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EARLY MUSIC NOW with SARA SCHNEIDER Broadcast Schedule — Summer 2020
EARLY MUSIC NOW WITH SARA SCHNEIDER Broadcast Schedule — Summer 2020 PROGRAM #: EMN 20-01 RELEASE: June 22, 2020 Treasures from Wolfenbüttel Starting in the late Renaissance, the court at Wolfenbüttel in northern Germany emerged as a cultural center. The dukes of the house of Welf employed high-profile composers like Michael Praetorius to increase their prestige, but lesser masters like Daniel Selichius made their mark as well. In this edition of Early Music Now, we'll hear from both composers, with performances by the Huelgas Ensemble and Weser-Renaissance Bremen. PROGRAM #: EMN 20-02 RELEASE: June 29, 2020 Those Talented Purcells This week's show focuses on Henry Purcell, and his lesser-known brother (or cousin) Daniel. We'll hear chamber music by both composers, plus selections from the semiopera they worked on together: The Indian Queen, from a 2015 release by The Sixteen. PROGRAM #: EMN 20-03 RELEASE: July 6, 2020 The Lost Voices of Hagia Sophia This week's program showcases an extraordinary recent release from the Portland-based ensemble Cappella Romana. This recording of medieval Byzantine chant composed for Hagia Sophia was recorded entirely in live, virtual acoustics, and soared to #1 on Billboard's Traditional Classical chart! These evocative sounds linger in the soul long after the music fades. PROGRAM #: EMN 20-04 RELEASE: July 13, 2020 Salomone Rossi: Revolutionary Jewish composer Salomone Rossi was a musician who served the Gonzaga court in Mantua. They valued him so highly that he was given a relatively large amount of personal freedom, while other members of the Jewish faith were restricted. -
Interview Russia
Interview with H.E. Mr Timur Eyvazov Ambassador of the Russian Federation to the Republic of Slovenia Christmas in Russia is normally celebrated calendars and intent of the Russian Orthodox on January 7. We would very much like to Church to maintain tradition. learn and to write about how Russians have This year’s celebration is different for all a different Christmas tradition in our Christians. The pandemic doesn’t care whether January issue of our newsletter. But how you’re a Catholic or an Orthodox Christian. In will this year’s Christmas be different for accordance with the restrictions imposed by you and your family amid the COVID many Governments, we are going to celebrate pandemic-related restrictions? How will you this year in the family circles. However, this is a celebrate? family Holiday per se, so basically, in this case I would like to use this opportunity and wish all celebration will take place despite the of the SILA IWCL members a Merry Christmas pandemic. Nevertheless, I am trying to stay and a Happy New Year! Your slogan optimistic and hope that the festive mood will TOGETHER! seems like the best motivational not be affected by the COVID-19 situation. word describing the aspiration of the world community these days! According to Do you find the Slovene cuisine much community these days! According to an different from the Russian? In particular the ancient tradition, Russian Orthodox Christmas festive dishes? is celebrated on the 7th of January and not Well, let me tell you that Russians as well as only in Russia. -
Pacific Northwest Viol Workshop Pacific Northwest Viol #207 S.W
Faculty JOANNA BLENDULF has performed as soloist and continuo player in leading Pacific Northwest Viols period-instrument ensembles including the Catacoustic Consort, Wildcat Viols, the Portland Baroque Orchestra, Bach Collegium San Diego, Nota Bene Viol Consort and Pacific MusicWorks. Joanna teaches viola da gamba and baroque cello privately and in workshops/master classes across the country and has served as viola da gamba soloist at the Carmel and Oregon Bach Presents the Festivals. LEE INMAN – composer/arranger, lecturer, teacher, and ensemble coach – has played Baroque cello and viola da gamba for over forty years. He is president of Pacific Northwest Viols, and has frequently been on the faculty of summer workshops in Arizona, Washington and Oregon. Lee has performed with Baroque orchestras in both Seattle and Portland, and in 2009 helped establish the Portland Viol Consort, the only professional viol quartet in the Pacific Northwest. LAWRENCE LIPNIK has performed with many acclaimed early music Pacific ensembles from ARTEK and Anonymous 4 to Piffaro and the Waverly Consort, and is a founding member of the viol consort Parthenia and vocal ensemble Lionheart. In addition to performing, he is co-director of the New York Recorder Guild, enjoys a busy teaching schedule which has included national and international festivals from the Benslow Music Trust in the UK, Port Northwest Townsend, San Diego and Madison Early Music to Pinewoods and Amherst. He has recorded for numerous labels including EMI, Angel, Nimbus, Virgin, Sony, Koch International and Cantaloupe, and has been a frequent musical collaborator with artist William Wegman. Viol SARAH MEAD teaches, performs, and proselytizes polyphony in the Boston area. -
Semiotics and Symbolism in the Orthodox Church Architecture
Special Issue INTERNATIONAL JOURNAL OF HUMANITIES AND August 2016 CULTURAL STUDIES ISSN 2356-5926 Semiotics and Symbolism in the Orthodox Church Architecture Liliya R. Akhmetova Kazan Federal University, Institute of Philology and Intercultural Communication named after Leo Tolstoy, Tatarstan Str.2, Kazan, Tatarstan, Russia Elmira U. Abdulkadyrova Kazan Federal University, Institute of Philology and Intercultural Communication named after Leo Tolstoy, Tatarstan Str.2, Kazan, Tatarstan, Russia Irina M. Maiorova Kazan Federal University, Institute of Philology and Intercultural Communication named after Leo Tolstoy, Tatarstan Str.2, Kazan, Tatarstan, Russia Abstract The movement on restoration of the temples destroyed in Soviet period has begun from below, later local authorities became involved and, at last, the state program on restoration of temples has been adopted. There is a process of returning to the roots, to traditions: not only Orthodox churches, but also Catholic, Buddhist, as well as mosques are being restored. Each temple embodies religious idea in the architecture. Each architectural element comprises a certain symbol. The symbolics in architecture of an Orthodox church is difficult and many- sided. It expresses what directly cannot be represented - it is the terrestrial embodiment of the heavenly, spiritual, non hand-made, sacral. Unlike Catholic temples built according to the art style dominating during construction the Orthodox churches are built according to Orthodoxy symbolics. Thus, each element of an Orthodox church bears some information on the one the temple is devoted to, on some lines of the Orthodoxy and on many other aspects. The architecture as any other art form, has its own language - it is the language of architectural forms. -
3 Cappella Romana Presents VENICE in the EAST: Renaissance Crete
Cappella Romana presents VENICE IN THE EAST: Renaissance Crete & Cyprus Wednesday, 8 May 2019, 7:30 p.m. Touhill Performing Arts Center, University of Missouri, Saint Louis Friday, 10 May 2019 at 7:30 p.m. Alexander Lingas Christ Church Cathedral, Vancouver, British Columbia Founder & Music Director Presented by Early Music Vancouver Saturday, 11 May 2019 at 8:00 p.m. St. Ignatius Parish, San Francisco Spyridon Antonopoulos John Michael Boyer Kristen Buhler PROGRAM Aaron Cain Photini Downie Robinson PART I David Krueger Emily Lau From the Byzantine and Venetian Commemorations of the Paschal Triduum Kerry McCarthy The Crucifixion and Deposition Mark Powell Catherine van der Salm Venite et ploremus Johannes de Quadris David Stutz soloists: Aaron Cain, Mark Powell Liber sacerdotalis (1523) of Alberto Castellani Popule meus Liber sacerdotalis soloist: Kerry McCarthy Sticherón for the Holy Passion: Ἤδη βάπτεται (“Already the pen”) 2-voice setting (melos and “ison”) Manuel Gazēs the Lampadarios (15th c.) soloists: Spyridon Antonopoulos, MS Duke, K. W. Clark 45 John Michael Boyer Traditional Melody of the Sticherarion Mode Plagal 4 Cum autem venissent ad locum de Quadris Liber sacerdotalis soloists: Aaron Cain, Mark Powell O dulcissime de Quadris Liber sacerdotalis soloists: Photini Downie Robinson, Kerry McCarthy Verses of Lamentation for the Holy Passion “Corrected by” Angelos Gregoriou MS Duke 45, Mode Plagal 2 Sepulto Domino de Quadris Liber sacerdotalis The Resurrection Attollite portas (“Lift up your gates”) Liber sacerdotalis celebrant: Mark Powell Ἄρατε πύλας (“Lift up your gates”) Anon. Cypriot (late 15th c.?), MS Sinai Gr. 1313 Attollite portas … Quem queritis … Liber sacerdotalis Χριστὸς ἀνέστη (“Christ has risen”) Cretan Melody as transcribed by Ioannis Plousiadenós (ca. -
Edmund Clarence Stedman
ANK •// OtWE XXXIV. NO. 26. RED BANK, N." J.*, WEDNESDAY, DECEMBER 20,1911. PAGES 1 TO 12. CHMCTKAS. XK BAJPTX8T ORUB.GB. Booletjr Will *»w a Celebmtlon Knt LIFE OF A MISSIONARY. nr Tork Artirta to Hender "In a Per- •lon auin" at Ben Bank. Mona.y Mlrht. UB.VSM OXW TBXIS OI The Christmas entertainment of the "In a Persian Garden," by Liza Eintrucht society wilt be held in the sxroanraoxB xm jehmann, will be given in the First society's rooms on Christmas night baptist church of Red Bank on TUCB- at eight o'clock. ' Vocal and instru- Klit Mary Lov«tt, Dau»it«r of Join T. lay night, January 16th, under the mental music and recitations will be XiO»«tt of Little Silver, in Kir I.«tt«r« uspices of the Metropolitan bureau given and a number of children will SMorlbti H«r Work u>d Condition. •t New York. This is an old favorite Jr EUGENE FIELD take part. Willy Kleinachmidt, Flor- Among- tha Rlndna. I ith music lovers and its revival ence Kunow and Louise Gordon are Friends and relatives of Miss Mary should prove an event of note in the among the performers. Santa Claus Lovctt, daughter of John-JT. Lovott musical circles of Red Bank and vicin- AS I was going to Bethlehem town has promised to be present and make f Little Silver, have received a num- ity. A concert by noted singers and the children happy. The arrange- ber of letters from her in which she musicians from New York will pre- / V Upon the earth I cast me down ments arc in charge of Jacob Degen- describes her life as a missionary in cede the presentation of "In a Persian ring. -
A Byzantine Christmas
VOCAL ENSEMBLE 26th Annual Season October 2017 Tchaikovsky: All-Night Vigil October 2017 CR Presents: The Byrd Ensemble November 2017 Arctic Light II: Northern Exposure December 2017 A Byzantine Christmas January 2018 The 12 Days of Christmas in the East February 2018 Machaut Mass with Marcel Pérès March 2018 CR Presents: The Tudor Choir March 2018 Ivan Moody: The Akáthistos Hymn April 2018 Venice in the East A Byzantine Christmas: Sun of Justice 1 What a city! Here are just some of the classical music performances you can find around Portland, coming up soon! JAN 11 | 12 FEB 10 | 11 A FAMILY AFFAIR SOLO: LUKÁŠ VONDRÁCˇEK, pianist Spotlight on cellist Marilyn de Oliveira Chopin, Smetana, Brahms, Scriabin, Liszt with special family guests! PORTLANDPIANO.ORG | 503-228-1388 THIRDANGLE.ORG | 503-331-0301 FEB 16 | 17 | 18 JAN 13 | 14 IL FAVORITO SOLO: SUNWOOK KIM, pianist Violinist Ricardo Minasi directs a We Love Our Volunteers! Bach, Beethoven, Schumann, Schubert program of Italy’s finest composers. n tns to our lol volunteers o serve s users ste re o oe ersonnel osts PORTLANDPIANO.ORG | 503-228-1388 PBO.ORG | 503-222-6000 or our usns or n ottee eers n oe ssstnts Weter ou re ne to JAN 15 | 16 FEB 21 us or ou ve een nvolve sne te ennn tn ou or our otent n nness TAKÁCS QUARTET MIRÓ QUARTET WITH JEFFREY KAHANE “The consummate artistry of the Takács is Co-presented by Chamber Music Northwest ou re vlue rt o te O l n e re rteul simply breathtaking” The Guardian and Portland’5 Centers for the Arts FOCM.ORG | 503-224-9842 CMNW.ORG | 503-294-6400 JAN 26-29 FEB 21 WINTER FESTIVAL: CONCERTOS MOZART WITH MONICA Celebrating Mozart’s 262nd birthday, Baroque Mozart and Michael Haydn string quartets DEC 20 concertos, and modern concertos performed by Monica Huggett and other PDX VIVALDI’S MAGNIFICAT AND GLORIA CMNW.ORG | 503-294-6400 favorites. -
Be Moved Be Inspired Be with Us
VOCAL ENSEMBLE ALEXANDER LINGAS, MUSIC DIRECTOR BE MOVED BE INSPIRED BE WITH US 2019-20 SEASON “In a city full of music, Cappella will always be on my Cappella Romana. ‘must subscribe first’ list.” —LINDA, CAPPELLA ROMANA SEASON TICKET HOLDER More than concerts. Transcendent Become a Season Ticket Holder today and fill your year with transcendent experiences. experiences. YOUR SEASON TICKET HOLDER BENEFITS INCLUDE • Savings up to 15% off standard ticket prices • Free ticket exchanges and lost ticket replacement Discover “a sound world of unique beauty” • First choice of the best seats (Gramophone) in East and West with • One additional FREE ticket to any concert professional vocal ensemble Cappella Romana. • Invitations to private events From medieval Byzantine masterpieces to a • 20% savings on all Cappella Romana CDs world premiere. Traditional to experimental. Transcendent majesty to profound intimacy. WELCOME TO CAPPELLA ROMANA’S 28TH SEASON! WHAT'S IN STORE FOR YOU Concert experiences unlike any others. cappellaromana.org / 503.236.8202 NOV 9, 10 NORTHWEST PREMIERE A reflection on our shared humanity, with the ensemble whose sound is “like jeweled light flooding the space.” LOS ANGELES TIMES Overcome with urgency, Alexander Kastalsky began composing his haunting Requiem during World War I to remember fallen brothers in the Great War across national lines: a call for reconciliation, redemption, and hope. Never performed during the Soviet era, this richly scored Requiem for large a cappella choir receives its Northwest premiere led by guest conductor Steven Fox, nominated for a GRAMMY for his recording of this work with the Clarion Choir. By honoring a part of our darkest history, Kastalsky’s Memory Eternal helps us together embrace courage and hope for the future. -
Christmas in Russia Elsie Guthrie Iowa State College
Volume 6 Article 2 Number 6 The Iowa Homemaker vol.6 no.6 1926 Christmas in Russia Elsie Guthrie Iowa State College Gayle Pugh Iowa State College Follow this and additional works at: http://lib.dr.iastate.edu/homemaker Part of the Home Economics Commons Recommended Citation Guthrie, Elsie and Pugh, Gayle (1926) "Christmas in Russia," The Iowa Homemaker: Vol. 6 : No. 6 , Article 2. Available at: http://lib.dr.iastate.edu/homemaker/vol6/iss6/2 This Article is brought to you for free and open access by the Student Publications at Iowa State University Digital Repository. It has been accepted for inclusion in The oI wa Homemaker by an authorized editor of Iowa State University Digital Repository. For more information, please contact [email protected]. THE lOW A HOMEMAI{ER "A Magazine tor Homemakers from a Homemakers' School" VOLUME 6 DECEMBER, 1926 NUMBER 6 Christmas tn Russia By ELSIE GUTHRIE and GAYLE PUGH "pi!}ACE on earth, good will to are much more of a luxury. Candy, of the sources for Chinese and Japan . men," are the words known most treasured of delicacies by our ese lumber. Before the late war much throughout the world, and are children plays a small role in the veneer was shipped to the United yet never too told to become trite. At Russian Christmas. States. no other season of the year is there The church service lasting from They grow all kinds of vegetables this true feeling of friendship and nine to twelve P. M. on Christmas Eve and have hundreds of pounds of world nationalism. -
The Growing Influence of the Russian Orthodox Church in Shaping Russia’S Policies Abroad
02 BLITT.DOC (DO NOT DELETE) 11/28/2011 10:25 PM RUSSIA’S “ORTHODOX” FOREIGN POLICY: THE GROWING INFLUENCE OF THE RUSSIAN ORTHODOX CHURCH IN SHAPING RUSSIA’S POLICIES ABROAD PROF. ROBERT C. BLITT* TABLE OF CONTENTS 1. Introduction ................................................................................364 2. The Russian Orthodox Church’s Foreign Policy Mandate ......................................................................................365 3. Russian Foreign Policy and Disregard for the Constitutional Obligations of Secularism, Separation, and Nondiscrimination .............................................................367 3.1. The Ideological Centrality of Orthodoxy in Russian Foreign Policy as Expressed through Euphemism ...................... 368 3.1.1. The Role of “Spirituality" in Russia’s National Security Strategy .................................................................. 368 3.1.2. A Note on Culture as a Synonym for Orthodoxy ......374 3.1.3. “Spiritual Security” & “Spiritual Revival” ..............377 3.2. Putting Rhetoric into Practice: The Ascendancy of “Spirituality” in Russia’s Foreign Policy ....................................380 3.2.1. Russian Orthodox Church-Ministry of Foreign Affairs Working Group .........................................................380 3.2.2. Russkiy Mir Foundation: A Chimera State-Church Foreign Policy Tool ................................................................383 3.2.3. Support for Days of Spiritual Culture .....................390 3.2.4. Facilitating an Exclusive -
HYMNS of KASSIANÍ on April 16Th Cappella Records Is Proud to Present the Release of Hymns of Kassianí Performed by Cappella Romana, Alexander Lingas, Music Director
New release by Cappella Romana The earliest music by a female composer HYMNS OF KASSIANÍ On April 16th Cappella Records is proud to present the release of Hymns of Kassianí performed by Cappella Romana, Alexander Lingas, music director. Discover the world’s earliest music by a female composer: 9th-century nun, poet, and hymnographer Kassianí (Kassía). The same men and women of Cappella Romana who brought you the Naxos of America -‐ New Release Submission Handbook V1.0 9 Lost Voices of Hagia Sophia bestseller (43 weeks on Billboard), now sing the earliest music we have by a female composer, including long- suppressed hymns recorded here for the first time. They close with two medieval versions of her beloved hymn for Orthodox Holy Week (Orthodox Easter in 2021 is May 2nd). Cappella Romana is the world’s leading ensemble in the field of medieval Byzantine chant. Building on its extensive catalogue of this repertoire, Hymns of Kassianí is its 25th release. This is the first of a planned series to record all of Kassianí’s surviving works. SALES POINTS • The earliest music by a female composer, three centuries before THIS IS AN EXAMPLE OF A TYPICAL ONE SHEET. Hildegard von Bingen. Label You do not need to follow this exact layout, but please include as much of Logo this information as possible in your sales sheet and submit it to • Ecstatic, never-before recorded works for Christmas and Lent Naxos of America. • Illuminated by the latest research on historically informed RELEASE DATE: 4/16/2021 performance of medieval Byzantine chant. • In high-res for downloads, multi-channel surround sound, produced by multi-GRAMMY® Award winner Blanton Alspaugh and the team at Soundmirror (100+ GRAMMY® nominations and awards). -
Table of Contents
TABLE OF CONTENTS About Seraphic Fire . 4 About Patrick Dupré Quigley . .. 5 About Elena Sharkova . 6 Program . 7 Text & Translations . 8 Artists . 15 Artist Biographies . 16 Administration . 24 Our Supporters . 27 Two-Time GRAMMY® Nominee Oct 2017 Nov 2017 Dec 2017 Jan 2018 Feb 2018 Mar 2018 "After celebrating 15 years, this next season provides an eclectic musical journey through masterworks of cultural significance like Brahms’ timeless Liebeslieder Waltzes, as well as through high-quality under-performed music like David Lang's The Little Match Girl Passion. Our 16th Season continues to put South Florida at the center of artistic innovation with the country’s finest vocal artists performing history’s awe-inspiring repertoire." Apr 2018 May 2018 Patrick Dupré Quigley, Founder & Artistic Director Subscriptions Now on Sale! Subscribe at SeraphicFire.org or 305.285.9060 ABOUT SERAPHIC FIRE ABOUT PATRICK DUPRÉ QUIGLEY Led by Founder and Artistic Director Patrick Dupré appearance by conductor Elena Sharkova . The Quigley, Seraphic Fire brings top ensemble singers season also features collaborations with organist and instrumentalists from around the country to Nathan Laube and violinist Matthew Albert . perform repertoire ranging from Gregorian chant and Baroque masterpieces, to Mahler and newly Recognized as “one of the best excuses for commissioned works by this country’s leading living in Miami” (el Nuevo Herald) because of its composers . Two of the ensemble’s recordings, “vivid, sensitive performances” (The Washington Brahms: Ein Deutsches