As the famous Russian poet Alexander Pushkin wrote in his "The Bronze Horseman" (1834), "the Emperor cut a Europe window." For St. Petersburg construction as a new Russian capital outstanding Italian architects were invited. The first Italian architect, who came to St. Petersburg, was Domenico Trezzini (1670- 1734), a famous European urban designer and engineer. In the period of 1703- 1716 he was the only architect working in St. Petersburg and the Head of City Development Office. -
19 April 2019 Page 1 of 20
Radio 3 Listings for 13 – 19 April 2019 Page 1 of 20 SATURDAY 13 APRIL 2019 04:31 AM Francis Poulenc (1899-1963) SAT 00:30 Music Planet World Mix (m00041gw) Litanies à la Vierge Noire version for women's voices and organ Psychebelly Dance and the Godfather of Nubian Soul (1936) La Gioia, Diane Verdoodt (soprano), Ilse Schelfhout (soprano), Global beats and roots music from every corner of the world - Kristien Vercammen (soprano), Bernadette De Wilde (soprano), including 'Psychebelly Dance Music' from Turkish band Baba Lieve Mertens (mezzo soprano), Els Van Attenhoven (mezzo Zula; the "Godfather" of Nubian music, Ali Hassan Kuban; the soprano), Peter Thomas (organ) latest sounds from Kinshasa; and a traditional Italian song by Canzoniere Grecanico Salentino. 04:40 AM August de Boeck (1865-1937) Nocturne (1931) SAT 01:00 Through the Night (m00041gy) Vlaams Radio Orkest [Flemish Radio Orchestra], Marc Soustrot String Quartets from Bucharest (conductor) Arcadia Quartet perform Haydn, Shostakovich and Beethoven. 04:50 AM Jonathan Swain presents. Peter Ilyich Tchaikovsky (1840-1893) Slavonic March in B flat minor 'March Slave' 01:01 AM BBC Philharmonic, Rumon Gamba (conductor) Joseph Haydn (1732-1809) String Quartet No 30 in E flat Op 33'2 Hob. iii:38 'Joke' 05:01 AM Arcadia Quartet Bongani Ndodana-Breen (b.1975) Harmonia Ubuntu 01:16 AM Goitsemang Oniccah Lehobye (soprano), Minnesota Orchestra, Dmitry Shostakovich (1906-1975) Osmo Vänskä (conductor) String Quartet No 8 in C minor Op 110 Arcadia String Quartet 05:11 AM Johann Jacob de Neufville -
Professor Marina Ritzarev Principal Associate Researcher
Professor Marina Ritzarev Principal Associate Researcher Education MA – 1969, St. Petersburg Conservatory PhD – 1973, St. Petersburg Conservatory Dr. Habil. – 1989, Kiev Conservatory Fields of research Eighteenth-century Russian music, Choral concerto, Dmitry Bortniansky, Maxim Berezovsky, Russian musical culture in general, Tchaikovsky, Soviet music, Sergei Slonimsky, Shostakovich, Vernacularity and nationalism in music, Music in immigrant communities, Jewish music, Josef Bardanashvili, Musical significations, Textbook sonata form and Propp's morphology of fairy tale. Publications Books Dmitry Bortniansky and His Time. 2nd edition, revised and enlarged. [In Russian]. St. Petersburg, Compozitor. Forthcoming. The Composer Maxim Berezovsky. 2nd edition, revised and enlarged. [In Russian]. St. Petersburg, Compozitor. In press. (As editor) Garment and Core: Jews and their Musical Experiences, Eds. E. Avitsur, M. Ritzarev, E. Seroussi. Bar-Ilan University Press. 2012. Eighteenth-Century Russian Music. Aldershot: Ashgate, 2006. Sacred Concerto in Russia of the Late Eighteenth Century [in Russian]. St. Petersburg: Compozitor, 2006. The Composer Sergei Slonimsky [in Russian]. St. Petersburg: Sovetskiy Kompozitor, 1991. Russian Music of the 18th Century [in Russian]. Moscow: Znanie, 1987. The Composer M. S. Berezovsky [in Russian]. St. Petersburg: Muzyka, 1983. The Composer D. Bortniansky [in Russian]. St. Petersburg: Muzyka, 1979. Reference books The Israeli Music Archive: List of Collections. Tel-Aviv: Tel-Aviv University, 1998. Music and Me - popular encyclopedia for youth [in Russian]. Moscow: Muzyka, 2006 (4th ed., 2000, 1998, 1994). Rachmaninoff’s Autographs in the Archives of the State Central Glinka Museum of Musical Culture [in Russian]. Moscow: Sovetskiy Kompozitor, 1980. Articles and chapters in books “One personality and several identities of the émigré composer Josef Bardanashvili”, in Composer and his Environment, Ed. -
New York Times
SPECIAL OFFER INSIDE! SAVE 30% VOCAL ENSEMBLE SAN FRANCISCO 2018-19 “Simply, beautiful” NEW YORK TIMES 2018-19 San Francisco Series “Simply, beautiful” Cappella Romana has received extraordinary NEW YORK TIMES acclaim on national and international tours and in its Northwest series for over 27 years. We’re now pleased to launch a new “a sensual experience subscription series in San Francisco, meant to induce especially after the warm welcome from Bay a transcendent state” Area audiences like you in January 2018. SAN FRANCISCO You’ll have musical experiences with Cappella CLASSICAL VOICE Romana that are truly transformative. Rooted in the music of Old Rome (the West) and New Rome (Constantinople and the East), Cappella “innovative and Romana forges passion and scholarship into thought-provoking” music that keeps audiences coming back SEATTLE TIMES for more. I hope you’ll join us in October, January, “the finest and May, and we’ve put together a special scholarship aligned introductory offer for you to help make with artistry of that happen. the highest order” Save 30% on ticket prices when you FANFARE subscribe to all three concerts! I can’t wait to share this exciting new series with you. You’re going to love it! “jewel-like brilliance” GRAMOPHONE See you there! “this music is Mark Powell a living tradition” Executive Director NPR Series made possible in part by a grant from the National Endowment for the Arts SATURDAY 29 SEPTEMBER 2018 8:00PM ST. IGNATIUS CHURCH SAN FRANCISCO The Rachmaninoff “Vespers” Rachmaninoff’s All-Night Vigil as you’ve never heard it before! A more complete Vigil with psalms and hymns by composers who paved the way for Rachmaninoff’s extraordinary achievement. -
Official Brochure 2017
10.00 1 CHOIR PLACE COUNTRY PAGE CATEGORY COMPETITION SACRED FOLK POP 3 A Andantino Lublin POLAND 4 C Bazil Anastasescu 4 Târgu Neamț ROMANIA 5 B Chamber Choir Cantabile 2 Hranice CZECH REPUBLIC 6 B Canto 1 Swidnik POLAND Çukurova State Symphony Orchestra 7 A Polyphonic Children Choir 1 Adana TURKEY 8 C Collegium Canticorum 4 Český Těšín CZECH REPUBLIC 9 A Choir Zs 9 “Con Passione” 1 Lublin POLAND 10 B Chamber Choir of the Feliks Nowowiejski 2 Bydgoszcz POLAND Academy of Music 11 C Women’s Vocal Ensemble Gradačac Gradačac BiH 12 C Harmony Sanski Most BiH 13 C Mixed Choir Hlahol 3 Chomutov CZECH REPUBLIC 14 C İnci Yaman Classical Turkish Music Choir 3 Istanbul TURKEY 15 B Lira 2 Minsk BELARUS 16 C Otello Polyphonic Choir Famagusta CYPRUS 17 B Mixed Choir of Partium Christian University 2 Oradea ROMANIA 18 B Požarevac Gymnasium Ensemble 1 Požarevac SERBIA 19 C Promusica - Gheorghe Dimancea Choir Târgoviște ROMANIA 20 B Resonans con tutti 2 Zabrze POLAND 21 C Smirna Skopje MACEDONIA 22 C Mixed Choir Stiv Naumov 4 Bitola MACEDONIA The Choir of the Private Tekirdağ Art Center, 23 A Tekirdağ TURKEY Music, Ballet and Dance Course Trison Mixed Choir of the “Vespasian Lungu” 24 C Popular School of Arts and Crafts 4 Braila ROMANIA Ural Federal University Capella named after 25 C 3 Ekaterinburg RUSSIA Vadim Serebrovsky 26 A Vocantes 1 Přerov CZECH REPUBLIC Moscow leading creative collective choir 27 C “Vozrozhdeniye” 2 Moscow RUSSIA 28 C WPA UAM Chamber Choir 4 Kalisz POLAND 2 Andantino Lublin, Poland Anna Wasak Katarzyna Sidlovska conductor piano accompaniment Andantino Choir was established in September 2006. -
The Problem of Tonal Disunity in Sergeäł Rachmaninoff's All-Night
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2015 The Problem of Tonal Disunity in Sergeĭ Rachmaninoff's All-Night Vigil, op. 37 Olga Ellen Bakulina The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/850 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] THE PROBLEM OF TONAL DISUNITY IN SERGEĬ RACHMANINOFF’S ALL-NIGHT VIGIL, OP. 37 by OLGA (ELLEN) BAKULINA A dissertation submitted to the Graduate Faculty in Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy The City University of New York 2015 i © 2015 OLGA (ELLEN) BAKULINA All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Music in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy ______ ____________________ Date L. Poundie Burstein Chair of Examining Committee ______ ____________________ Date Norman Carey Executive Officer William Rothstein, adviser Philip Ewell, first reader Poundie Burstein Blair Johnston ____________________ Supervisory Committee The City University of New York iii ABSTRACT THE PROBLEM OF TONAL DISUNITY IN SERGEĬ RACHMANINOFF’S ALL-NIGHT VIGIL, OP. 37 By Olga (Ellen) Bakulina Adviser: Professor William Rothstein Recent English-language scholarship has given considerable attention to the issue of tonal disunity, particularly the concepts of tonal pairing, directional tonality, and double-tonic complex.