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Jational Register of Historic Places Inventory -- Nomination Form
•m No. 10-300 REV. (9/77) UNITED STATES DEPARTMENT OF THE INTERIOR NATIONAL PARK SERVICE JATIONAL REGISTER OF HISTORIC PLACES INVENTORY -- NOMINATION FORM SEE INSTRUCTIONS IN HOW TO COMPLETE NATIONAL REGISTER FORMS ____________TYPE ALL ENTRIES -- COMPLETE APPLICABLE SECTIONS >_____ NAME HISTORIC BROADWAY THEATER AND COMMERCIAL DISTRICT________________________ AND/OR COMMON LOCATION STREET & NUMBER <f' 300-8^9 ^tttff Broadway —NOT FOR PUBLICATION CITY. TOWN CONGRESSIONAL DISTRICT Los Angeles VICINITY OF 25 STATE CODE COUNTY CODE California 06 Los Angeles 037 | CLASSIFICATION CATEGORY OWNERSHIP STATUS PRESENT USE X.DISTRICT —PUBLIC ^.OCCUPIED _ AGRICULTURE —MUSEUM _BUILDING(S) —PRIVATE —UNOCCUPIED .^COMMERCIAL —PARK —STRUCTURE .XBOTH —WORK IN PROGRESS —EDUCATIONAL —PRIVATE RESIDENCE —SITE PUBLIC ACQUISITION ACCESSIBLE ^ENTERTAINMENT _ REUGIOUS —OBJECT _IN PROCESS 2L.YES: RESTRICTED —GOVERNMENT —SCIENTIFIC —BEING CONSIDERED — YES: UNRESTRICTED —INDUSTRIAL —TRANSPORTATION —NO —MILITARY —OTHER: NAME Multiple Ownership (see list) STREET & NUMBER CITY. TOWN STATE VICINITY OF | LOCATION OF LEGAL DESCRIPTION COURTHOUSE. REGISTRY OF DEEDSETC. Los Angeie s County Hall of Records STREET & NUMBER 320 West Temple Street CITY. TOWN STATE Los Angeles California ! REPRESENTATION IN EXISTING SURVEYS TiTLE California Historic Resources Inventory DATE July 1977 —FEDERAL ^JSTATE —COUNTY —LOCAL DEPOSITORY FOR SURVEY RECORDS office of Historic Preservation CITY, TOWN STATE . ,. Los Angeles California DESCRIPTION CONDITION CHECK ONE CHECK ONE —EXCELLENT —DETERIORATED —UNALTERED ^ORIGINAL SITE X.GOOD 0 —RUINS X_ALTERED _MOVED DATE- —FAIR _UNEXPOSED DESCRIBE THE PRESENT AND ORIGINAL (IF KNOWN) PHYSICAL APPEARANCE The Broadway Theater and Commercial District is a six-block complex of predominately commercial and entertainment structures done in a variety of architectural styles. The district extends along both sides of Broadway from Third to Ninth Streets and exhibits a number of structures in varying condition and degree of alteration. -
Historic-Cultural Monument (HCM) List City Declared Monuments
Historic-Cultural Monument (HCM) List City Declared Monuments No. Name Address CHC No. CF No. Adopted Community Plan Area CD Notes 1 Leonis Adobe 23537 Calabasas Road 08/06/1962 Canoga Park - Winnetka - 3 Woodland Hills - West Hills 2 Bolton Hall 10116 Commerce Avenue & 7157 08/06/1962 Sunland - Tujunga - Lake View 7 Valmont Street Terrace - Shadow Hills - East La Tuna Canyon 3 Plaza Church 535 North Main Street and 100-110 08/06/1962 Central City 14 La Iglesia de Nuestra Cesar Chavez Avenue Señora la Reina de Los Angeles (The Church of Our Lady the Queen of Angels) 4 Angel's Flight 4th Street & Hill Street 08/06/1962 Central City 14 Dismantled May 1969; Moved to Hill Street between 3rd Street and 4th Street, February 1996 5 The Salt Box 339 South Bunker Hill Avenue (Now 08/06/1962 Central City 14 Moved from 339 Hope Street) South Bunker Hill Avenue (now Hope Street) to Heritage Square; destroyed by fire 1969 6 Bradbury Building 300-310 South Broadway and 216- 09/21/1962 Central City 14 224 West 3rd Street 7 Romulo Pico Adobe (Rancho 10940 North Sepulveda Boulevard 09/21/1962 Mission Hills - Panorama City - 7 Romulo) North Hills 8 Foy House 1335-1341 1/2 Carroll Avenue 09/21/1962 Silver Lake - Echo Park - 1 Elysian Valley 9 Shadow Ranch House 22633 Vanowen Street 11/02/1962 Canoga Park - Winnetka - 12 Woodland Hills - West Hills 10 Eagle Rock Eagle Rock View Drive, North 11/16/1962 Northeast Los Angeles 14 Figueroa (Terminus), 72-77 Patrician Way, and 7650-7694 Scholl Canyon Road 11 The Rochester (West Temple 1012 West Temple Street 01/04/1963 Westlake 1 Demolished February Apartments) 14, 1979 12 Hollyhock House 4800 Hollywood Boulevard 01/04/1963 Hollywood 13 13 Rocha House 2400 Shenandoah Street 01/28/1963 West Adams - Baldwin Hills - 10 Leimert City of Los Angeles May 5, 2021 Page 1 of 60 Department of City Planning No. -
Gwendolyn Wright
USA modern architectures in history Gwendolyn Wright REAKTION BOOKS Contents 7 Introduction one '7 Modern Consolidation, 1865-1893 two 47 Progressive Architectures, ,894-'9,8 t h r e e 79 Electric Modernities, '9'9-'932 fau r "3 Architecture, the Public and the State, '933-'945 fi ve '5' The Triumph of Modernism, '946-'964 six '95 Challenging Orthodoxies, '965-'984 seven 235 Disjunctures and Alternatives, 1985 to the Present 276 Epilogue 279 References 298 Select Bibliography 305 Acknowledgements 3°7 Photo Acknowledgements 3'0 Index chapter one Modern Consolidation. 1865-1893 The aftermath of the Civil War has rightly been called a Second American Revolution.' The United States was suddenly a modern nation, intercon- nected by layers of infrastructure, driven by corporate business systems, flooded by the enticements of consumer culture. The industrial advances in the North that had allowed the Union to survive a long and violent COll- flict now transformed the country, although resistance to Reconstruction and racial equality would curtail growth in the South for almost a cen- tury. A cotton merchant and amateur statistician expressed astonishment when he compared 1886 with 1856. 'The great railway constructor, the manufacturer, and the merchant of to-day engage in affairs as an ordinary matter of business' that, he observed, 'would have been deemed impos- sible ... before the war'? Architecture helped represent and propel this radical transformation, especially in cities, where populations surged fourfold during the 30 years after the war. Business districts boasted the first skyscrapers. Public build- ings promoted a vast array of cultural pleasures) often frankly hedonistic, many of them oriented to the unprecedented numbers of foreign immi- grants. -
ARCHITECTURE PROGRAM Summary Notes ROYAL CONSERVATORY of MUSIC & UNIVERSITY of TORONTO Walking Tour
ARCHITECTURE PROGRAM summary notes ROYAL CONSERVATORY OF MUSIC & UNIVERSITY OF TORONTO walking tour prepared by instructor Marta O'Brien See the world through a different angle! www.skope.ca We began this tour with a controversial addition to a century-old museum: MICHAEL LEE-CHIN CRYSTAL 2003-08 Daniel Libeskind with Bregman+Hamann • Royal Ontario Museum (ROM) dates from early 1900s & had major additions in the 1930s & 1980s (part of 1980s addition was demolished for the Crystal) • Crystal is steel structure; cladding is 25% glass & 75% extruded aluminum • controversial due to angular form & the way it connects to the heritage buildings Then, we toured inside a music school & performance centre: ROYAL CONSERVATORY OF MUSIC (RCM) & TELUS CENTRE FOR PERFORMANCE & LEARNING 2005-08 KPMB; lead designer Marianne McKenna 2005-08 restoration of heritage building Goldsmith Borgal & Co Architects • founded 1886, RCM provides education for 21 different musical instruments plus voice, curriculum design, assessment, performance training, teacher certification, & arts-based social programs • complex attracts up to 10,000 people weekly to classes & performances • extension state-of-the-art centre for performance & learning with new studios & performance spaces • Box Office is low-iron glass; performance space above clad in Spanish slate with hand-cut rough finish to complement rough masonry of heritage building • 1m deep soundproof windows formed by pairing 2 standard curtain-wall systems around generous air space; mahogany surrounds give polished -
Would You Believe L.A.? (Revisited)
WOULD YOU BELIEVE L.A.? (REVISITED) Downtown Walking Tours 35th Anniversary sponsored by: Major funding for the Los Angeles Conservancy’s programs is provided by the LaFetra Foundation and the Kenneth T. and Eileen L. Norris Foundation. Media Partners: Photos by Annie Laskey/L. A. Conservancy except as noted: Bradbury Building by Anthony Rubano, Orpheum Theatre and El Dorado Lofts by Adrian Scott Fine/L.A. Conservancy, Ace Hotel Downtown Los Angeles by Spencer Lowell, 433 Spring and Spring Arcade Building by Larry Underhill, Exchange Los Angeles from L.A. Conservancy archives. 523 West Sixth Street, Suite 826 © 2015 Los Angeles Conservancy Los Angeles, CA 90014 Based on Would You Believe L.A.? written by Paul Gleye, with assistance from John Miller, 213.623.2489 . laconservancy.org Roger Hatheway, Margaret Bach, and Lois Grillo, 1978. ince 1980, the Los Angeles Conservancy’s walking tours have introduced over 175,000 Angelenos and visitors alike to the rich history and culture of Sdowntown’s architecture. In celebration of the thirty-fifth anniversary of our walking tours, the Los Angeles Conservancy is revisiting our first-ever offering: a self-guided tour from 1978 called Would You Believe L.A.? The tour map included fifty-nine different sites in the historic core of downtown, providing the basis for the Conservancy’s first three docent-led tours. These three tours still take place regularly: Pershing Square Landmarks (now Historic Downtown), Broadway Historic Theatre District (now Broadway Theatre and Commercial District), and Palaces of Finance (now Downtown Renaissance). In the years since Would You Believe L.A.? was created and the first walking tours began, downtown Los Angeles has undergone many changes. -
A Rccaarchitecture California the Journal of the American Institute Of
architecture california the journal of the american institute of architects california council a r cCA aiacc design awards issue 04.3 photo finish ❉ Silent Archives ❉ AIACC Member Photographs ❉ The Subject is Architecture arcCA 0 4 . 3 aiacc design a wards issue p h o t o f i n i s h Co n t e n t Tracking the Awards 8 Value of the 25 Year Award 10 ❉ Eric Naslund, FAIA Silent Archives: 14 In the Blind Spot of Modernism ❉ Pierluigi Serraino, Assoc. AIA AIACC Member Photographs 18 ❉ AIACC membership The Subject is Architecture 30 ❉ Ruth Keffer AIACC 2004 AWARDS 45 Maybeck Award: 48 Daniel Solomon, FAIA Firm of the Year Award: 52 Marmol Radziner and Associates Lifetime Achievement 56 Award: Donlyn Lyndon, FAIA ❉ Interviewed by John Parman Lifetime Achievement 60 Award: Daniel Dworsky, FAIA ❉ Interviewed by Christel Bivens Kanda Design Awards 64 Reflections on the Awards 85 Jury: Eric Naslund, FAIA, and Hugh Hardy, FAIA ❉ Interviewed by Kenneth Caldwell Savings By Design A w a r d s 88 Co m m e n t 03 Co n t r i b u t o r s 05 C r e d i t s 9 9 Co d a 1 0 0 1 arcCA 0 4 . 3 Editor Tim Culvahouse, AIA a r c C A is dedicated to providing a forum for the exchange of ideas among mem- bers, other architects and related disciplines on issues affecting California archi- Editorial Board Carol Shen, FAIA, Chair tecture. a r c C A is published quarterly and distributed to AIACC members as part of their membership dues. -
Ideology As Dystopia: an Interpretation of "Blade Runner" Author(S): Douglas E
Ideology as Dystopia: An Interpretation of "Blade Runner" Author(s): Douglas E. Williams Source: International Political Science Review / Revue internationale de science politique, Vol. 9, No. 4, (Oct., 1988), pp. 381-394 Published by: Sage Publications, Ltd. Stable URL: http://www.jstor.org/stable/1600763 Accessed: 25/04/2008 20:30 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=sageltd. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. We enable the scholarly community to preserve their work and the materials they rely upon, and to build a common research platform that promotes the discovery and use of these resources. For more information about JSTOR, please contact [email protected]. http://www.jstor.org InternationalPolitical ScienceReview (1988), Vol. 9, No. 4, 381-394 Ideology as Dystopia: An Interpretation of Blade Runner DOUGLASE. -
“500 Days in Downtown L.A.” Walking Tour
“500 DAYS IN DOWNTOWN L.A.” WALKING TOUR Selected historic locations from the 2009 Fox Searchlight film “(500) Days of Summer” For much more information about the rich history of this area, including these and other landmarks, take the Los Angeles Conservancy’s walking tour, Downtown Renaissance: Spring & Main. For details, visit laconservancy.org/tours [Suggested route] Start at: SAN FERNANDO BUILDING 400 South Main Street (at Fourth Street) Original Building: John F. Blee, 1907 Addition (top two stories): R. B. Young, 1911 Los Angeles Historic-Cultural Monument #728 Listed in the National Register of Historic Places In the film, Old Bank DVD serves as the video & record store. • Designed in the Renaissance Revival style • Commissioned by James B. Lankershim, one of the largest landholders in California (his father Isaac helped develop the San Fernando Valley for farming) • Originally had a café, billiard room, and Turkish bath in the basement for tenants • Achieved local attention in 1910, when a series of police raids occurred on the sixth floor due to illegal gambling in the rooms • Redeveloped by Gilmore Associates; reopened in 2000 as seventy loft- style apartments—one of the early projects that sparked downtown’s current renaissance Look diagonally across Main Street (northwest corner of Fourth & Main): “500 Days in Downtown L.A.” Walking Tour Page 1 of 6 VAN NUYS HOTEL (Barclay Hotel) 103 West Fourth Street Morgan and Walls, 1896 Los Angeles Historic-Cultural Monument #288 In the film, the Barclay lobby serves as the hangout for -
Barton Myers Associates, Inc. Architects, Planners
Barton Myers Associates, Inc. Architects, Planners Tempe Center for the Arts Receives a 2008 Merit Award from the United States Institute for Theatre Technology (USITT) For Immediate Release LOS ANGELES, CA, February 13, 2008 – The United States Institute for Theatre Tech- nology (USITT) has awarded the Tempe Center for the Arts, Tempe, Arizona with a 2008 Merit Award for architectural excellence. The award will be presented at the Awards Banquet on Saturday, March 22nd at the USITT Annual Conference & Stage Expo in Houston, Texas. The mission of USITT is to actively promote the advancement of the knowledge and skills of those involved in the design, management, and technical areas of the perform- ing arts and entertainment industry. The 2008 selection panel included Thomas Payne, a founding partner of Kuwabara Payne McKenna Blumberg Architects, Christopher Hume, noted architect critic and columnist for the Toronto Star, and Richard Talaske, founder of TALASKE, a consulting firm. This is the fourth USITT award received by a Barton Myers Associates designed per- forming arts center project. Previously, the USITT honored the New Jersey Performing Arts Center, Cerritos Center for the Performing Arts and the Portland Center for the Performing Arts. This is the first USITT award for architectural partners Architekton of Tempe, Arizona who collaborated in a 50/50 partnership with Barton Myers Associates, Inc. The Tempe Center for the Arts (TCA) forms a crossroads for performing arts and park activities. The 90,000 sf facility is sited on 25.5 acres and includes a 600-seat pro- scenium theater, 200-seat studio theater, 3,400 sf art gallery, 3,000 sf multipurpose room and arts park. -
Bradbury Building
AN IRREPLACEABLE COMBINATION BRADBURY OF HISTORIC ELEGANCE & BUILDING MODERN CLASS 300-310 S. BROADWAY BUILDING HISTORY The Bradbury, an antique architectural treasure of Los Angeles, was built in 1893 by mining millionaire Lewis Bradbury. The architect, George Wyman, was inspired by a 1880s science fiction novel on a utopian civilization in the year 2000. Costing an enormous $500,000 to construct ($325,000 over the original budget), Lewis Bradbury successfully accomplished his goal of creating a building that would perpetuate his name. BUILDING HIGHLIGHTS • The oldest commercial office building in downtown Los Angeles • Across the street from the world-renowned Grand Central Market, offering a vast array of eateries • Abundant month-to-month public parking with 10 structures and lots all within a two-block radius • Top-of-the-line ownership, attentive on-site property management, and 24/7 security Grand Central Market BUILDING FEATURES • Five stories of impeccable office suites immersed within ornate cast iron, polished wood, rich marble, and glazed brick, and crowned with an extraordinary skylight atrium illuminating the entire building with natural light • Beautiful creative spec suites available consisting of modern glass offices and conference rooms, hardwood flooring, and high-end kitchen finishes along with historic 125-year-old red brick walls, operable windows, and exposed wood ceilings. • Balconies surrounding the court that provide access to the suites • Two distinct open cage elevators in free-standing grillwork shafts • Symmetric -
Nomination Form
Form No. 10-300 (Rev. 10-74> UNITEDSTATES DEPARTMENT OF THE INTERIOR NATIONAL PARK SERVICE NATIONAL REGISTER OF HISTORIC PLACES INVENTORY -- NOMINATION FORM SEE INSTRUCTIONS IN HOW TO COMPLETE NATIONAL REGISTER FORMS TYPE ALL ENTRIES -- COMPLETE APPLICABLE SECTIONS NAME HISTORIC Bradbury Building AND/OR COMMON LOCATION STREET & NUMBER 3Q4 South Broadway _NOTFOR PUBLICATION CITY, TOWN CONGRESSIONAL DISTRICT Los Angeles — VICINITY OF 25th STATE CODE COUNTY CODE California 06 T.0<5 Angles 037 HCLASSIFICATION CATEGORY OWNERSHIP STATUS PRESENT USE _DISTRICT _PUBLIC JfecCUPIED —AGRICULTURE —MUSEUM X_BuiLDiNG(S) PRIVATE —UNOCCUPIED K.COMMERCIAL —PARK —STRUCTURE _BOTH —WORK IN PROGRESS —EDUCATIONAL —PRIVATE RESIDENCE —SITE PUBLIC ACQUISITION ACCESSIBLE —ENTERTAINMENT —RELIGIOUS —OBJECT _ IN PROCESS —YES: RESTRICTED —GOVERNMENT —SCIENTIFIC —BEING CONSIDERED J^YES: UNRESTRICTED —INDUSTRIAL —TRANSPORTATION _ NO —MILITARY —OTHER: OWNER OF PROPERTY NAME Western Management Mr n McKelveyf Manager STREET & NUMBER 448 South Hill Street CITY. TOWN STATE Los Angeles VICINITY OF Califnrrn a QfiHI LOCATION OF LEGAL DESCRIPTION COURTHOUSE. REGISTRY OF DEEDS,ETC. Hall of Records STREET & NUMBER 520. West Temple Street CITY. TOWN STATE Los Angeles California 90012 REPRESENTATION IN EXISTING SURVEYS TITLE Historic American Buildings Survey DATE 1965, 1968 -^FEDERAL —STATE —COUNTY —LOCAL DEPOSITORY FOR SURVEY RECORDS QAHP-National Park Service CITY. TOWN STATE Washington, D. C. DESCRIPTION CONDITION CHECK ONE CHECK ONE .^EXCELLENT —DETERIORATED J£uNALTERED JiORIGINALSITE -
Postdoctoral Fellowship Program DIRECTORY
JACK MILLER CENTER “Partners in Higher Education for Citizenship” Postdoctoral Fellowship Program DIRECTORY JACK MILLER CENTER For Teaching America’s Founding Principles and History 1 BLUE COLOR FONTS CMYK Legacy Serif Bold Small Caps C-100 M-75 Y-0 K-0 Legacy Serif Book Italic PANTONE Reflex Blue JACK MILLER CENTER “Partners in Higher Education for Citizenship” 2 JACK MILLER CENTER “Partners in Higher Education for Citizenship” Faces Teaching the Great of the Future Ideas of the American Founding on Campus The Jack Miller Center (JMC) launched its postdoctoral fellowship program in 2008 as a result of a $1 million gift from a donor who wishes to remain anonymous. To date, 91 fellowships (one- or two-year appointments) have been awarded to 62 of our nation’s most promising young scholars who share JMC’s mission to reinvigorate education in our nation’s Founding Principles and history. Time has proven the project to be a major success. During their fellowships, these outstanding young scholars have taught over 250 courses, and their ability to impact students is only growing. Ninety-two percent of JMC’s postdoctoral fellows have secured new academic jobs, and over half of these jobs are tenure- track positions. Postdoctoral fellowships provide young professors, I wish to thank the Jack Miller Center for giving at a crucial juncture in their professional lives, with me the opportunity to do what I love. Happily, my the credentials and experience necessary to further passion converges nicely with the JMC’s ultimate their careers. Fellows have time to turn dissertations purpose: the teaching of America’s Founding into publishable manuscripts—an important first Principles.