Reconsidering the Role of Mazu Under the Early Hongwu Reign the Case of Guangzhou in 1368
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Dressing for the Times: Fashion in Tang Dynasty China (618-907)
Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 BuYun Chen All rights reserved ABSTRACT Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen During the Tang dynasty, an increased capacity for change created a new value system predicated on the accumulation of wealth and the obsolescence of things that is best understood as fashion. Increased wealth among Tang elites was paralleled by a greater investment in clothes, which imbued clothes with new meaning. Intellectuals, who viewed heightened commercial activity and social mobility as symptomatic of an unstable society, found such profound changes in the vestimentary landscape unsettling. For them, a range of troubling developments, including crisis in the central government, deep suspicion of the newly empowered military and professional class, and anxiety about waste and obsolescence were all subsumed under the trope of fashionable dressing. The clamor of these intellectuals about the widespread desire to be “current” reveals the significant space fashion inhabited in the empire – a space that was repeatedly gendered female. This dissertation considers fashion as a system of social practices that is governed by material relations – a system that is also embroiled in the politics of the gendered self and the body. I demonstrate that this notion of fashion is the best way to understand the process through which competition for status and self-identification among elites gradually broke away from the imperial court and its system of official ranks. -
Narada Foundation Annual Report
Legal Consultant (Pro Bono) : JunHe LLP Foster Civil Society A Fair and Just Society Where Every Heart Carries Hope A / Room ����, Tower C, Vantone Center, No. � Chaowai Street, Chaoyang District, Beijing, ������, China T / ���-��������-��� Narada Foundation E / [email protected] P.C / ������ Annual Report http://www.naradafoundation.org /01-02 /03-05 /06 Foreword About Narada Foundation Board of Directors Mission and Vision Board Members and Supervisors ����-���� Strategic Plan /08-47 /48-51 /52-53 Programmes Audit Report Our Team Sector Development Scaling Up Social Innovation ○ China Effective Philanthropy Multiplier Social Enterprise and Impact Investment Other Programmes ○ Ginkgo Fellows Programme ○ New Citizen Programme ○ Quantitative Historical Research Project ○ Funding Leping Social Entrepreneur Foundation XU Yongguang ,Chair of the Board of Directors PENG Yanni , CEO In Chinese culture, twelve years is a full cycle in life and history. Narada Foundation passed its ���� marked the third year of Narada Foundation’ s ����-���� strategic plan. We have furthered our first �� years in ����. three work areas, namely sector development, scaling up social innovation (China Effective Philanthropy Multiplier) and social enterprise and impact investment, in all aspects, addressing In the past �� years, Narada Foundation upheld its mission‘ foster civil society’ and strove to fulfil the needs and underlying problems of grassroots non-profit development, and accomplished our its vision‘ a fair and just society where every heart carries hope’ . Narada has been growing and original goals set at the planning stage. strengthening philanthropy infrastructure and improving the non-profit and philanthropy ecosystem in China together with our non-profit partners, an example of ownership and The China Effective Philanthropy Multiplier continued to perform efficiently in ����. -
Official Colours of Chinese Regimes: a Panchronic Philological Study with Historical Accounts of China
TRAMES, 2012, 16(66/61), 3, 237–285 OFFICIAL COLOURS OF CHINESE REGIMES: A PANCHRONIC PHILOLOGICAL STUDY WITH HISTORICAL ACCOUNTS OF CHINA Jingyi Gao Institute of the Estonian Language, University of Tartu, and Tallinn University Abstract. The paper reports a panchronic philological study on the official colours of Chinese regimes. The historical accounts of the Chinese regimes are introduced. The official colours are summarised with philological references of archaic texts. Remarkably, it has been suggested that the official colours of the most ancient regimes should be the three primitive colours: (1) white-yellow, (2) black-grue yellow, and (3) red-yellow, instead of the simple colours. There were inconsistent historical records on the official colours of the most ancient regimes because the composite colour categories had been split. It has solved the historical problem with the linguistic theory of composite colour categories. Besides, it is concluded how the official colours were determined: At first, the official colour might be naturally determined according to the substance of the ruling population. There might be three groups of people in the Far East. (1) The developed hunter gatherers with livestock preferred the white-yellow colour of milk. (2) The farmers preferred the red-yellow colour of sun and fire. (3) The herders preferred the black-grue-yellow colour of water bodies. Later, after the Han-Chinese consolidation, the official colour could be politically determined according to the main property of the five elements in Sino-metaphysics. The red colour has been predominate in China for many reasons. Keywords: colour symbolism, official colours, national colours, five elements, philology, Chinese history, Chinese language, etymology, basic colour terms DOI: 10.3176/tr.2012.3.03 1. -
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On A Snowy Night: Yishan Yining (1247-1317) and the Development of Zen Calligraphy in Medieval Japan Xiaohan Du Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2021 © 2021 Xiaohan Du All Rights Reserved Abstract On A Snowy Night: Yishan Yining (1247-1317) and the Development of Zen Calligraphy in Medieval Japan Xiaohan Du This dissertation is the first monographic study of the monk-calligrapher Yishan Yining (1247- 1317), who was sent to Japan in 1299 as an imperial envoy by Emperor Chengzong (Temur, 1265-1307. r. 1294-1307), and achieved unprecedented success there. Through careful visual analysis of his extant oeuvre, this study situates Yishan’s calligraphy synchronically in the context of Chinese and Japanese calligraphy at the turn of the 14th century and diachronically in the history of the relationship between calligraphy and Buddhism. This study also examines Yishan’s prolific inscriptional practice, in particular the relationship between text and image, and its connection to the rise of ink monochrome landscape painting genre in 14th century Japan. This study fills a gap in the history of Chinese calligraphy, from which monk- calligraphers and their practices have received little attention. It also contributes to existing Japanese scholarship on bokuseki by relating Zen calligraphy to religious and political currents in Kamakura Japan. Furthermore, this study questions the validity of the “China influences Japan” model in the history of calligraphy and proposes a more fluid and nuanced model of synthesis between the wa and the kan (Japanese and Chinese) in examining cultural practices in East Asian culture. -
The Birth of Chinese Feminism Columbia & Ko, Eds
& liu e-yin zHen (1886–1920?) was a theo- ko Hrist who figured centrally in the birth , karl of Chinese feminism. Unlike her contem- , poraries, she was concerned less with China’s eds fate as a nation and more with the relation- . , ship among patriarchy, imperialism, capi- talism, and gender subjugation as global historical problems. This volume, the first translation and study of He-Yin’s work in English, critically reconstructs early twenti- eth-century Chinese feminist thought in a transnational context by juxtaposing He-Yin The Bir Zhen’s writing against works by two better- known male interlocutors of her time. The editors begin with a detailed analysis of He-Yin Zhen’s life and thought. They then present annotated translations of six of her major essays, as well as two foundational “The Birth of Chinese Feminism not only sheds light T on the unique vision of a remarkable turn-of- tracts by her male contemporaries, Jin h of Chinese the century radical thinker but also, in so Tianhe (1874–1947) and Liang Qichao doing, provides a fresh lens through which to (1873–1929), to which He-Yin’s work examine one of the most fascinating and com- responds and with which it engages. Jin, a poet and educator, and Liang, a philosopher e plex junctures in modern Chinese history.” Theory in Transnational ssential Texts Amy— Dooling, author of Women’s Literary and journalist, understood feminism as a Feminism in Twentieth-Century China paternalistic cause that liberals like them- selves should defend. He-Yin presents an “This magnificent volume opens up a past and alternative conception that draws upon anar- conjures a future. -
Imperial Tombs of the Ming and Qing Dynasties
WHC Nomination Documentation File Name: 1004.pdf UNESCO Region: ASIA AND THE PACIFIC __________________________________________________________________________________________________ SITE NAME: Imperial Tombs of the Ming and Qing Dynasties DA TE OF INSCRIPTION: 2nd December 2000 STATE PARTY: CHINA CRITERIA: C (i) (ii) (iii) (iv) (vi) DECISION OF THE WORLD HERITAGE COMMITTEE: Criterion (i):The harmonious integration of remarkable architectural groups in a natural environment chosen to meet the criteria of geomancy (Fengshui) makes the Ming and Qing Imperial Tombs masterpieces of human creative genius. Criteria (ii), (iii) and (iv):The imperial mausolea are outstanding testimony to a cultural and architectural tradition that for over five hundred years dominated this part of the world; by reason of their integration into the natural environment, they make up a unique ensemble of cultural landscapes. Criterion (vi):The Ming and Qing Tombs are dazzling illustrations of the beliefs, world view, and geomantic theories of Fengshui prevalent in feudal China. They have served as burial edifices for illustrious personages and as the theatre for major events that have marked the history of China. The Committee took note, with appreciation, of the State Party's intention to nominate the Mingshaoling Mausoleum at Nanjing (Jiangsu Province) and the Changping complex in the future as an extention to the Imperial Tombs of the Ming and Qing dynasties. BRIEF DESCRIPTIONS The Ming and Qing imperial tombs are natural sites modified by human influence, carefully chosen according to the principles of geomancy (Fengshui) to house numerous buildings of traditional architectural design and decoration. They illustrate the continuity over five centuries of a world view and concept of power specific to feudal China. -
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'More lnsulin Successes . Problems of Nlodernization . Normon Bethune .The Manchus Australia: A g 0.40 New Zealand: NZ g 0.40 U.K.: 25 p U.S.A.: g 0.50 Faticat mot!:er iil a Shangl'iei' park, Zirairy SlttLicltcitg Articles of the Month PROBTEMS !N CHINA'S MODERNIZATION \D Advontoges ond shortcomings. Deueloping the Chi- i\ nese to'sks model. Selt-reliqnce ond imports. Current ond priorities. Noted economist Xue Bood,ing gives down-to-eorth opinions. Poge 2 PUBLISHED MONTHLY. lN ENGLISH; FRENCH, SPANISH, ARABIC AND BIMONTHLY IN GERMAN BY THE CHINA WELFARE INSTITUTE MEMORIES (sOONG CHING LING, CHA|RMANI OF DR. BEIHUNE Bottle-front stories of the greot Conodion internotionolist, the 40th vot. xxv!il No. 11 NOVEMBER 1979 onniversory of whose deoth comes this month, movingly recolled by well-known novelist Zhou Erlu, CONTENTS outhor of o widely populor book obout hi'm in Chinese, ond by China's Modernization: Some Current Problems Xue Bethune's lormer bodyguord Yong Baoding 2 Yoolo. Poge 16 Shanghai Window on Chinese City Tan Manni 5 - l-ife After lrrsulin Synthesis: Progress Research in Peptide SHANGHAI _ Niu Jingyi 13 wrNDow oN A Second Lile-ln Memory oJ Dr. Norman Bethune on 'His the 40th Anniversary of Death Zhou Erlu Itl CHINA'S CITY IIFE Memories of Bethune Yang Yaota 1B The post ond present of City Co-ops: More Jobs for Youth Lu Zhenhua and Liu Chino's lorgest metrop- olis, ond the multitude Chuang 21 of things the visitor con Miniature Trees and Landscapes 24 see there. -
Composing, Revising, and Performing Suzhou Ballads: a Study of Political Control and Artistic Freedom in Tanci, 1949-1964
Composing, Revising, and Performing Suzhou Ballads: a Study of Political Control and Artistic Freedom in Tanci, 1949-1964 by Stephanie J. Webster-Cheng B.M., Lawrence University, 1996 M.A., University of Pittsburgh, 2003 Submitted to the Graduate Faculty of Music Department in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2008 UNIVERSITY OF PITTSBURGH MUSIC DEPARTMENT This dissertation was presented by Stephanie Webster-Cheng It was defended on [author‟s name] October 31, 2008 and approved by Mark Bender, Associate Professor, East Asian Languages and Literature, Ohio State University Xinmin Liu, Assistant Professor, East Asian Languages and Literature Wenfang Tang, Associate Professor, Political Science Andrew Weintraub, Associate Professor, Music Akin Euba, Andrew W. Mellon Professor of Music, Music Dissertation Advisor: Bell Yung, Professor of Music, Music ii Copyright © by Stephanie J. Webster-Cheng 2008 iii Composing, Revising, and Performing Suzhou Ballads: a Study of Political Control and Artistic Freedom in Tanci, 1949-1964 Stephanie J. Webster-Cheng, PhD University of Pittsburgh, 2008 This dissertation explores the dynamics of political control of the arts and artistic freedom in the musical storytelling art of Suzhou tanci between 1949 and 1964, years marked by extensive revision of traditional performance repertoire, widespread creation of new, contemporary-themed stories, and composition of boldly innovative ballad music. I examine four stories and ballads either composed or revised during this time, looking broadly at the role of the State in the creative process. I consider the role of high-ranking officials whose personal comments to artists shaped their creative processes, and the role of societal political pressure placed on artists through political movements and shifting trends in the dramatic arts. -
Global Factory List As of August 3Rd, 2020
Global Factory List as of August 3rd, 2020 Target is committed to providing increased supply chain transparency. To meet this objective, Target publishes a list of all tier one factories that produce our owned-brand products, national brand products where Target is the importer of record, as well as tier two apparel textile mills and wet processing facilities. Target partners with its vendors and suppliers to maintain an accurate factory list. The list below represents factories as of August 3rd, 2020. This list is subject to change and updates will be provided on a quarterly basis. Factory Name State/Province City Address AMERICAN SAMOA American Samoa Plant Pago Pago 368 Route 1,Tutuila Island ARGENTINA Angel Estrada Cla. S.A, Buenos Aires Ciudad de Buenos Aires Ruta Nacional N 38 Km. 1,155,Provincia de La Rioja AUSTRIA Tiroler Glashuette GmbH Werk: Schneegattern Oberosterreich Lengau Kobernauserwaldstrase 25, BAHRAIN WestPoint Home Bahrain W.L.L. Al Manamah (Al Asimah) Riffa Building #1912, Road # 5146, Block 951,South Alba Industrial Area, Askar BANGLADESH Campex (BD) Limited Chittagong zila Chattogram Building-FS SFB#06, Sector#01, Road#02, Chittagong Export Processing Zone,, Canvas Garments (Pvt.) Ltd Chittagong zila Chattogram 301, North Baizid Bostami Road,,Nasirabad I/A, Canvas Building Chittagong Asian Apparels Chittagong zila Chattogram 132 Nasirabad Indstrial Area,Chattogram Clifton Cotton Mills Ltd Chittagong zila Chattogram CDA plot no-D28,28-d/2 Char Ragmatia Kalurghat, Clifton Textile Chittagong zila Chattogram 180 Nasirabad Industrial Area,Baizid Bostami Road Fashion Watch Limited Chittagong zila Chattogram 1363/A 1364 Askarabad, D.T. Road,Doublemoring, Chattogram, Bangladesh Fortune Apparels Ltd Chittagong zila Chattogram 135/142 Nasirabad Industrial Area,Chattogram KDS Garment Industries Ltd. -
A Study of Luo Yin's Writings of Slandering Shiwei Zhou a Thesis
Understanding “Slandering”: A Study of Luo Yin’s Writings of Slandering Shiwei Zhou A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts University of Washington 2020 Committee: Ping Wang William G. Boltz Program Authorized to Offer Degree: Asian Languages and Literature ©Copyright 2020 Shiwei Zhou 2 University of Washington Abstract Understanding “Slandering”: A Study of Luo Yin’s Writings of Slandering Shiwei Zhou Chair of the Supervisory Committee: Professor Ping Wang Department of Asian Languages and Literature This thesis is an attempt to study a collection of fifty-eight short essays-Writings of Slandering- written and compiled by the late Tang scholar Luo Yin. The research questions are who are slandered, why are the targets slandered, and how. The answering of the questions will primarily rely on textual studies, accompanied by an exploration of the tradition of “slandering” in the literati’s world, as well as a look at Luo Yin’s career and experience as a persistent imperial exam taker. The project will advance accordingly: In the introduction, I will examine the concept of “slandering” in terms of how the Chinese literati associate themselves with it and the implications of slandering or being slandered. Also, I will try to explain how Luo Yin fits into the picture. Chapter two will focus on the studies of the historical background of the mid-to-late Tang period and the themes of the essays. Specifically, it will spell out the individuals, the group of people, and the political and social phenomenon slandered in the essays. -
The Influence of Bábí Teachings on Ling Ming Tang and Nineteenth-Century China by Jianping Wang
The Influence of Bábí Teachings on Ling Ming Tang The Influence of Bábí Teachings on Ling Ming Tang and Nineteenth-century China by Jianping Wang he terms “Báb” and “Bábí” (in Chinese, “Bábu”) can be found in the Sufi teachings of Ma Lingming, the founder of the Ling Ming Tang (Chinese: “Sufi hospice of soul enlightening”) Sufi order of Lanzhou. TThis fact first came to my attention in 1996 when I was reading Ma To n g ’s book Traces of the Original S o u rces of Islamic Sects and Ta r i q a s in China. I found it very interesting: a Sufi Order in China may have had historical connections with the Bábí movement or the Bahá’í Faith in the interaction between Iranian Islam and the t a r i q a s in China. However I had not further pursued this historical research until the International Conference of Religion, Ethics and Culture jointly held by Institute of World Religions, CASS and Pacific Rim Institute for Development and Education (PRIDE) in Oct. 1998. In that conference I met Dr. Moojan Momen, a specialist in the fields of Shí‘a Islam and Bahá’í studies from England. We talked about the possibility of such a connection, and about the conception of the Báb in the Sufism of the Ling Ming Tang school. Dr. Momen suggested the need for further study of the cross-religious impact in Northwest China, a region which had been penetrated by different spiritual thoughts since its functioned on Silk Road in history and was a con- tact zone among Persian religions, Indian religions, Arabic Islam, and Chinese religions. -
Factory List
*List updated 20th August 2019 FACTORY LIST Country Road Group is committed to driving positive social and environmental change in our supply chain. We mandate safe, inclusive and respectful workplaces wherever our products are manufactured, and are committed to greater transparency of our manufacturing operations. In line with this commitment, Country Road Group has publicly disclosed this list of factories involved in the manufacture of Country Road Group-branded products. This list includes the names and addresses of factories engaged in the manufacture of our goods. Every factory on this list is independently assessed within a rolling audit cycle, and our team works closely with all suppliers and factories to continuously implement improvements. By releasing this information, we aim to provide customers with greater insights into our supply chain. All factories listed, are correct at the time of publishing, and due to the seasonal nature of the retail industry this list is subject to change. SITE NAME ADDRESS REGION ABRAHAM MOON & SONS LTD NETHERFIELD MILLS, GUISELEY, LEEDS, WEST YORKSHIRE UK ACME INDUSTRIES CO., LTD 99 MOO 4, BANGNA-TRAD KM. 35, BANGPLEE-NOI, BANGBOR, SAMUT PRAKAN THAILAND ANHUI BLOSSOM HARDWARE DANFENG ROAD, SIXIAN ECONOMIC DEVELOPMENT ZONE, SUZHOU, JIANGSU CHINA ANHUI SIYI LEATHER GLOVES CO.,LTD NO. 17, CHAJI ROAD, CHENGDONG ECONOMIC DEVELOPMENT ZONE, JING COUNTY, XUANCHENG, ANHUI CHINA ANHUI TENGYANG CLOTHING CO., LTD. BUILDING 3#, YILITENG INDUSTRIAL PARK, QINGHE ROAD, LUYANG INDUSTRIAL PARK, LUYANG DISTRICT, HEFEI, ANHUI CHINA ANKIT BEAD MFG. CO. 13, SHIVAJI NAGAR, MAHMOORGANJ, VARANASI , UTTAR PRADESH INDIA ANM INTERNATIONAL PLOT NO.-99, SECTOR-6, IMT MANESAR, GURGAON, HARYANA INDIA ANTÓNIO MAGALHÃES PINTO LDA RUA DE STª MARIA, Nº 819, FRENTE A, IDÃES PORTUGAL ANTSIRABE KNITWEAR SA TN 1458-AMBOHIMENA, ANTSIRABE, VAKINANKARATRA MADAGASCAR ART WAY CO., LTD.